Architecture Foundation

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06.07.2022

31 ИЮЛ.

Paul Shepheard

Paul Shepheard is a British architect and writer known for his philosophical and multidisciplinary approach to architecture. Shepheard was a student at the Architectural Association in the 1960’s, and has worked both in practice, for the likes of James Gowan, and in academia, teaching at institutions like the AA, the University of Texas at Austin, and the Kingston School of Art. As a writer, he is best known for books that explore architecture in relation to broader cultural, technological, and existential themes. His notable works include What is Architecture? (1994), The Cultivated Wilderness (1997), Artificial Love (2003), and How to Like Everything (2013). His most recent book, and the focus of our interview, is called Autobiography, which was published in 2024 by Canalside press. Hosted on Acast. See acast.com/privacy for more information.

31 июл.

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1 ч. 5 мин.
1 МАЯ

Michael Meredith

Michael Meredith is a co-founder with Hilary Sample of MOS, an architecture practice based in New York. MOS is an acronym derived from Meredith and Sample, with the "O" serving as an abstract, connective element. The name, much like the practice itself and the cultural moment it emerged from in the early 2000s, captures a playful tension between irony and sincerity. It's a subtle nod toward global architectural giants like SOM or OMA, while genuinely embodying Michael and Hilary's playful and collaborative spirit. A hallmark of Meredith and Sample’s work is their ability to balance intentional imperfection with technical precision. They've described their practice as embracing a philosophy that's "horizontal and fuzzy," deliberately moving away from the conventional "tall and shiny" image typically associated with architecture firms. It's a metaphor reflecting their preference for an architecture that's smaller, less bureaucratic, more experimental, and ultimately more alive. Michael's podcast Building with Writing Stan Allen: https://open.spotify.com/show/7CUtD3SnpyKxWUmsNnDmSw Michael's 2025 Princeton Syllabus: https://docs.google.com/document/d/1aU1IqdLYJmcldMAzgnxrwOczO1TIrTtCejEziyxZ4-U/edit?tab=t.0 Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield. Download the London Architecture Guide App via the App Store or Google Play Become an Architecture Foundation Patreon member and be a part of a growing coalition of architects and built environment professionals supporting our vital and independent work. Hosted on Acast. See acast.com/privacy for more information.

1 мая

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1 ч. 49 мин.
20 ИЮН.

Crit: Venice Biennale with Emily Conklin, Fabrizio Gallanti & Phin Harper

A month after the opening of this year's Venice Architecture Biennale, we've invited three critics to come on the show to help make sense of what was arguably one of the most content overloaded, and curitorially ambiguous biennales in recent memory. Since its inception in 1980, The Venice architecture biennale has set the tone for global discourse on contemporary design and urbanism, and yet the agenda of this year’s exhibition, curated by the MIT professor and recent guest of this podcast, Carlo Ratti, seemed surprisingly muted and anodyne, calling for architects to marshal the quote intelligence of the natural, artificial and collective” Still there are more complex although perhaps unintended themes to the biennale this year, including the emerging relationship between unaccountable technologies and authoritarianism, quantatitve expansion as a proxy for genuine inclusivity, and perhaps most importantly, the exchange of an independent curatorial vision for an apparent new ideal of algorithmically determined experience. Furter reading: Emily Conklin: We Will Rest: Seeking Resistance and Recovery During Carlo Ratti’s Venice Biennale in the Brooklyn RailFabrizio Gallanti: "Fakery and deception is everywhere at Venice Architecture Biennale 2025" in DezeenPhin Harper: Venice Architecture Biennale 2025 Review: A Tech Bro Fever Dream in Art Review and La Biennale Architettura: A Beginner’s Guide on The Fence. Emily Conklin is the former managing editor of the Architect's Newspaper and is an editor and critic based in New York City. She is trained as a historic preservationist and is the founder of Tiny Cutlery studio. Fabrizio Gallanti is an architect, writer and curator, and directs Arc en Rêve, an architectural center in Bordeaux. Phin Harper is a critic, curator, and sculptor and former Chief Executive of Open City. Correction: the list of Swiss Pavilion curators mentioned in this episode mistakenly omitted Myriam Uzor, who led the project alongside Elena Chiavi, Kathrin Füglister, Amy Perkins amd Axelle Stiefel. Hosted on Acast. See acast.com/privacy for more information.

20 июн.

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1 ч. 22 мин.
05.12.2024

Dean Kissick

Art writer and former Spike columnist Dean Kissick stops by the pod to discuss his most recent article "The Painted Protest: How politics destroyed contemporary art" – published in the December 2024 issue of Harper's. Read Dean's article here. Support the Architecture Foundation by becoming (or gifting) a Patreon membership. More details here. Hosted on Acast. See acast.com/privacy for more information.

