The Bodleian Libraries at the University of Oxford is the largest university library system in the United Kingdom. It includes the principal University library - the Bodleian Library - which has been a legal deposit library for 400 years; as well as 28 other libraries across Oxford including major research libraries and faculty, department and institute libraries. Together, the Libraries hold more than 12 million printed items, over 80,000 e-journals and outstanding special collections including rare books and manuscripts, classical papyri, maps, music, art and printed ephemera. Members of the public can explore the collections via the Bodleian’s online image portal at digital.bodleian.ox.ac.uk or by visiting the exhibition galleries in the Bodleian's Weston Library. For more information, visit www.bodleian.ox.ac.uk.
Body of evidence
In this online event, Ana Paula Cordeiro, the creator of Body of Evidence, speaks from the workshop in New York City where she produced it. She will be joined in conversation by Merve Emre, Associate Professor of American Literature. Body of Evidence (2020) is an artist's book that examines the role of documentary evidence in defining national and individual identity. The red, white, and blue of the printing and binding echo a national story, viewed from the perspective of an immigrant, with quotations from Rebecca Solnit, Emily Dickinson, William James, Agnes Martin, and Fernando Pessoa.
We open the conversation by examining the book’s unique structure, moving on to consider the questions posed by the book’s theme. What qualifies as a document? When does a document become evidence? And what does this evidence prove about an individual or a nation? How can an individual's narrative assert their integrity in face of dehumanization? The conversation will be launched after a live presentation of the copy of this book now in the Bodleian.
Originally from Brazil, Cordeiro is based in New York and composes her book works at The Center for Book Arts in New York City, from where she will speak. In 2020 she was awarded a grant from the Pollock-Krasner Foundation. Her artist books are collected privately and institutionally.
Book Arts programme from the Bodleian Libraries Centre for the Study of the Book.
Supported by a generous donation to the Bodleian Bibliographical Press.
Reynard the Fox
In this BodCast from the Friends of the Bodleian, Professor Dame Marina Warner interviews Anne Louise Avery, writer and art historian, on the subject of Avery's recent book, Reynard the Fox https://bodleianshop.co.uk/products/reynard-the-fox Based on William Caxton's bestselling 1481 English translation of the Middle Dutch, but expanded with new interpretations, innovative language and characterisation, this edition is an imaginative retelling of the Reynard story. With its themes of protest, resistance and duplicity fronted by a personable, anti-heroic Fox making his way in a dangerous and cruel world, this gripping tale is as relevant and controversial today as it was in the fifteenth century.
Reynard the Fox is available to purchase at [http://www.bodleianshop.co.uk
Jewish Treasures from Oxford Libraries
Join Rebecca Abrams in conversation with Samuel Fanous to discuss her riveting and beautiful new book, edited with César Merchan-Hamann, Jewish Treasures from Oxford Libraries. You can purchase the book https://bodleianshop.co.uk/products/jewish-treasures
The Future of the Monograph: An Open Access Forum
Panel Discussion to debate the proposed changes to the policy on Open Access for monographs in the next REF after REF 2021 which will have profound implications for researchers in the humanities and social sciences. Panellists: Richard Ovenden, Bodley's Librarian, Professor Julia Smith, Chichele Professor of Medieval History, Research Director, Faculty of History, Helen Snaith, Senior Policy Advisor, Research England, David Clark, Head of Academic Division, OUP Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
Painted by numbers: decoding Ferdinand Bauer's Flora Graeca colour code
Lunchtime lecture by Richard Mulholland accompanying the exhibition Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries. Outside of the natural sciences, the work of Ferdinand Bauer (1760-1826), the pre-eminent eighteenth century natural history painter is little known. However, his botanical and zoological paintings on paper are considered to be among the finest in the world. Of particular interest is the unusual drawing and painting technique he used, recording colour information about specimens by annotating preliminary pencil sketches with numerical colour codes to be painted at a much later stage referring directly to a painted colour chart. This talk will discuss Bauer's botanical illustrations for the Flora Graeca (1806-1840), one of the most lavish Flora's ever published, the materials and techniques he used, and new research by the Bodleian's Conservation Research department to identify Bauer's 18th century palette, and recreate the lost colour chart that holds the key to fully understanding Bauer's considerable expertise as an artist.
Mr Douce steps into the nursery and lingers...
A lunchtime lecture by Clive Hurst accompanying the exhibition Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries. Some dozen items bequeathed to the Bodleian Library by Francis Douce in 1834 feature in Marks of Genius, ranging from medieval manuscripts to a panoramic print of Shakespeare's London, from Mughal paintings to a bible presented to Elizabeth I.
Three works are known by his name: the Douce Apocalypse, the Douce Pliny, and the Douce Ivory. But Douce wasn't only interested in the spectacular and grand - he collected nursery chapbooks, and nursery rhymes, indeed, he edited a volume of the latter in 1810. It is this area of his collection that this talk investigates.
Open all access to my phone and my internet access
Open all access to my internet and max and internet access for my phone number for good
Shakespeare and the Medieval Romance
Professor Cooper’s lecture “Shakespeare and the Medieval Romance” is extraordinarily informative, with the genius of appearing obvious once you’ve heard it. But all other discussion of Shakespeare’s sources I’ve encountered spends too much time on his more elevated sources, his little Latin and less Greek, or the histories he used and abused (with, by the way, a discreditable hushing up of the latter). This lecture explains what should have been obvious, the strong influence of popular English literature on Shakespeare.