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3 NGÀY TRƯỚC

How a Trump-Endorsed Republican Could Become California’s Next Governor

In the governor’s race in California, the leading Republican candidate appears to be Steve Hilton, a British-born political consultant and former Fox News contributor. Hilton has been endorsed by Donald Trump, which may not help him in the heavily Democratic state. His lead may owe something to California’s unusual primary system, but it’s not the first time a Republican has had a strong showing in the state: former Republican governors include Ronald Reagan and Arnold Schwarzenegger. Hilton is running on a platform emphasizing affordability, cutting waste in the government, and increasing oil and natural-gas production. He talks with David Remnick about how a Republican might win this election, and how he would govern with a minority of Californians supporting him. Further reading: “Gavin Newsom Is Playing the Long Game,” by Nathan Heller “California Strikes Back in the Redistricting War,” by Jon Allsop New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

3 ngày trước

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22 phút
4 NGÀY TRƯỚC

An Assassination Attempt and a Royal Visit to Washington

The New Yorker staff writer Antonia Hitchens joins Tyler Foggatt to discuss a surreal week in Washington: the attempted assassination of Donald Trump during the White House Correspondents’ Association dinner, followed days later by a state visit from King Charles III and Queen Camilla. They talk about what Hitchens witnessed inside the Hilton ballroom during the shooting attempt, and how Washington responded in the days that followed. They also discuss the state of the “special relationship” between the United States and the United Kingdom, how Trump embraced the pageantry of the royal visit, and what King Charles’s trip was meant to signal diplomatically. They also explore what the week’s whiplash reveals about covering politics during the second Trump term. This week’s reading: “D.C. Gets a King It Actually Wants,” by Antonia Hitchens “Inside the White House Correspondents’ Dinner as Gunshots Rang Out,” by Antonia Hitchens “Can the E.P.A. Survive Lee Zeldin?,” by Elizabeth Kolbert “The Kirkification of Our Troubled Times,” by Brady Brickner-Wood “Donald Trump’s Lose-Lose Negotiations with Iran,” by Isaac Chotiner The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

4 ngày trước

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28 phút
6 NGÀY TRƯỚC

“Fat Swim” and Literature’s Fatphobia Problem

Emma Copley Eisenberg is the author of a new collection of short stories entitled “Fat Swim.” Her work questions body image and the suppression of fatness in contemporary culture; Eisenberg recently paid for a billboard over a busy highway in Philadelphia bearing the slogan “Your gut is a terrible thing to lose.” Eisenberg talked with The New Yorker’s Jennifer Wilson about using fiction to explore body image, and the fatphobia that she finds in literature by some of today’s acclaimed writers. Further reading: “Fat Swim,” by Emma Copley Eisenberg New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

6 ngày trước

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20 phút
24 THG 4

Why Senator Rand Paul Voted to Limit Donald Trump’s War Powers

One of Donald Trump’s few critics within his party is the libertarian-leaning senator Rand Paul, from Kentucky. Paul was recently the sole Republican to vote in favor of restricting the President’s power to make war in Iran. He also opposed Trump on tariff policy, and on his budget bill in 2025. “He loves voting ‘NO’ on everything,” the President fumed. Paul ran for President in 2016, and is considering another run for the White House in 2028. He talks with David Remnick about how he would differentiate himself from J. D. Vance and Marco Rubio; about his opposition to the attack on Iran; and about Pete Hegseth invoking Christianity in the war. “People quoting the Old Testament about smiting the enemy” concerns Paul greatly: “If this becomes Christians versus Muslims, I don’t see a quick end to a war.” Further reading: “The End of Limits on a President’s Wars,” by Ruth Marcus “Why Rand Paul Ran Aground,” by Kelefa Sanneh New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

24 thg 4

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30 phút
3 NGÀY TRƯỚC

Sarah Shun-lien Bynum Reads Joan Silber

Sarah Shun-lien Bynum joins Deborah Treisman to discuss “Evolution,” by Joan Silber, which was published in The New Yorker in 2022. Bynum is the author of the novels “Madeleine Is Sleeping,” a National Book Award finalist, and “Ms. Hempel Chronicles”—and the story collection “Likes.” She was named one of The New Yorker’s “20 Under 40” fiction writers in 2010. Learn about your ad choices: dovetail.prx.org/ad-choices

