Beth's Exceptional Video Playlist

Beth Lisogorsky

Reviews of shows and films that make us laugh, think or cry curated by a pop culture writer who knows what's what. bethlisogorsky.substack.com

Episodes

  1. 05/03/2025

    "Another Simple Favor" – No spoilers, just a confessional prologue

    The unexpectedly delightful gem that was Paul Feig’s (pronounced FEEG) 2018 A Simple Favor set a new standard for me. It came at a time when I was deep in my cynicism era and reminded me to give seemingly questionable films a chance—because sometimes they don’t just not suck, they completely flip expectations and end up being kind of amazing. The Blake Lively Effect When the first film came out, Blake Lively was at her peak—cool, stylish, and somehow still relatable, even while name-dropping Taylor Swift and talking about her drugstore makeup routine before the Met Gala. She had Ryan Reynolds on her arm, the funny guy turned global superstar, and together they made trolling each other on social media look sweet, clever, and kind of genius. They blurred the lines between work, romance, and branding, and made it all look easy. Even the cynical part of me thought, Okay, but surely they secretly hate each other, right? Still, Lively alone was reason enough to tune in, especially for anyone who didn’t find “cups” girl Anna Kendrick (yes, cups + Anna Kendrick — Google it) a strong enough draw. Ok, forget it, I’ll just put the video below. Fast forward 7 years, and some things have changed. Kendrick dated Bill Hader in the interim. Just saying. And Kendrick, is coming off her newly minted directorial debut and critical success,"Woman of the Hour," a true crime story about a serial killer who appeared on The Dating Game and which slightly subverts the whole victim-perp dynamic by get this, focusing on the experiences of the victims rather than the killer’s motives. Wild, I know. The film and Kendrick garnered a ton of praise, with one critic stating, “"Deftly directed by star Anna Kendrick, Woman of the Hour uses an incredible true story as the foundation for a powerful examination of the intersection between systemic misogyny and violence.” And then there’s Lively. This past year hasn’t been smooth for Blake Lively’s reputation. Her involvement in the controversial retelling of a domestic abuse-themed Cinderella story, It Ends with Us, essentially showing the cycle of abuse handed down generationally while weirdly romanticizing Ryle, the abuser (played by Justin Baldoni), didn't land well. The film flopped, primarily because it came off as tone-deaf to many. I thought it was fine. Not great, but I didn’t immediately pick up on the problematic angle (and I walked away with a whole new playlist). But the court of public opinion was merciless. Adding to the fallout was that Lively and Baldoni weren’t seen doing any press together once the film was released, fueling speculation. As it turns out, the behind-the-scenes drama between Lively and Baldoni, who also served as the film’s director and producer, was more dramatic than the story they told on screen. The tension reportedly escalated to the point of lawsuits, and there’s now a Max docuseries unpacking all of it. The title, In Dispute: Lively v Baldoni says enough about the “ripped from the headlines” E! True Hollywood Story vibe. Even Lively’s friendship with Taylor Swift took a hit. Rumor has it she was left off the Super Bowl guest list because Swift didn’t want to be dragged into the legal mess, which she reportedly was, against her comfort level. That said, I admit I’m kind of impressed by Blake comparing herself to Khaleesi from Game of Thrones, and suggesting Reynolds and Swift are her dragons. It’s a pretty solid analogy and clever, too, pulling from prestige TV and pop culture like that. So what does all this have to do with the film sequel for A Simple Favor? All of this makes Lively’s return in Another Simple Favor [trailer] feel a bit more high-stakes. She’s re-entering a space where she once thrived and was considered stylish, unbothered, and sharp-tongued, but now with more baggage, battle scars, and scrutiny. The question is whether she can slip back into Emily’s stilettos and reclaim that icy cool magic, or whether the off-screen noise will drown out the fun. Either way, it adds a new layer of intrigue to the sequel and higher stakes for Lively and her near-term film prospects. Then there’s the female friendship angle and rumors that the two leading stars, Lively and Kendrick, don’t get along. Does it matter? At its core, A Simple Favor is about the seductive pull of mommy friendships—the kind that feel like a lifeline when you meet that one mom who’s just edgy enough, effortlessly cool, and a total breath of fresh air compared to the usual tightly wound PTA clique. It’s about the lengths we’ll go to lock in that bond, to hold onto the one person who makes suburbia feel a little less suffocating. Both Emily and Stephanie, and by extension the actors who portray them, do a good job of walking the oftentimes precarious tightrope walk that is trust. A Simple Favor is at its best psychologically, and don’t get me wrong, it is very much a psychological thriller, when it causes you to doubt all of your assumptions and do this several times over. It keeps you continually guessing and in awe of Lively’s fashion and Kendrick’s character Single White Female-ing her attire (and life). Down to Brass Tacks Quick Summary of A Simple Favor, the first film: Small-town Type-A mommy vlogger Stephanie (Anna Kendrick) befriends the glamorous and mysterious Emily (Blake Lively), and gets pulled into a world far darker than her usual mommy and me routine. Stephanie is pretty unpopular with the other moms, making her friendship with Emily all the more appealing. After Emily suddenly vanishes, Stephanie takes it upon herself to investigate—only to uncover secrets, lies, and twists that force her to question everything she thought she knew about her friend, her own life, and the truth itself. Another Simple Favor, the sequel, now streaming on Prime, picks up five years later with Emily and Stephanie reuniting post Emily’s prison stint and with the formerly drab Stephanie (Kendrick)blossoming into a successful true crime author. Why not a podcaster? Emily is marrying a wealthy Italian businessman (all eye candy), so the new film promises gorgeous Italian backdrops with stylish, effortless clothing. Another standout addition to these films is Henry Golding (Crazy Rich Asians), who plays Emily’s ex and later becomes Stephanie’s lover. He has the kind of charm that makes a woman consider doing bad things, as the first film conveys. Alright, so I’m now T minus 5 hours till I watch Another Simple Favor with Thai food (sadly, no Italian for me, despite the film's Capri locale) tonight. I’m also the person who thinks wearing mismatched socks is a sign of confidence. Anywho, wish me luck. I’m in for a delectably visual feast of Feeg-ian proportions, no doubt. Let’s Discuss: Are you excited for this sequel? Where do you fall on the Lively fodder? Over it? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit bethlisogorsky.substack.com/subscribe

