‫Paul McCartney‬ - Apple Podcasts

McCartney: A Life in Lyrics

McCartney: A Life in Lyrics

iHeartPodcasts and Pushkin Industries
Paul McCartney: Inside the Songs

Paul McCartney: Inside the Songs

BBC Radio 4

٠٧‏/٠٢‏/٢٠٢٤

Love Me Do

Countless decisions, large and small, aided The Beatles’ ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this first episode of season two, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٥ من الدقائق
١٧‏/٠٤‏/٢٠٢٤

The End

Coming at the end of an intensely creative period, The Beatles’ Abbey Road features some of the most adventurous compositions in the quartet’s catalog. It's fitting then that the album concludes with one of the most inventive and famous medley committed to record. To close season two of “A Life in Lyrics” McCartney discusses The Beatles’ send off to recording: “Golden Slumbers”, “Carry That Weight” and “The End.” “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٩ من الدقائق
١٣‏/٠٣‏/٢٠٢٤

A Day in the Life

Paul McCartney and John Lennon had a knack for finishing each other's songs. They collaborated by lending ideas for verses, choruses and middle eights many times over the course of their partnership. 1967’s “A Day in the Life” is one of the most prominent examples of McCartney and Lennon’s collaboration. What started as a Lennon song, once worked on with McCartney, became a truly collaborative piece—and a standout in The Beatles’ catalog. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٧ من الدقائق
٠٤‏/١٠‏/٢٠٢٣

Eleanor Rigby

Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrmann score for a Hitchcock film had on the lead single from 1966’s “Revolver." “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

١٩ من الدقائق
٠٧‏/٠٢‏/٢٠٢٤

Band on the Run

Paul McCartney found himself in a tricky place after The Beatles’ break up. What did his musical future look like without the three musicians he’d spent half of his life building a musical rapport with? McCartney’s other band, Wings, and an impromptu tour of UK colleges helped him find his footing. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٩ من الدقائق
١٢‏/١٠‏/٢٠٢٢

Paul McCartney

Meeting Elvis, songwriting backstories, and loving SNL with Sir Paul McCartney. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

١ س ١٥ د
٢٠‏/٠٣‏/٢٠٢٤

Hey Jude

In 1968 the longest song to ever reach number one on the Billboard charts was Paul McCartney’s epic “Hey Jude”—clocking in at seven minutes and twelve seconds. The song was written to soothe John Lennon’s son Julian amid his parent’s divorce. But as with all great works, it has come to mean something a little different to everyone who hears it. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٠ من الدقائق
٠٦‏/٠٣‏/٢٠٢٤

Silly Love Songs

From his earliest days as a songwriter, Paul McCartney was interested in love songs. But by the time of Wing’s 1976 album “At the Speed of Sound” McCartney had become tired of critics suggesting that was all he wrote. And so he wrote the album’s lead single, a defiant anthem about the importance of love in our lives, and named it “Silly Love Songs.” Through discussing this song with Paul Muldoon, McCartney also touches on some of the other love songs in his catalogue: “Can’t Buy Me Love,” “All My Loving,” “I Will” and one he wrote for his wife, Nancy —”My Valentine.” “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٣١ من الدقائق
١٠‏/٠٤‏/٢٠٢٤

Michelle

“Michelle” from 1965’s Rubber Soul started as a kind of light-hearted party piece. But in McCartney’s quest to turn it into a legitimate Beatles song, he went on a bit of a journey to sound not only like a believable French chanteur but also to expand his approach to bass playing, taking inspiration from Motown’s James Jamerson. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٦ من الدقائق
٢١‏/٠٢‏/٢٠٢٤

Yesterday

The Beatles’ songbook became standard repertoire for artists to perform almost as quickly as they kicked off “the British invasion.” But one was covered more than all the rest: Yesterday. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٣٠ من الدقائق
٠٤‏/١٠‏/٢٠٢٣

Back In the U.S.S.R.

What’s Paul McCartney, a Liverpudlian, doing writing about the Soviet Union in 1968? Turns out McCartney was doing a little Chuck Berry, a bit of The Beach Boys, some pastiche and a lot of subversion. Opening “The White Album”, “Back in the U.S.S.R.” raised some eyebrows. And because of The Beatles’ evolving position within the former Eastern Bloc the song has over the years taken on a life of its own, following the trajectory of the West’s often fraught relationship with the region. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

١٨ من الدقائق
٢٨‏/٠٢‏/٢٠٢٤

Picasso’s Last Words (Drink to Me)

