Excuse Me...

MyArtBroker

If you could own ANY work of art in the world, what would it be, and why? From street interviews to sofa-hosted podcasts... we ask the big question to our guests, and explore the WHY a bit more than the Instagram algorithm would allow. Join us as Erin brings the much-loved MyArtBroker question to your ears.

  1. hace 1 h

    Excuse Me, Holly Black

    In this episode of Excuse Me, Erin-Atlanta Argun is joined by Holly Black, arts journalist, author, and Contributing Arts Editor at The World of Interiors. Specialising in the visual arts, Holly has a particular passion for printmaking, a medium she explores in her new book, The Story of Printmaking: A Global History of Art. Published by Yale University Press, the book traces printmaking from its early histories in East Asia through Renaissance Europe, revolutionary Mexico, post-Apartheid South Africa and into the present day. Along the way, Holly challenges the idea of the print as simply a means of reproduction, exploring how artists have used techniques from woodblock and etching to lithography and screenprinting to experiment, communicate ideas and circulate images across cultures. It makes Holly a particularly fitting guest for MyArtBroker. Together, Erin and Holly unpack why prints have so often occupied a complicated position within art history, sitting somewhere between fine art, craft and commercial production, and what gets lost when we treat them as secondary to painting or sculpture. They also explore the physical processes behind printmaking, the importance of collaboration between artists and printers, and the extraordinary reach the medium has had throughout history. As always, the conversation turns to the Excuse Me question. Perhaps unsurprisingly, Holly’s five dream artworks are all prints, but her choices span very different moments in the medium’s history. Through them, she considers what makes a print worth living with, the artists and techniques that have shaped her own relationship with the medium, and why printmaking continues to offer such a rich way of understanding visual culture. Excuse Me is a podcast by MyArtBroker, exploring art, culture, and the stories behind the images that shape how we see the world.

    Excuse Me, Holly Black
  2. 3 jun

    Excuse Me, Jean Wainwright

    In this episode of Excuse Me, Erin-Atlanta Argun is joined by Jean Wainwright – art historian, critic, curator, and one of the most experienced artist interviewers working today. Since 1996, Jean has interviewed more than 1,800 artists through her Audio Arts archive, while also writing extensively on contemporary art, photography, and the market across major publications.   Their conversation begins with Jean’s long-standing engagement with Andy Warhol, from her doctoral research into his audiotapes to the intimate, often unexpected picture of the artist that emerged through years of archival listening and conversations with those who knew him best. Together, Erin and Jean explore what the artist interview can reveal, how authenticity and performance coexist in the stories artists tell, and why Warhol continues to open up new ways of thinking about art, media, celebrity, and history.  As always, the episode then turns to the Excuse Me question. Jean’s fantasy collection brings together works by Andy Warhol, Yinka Shonibare, Catherine Yass, Tracey Emin, and Natalia Edenmont – a group of artworks connected by a common narrative, Jean’s memories, history, light, and the sea. Across the conversation, Jean reflects on what it means to live with art, the pieces she still wishes she’d bought, and the stories that make certain works impossible to forget. Excuse Me is a podcast by MyArtBroker, exploring art, culture, and the stories behind the images that shape how we see the world.

    Excuse Me, Jean Wainwright
  3. 15 may

    Excuse Me, Ricky Wilson

    In this episode of Excuse Me, Erin-Atlanta Argun is joined by Ricky Wilson: frontman of the Kaiser Chiefs, former coach on The Voice UK, and this season’s celebrity artist on the BBC’s Extraordinary Portraits. Best known to many as one of the defining voices of British indie rock, Ricky has spent the last two decades on stage and on our screens. But behind his music career is a much longer relationship with art. Before the Kaiser Chiefs took off, Ricky studied art and design, completed two degrees in the subject, and went on to teach at Leeds College of Art. The visual arts shape how he sees the world, and it comes through clearly as Ricky delves into the works of art he’d most love to own. Together, Erin and Ricky talk about the strange milestone of 20 years since the Kaiser Chiefs’ debut album Employment, the creative life he might have had if the band had never broken through, and why teaching and making space for creativity in younger people still matters to him. They also discuss his long-standing interest in visual culture, from his CBBC art programmes to his recent appearance on Extraordinary Portraits, where he created a portrait of wildlife sanctuary owner Lindsay. Along the way, Ricky reflects on what art means to him personally and why certain images stay with us for life. Extraordinary Portraits is available now on iPlayer, and all six original artworks from the series will be on display at a free exhibition at The Loading Bay, Bradford, from 1 May.

    Excuse Me, Ricky Wilson

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If you could own ANY work of art in the world, what would it be, and why? From street interviews to sofa-hosted podcasts... we ask the big question to our guests, and explore the WHY a bit more than the Instagram algorithm would allow. Join us as Erin brings the much-loved MyArtBroker question to your ears.

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