Weirding Way Media

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2024/08/08更新
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1月28日

Episode 784: Arizona Dream (1993)

Emir Kusturica’s Arizona Dream drifts between deadpan comedy and waking dream, a film where ambition, escape, and American myth collide at odd angles. Written by David Atkins and directed by Emir Kusturica, the 1993 features Axel (Johnny Depp) stranded between New York routine and Arctic fantasia after his cousin (Vincent Gallo) drags him west to Arizona. There, Axel falls into orbit around his Uncle Leo (Jerry Lewis) and the Stalkers—mother and daughter played by Faye Dunaway and Lili Taylor—each chasing a private version of freedom. Mike, joined by co-hosts Andras Jones and David Rodgers, unpacks how Arizona Dream bends tone and narrative into something closer to folklore than plot, balancing melancholy against absurdity. The conversation explores Kusturica’s outsider view of America, the film’s uneasy relationship with realism, and the way dreams—Inuit or otherwise—function as both refuge and trap. Mike also talks with screenwriter David Atkins about shaping the script, collaborating with Kusturica, and navigating a studio-era release that never quite knew what to do with a movie this strange. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

1月28日

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2 小時 24 分鐘
4月15日

Episode 796: Matilda (1978)

Paul Gallico's 1970 novel Matilda told of a male boxing kangaroo who becomes an unlikely heavyweight contender, upending the worlds of sports promotion and organized crime. Producer Albert S. Ruddy, fresh from his Oscar-winning triumph with The Godfather, acquired the rights and brought the story to the screen in 1978, co-writing with Timothy Galfas. The resulting G-rated family comedy stars Elliott Gould as Bernie Bonnelli, a small-time talent agent who discovers the boxing kangaroo and sees his ticket out of obscurity. Clive Revill plays Billy Baker, Matilda's devoted owner and former British boxer, while Robert Mitchum turns up as Duke Parkhurst, a manipulative sportswriter, and Harry Guardino heads the mob contingent scheming to control the outcome of Matilda's fights. The kangaroo himself was portrayed by Gary Morgan in a Rick Baker $30,000 suit. Mike talks with co-hosts Cullen Gallagher and Mike Sullivan about the film, then brings in interviews with actors Gary Morgan and Elliott Gould along with two posthumously-released interviews with producer Albert S. Ruddy and screenwriter Timothy Galfas, Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

4月15日

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2 小時 1 分鐘
4月2日

Episode 793: The Good Fairy (1935)

Adapted by Preston Sturges from Ferenc Molnár's play and directed by William Wyler, The Good Fairy (1935) is a screwball fairy tale built on mistaken identities, comic misfortune, and the peculiar moral logic of someone who genuinely wants to do good but hasn't quite figured out how the world works. Luisa (Margaret Sullavan) has grown up knowing nothing of the world outside the orphanage walls. When she's finally released into Budapest society, she proves as well-meaning as she is naïve — and as prone to catastrophe as she is to kindness. A chance encounter with the wealthy and lecherous Konrad (Frank Morgan) sets off a chain of complications, chief among them the lie that she's already married. The problem is that she isn't, but she soon will be — to a bookish, bearded lawyer named Dr. Sporum (Herbert Marshall) who has no idea any of this is happening. The film showcases the range of Margaret Sullavan's screen presence — radiant and funny and heartbreaking in equal measure — alongside Frank Morgan's gloriously stammering comic turn. The episode also looks at the 1947 remake I'll Be Yours, starring Deanna Durbin, and the 1951 Broadway musical adaptation Make a Wish, with music by Hugh Martin and a book co-written by Sturges and Abe Burrows. Mike talks with co-hosts Rahne Alexander and Federico Bertolini about Molnár, Wyler, Sturges, and the many lives of a very good fairy. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

4月2日

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1 小時 45 分鐘
3月18日

Episode 790: The Wild Boys (2017)

Kyler Fey and Michelle Kisner join Mike to dig into Bertrand Mandico's striking 2017 feature debut, The Wild Boys (Les Garçons Sauvages). A fever dream of transgression and transformation, the film follows five privileged boys who rape and murder their literature teacher — then are spirited away by a mysterious sea captain to the strange and sensual Dress Island, where nature itself begins to reshape them. The trio explores the film's roots in transgressive literary tradition, its place within a rich lineage of queer underground filmmaking — from Jean Genet and Kenneth Anger to Guy Maddin — and Mandico's bold formal choices: tactile black-and-white cinematography, analog practical effects, and the provocative decision to cast women as the "wild boys," destabilizing gender from the very first frame. The conversation ranges across Mandico's developing filmography as well, examining how After Blue and She Is Conann extend the obsessions on display here: artificial worlds, collapsing gender binaries, and the body as a site of punishment and desire. More than a debut, The Wild Boys emerges as a manifesto for a wholly singular cinematic vision. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