    7 min
  2. 05/01/2025

    My Grievances with "Étoile" (So Far)

    Étoile on Prime [Trailer] is an eight-episode drama and character study about the cutthroat world of ballet by Girlmore Girls and The Marvelous Mrs. Maisel creator, Amy Sherman-Palladino (ASM), and her husband and creative partner, Dan Palladino. The premise is that two competing premier ballet companies in New York and Paris are struggling to stay afloat and remain relevant. To do so, they devise a business idea helmed and funded by a rich autocrat named Crispin (Simon Callow, Four Weddings & A Funeral), who is probably the least underutilized actor here. The idea is to temporarily trade top brass talent at each company to boost interest and ticket sales. New York’s ballet company, is led by Luke Kirby as Jack McMillan who was so convincing as Lenny Bruce in The Marvelous Mrs. Maisel that it feels sacreligious to see his talents wasted here in staid dialogue and unconvincing sexual chemistry with the Paris director, Geneviève Lavigne played by the original Nepo baby, Charlotte Gainsbourg, daughter of Serge and the woman who inspired the overpriced Hermès Birkin bag, ‘60s model Jane Birkin. Charlotte is a good actress, don’t get me wrong—but even she occasionally slips into self-conscious moments where, as she speaks, you can tell she’s thinking, “What am I doing?” Here’s my list of grievances so far, likely to be informed further after I finish the series: * The Kirk-like “funny, quirky” guy, Tobias Bell—aka “The Genius Choreographer.” Much like Kirk from Gilmore Girls, Tobias in Étoile comes across as eccentric and socially oblivious; these kinds of characters often seem neurotic, intensely fixated, and unaware of their surroundings. Amy Sherman-Palladino (ASP) is great at creating characters like this—Kirk being a standout example, and maybe even Rory Gilmore to some extent, but even Kirk tires after a while. In Étoile, the genius choreographer Tobias is introduced at an international press conference. Instead of revealing his identity and taking the moment to introduce himself to a global audience properly, he launches into a complaint about being unable to find his favorite toothpaste in France. It’s not quirky or endearing. It’s cringe. * Main Character Cheyenne, the prima ballerina, lacks any rizz and is straight-up annoying, and why it matters. Cheyenne’s outbursts are framed as over-the-top diva behavior, but they mostly reflect how worn out the trope of the “strong-willed woman pushing back against the system” has become. It raises the question: Is Amy Sherman-Palladino capable of creating a modern-day version of a successful Lorelai Gilmore or Midge Maisel in the form of Cheyenne, the eccentric, chaotic lead? The Marvelous Mrs. Maisel may have worked because its period setting gave that type of character more texture. Midge, the protagonist of Mrs. Maisel, shares traits with Cheyenne—both are bright, sassy, irreverent, and bold—but their execution sets them apart. The same goes for Lorelai Gilmore. Midge leads with grace and humor, and the show, along with her family, channels the spirit of the Housemans from Dirty Dancing—a Jewish family navigating the 1960s. She is very much of her period and place. As is Lorelei. In both of those shows, the city or town is like a side character. Cheyenne, by contrast, feels hollow, two-dimensional, and grating in her try-hard eccentricity. She lacks depth, clarity, and perhaps most of all, a sense of belonging—like a character in search of a story that never quite materializes. * No Female Friendship /Lady Friends/Besties: Cheyenne lacks a grounded, mature female counterpart to balance out her chaos and help guide her toward moments of growth. This show is missing a Sookie (Gilmore Girls) or a Susie (Mrs. Maisel). Ironically, the closest connection she forms is with a 12-year-old aspiring ballerina named Susu (see a pattern here?), whose mom works as a cleaner at the ballet studio where she secretly records lessons and replays them so Susu can practice at the studio at night. As the story goes, they are so poor that the girl has to borrow other students’ shoes and cannot afford formal training. While Cheyenne is impressed by her talent, mentoring a kid doesn’t make her a peer. Susu isn’t a foil—she’s a Wunderkind. And Cheyenne needs an adult who isn’t trying to bed her or whom she isn’t trying to manipulate in some power play to tell it to her straight. The Good Stuff: * This show makes me miss New York in the springtime; the exteriors of Lincoln Center are gorgeous. * The end credits of each episode zoom in on the ballet studio and dancers practicing their technique, which is mesmerizing. * Amy Sherman-Palladino loves ballet. This show is a testament to that, even if it occasionally focuses on flat characters. I never saw Bunheads (2012), which wasn’t a critical or commercial hit, but it was her first love letter to dance. * Witty, fast repartee is where Sherman-Palladino generally shines. Perhaps it’s lost in translation here, as a result of balancing between a bilingual setup, which impacts the execution, but there are glimmers of it. Now It’s Your Turn: What are your hot takes on this show? Is it a hit? Miss? Related Reading Rebecca Deniston has a series dedicated to the Gilmore Girls. Check it out. The Power of Female Friendship: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit bethlisogorsky.substack.com/subscribe