“Drink to me, drink to my health” were among the last words spoken by the great Spanish artist Pablo Picasso. On somewhat of a lark, Dustin Hoffman challenged Paul McCartney to use those words to write a song – on the spot. McCartney indulged Hoffman and, without hesitation, an early version of “Picasso’s Last Words (Drink to Me)” poured out of him. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٣ من الدقائق
٢٧‏/٠٣‏/٢٠٢٤

Here, There and Everywhere

The breadth of Paul McCartney’s influences is astounding. One of the many surprising places McCartney found inspiration was in the music of his parent’s generation. For 1966's “Here, There and Everywhere”, he found himself looking to write something akin to Fred Astaire’s 1935 classic “Cheek to Cheek.” In the process, McCartney wrote what might be his favorite song in his catalog. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

١٩ من الدقائق
١٤‏/٠٢‏/٢٠٢٤

Maxwell’s Silver Hammer

One day in the car, Paul McCartney heard a BBC production of the absurdist play “Ubu Cocu” by french writer Alfred Jarry. Taken by the rebelliousness of the radio play, McCartney wrote a sweet-sounding tune about a murderous medical student that seemingly lives in the same universe as Ubu: “Maxwell’s Silver Hammer.” “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٠ من الدقائق
١١‏/١٠‏/٢٠٢٣

Let It Be

Paul McCartney’s mother Mary passed away in 1956, when Paul was only 14 years old. Over a decade later, she appeared to him in a dream, lending a few immortal words of wisdom: “Let it be.” These words arrived in time to help see Paul through the difficult days after The Beatles’ gave up touring to enter the studio full time. And, of course, they went on to become the basis of the song that’s now a popular standard and the title of The Beatles’ final studio release, “Let It Be.” “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. And thank you to the Melbourne Soul & Gospel Choir for their rendition of “Let It Be,” arranged and conducted by Darren Wicks for the album “Stand Strong.” See omnystudio.com/listener for privacy information.

٢١ من الدقائق
٠٣‏/٠٤‏/٢٠٢٤

Give Ireland Back to the Irish

This episode deals with themes and events surrounding the Northern Ireland conflict. As such, this episode may be traumatic or emotional for some listeners. Paul McCartney doesn’t view himself as a writer of protest songs. But the events of Bloody Sunday sufficiently moved him to use his voice. Rush released as Wings first single in 1972, “Give Ireland Back To The Irish” was banned in Britain by the BBC and in the US radio avoided playing it. However, through any criticism, McCartney stood steadfastly behind the release which ultimately reached number one in Ireland. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢١ من الدقائق
٠٨‏/١١‏/٢٠٢٣

Here Today

Warning: This episode begins with a description of the assassination of John Lennon. John Lennon’s assassination has reverberated across decades, country and culture. On the 8th of December, 1980 the world lost one of its greatest creative forces and advocates for peace. And Paul McCartney lost even more: a collaborator, a bandmate, and a dear friend. As McCartney sat in the upstairs room of his Sussex home, mourning his loss, he picked up a guitar, found a comforting set of chords and began memorializing his friendship with Lennon in song. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٣ من الدقائق
٠٦‏/١٢‏/٢٠٢٣

Too Many People

Many observers have tried to pinpoint the specific events that lead to Lennon-McCartney, the formidable songwriting partnership, transitioning to Lennon v. McCartney. But the fact is there is no single truth regarding why the beloved duo split. So instead of investigating the why, we look at the aftermath: legal battles, hurtful accusations in song and, ultimately, a sense of resolution. “Too Many People” opens Paul and Linda McCartney’s 1971 album, “RAM” and serves as an opening to explore Lennon-McCartney’s dissolution ahead of ultimately resolving their differences and rekindling a friendship. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٦ من الدقائق
٢٥‏/١٠‏/٢٠٢٣

Penny Lane

As a young boy, Paul McCartney soaked up the radio plays his mother listened to while cleaning around their house. They gave McCartney an expansive understanding of characterization, something he’s been able to do astonishingly well in his own work throughout his writing career. The song “Penny Lane” may sound like much of the psychedelic musings that was common by the late 60s, but the song is actually a beautifully abstract description of a Liverpool suburb well-known to both McCartney and John Lennon. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٢ من الدقائق
٠١‏/١١‏/٢٠٢٣

Uncle Albert/Admiral Halsey

As Paul McCartney’s life moved further away from the centering force of Liverpool, the distance, both physical and cultural, started becoming increasingly apparent. It's a distance described by Paul as inevitable, if regrettable. “Uncle Albert / Admiral Halsey” is Paul’s expression of the dual longing for home one can experience while also longing to create a new life full of adventure. Released on Paul and Linda’s “RAM” album in 1971, the song is layered with meaning and references to his contradictory feelings. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

٢٠ من الدقائق

Paul McCartney على Apple