3月18日

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1 小時 58 分鐘
2月18日

Episode 787: Spirits of the Air, Gremlins of the Clouds (1989)

We continue our Australian month with Spirits of the Air, Gremlins of the Clouds, the stark 1989 feature debut of Alex Proyas. Before The Crow or Dark City, Proyas delivered this sun-blasted sci-fi Western set in a post-apocalyptic desert where the wind blows and desert bakes. A lone wanderer, Smith (Norman "The Norm" Boyd), emerges from the dunes and collides with siblings Felix and Betty Crabtree (Michael Lake and Melissa Davis), who survive on beans, religious fervor, and flying mania. Smith's arrival fractures their fragile world, igniting jealousy, spiritual dread, and Felix’s obsessive dream. Cullen Gallagher and Rob Spencer join Mike to explore Proyas’s theological undercurrents, and the film’s singular place in late-’80s Australian cinema. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2月18日

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1 小時 27 分鐘
2月27日 · 附贈內容

Special Report: Andres Landau on Nuisance Bear (2026)

Mike talks with editor Andres Landau about his work editing the 2026 documentary, Nuisance Bear. A sobering look at the uneasy relationship between polar bears and humans when humans are infringing on the bears' natural environment. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2月27日 · 附贈內容

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29 分鐘
2017/01/11

The Night Stalker (1972)

Reporter Carl Kolchak's first reported encounter with the supernatural, The Night Stalker, was broadcast on January 11, 1972 to jaw-dropping ratings. Chris Stachiw and Mike White discuss The Night Stalker and the character of Carl Kolchak (Darren McGavin). Based on a book by Jeff Rice and adapted by Richard Matheson (I Am Legend), the made-for-TV movie was produced by Dan Curtis (Dark Shadows) and directed by John Llewellyn Moxey. Special Guest: Professor Mark Dawidziak, author of The Night Stalker: A 25th Anniversary Tribute. Visit Mark Dawidziak's blog Buy Mark Dawidziak's Everything I Need to Know I Learned in the Twilight Zone: A Fifth-Dimension Guide to Life Visit The Kolchak Tapes Facebook page Visit Kulture Shocked for more Chris Stachiw Visit The Projection Booth for more Mike White Subscribe to The Kolchak Tapes on iTunes Music by John Walker, Robert Cobert, Gil Milles

2017/01/11

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2 小時 5 分鐘
2023/09/20

Episode 642: Vice Squad (1983)

Our request month continues with one from listener and Patreon donor Dallas Norvell. "Mondo" Heather Drain and Brad "Cinema Snob" Jones join Mike to look at Gary Sherman’s 1982 film Vice Squad. The film stars Season Hubley as Princess. She’s a devoted mom by day and a working girl by night who works hard for the money so you better treat her right. She gets into all kinds of hi-jinks over one crazy night on the Sunset Strip. Director Gary Sherman discusses the shooting of the film while filmmaker Steve Mitchell shares details on his new documentary, Working Class Actor, all about Wings Hauser. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2023/09/20

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2 小時 52 分鐘
2022/09/28

Episode 589: The Cassandra Cat (1963)

We kick off Czechtember 2022 with a look at Vojtech Jansy’s The Cassandra Cat. Also known as “When the Cat Comes,” the film is a fairy tale about a little city which lives under the protective eye of Oliva (Jan Bierch). When he was young he almost ran away with the circus which featured an unusual act of a cat which could show people their true colors… literally. Spencer Parsons and Chris Stachiw join Mike to discuss this wondrous film. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2022/09/28

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1 小時 56 分鐘
2024/11/06 · 附贈內容

Special Report: Revolution in 35mm

Mike welcomes Samm Deighan and Andrew Nette, co-editors of Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990, from PM Press. The book explores revolutionary cinema across the globe. They discuss the themes and politics of the films covered in the book, highlighting how cinema has been used to challenge authority, incite change, and reflect social struggles. It’s a deep dive into cinema as a tool for revolution, with insights from two of the leading voices in the field of film criticism. Order your copy from PM Press at https://bit.ly/3Ai6y8x Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2024/11/06 · 附贈內容

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49 分鐘

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