Artroverted

Michael H. Dewberry
Artroverted

Welcome to Artroverted, a podcast about the art world. In each episode, we speak with leaders and change-makers in the arts, from artists to museum directors and everyone in between. We discuss their experiences, the communities they serve, and why they’ve dedicated their lives to art.

  1. Illuminating The Art of Time with Artist Alicia Eggert

    04/22/2022

    Illuminating The Art of Time with Artist Alicia Eggert

    Interdisciplinary artist Alicia Eggert creates captivating work, which wrestles with fundamental existential questions in witty and awe-inspiring ways. From monumental inflatables, flashing neon signs, cut flowers, and more, her dynamic works have been exhibited globally. Often taking the form of text, she transforms words and phrases collected in her journals into profound, arresting installations that illuminate her interplay with time and language. She credits her preoccupation with time and existence to her upbringing as a child of evangelical Pentecostal missionaries. At a young age her family moved to South Africa to establish a ministry and she spent much of her time listening to her father’s sermons, contemplating life and performance, which left an indelible impact on her work. One of the beautiful things about her work is its simplicity and legibility which render them easily comprehensible. As a sculpture professor at the University of North Texas, she teaches a course about public art that culminates in students executing their work formally. Her dedication to her craft and students is inspiring and a reminder to live in the present, but with an eye to the future.  About Alicia: (b. 1981) is an interdisciplinary artist whose work gives material form to language and time, the powerful but invisible forces that shape our perception of reality. Her creative practice is largely motivated by an existential pursuit to understand the linear and finite nature of human life within a seemingly infinite universe. She derives her inspiration from physics and philosophy, and her sculptures often co-opt the styles and structures of commercial signage to communicate messages that inspire reflection and wonder. Alicia creates neon signs that illuminate the way light travels across space and time, and billboards that allow Forever to appear and disappear in the fog. These artworks have been installed on building rooftops in Russia, on bridges in Amsterdam, and on uninhabited islands in Maine, beckoning us to ponder our place in the world and the role we play in it. Alicia's work has been exhibited at notable institutions nationally and internationally, including the CAFA Art Museum in Beijing, the Triennale Design Museum in Milan, the Philadelphia Museum of Art, the Corning Museum of Glass, the Albuquerque Museum of Art and History, the Telfair Museums, and many more. Recent solo exhibitions have been held at Galeria Fernando Santos (Porto, Portugal), The MAC (Dallas, TX), and T+H Gallery (Boston, MA). Alicia is the recipient of numerous honors and awards, including a TED Fellowship, a Washington Award from the S&R Foundation, a Direct Artist Grant from the Harpo Foundation, an Artist Microgrant from the Nasher Sculpture Center, and an Individual Artist Fellowship from the Maine Arts Commission. She has been an artist in residence at Google Tilt Brush, Sculpture Space, True/False Film Festival, and the Tides Institute and Museum of Art. In 2020, she was added to the Fulbright Specialist Roster by the U.S. Department of State’s Bureau of Educational and Cultural Affairs. Alicia earned a Bachelor of Science degree from Drexel University in 2004, and a Masters of Fine Arts in Sculpture/Dimensional Studies from Alfred University in 2009. She is currently a Presidential Early Career Professor of Studio Art and the Sculpture Program Coordinator at the University of North Texas. Her work is represented by Galeria Fernando Santos in Porto, Portugal, and Liliana Bloch Gallery in Dallas. She lives with her son, Zephyr, in Denton, Texas. Learn more about Alicia on her website and follow her on Instagram @aplaceintheuniverse.

    1h 11m
  2. Curating Native American Art with Darienne Turner, Assistant Curator of Indigenous Art of the Americas, Baltimore Museum of Art

    12/02/2021

    Curating Native American Art with Darienne Turner, Assistant Curator of Indigenous Art of the Americas, Baltimore Museum of Art

