IndieWire's Filmmaker Toolkit IndieWire

The show-runner and director for the fourth season of this classic series joins us to explore how she brought the central True Detective themes and mysteries to a brand new landscape; the dark and frozen tundra of Alaska's months long winter.
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After this and "We're All Going to the World's Fair" Schoenbrun has emerged as one of our most fully formed new indie filmmakers, using a mastery of genre and form to expose audiences to complex and fascinating ideas. They spoke with us about making their much anticipated new movie, as well as reflected on their journey to directing.
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The director of the funniest movies in a long time joins the Toolkit today to discuss her bold new work of auto-fiction. Arnow explains how she arranged this series of small vignettes to create something grander that speaks to a greater truth.
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David has been a stunt performer, one of the top stunt co-ordinators in the business, and now is one of the biggest action directors of the last decade with films like of "Atomic Blonde" and "Bullet Train." He joins Toolkit to break down making his newest film as a love letter to stunts and the way Hollywood used to make action flicks. And we get into his biggest stunt of all: pulling off a rom-com in the middle of a huge action movie.
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Veteran producer Alex Baskin takes us behind the scenes of one of the best non-scripted shows on television. Hear how they balance reality with emotional storytelling, and how they prevented last season's 'Scandoval' from breaking the show.
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The great actor-turned-director talks about developing the film for his daughter Maya Hawke (who stars as author Flannery O’Connor) after "Stranger Things" blew up, wrestling with O’Connor’s history with racism, what he learned about directing from all the greats he’s worked with as actor, and why the theme of creativity and what it means to be an artist has become the driving force behind so much of his own work as an artist at this stage of his career.
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