3 ngày trước

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1 giờ 27 phút
25 THG 4

Donald Trump’s Economic Warfare Abroad Comes Home

The Washington Roundtable discusses the global consequences of the closure of the Strait of Hormuz with Edward Fishman, a senior fellow at the Council on Foreign Relations and the author of the book “Chokepoints: American Power in the Age of Economic Warfare.” The group explores how Donald Trump’s embrace of economic weapons such as tariffs, along with his military escalation in Iran, has upended the world’s economy and weakened his popularity at home. “I think we have not seen the worst of this war yet,” Fishman says. “I don’t see how anyone can view that as a victory, and we all know Donald Trump doesn’t like to look like a loser.” See the Washington Roundtable live at 92NY on June 4th. This week’s reading: “Trump and the Iran Deal That Wasn’t,” by Susan B. Glasser “Donald Trump’s Triumphal Arch and the Architecture of Autocracy,” by Adam Gopnik “How Big a Threat Are Iranian-Backed Cyberattacks?,” by Sue Halpern “How Beijing Views the War in Iran,” by Isaac Chotiner The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

25 thg 4

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44 phút
4 NGÀY TRƯỚC

What “Michael” Tries to Show—or Hide

“Michael”—a new film, directed by Antoine Fuqua, charting Michael Jackson’s rise to fame—just had the best opening weekend in the history of bio-pics, proving that audiences are still eager to celebrate the King of Pop. The movie also ends, pointedly, before the first in a series of allegations of child sexual abuse that have tainted Jackson’s reputation ever since. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and their fellow staff writer Kelefa Sanneh consider how the unprecedented highs and horrific lows of Jackson’s life and career have made him a prism for modern ideas about stardom and power. Sanneh’s recent Profile of Fuqua details the Jackson estate’s involvement in the production, which resulted in a sanitized portrait of a deeply complex figure. Other works have assessed Jackson’s legacy more critically: the 2019 documentary “Leaving Neverland” lays out, in granular detail, the claims of two of Jackson’s accusers. “It’s just such a dissonance, seeing these two texts in such close proximity,” Fry says. “The thing with ‘Michael’ is, it doesn’t separate the art from the artist. It separates the artist from the wrongdoing entirely.” Read, watch, and listen with the critics: “Michael” (2026)Michael Jackson’s “Thriller”Michael Jackson’s “Dangerous”“The Action-Film Director Who’s Taking On Michael Jackson,” by Kelefa Sanneh (The New Yorker)“Quiet on Set: The Dark Side Of Kids TV” (2024)“I’m Glad My Mom Died,” by Jennette McCurdy“On Michael Jackson,” by Margo Jefferson“Leaving Neverland” (2019)Michael Jackson’s “Off the Wall”“Justin Bieber, Pop Music’s Fallen Angel, Rises Again at Coachella,” by Vinson Cunningham (The New Yorker) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

4 ngày trước

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49 phút
17 THG 4

A Genocide Scholar Asks “What Went Wrong” in Israel

Omer Bartov is an Israeli professor of Holocaust and genocide studies at Brown University. He grew up in a Zionist home and served as an officer in the Israel Defense Forces, but he has long been concerned about Israel’s use of military power. In a new book called “Israel: What Went Wrong?,” Bartov argues that Zionism has morphed into an ideology of extremism that led to genocide in Gaza following the Hamas attacks of October 7th. “There is growing criticism of American support for these kinds of Israeli policies, both on the American left and on the American right,” Bartov tells David Remnick. Bartov believes that Israel requires “shock therapy” because “it has not still come to identify the limits of its own power, because those limits are in Washington, DC and it's there that those limits have to be set.” “For Israel, that would be good, because I think Israel needs to be liberated from that kind of dependence on American power. I think, for American society and for American Jewry, that’s a very bad thing because there is a rise of . . . antisemitism from the Tucker Carlsons of the world, who are a rising force right now.” Further reading: “Israel: What Went Wrong?,” by Omer Bartov “A Holocaust Scholar Meets with Israeli Reservists,” by Isaac Chotiner “How to Define Genocide,” by Isaac Chotiner New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