05.12.2024

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2 ч. 27 мин.
4 ИЮЛ.

Fredi Fischli (Kontextur Podcast Festival)

Recorded live from the Kontextur Podcast Festival at Khaus in Basel, this episode features a conversation with the curator Fredi Fischli. Fredi Fischli, along with Niels Olsen, is co-curator and co-director of exhibitions at the Institute for the History and Theory of Architecture (gta), ETH Zurich. Together with Niels, Fredi works on projects at the intersection of architecture, art, research and teaching, resulting in exhibitions that subvert traditional formats of display by abandoning the top-down dissemination of knowledge typical to University Galleries, sharing instead their more raw and unbridled enthusiasm for forging strange new connections. resulting in such exhibitions as Unbeautiful museum (curated with Geraldine Tedder), Cloud’ 68. Collection of Radical Architecture, Home. A User’s Manual among many others. Special thanks this week to Katharina Benjamin and everyone on the Kontextur team, including Angelika Hinterbrandner Patrick Martin Rosa Thoneick and Laura Bertelt. Hosted on Acast. See acast.com/privacy for more information.

4 июл.

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53 мин.
20.01.2022

55: Max Creasy

Max Creasy is an architectural photographer based in Berlin.“I’m more interested now in formulating my own [photographic] language, which is a mixture of still life photography, or the way you might work with portrait photography, or vernacular photography — asking what this might constitute as architectural photography. I’m interested in photographing the building, not rendering the building. I’m interested in letting the camera be a camera, and not trying to falsify how the camera sees it.” Hosted on Acast. See acast.com/privacy for more information.

20.01.2022

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50 мин.
15.10.2020

Ep 42: Chris Dorley Brown

Chris Dorley Brown is a photographer living and working in London I suspect that [I’m documenting] what you might call the last days of the civil contract between state and people. I get worried that the post war optimism […] exemplified by architecture - I’m talking about public buildings and public spaces that are built for no other reason than to help us, maybe a library or a block of flats, they weren’t put there for any particular profit or gain – that’s the contract that I feel I’m witnessing the end of. There’s been a breach somewhere along the line, and I spend my days looking for the remnants of it still in existence. Hosted on Acast. See acast.com/privacy for more information.

15.10.2020

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53 мин.
20.02.2020

Ep 33: Michael Maltzan

Michael Maltzan is an architect based in Los Angeles. "I think it’s important to try to anticipate the city in the future […] to speculate about how scale and density is going to change, because architecture not only takes a long time to get built, but it exists for a long time as well, and it’s very likely that if you try to build a building that relates to a rapidly changing context, by the time it’s built it’s already out of scale – it’s already a part of the past […] The idea that we as architects have a responsibility to try and meet the scale, the relationships and context in the future is something that is very difficult to talk about because we are trying to describe and anticipate a speculative vision of the city, but I think it’s incumbent in what we do” Hosted on Acast. See acast.com/privacy for more information.

20.02.2020

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1 ч. 7 мин.
13.01.2022

54: Hélène Binet

Hélène Binet is an architectural photographer based in London "In a construction site you imagine what remains unfinished - you see the structure but you make up the rest. Similarly the ruin is more than what you perceive [...] In both cases, with the building site and the ruin, they are about you imagining, which is the most important thing you could want to do with an image, because in the end if you can’t imagine, I’m just giving you information, and that’s not what I want to do. I want you to enter, and imagine." Hosted on Acast. See acast.com/privacy for more information.

13.01.2022

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54 мин.
12 МАЯ

Jacques Herzog & Nicholas Serota with Ellis Woodman

To mark the 25th Anniversary of the Tate Modern this week, the Architecture Foundation's Director Ellis Woodman speaks with two key figures behind the museum's conception: Nicholas Serota and Jacques Herzog. Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield. Download the London Architecture Guide App via the App Store or Google Play Become an Architecture Foundation Patreon member and be a part of a growing coalition of architects and built environment professionals supporting our vital and independent work. Hosted on Acast. See acast.com/privacy for more information.

12 мая

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59 мин.

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Paul Shepheard

Michael Meredith

Crit: Venice Biennale with Emily Conklin, Fabrizio Gallanti & Phin Harper

Dean Kissick

Fredi Fischli (Kontextur Podcast Festival)

55: Max Creasy

Ep 42: Chris Dorley Brown

Ep 33: Michael Maltzan

54: Hélène Binet

Jacques Herzog & Nicholas Serota with Ellis Woodman

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Architecture Foundation

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