Pondering Pootan with Ajishio Taro & Hachimitsu Boy

Connor and Niamh read through Cromartie High School at the same pace it was published in Weekly Shōnen Magazine.

  1. 3 GÜN ÖNCE

    Chapter 204: Jealousy

    The Pootan Farewell That Always Puts Fans In Their Feelings Goodbyes are never easy, but in the case of one lighthearted and uproariously funny series, "Pootan," a goodbye is an entirely different matter. Characters often parted ways in battles to the death or executions so brutal some fans think they go too far. With that said, Export Audio's hit show — which was rife with bits, deceit, and brushes with the absurd — still squeezed in farewells that aimed for the heart without drawing any blood. Family, faiths, and homes in place of foreign lands were all left behind by characters in Ajishio Taro & Hachimitsu Boy's beloved podcast, often making pivotal moments in their own stories. One standout "so-long," though, was between two of the most integral characters that, for all their effort to stay on the same page, found themselves going in very different directions as the show progressed. These opposing views even led to treachery between the two, pushing their friendship to its limits. However, in their last tear-filled words together, a standout moment was cemented for fans, becoming a pivotal juncture in the series that would change "Pootan" forever. It also finally put to rest any animosity between a tanuki always looking to the horizon and the kitsune that had a hand getting him there from the beginning... Support the network at exportaud.io! Our schedule: exportaud.io/pootanschedule Pondering Pootan RSS: exportaud.io/pootan Ghost Divers RSS: exportaud.io/ghostdivers The Show: @pootan.exportaud.io Niamh: @foxmomnia.exportaud.io Connor: @rabbleais.exportaud.io OP: “Ningen nante” by Yoshida Takuro ED: “Jealousy” by Queen

    38 dk.
  2. 11 ŞUB

    Chapter 203: An Innocent Man

    "I've gotten so many messages about the podcast that I did on Cromartie High School, and I didn't really understand why I was getting these messages. People were coming to my other podcasts saying that they came here because they read Cro High and they're familiar with Pondering Pootan, and that's how they got to this podcast. And I was like... really as time went on I was like, 'Okay, so maybe Cro High got really big.' Because I did the podcast for that manga, and that manga was localized from I believe Japan, and ADV did it here in the US. So Connor and I just reworked all the chapters and turned it into English podcasts episodes. When Cro High came in you know it wasn't... it wasn't like really high on my big blow up radar, like this thing's gonna blow. But basically what happened is the manga came in and we made this podcast called Pondering Pootan with Ajishio Taro & Hachimtisu Boy that we were gonna start working on at Export Audio. So the manga was coming in and I was doing the episodes with Connor for all of these chapters—the post-production editing, recording, picking outro tracks, and every now and again I do like a seal noise or I'd jump in and be pretend to be another person in one of the episodes." —Niamh Schönherr, Pondering Pootan with Ajishio Taro & Hachimitsu Boy CREATOR "Niamh Foxmom Schönherr" - HOW IT REALLY WENT DOWN! (Export Audio Comedy Podcast) Support the network at exportaud.io! Our schedule: exportaud.io/pootanschedule Pondering Pootan RSS: exportaud.io/pootan Ghost Divers RSS: exportaud.io/ghostdivers The Show: @pootan.exportaud.io Niamh: @foxmomnia.exportaud.io Connor: @rabbleais.exportaud.io OP: “Ningen nante” by Yoshida Takuro ED: "An Innocent Man" by Billy Joel

    38 dk.
  3. 28 OCA

    Chapter 199 & 200: Don't Let Me Down & Can't Get Anything

    r/improv • 1w ago u/Kamen_High_Schooler Tips for beginners I just signed up for improv classes. Possibly through impulse but I’ve always wanted to try it. What tips would you give someone who has zero experience with improv or any kind of performing whatsoever? Thanks. ⇧24 u/ComedyKingpin • 5d ago Improv is a lot like playing make-believe games as a kid. You and the people you're playing with are all immersed in the reality of the fake world you're in, and you're working together to build that world and the actions happening within it in a way that makes sense. The best rules of thumb are buy into the reality of the scene. Act like you and your scene partner are really these characters in this world, and behave accordingly. The less you hesitate and the more you lean into the reality of the scene, the better your scenes will be. Listen to your scene partners because you're building the scene together, and the more you listen, the more sense the things you add to the scene will make. Improv players like to give each other "gifts", which are details about the reality you're in that can help guide the scene, so listen for these details so you can build on them. Don't be afraid to add details to the scene. A lot of beginners hesitate to add to the scene because they're afraid of ruining what their scene partners had in mind. In improv, everything is right, and added details are gifts to your scene partner, so trust yourself and contribute new information to the scene. Don't rely totally on your scene partner. Try not to ask questions in a scene. Sometimes you'll be overwhelmed, and your instinct will be to ask your scene partner questions because they seem to know more about the reality of the scene than you do. But in doing so, you're making your scene partner do all the creative work in the scene. Act like you know everything because in improv, almost anything you add to a scene will be right by definition. For example, if it's established that you're reading a comic book, don't ask your scene partner “what happened in this chapter?”. Say “I thought it was really funny when the gorilla showed up. It makes me so happy I get to read comics like this with you, Dad”. The first one makes your scene partner decide what you're doing. The second one gives your scene partner some good, new information to build on. "Yes and..." Don't ever deny the reality of the scene. If someone says “The people in the comic were trying to act out a comedy bit but they needed another member!”, don't say "It sounds like you didn’t even read the fucking manga because that’s literally what we’re doing right now, disphit!“, because that denies the reality your partner established. Instead, say “Yes, and then they eventually find a third member… and it’s a gorilla!" Don't worry about messing up. One of the best things about improv is that it's so forgiving, and if your scene goes south, it's no big deal because you'll get many more chances. ⇧19 u/The_MoHawk_Wizard • 1w ago Wow, what a coincidence, I just joined a class too! Maybe I don’t have much advice because I’m new at it too, but I just wanted to say, remember to breathe!! ⇧2 u/foxmomnia • 2d ago Don’t do improv in Chicago. A ton of douchebag trash in that town. Source: am douchebag trash\ ⇧1 Support the network at exportaud.io! Our schedule: exportaud.io/pootanschedule Pondering Pootan RSS: exportaud.io/pootan Ghost Divers RSS: exportaud.io/ghostdivers The Show: @pootan.exportaud.io Niamh: @foxmomnia.exportaud.io Connor: @rabbleais.exportaud.io OP: “Ningen nante” by Yoshida Takuro ED: “Don't let me down” by the Beatles

    36 dk.

Hakkında

Connor and Niamh read through Cromartie High School at the same pace it was published in Weekly Shōnen Magazine.

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