Inkstuds

Robin McConnell

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Interviews with Cartoonists

12 sa. önce

Tillie Walden

I have always really enjoyed Tillie Walden‘s comics. I read them as soon as I get them. Her work is really beautiful seamless cartooning. Her latest book, Charity and Sylvia is an historical narrative about their lives and love together. Charity and Sylvia were a queer couple in early to mid 19th century rural Vermont. Tillie brought their story to life utilizing a range of different historical records including their own letters. It’s a very personal and intimate book that honors their story in a way that shows a lovely respect for their lives and how they lived. But it’s also a comic, in the way that Tillie is able to showcase the unique ways that comics can evoke feelings and emotions that adds to the impact of the work. Charity and Sylvia is her first published work for Drawn and Quarterly. The book as a physical object itself, also serves to brightly showcase and create an object of permanence.

1 sa. 5 dk.
5 gün önce

Zoé Jusseret

Zoé Jusseret is a Vancouver based Belgian cartoonist that is currently published by Conundrum Press in Canada and Frémok in Europe. Zoé’s work is a complex form utilizing her own practice of mono-print to create these beautiful images that connect together as a complex narrative that explores ideas and places. Her first book came out in 2017, Qui Mange Des Couteaux (translates to Who Eats Knives) which is being rereleased in a larger format. Her latest book, About the Little Ones is out now.

55 dk.
18 Haz

Kim Deitch

Kim Deitch’s latest book, How I Make Comics, continues his tradition of great fantastic tales that he weaves his own history into a narrative that takes you to places you won’t expect. Kim has been professionally creative for 60 years now. in 1966, he pursued a career of art and hasn’t looked back. There is something about the imaginative wonders in Kim Deitch’s work that keeps pulling people in and engaging with his work. He’s also been interested in telling a good story. There is a lot to explore with Kim’s vast history of comics and the way his stories can interconnect, but it’s done in a way where you can read one book and get so much out of it without knowing other stories. How I make Comics really dives into his process while also exiting in his own unique comic book reality. I first interviewed Kim probably more than 15 years, so it was nice to get caught up with him again and see how is process has changed and also coming into a period of reflection. This podcast is produced with the support of the Canada Council for the Arts.

58 dk.
9 Haz

Michael Deforge

In the process of restarting the podcast, I wanted to do interviews were I reconnected with guests that I haven’t spoken with in quite some time. I am sure it has been more than 10 years since the last time that I had interviewed Michael Deforge. Over those years, his work has continued to excite. His comics are never static, they are constantly forming and shaping, telling stories in a way that challenges the reader to take time to see the play between his language and art. Michael’s creative voice is beautifully singular and always refreshing. His latest work from Drawn and Quarterly, All the Cameras in My Room, is anthology of short stories that feel very present and vital. He is actively navigating, organizing and participating in his world. This work feels very informed by current experiences but in way that makes it timeless. These struggles aren’t new, but they are universal. I took a lot from this book and really spent some time soaking it in after. This Inkstuds episode is sponsored by the Canada Council for the Arts.

1 sa. 6 dk.
1 Haz

Anand

Welcome to a new year of Inkstuds. This episode is the first of a year of episodes that are supported by funding by the Canada Council for the Arts. With this funding, I am able to pay every guest for taking the time to chat with me about their work. I have also brought on a couple of folks that are able to provide me with guidance in terms of curatorial choices. With their support, I hope to be exposed to newer cartoonists that are making exciting and forward thinking work. Every guest on the show is very specifically chosen. I will be focusing the podcasts over the year on direct conversations with artists. The show will also have a selection of specially selected guest hosts that will be paid for their participation. I chose Anand as the first guest during this incarnation of Inkstuds because of how strongly I feel about his work. Zoo is one of my most favorite contemporary comics. His work is smart, funny and imaginative. For such a small body of work, Anand’s comics have landed squarely on my immediate read stack. There is a collection of the first 3 issues, as well as issues 4 and 5, which you from Bubbles and better comic stores.

1 sa. 28 dk.
24 May

Inkstuds Robert Pasternak

I was visiting Winnipeg in the fall last year to visit different Winnipeg based underground artists. Since I had a little bit of flexible time, I also did a couple of interviews in the off chance I got around to posting interviews again. This is the second of those interviews, the first being the previously posted Nick Burns interview. Robert Pasternak was a name that came up quite a lot in conversations with different artists in Winnipeg. His work is quite imaginative and exists in different facets of his lived experience. His home has 2 rooms on the floor that are dedicated to art making. One one side of the attic is his painting studio, a wide open room with a large canvas and some finished pieces a long the wall. When we go to the other side of his attic, we see his comics studio. This is a crammed space devoted to creating objects that are both fueled by novelty and being explored as ways do demonstrate his present. he creates these small meticulous formal/experimental comics that come rolled up like a candy cigarette in a pack of popeye style package. His work is focused and playful, showing a certain level of restlessness. He’s similar to Seth in that way that he needs to explore these other parts of himself and his memory to create work that infuses all these pieces. I am really glad I took the time to visit Robert and get to see his work and how he works. Winnipeg is a really unique spot for artists. There is still a lower cost of living, which means folks are able to spend more time on their work and less time hustling to find a living. Because of the extreme winter, folks are forced to stay indoors for half the year. There is no option but creation or madness. And sometimes the two dovetail quite nicely.

1 sa. 5 dk.
3 Mar

Nick Burns

I have been doing a lot of research into the history of Canadian comics, focusing on work from the late 1960’s to the early 1990’s. My research took me on a trip to Winnipeg, where I got a chance to visit different cartoonists and chat about their work. Winnipeg is an interesting town since the cost of housing is still quite minimal, especially compared to where I live in Vancouver. This means that artists have been able to focus on flourish. Nicholas was the first cartoonist I saw during my visit, giving me a good run down of the city and comics community. I had been in touch with Nicholas for a while, getting back ground info on some of the work I am researching. He’s a really passionate creator with a love for his community and the people he has gotten know. It had been a while since I had sat down for a wide ranging conversation like this, so I appreciate him taking the time to chat with me. Nicholas Burns’ work is most recognized for Super Shamou, a character crated by Inuk tv producers, Barney Pattunguyak and Peter Tapati. Burns’ wrote and drew the singular issue which also had translations in Inuktitut. He also created on Arctic Comics which was published for Expo 86 here in Vancouver and can be found pretty widely in regular comic stores. There is also a more recent Arctic Comics anthology of work by different creators.

1 sa. 38 dk.
05.07.2019

Aisha Franz

German cartoonist, Aisha Franz joined me to talk about her latest comics work, Shit is Real, out from Drawn and Quarterly. She is also one of the people behind the fantastic Clubhouse anthology, beautifully printed by Colorama. The latest issue, lucky number 13 is out now and looks amazing.

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