    6 min
  3. 07/11/2021

    Kids Picks: 5 animated and live action show recommendations kids (ages 8-12) should watch

    Ever wonder what shows are out there for kids to watch? If you are anything like me, you do this on the daily, weekly, monthly, etc. Then, you couple this with what shows are connected to books you once read and/or that your kids could or should be reading. Well, in an effort to get to the bottom of this and save you and/or your loved ones (friends, family) similar hassles, I went straight to the source and asked my 9-year-old daughter Aya about her top picks for shows for kids in the 8-11 age range. The result are the 5 shows she talks about in the link above. For convenience, I will relay below those picks alongside trailers: #1 Gravity Falls on Disney and Hulu The story of twins Mabel and and Dipper who go to live one Summer with their Grunkle Stan is full of mystery, kid heroes, and good-hearted awkward family fun. It’s a winner. The show originally debuted nearly a decade ago and only ran for a few seasons but all that said, it stands the test of time, much like Scooby Doo from the ‘70s minus the reboots until the ‘10s ushered in Scooby Doo: Mystery Incorporated - That was a great series. As a bonus: Kristen Schaal (Last Man on Earth, Bob’s Burgers) voices Mabel and Jason Ritter (son of John Ritter) is Dipper. #2 Big City Greens on Disney and Hulu Think classic City Mouse + Country Mouse tail (sorry couldn’t resist). It’s a story of country mice trekking to the city and transplanting there. Similar to Gravity Falls, two siblings are involved in this story. This time, the duo known as Cricket and Tilly - who move with their dad to the big city to live with their grandma on her farm, have their own adventures. #3 The Owl House on Disney Aya’s favorite show, per her commentary in the audio link above, just happens to be progressive show that won a Peabody Award for LGBTQ+ inclusion. The Owl House follows Luz as she uncovers a magical place, finds acceptance and a support crew of people that get her and empower her to take chances. It’s pretty phenomenal. #4 Secrets of Sulpher Springs on Disney Two middle-school aged kids go on a time-traveling adventure with mystery and a healthy bit of adult/parental skepticism going on, because let’s face it, kids doubt adults. This time the boy and girl go back in time to uncover the mystery of the disappearance of a girl that went to Summer camp in the 90s with their parents. I endorse this show for adults as well. I think I was more excited for the weekly installments than the kids and Fridays couldn’t come fast enough. Not on Aya’s commentary but also a good child disappeared in the past and kids try to solve the mystery for their parent(s) type theme is Home Before Dark on Apple TV, though this is definitely for older kids. The main character in the show, a child journalist, is modeled after real-life child journalist Hilde Lysiak who is the youngest member of the Society of Professional Journalists. (thanks, Wikipedia) #5 Miraculous: Tales of Ladybug and Cat Noir on Netflix and Disney Secret crushes, hidden identities, and super powers in high school animated form. This show is from France and has a huge U.S. following. It’s good fun and highly addictive. The latest installment, Miraculous World: Shanghai is on Disney and Plug for Adults: This Way Up on Hulu. Down-on-her luck Aine (Bea), an Irish transplant to the UK has not had an easy time of it as Season 1 attests to. Premise: Aine is fresh out of a mental health facility having attempted to end her life and she’s trying to reacclimate to “normal” which includes getting to know her sister (Horgan) again, finding a place to live and getting a decent job all while convincing everyone she’s not losing her mind again. Season 1 shows Aine experiencing growing pains while Season 2, which just dropped on Hulu on Friday, sees Aine getting in the groove of her new normal and learning to accept happiness on her own terms. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit bethlisogorsky.substack.com/subscribe

    8 min

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Reviews of shows and films that make us laugh, think or cry curated by a pop culture writer who knows what's what. bethlisogorsky.substack.com