The Stoop Radiotopia

It's our 100th episode!We're celebrating by going back to some special episode moments over 10 seasons of the show. Some made us laugh, others made us cry, some moments made us question whether we should really go there, and others made us even question ourselves.It's a look back, behind the scenes, of what makes The Stoop, The Stoop.Thank you for Stoopin' with us for 100 episodes!

Welcome to our Mother's Day special!There are many unexpected ways that people step into parenting. In this special from The Stoop, we hear stories about redefining family on your own terms. We explore the term ‘Auntie’ and how some women find it problematic, we hear about the challenges of IVF for Black women, and we meet a family that shows us how co-parenting can evolve. 

Hana loves perfume, and there’s a long heritage of traditional perfume making in Sudan. But sometimes, sweet smells come with some controversy. As she explores the history of racism and colonialism in the global perfume industry with perfume enthusiast and historian Razan Idris, she discovers an intriguing story about an iconic Sudanese scent that has her bothered.

This is an ode to Black men's voices. Celebrating some of the voices that soothe, excite, or give us a sense of feeling grounded. Over the years, Black men’s voices have symbolized comfort, affection, and authority in pop culture. From the baritone of Barry White to the reliable tone of James Earl Jones, we're celebrating voice. We also meet voice actor and writer Kingsley Okafor of the group that became a viral sensation: Bearded Black Men Reading. Kingsley Okafor: @rukuslive

“When can we allow somebody to cry and be transparent?” WNBA player Chamique Holdsclaw asked at the height of her career as a pro basketball player. Chamique's willingness to address her mental health changed her life. In this episode, Chamique talks about the Black pride that can get in the way of healing, what she’d like for people to consider when they have loved ones struggling, and she shares her story of survival and choosing to love herself.

Hana is trying to enjoy the Sudanese music she loves, but something isn’t feeling right. The war in Sudan continues, and has destroyed with it a lot of the country’s cultural landscape, including places where the country’s music once lived. She’s wondering - what will happen to Sudan’s musical heritage? She talks it out with Leila and with Haneen Sidahmed - someone who is preserving music on her site Sudan Tapes Archive, plus she visits a Sudanese choir that’s singing the classics in California.