    In 2020 the Baltimore Museum of Art appointed their first native curator, Darienne Turner, Assistant Curator of Indigenous Art of the Americas. Her hire signaled a commitment by the museum to promote and interpret the art of indigenous peoples of the Americas. A member of the Yurok Tribe of California, Darienne is one of the few native curators of native art in U.S. museums. In our conversation, she discusses her role and the challenges in presenting and collecting native art in an institutional context and her responsibility to tell the stories of native peoples thoughtfully and reverently.   When we spoke with Darienne in December 2020, the museum was partially closed. The only spaces open to the public were the gift shop and a portion of the first floor where her first exhibition at the museum, Stripes, and Stars: Reclaiming Lakota Independence (October 11, 2020 — March 28, 2021), was installed. The exhibition presented a small selection of objects from the museum's collection produced by the Lakota peoples of South Dakota. Confined to reservations by the late 19th century, the makers of these objects incorporated the American flag in their detailed beadwork. On caps and vests worn by children, boots, pouches, and a monumental hood for a horse, these emblems of the flag served as a talisman and a way for the Lakota youth to participate in cultural activities which had previously been outlawed. Her exhibition was the first in what we hope will be many that celebrate the achievement of native makers of the Americas.   The Baltimore Museum of Art is one of the leading U.S. encyclopedic museums committed to collecting and promoting inclusivity. Being a majority-minority city, Baltimore and the museum is a model for the future of U.S. culture and institutions. Learn more about the museum and her exhibition here: Exhibition page: https://artbma.org/exhibition/stripes-and-stars-reclaiming-lakota-independence Exhibition Installation Video https://www.youtube.com/watch?v=LrgHLLqglko Talk with Darienne Turner and Sheldon Raymore, member of the Cheyenne River Sioux Nation and multidisciplinary artist and performer, on the occasion of the exhibition Stripes and Stars: Reclaiming Lakota Independence at the BMA. https://www.youtube.com/watch?v=aIycn3OzPMU Press: 'We Were White and Sleepy Before’—The Baltimore Museum of Art's Radical Makeover – Wall Street Journal, 11/22/19. About Darienne: Darienne is the Assistant Curator of Indigenous Art of the Americas at the Baltimore Museum of Art, is a member of the Yurok Tribe of California, and has taught in MICA's Graphic Design Department since 2017. She earned a B.A. in Comparative Literature from Stanford University and an M.A. in Design History & Material Culture from the Bard Graduate Center. She is the curator of Stripes and Stars: Reclaiming Lakota Independence (2020) and has contributed to exhibitions at the Bard Graduate Center, Walters Art Museum, Utah Museum of Fine Arts, and Yellowstone National Park. Her essay "Terrestrial Gateways to the Divine" was featured in the Ex Voto: Agents of Faith exhibition catalog, named one of the Best Art Books of 2018 by the New York Times. Episode recorded on December 16, 2020.

    58 min
  3. Art + Medicine: Inside the Mind of a Collector with Shirley M. Mueller, M.D.

    11/12/2021

    Art + Medicine: Inside the Mind of a Collector with Shirley M. Mueller, M.D.

    The science of collecting is a fascinating field, and Shirley Mueller, M.D. has devoted her life to studying the science of collecting, museum curating, and scholarship on her own collection of Chinese export porcelain. A passionate collector, Shirley has authored numerous articles and a recent book on the neuropsychological forces at play in the mind of a collector. Her groundbreaking research has contributed to museum exhibitions and scholarly papers that help us understand the inner workings of a collector’s brain.  In our conversation, we discuss the science of collecting, her experiences as a collector of Chinese export porcelain, how museums are using scientific analysis to measure visitors’ neurophysiological responses in real-time, as well as the future of collecting online. Shirley M. Mueller, MD is an internationally known collector and scholar of Chinese export porcelain, as well as a physician board-certified in Neurology and Psychiatry. This latter expertise led her to explore her own intentions while collecting art, which, she discovered, are applicable to all art collectors. This new understanding is the motivation for this book. Mueller not only lectures and publishes about the neuropsychology of the art collector; she also was guest curator for Elegance from the East: New Insights into Old Porcelain at the Indianapolis Museum of Art (now Newfields) in 2017. In this unique exhibit, she combined art represented by Chinese export porcelain with concepts from neuroscience to make historical objects personally relevant to visitors. You can learn more about Shirley’s collection and scholarship on her website.

    55 min
5
out of 5
10 Ratings

About

Welcome to Artroverted, a podcast about the art world. In each episode, we speak with leaders and change-makers in the arts, from artists to museum directors and everyone in between. We discuss their experiences, the communities they serve, and why they’ve dedicated their lives to art.

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