Imperative
•Channel • 23 Shows
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- In a rugged corner of West Texas, billionaire wildcatters and roughnecks are fueling an oil boom so big it’s reshaping our climate, our economy, and our geopolitics. This modern-day gold rush has sent both big oil companies and scrappy start-ups scrambling to secure a piece of the action. Texas Monthly’s Christian Wallace follows characters along every rung of the oil field ladder, from the executive cutting billion-dollar deals to the itinerant pipeline worker risking life and limb, and from the traveling exotic dancer following the trail of money to those who worry that our planet is on a path to destruction. Meet the people cashing in and those just trying to get by as the world around them is turned upside down. "A beautiful ride filled with levity, even as it delivers troubling forecasts for the future" - The Atlantic 2021 Webby Award Honoree, Podcast Documentary
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- Standoff follows Fred Gómez Carrasco, a drug cartel kingpin and orchestrator of the 1974 Huntsville, Texas, prison siege. The siege was one of the most infamous hostage crises in American history and played out in dramatic fashion over eleven days, all in front of a terrified national audience. One hundred hours of audio containing the actual hostage negotiations and the deadly shoot-out tell the story like never before. "Journalist Wes Ferguson... weaves a fascinating yarn using new interviews as well as unearthed tapes of Carrasco’s hostage-negotiation calls. What emerges is a big bold look at a little-known crime story." - Vulture Standoff is a production of Imperative Entertainment and is written, created and hosted by Wes Ferguson. Executive Producer and Story Editor is Jason Hoch. Audio editing and sound engineering by Shaine Freeman and Jason Hoch. Original music is by Max Baca with Flaco Jiménez on accordion and Tony Gonzalez is the music engineer for the original score. The main theme 'Huntsville' is performed by Ray Benson and is from the 1971 Merle Haggard and the Strangers Album, 'Someday We'll Look Back'.
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- Sean Kipe tells the story of former Georgia police officer Michael Chapel, convicted of the 1993 robbery and brutal murder of Emogene Thompson and sentenced to life in prison. However, with the recent surfacing of new information, Chapel’s story may have taken a dramatic turn – one that could potentially prove his innocence. Kipe takes a deep dive into Chapel’s past to find the unbelievable truth behind a story that involves corrupt police officers, crime rings, drug trafficking, steroids, and murder. In the Land of Lies is written, created and hosted by Sean Kipe. Original music from Sean Kipe. Executive Producers are Jason Hoch and Gino Falsetto. Story Editing by Jason Hoch. Audio Engineering by Shaine Freeman. Cover Art and Design by Jeana Sullivan. Consulting Producer is Henry Ball.
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- Over the last 25 years, thousands of women have been viciously murdered or disappeared along the border in Ciudad Juarez, Mexico. The investigation into these crimes has revealed a systemic web of corruption, drug violence, sex trafficking, and unchecked globalization that authorities have tried desperately to hide. Hosted by famed investigative journalist Lydia Cacho and produced by a Mexico-based creative team, The Red Note examines the story of the Juarez femicides through the voices of investigators who tried to solve the mystery of these crimes, and the families of the victims, whose lives have been reshaped by tragedy.
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- Fear and hysteria grip the small town of Gilmer, Texas, when the search for missing teenager Kelly Wilson takes a series of bizarre and shocking turns. Thirty years later, journalist Wes Ferguson returns home to uncover what really happened to Kelly, who has never been found, in this wild, 11-episode true crime podcast. "A thorough examination of the circumstances surrounding Wilson's disappearance and the ensuring hysteria that engulfed Gilmer" - Longview News-Journal Devil Town is a production of Imperative Entertainment. It was written and created by Wes Ferguson. Executive Producer is Jason Hoch. Audio Engineering and editing by Shaine Freeman and Jason Hoch. Original score is by Robert Ellis. Recorded by Austin Sisler at Eastside Studios.
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