Interviews by Brainard Carey

Brainard Carey

Lives of the most Excellent Artists, Architects, Curators, Critics, Theorists Poets and more, like Vasari’s book updated. (Interviews with over 1200 artists and others about practice and lifestyle from Yale University radio WYBCX)

  1. 1 APR

    Rochelle Voyles

    Rochelle Voyles (b. 1989, Toledo, Ohio) is a Brooklyn based multi-disciplinary artist whose works explore the cyclical nature of humanity’s patterns and the underlying impulses that drive behavior. Mining historical textile diagrams and found images, Voyles arranges fragments of different moments meticulously in collage on-wood cut sculpture. She dislocates, interrupts, and re-purposes found images in order to decontextualize her experience of reality and decipher our collective relationship to photographs. She received her BFA in Fine Arts/Printmaking from Pratt Institute in 2012. She is an upcoming resident of the Wassaic Project, and was a resident at The Peter Bullough Foundation, the Byrdcliffe Arts Colony and the ChaNorth Residency. She has shown at galleries in New York such as Below Grand, 81 Leonard Gallery, Trestle Gallery, Peninsula Art Space, Field of Play Gallery, and Collarworks. Voyles has been published in blogs and online such as Collé, Shoutout LA, Paradice Palase, and The Jealous Curator. Her recent solo show “Unreliable Narrators” at 81 Leonard has been featured as a March 2026 editors select in Impulse Magazine, and as an editorial feature on Art Rabbit. Additionally, the show received favorable reviews in Art Spiel and White Hot Magazine. Neptune in Pisces, 2026Mixed media; collage, paper, and wood, 20 x 23 in. The Bowline at Dusk, 2025 Mixed media; collage, paper, and wood 32 x 31 in. Returned in Fragments, 2026 Mixed media; collage, paper, wood 8 x 7 in.

    22 min
  2. 25 MAR

    Leonardo Madriz

    Leonardo Madriz (b. 1987, Louisiana) is an interdisciplinary artist based in Brooklyn, NY. He makes expanded cinema installations and material assemblages regarding the inter- and inner-states of belonging. Madriz holds an MFA from Hunter College, NY (2021) and a BFA from Louisiana State University (2010). Residency awards include Sharpe-Walentas Studio Program (2024-25), Bemis Center (2024), Wassaic Project (2024), and Vermont Studio Center (2014). Solo shows include Sisyphus Altered at Strobe, New York, NY (2023) and Can’t Forget, Dying to Know at NARS Foundation, Brooklyn, NY (2023). His installation Letters to Home was selected for CURRENTS New Media Festival in Santa Fe, NM (2022), and a reformatted excerpt of Letters to Home II was presented by the DUMBO Projection Project (2025). Recent group exhibitions include Repair at Shadow Walls for Upstate Art Weekend, NY (2025) and I’m Not Alien, I’m Discontent at the Hessel Museum, Annandale-on-Hudson, NY (2024). Permanent collections include the LSU Museum of Art. He is currently an adjunct faculty at the International Center for Photography. Leonardo Madriz, Sentinel Adorned in the Leavers’ Wake, 2025. Image by Gustavo Murillo, Courtesy of Parent Company Gallery.  Leonardo Madriz, Down Is the New Up (Möbius Recalibrates), 2025. Image by Gustavo Murillo, Courtesy of Parent Company Gallery.  Leonardo Madriz, Sentinel of Lacrimosa Guerrero, 2026. Image by Gustavo Murillo, Courtesy of Parent Company Gallery.

    24 min
  3. 18 MAR

    Kevin Umaña

    Kevin Umaña (b. 1989, Los Angeles, CA) is an artist who lives and works in Brooklyn, NY. Spending his early years between Los Angeles and El Salvador, Umaña’s personal history has profoundly shaped his visual language. In El Salvador, he was immersed in a rural environment rich with natural textures, vibrant flora, and traditional crafts. While in Los Angeles, he confronted the intensity of city life and the pressures of assimilation. This duality seeded the fragmented forms and layered symbolism that define his art today. His practice continues to carry echoes of Latin American patterns, nature’s geometry, and American architectural influences, all reimagined through abstraction. Umaña received his B.F.A from San Francisco State University in 2014. In 2025, Umaña received the Louis Comfort Tiffany Foundation Award. He has completed residencies at the Josef and Anni Albers Foundation (2024); Anderson Ranch (2024); Sharpe-Walentas Studio Program (2023-24); Archie Bray Foundation for the Ceramic Arts, Helena, MT (2023); The Center for Book Arts, New York (2019). In 2017, Umaña created a permanent installation at the United Nations Headquarters in New York City. Institutions owning his work include The United Nations Art Collection, New York; Everson Museum of Art, Syracuse, NY; Munson, Utica, NY; Fidelity Mutual Funds Collection; Center for Book Arts Library, New York; and The Marin Museum of Contemporary Art, Novato, CA. In 2026, Umaña will be participating in the MacDowell Fellowship in New Hampshire. Kevin Umaña, Revisiting the Roman Walls, 2026. Acrylic, oil, flock, ink, sand, marble dust, salt, resin, ceramics on canvas, 24 x 18 x 2 3/4 inches. Kevin Umaña, Sanguine and Spiraling, 2023. Acrylic, oil, vinyl paint, flock, ink, sand, gouache, ceramics on canvas, 24 1/4 x 18 1/4 x 1 1/2 inches. Kevin Umaña, The Clothesline Appearing as Aqueducts, 2025. Glaze on stoneware, 12 5/8 x 10 7/8 inches

    20 min

About

Lives of the most Excellent Artists, Architects, Curators, Critics, Theorists Poets and more, like Vasari’s book updated. (Interviews with over 1200 artists and others about practice and lifestyle from Yale University radio WYBCX)

You Might Also Like