Behind The Lens

debbie lynn elias

Join noted film critic debbie lynn elias and a line-up of talented co-hosts and informed guests each week as she goes BEHIND THE LENS and below the line with in-depth looks at films and filmmaking with the movers and shakers and up and comers of the industry, along with movie reviews, interviews, box office round-ups, awards, festival coverage, specialty segments like Tech Talk, Legalese and Classic Corner, and more every Monday at 11am PT/2pm ET - only on Adrenaline Radio!

  1. 5D AGO

    BEHIND THE LENS #509: Featuring Kevin Lewis

    I'm very excited about this week's BEHIND THE LENS and my special guest, director KEVIN LEWIS. This marks Kevin's third appearance on #BTLRadioShow, following the brilliantly bonkers WILLY'S WONDERLAND and PIG HILL. Still, this time we're talking about his new film MISDIRECTION, which, in many respects, is a big departure from the horror films you've come to know and love from Kevin. Set over one long night in a glass-walled modern house, MISDIRECTION follows a couple driven to carry out a series of high-end heists to pay off a dangerous mob debt. When their latest break-in — targeting a prominent defense attorney — spirals out of control, the pair find themselves caught in a web of secrets, deception, and deadly consequences. Directed by Kevin Lewis and written by Lacy McClory, MISDIRECTION stars Frank Grillo, Olga Kurylenko, and Oliver Trevana. MISDIRECTION is a completely new style for Kevin. It's a bold, different work in his filmography. So used to seeing horror films from him, he dazzles with this neo-noirish home-invasion crime thriller, which begs the question, how does directing a contained non-horror film like MISDIRECTION differ from multi-location films like "Pig Hill" and "Willy's Wonderland"? With some time to spare this week, I've also got some fun, female-centric Oscar trivia for you about the 98th Academy Awards. And while you can see MISDIRECTION on digital, make sure to hit the theatre to check out Luc Besson's DRACULA. http://eliasentertainmentnetwork.com

    42 min
  2. FEB 2

    BEHIND THE LENS #508: Featuring Renny Harlin and Bryan Fuller

    This is a fun week for me on BEHIND THE LENS, given the two films that we're talking about and the two filmmakers I'm speaking with. It's a great way to kick off my 44th year as a film critic (although I was published with reviews going back 5 years before that)! Today you'll hear from one of my all-time favorite directors, RENNY HARLIN, as we talk about THE STRANGERS: CHAPTER 3, which now completes his trilogy of the rebooted classic. And, then a new fave writer/director BRYAN FULLER, who makes his feature directorial debut with the sumptuous and fun visual feast, DUST BUNNY. First up – RENNY HARLIN and THE STRANGERS: CHAPTER 3. The Strangers began back in 2008 thanks to w/d Bryan Bertino, who treated us to the tale of James Hoyt and Kristen McKay, who visit an isolated vacation home to enjoy some time together. Hopeful bliss turned into terror, making their stay a bloody nightmare. In 2018, director Johannes Roberts, with a script by Bryan Bertino and Ben Ketai, rebooted the franchise with The Strangers: Prey at Night, starring Bailee Madison, Lewis Pullman, and Christina Hendricks. It was always Johannes's intent to do a sequel, but that didn't pan out. But then in 2024, RENNY HARLIN stepped into the franchise with what has become a three-chapter series with all three films shot at the same time over 53 days of principal photography, with a cast led by Madelaine Petsch. Now, we have the final piece of the puzzle with THE STRANGERS CHAPTER 3. Maya is again the last woman standing. She survived what she thought was the worst of the worst, but now she must move on. But how to do that, when she must face the masked killers one last time in a brutal, full-circle reckoning of survival and revenge. This final chapter is very internalized, very observational as Maya tries to absorb what all has happened while trying to understand the psyche of these masked psychopaths. Where lighting and lensing were the key tools in the cinematic toolbox for Chapter 2, sound becomes all-important with CHAPTER 3. And that's what Renny and I focus on in this exclusive interview. Switching gears into a film that I absolutely love is my conversation with writer/director BRYAN FULLER, talking DUST BUNNY. This is a cacophony of creativity and truly a sumptuous visual feast! How the work of production designer Jeremy Reed was ignored by the Academy members in Oscar nominations is beyond me. His work, in concert with that of costume designers Olivier Beriot and Catherine LaTerrier, and cinematographer Nicole Hirsch Whitaker, is vibrant, alive, and magical. Written and directed by Bryan Fuller, DUST BUNNY stars Mads Mikkelson, Sigourney Weaver, and a scene-stealing performance by Sophie Sloan as the precociously adorable Aurora. http://eliasentertainmentnetwork.com