17 thg 4

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39 phút
27 THG 4

Why Senator Rand Paul Voted to Limit Donald Trump’s War Powers

One of Donald Trump’s few critics within his party is the libertarian-leaning senator Rand Paul, from Kentucky. Paul was recently the sole Republican to vote in favor of restricting the President’s power to make war in Iran. He also opposed Trump on tariff policy, and on his budget bill in 2025. “He loves voting ‘NO’ on everything,” the President fumed. Paul ran for President in 2016, and is considering another run for the White House in 2028. He talks with David Remnick about how he would differentiate himself from J. D. Vance and Marco Rubio; about his opposition to the attack on Iran; and about Pete Hegseth invoking Christianity in the war. “People quoting the Old Testament about smiting the enemy” concerns Paul greatly: “If this becomes Christians versus Muslims, I don’t see a quick end to a war.” Further reading: “The End of Limits on a President’s Wars,” by Ruth Marcus “Why Rand Paul Ran Aground,” by Kelefa Sanneh The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

27 thg 4

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29 phút
21 THG 4

Patrick Radden Keefe on “London Falling,” His Book About a Teen-Ager’s Mysterious Life and Death

When Patrick Radden Keefe was living in London while shooting the TV adaptation of his book “Say Nothing,” he heard about a teen-ager who fell from a luxurious apartment tower in mysterious circumstances. As he looked into it, he learned that the boy, Zac Brettler, had assumed an alternate identity as the son of a Russian oligarch, and had connected with dangerous people—just as mysterious. His story in The New Yorker, “A Teen’s Fatal Plunge into the London Underworld,” became the basis of his new book “London Falling.” “It’s not crime, per se, that interests me,” Radden Keefe tells David Remnick, “but the intermingling of the licit and illicit worlds, and the ways in which people deviate from a kind of conventional morality by degrees—and then the stories that they tell themselves about doing that.” He shares recordings from Brettler’s parents of conversations that they had as they sought to uncover what had happened to their son. Further reading: “London Falling,” by Patrick Radden Keefe “A Teen’s Fatal Plunge Into the London Underworld,” by Patrick Radden Keefe New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

21 thg 4

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20 phút

In the Dark, hosted by Madeleine Baran, is an award-winning investigative-journalism podcast that started in 2016. Its first season looked at the mysterious abduction of Jacob Wetterling in rural Minnesota and the lack of accountability that sheriffs face when they fail to solve cases. Season 2 examined the case of Curtis Flowers, who was tried six times for the same crime. In 2020, In the Dark released a special report on the coronavirus pandemic in the Mississippi Delta. In 2023, In the Dark joined The New Yorker and in 2024, it released “The Runaway Princesses,” a four-part series that asks why the women in Dubai’s royal family keep trying to run away. Season 3, released in 2024, asked why no one was punished for the killings of twenty-five civilians in Haditha, Iraq. In the Dark won the Pulitzer Prize for audio for Season 3. The podcast is a three-time Peabody Award winner and, in 2019, became the first podcast to win a George Polk Award, one of the top honors in journalism. The program has also received an Alfred I. duPont-Columbia University Award and a Robert F. Kennedy Journalism Award. New Yorker subscribers get early, ad-free access. In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app. If you have comments or story tips, please send them to inthedark@newyorker.com.

4,6 (27918)

TỘI ÁC CÓ THẬT
Join The New Yorker’s writers and editors for reporting, insight, and analysis of the most pressing political issues of our time. On Mondays, David Remnick, the editor of The New Yorker, presents conversations and feature stories about current events. On Wednesdays, the senior editor Tyler Foggatt goes deep on a consequential political story via far-reaching interviews with staff writers and outside experts. And, on Fridays, the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos discuss the latest developments in Washington and beyond, offering an encompassing understanding of this moment in American politics.

4,3 (3764)

CHÍNH TRỊ
A monthly reading and conversation with the New Yorker fiction editor Deborah Treisman.

4,4 (3254)

SÁCH
Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.

4,4 (609)

XÃ HỘI & VĂN HÓA
New Yorker fiction writers read their stories.

4,3 (2059)

NGHỆ THUẬT
Readings and conversation with The New Yorker's poetry editor, Kevin Young.

4,4 (508)

SÁCH