    1h 3m
  3. JAN 19

    BEHIND THE LENS #506: Featuring Paul Schwartz, Josh Tate and Salvatore Sciortino

    Welcome back to BEHIND THE LENS! This past weekend was Dances With Films NY and from all accounts, it was a blast. You all know how much I love to champion indie films, which makes DWF one of my fave fests. And how lucky are we to not only have DWF in Los Angeles later in the year, but also an abbreviated version in NY! First up, let's take a look and a listen at STOP TIME and my exclusive interview with writer, director, editor, and cinematographer PAUL SCHWARTZ. STOP TIME tells the intertwined stories of Peter de Vries, a photographer, and Adrianna Maier, a theatrical lighting designer. Both are carrying heavy burdens of sadness: burdens that mutual friends of theirs believe each could lighten for the other. Over the course of 24 hours in New York City, their lives circle, until they meet at the opening of Peter's gallery show, which leads them both down an unexpected path. Written and directed by PAUL SCHWARTZ, STOP TIME stars Nelson Avidon, Tara Westwood, Patty McCormack, Kelly Deadmon, Christina Toth, Catherine Quirico, and Daria Karic. Now, let's switch gears with a film that I was riveted by. ROOF. That's it. One word. ROOF. It's a human thriller, a nail-biter, it has some wonderful cinematic nods to beloved films of the past few decades, boasts strong performances, creativity, and, in all honesty, is a Must See Film. The premise is simple and effective. When a catastrophic blackout leaves two strangers, Dev, a trader who just lost the company millions, and Mary, a pregnant woman with nowhere to turn, trapped on a rooftop in downtown L.A. over July 4th weekend, survival becomes a brutal waiting game. With no water, no exit, and the city oblivious to their cries for help, the heat and hunger push them to the brink, both physically and mentally. As desperation sets in, a bond forms between them, blurring the lines between fear, trust, and something deeper. But as their bodies weaken and the ledge starts looking like the only escape, they must decide: wait for a rescue…or take fate into their own hands. Directed by SALVATORE SCIORTINO with script by JOSH TATE, ROOF stars Asif Ali and Bella Heathcote. http://eliasentertainmentnetwork.com

    1h 17m
  4. 12/15/2025

    BEHIND THE LENS #503: Featuring Ryan Francis

    It's the last BEHIND THE LENS for 2025! And this week, we shine a light on producer, director, writer, and actor RYAN FRANCIS and his latest film, SPEED TRAIN. I have had the pleasure of knowing Ryan for more than two decades. I reviewed his first directorial short film and multiple feature films thereafter, and interviewed him. And over the years, he has moved from being an actor in front of the camera to going behind the camera into directing and, most recently, also producing. And now he brings us a fast-paced, entertaining futuristic film that posits some interesting questions for us as individuals and a society – SPEED TRAIN. In this very candid, fun, and unfettered exclusive interview, writer/director RYAN FRANCIS discusses his career growth from acting to directing, highlighting his recent film SPEED TRAIN, as well as discussing at length some of his prior films of late in which he only acts or serves an Executive Producer versus directing; notably, "Reverence", "The Jurassic Games: Extinction", "Trail of Vengeance", "The Flood", and "3 Days in Malay". He also discusses two upcoming films he's excited about, "Bruton" and "Bring the Law." As we specifically dig into the making of SPEED TRAIN, Ryan shares the challenges of directing a futuristic sci-fi film in 12 days with a small budget, praising his team, including DP Nico De La Fere and editor Austin Nordell, as well as producer Daemon Hillin and his Thailand team. A large portion of our conversation also discusses the film's themes of AI and human reliance on technology. An interesting aspect of our discussion revolved around the challenges of the film industry, the importance of maintaining a passion for making movies, and the need to bring audiences back to the theater experience. As you'll hear, Ryan speaks with a mix of candor, humor, and hard-earned perspective about a career that has quietly but decisively evolved. Once primarily known as an actor, Ryan has increasingly stepped behind the camera, carving out a space as a filmmaker unafraid of ambition—or of admitting when that ambition nearly outruns the clock. http://eliasentertainmentnetwork.com

    1h 6m
  5. 12/08/2025

    BEHIND THE LENS #502: Featuring Adam Volerich and Celia Aniskovich

    Welcome to another week of BEHIND THE LENS and this week it's all about Christmas as I welcome director/co-cinematographer/co-editor ADAM VOLERICH, talking about his feature directorial debut, DRINK AND BE MERRY, and director CELIA ANISKOVICH, who is filled with the Christmas spirit as she talks about her documentary, THE MERCHANTS OF JOY. So, let's get that cinematic sleigh going with Adam Volerich and DRINK AND BE MERRY. At a struggling New York dive bar in the days leading up to Christmas 2019, Chet, a beleaguered bartender in a state of extended arrested development, must balance caring for his misanthropic, aging regulars – who have nowhere else to go, and rely on him for far more than pouring drinks – with his naive desires to muster some Christmas spirit. Neither Chet nor his regulars know if this will be their last Christmas together, but for them, every day is just another day, but under the prettiest of holiday wrappings. And now we move from the warmth of a cozy, nostalgic bar to the hustle and bustle of New York City with THE MERCHANTS OF JOY and documentarian CELIA ANISKOVICH. A funny, heartwarming, and grounded documentary that follows five families who sell Christmas trees in New York City each holiday season, THE MERCHANTS OF JOY captures the cast of characters behind the city's Christmas tree stands– small business owners who bring holiday cheer to the streets each season, along with a healthy dose of friendly (and sometimes not-so-friendly) competition with each other. http://eliasentertainmentnetwork.com

    1h 10m

Ratings & Reviews

5
out of 5
6 Ratings

About

Join noted film critic debbie lynn elias and a line-up of talented co-hosts and informed guests each week as she goes BEHIND THE LENS and below the line with in-depth looks at films and filmmaking with the movers and shakers and up and comers of the industry, along with movie reviews, interviews, box office round-ups, awards, festival coverage, specialty segments like Tech Talk, Legalese and Classic Corner, and more every Monday at 11am PT/2pm ET - only on Adrenaline Radio!