Biographers in Conversation

Gabriella

Biographer Gabriella Kelly-Davies chats with biographers across the world about the myriad of choices they make while researching, writing and publishing life stories. In every episode, she explores elements of narrative strategy such as structure, use of fiction techniques, facts and truth, beginnings and endings and to what extent the writer interpreted the evidence rather than providing clues and leaving it to readers to do the interpreting themselves. She also asks how they researched their books; how they balanced a subject’s public, personal and inner lives; and ethical issues, such as privacy and revealing secrets.

  1. May 20

    Debra Adelaide "When I Am Sixty-Four"

    In this latest episode of Biographers in Conversation, award-winning author Dr Debra Adelaide chats with Dr Gabriella Kelly-Davies about her choices while crafting When I Am Sixty-Four. Here’s what you’ll discover in this episode:  When I Am Sixty-Four is a tender, poignant story based on Debra Adelaide’s lifelong friendship with the award-winning author, Gabrielle Carey. When I Am Sixty-Four began not as a planned book but as a single vivid memory that arrived unbidden while she was working on another project; it simply refused to let go. A work of extraordinary depth and grace, When I Am Sixty-Four is crafted as autofiction, a hybrid genre that blurs the line between fiction and autobiography. Debra defines autofiction as writing memoir using the tools of narrative fiction, shaping, rearranging, condensing, and inventing to reach for a broader emotional truth. Debra explains her decision not to name Gabrielle or anyone else in the book, wanting readers to bring their own experiences of loving someone in despair to the narrative. Debra describes the story’s mosaic structure of vignettes as entirely instinctive. The final tragic months of her friend’s life provide a loose chronological spine, while memories from their 50 years of shared history were weaved in.  The story’s dark humour, Debra explains, was both an authentic expression of who Gabrielle Carey was, a woman with an extraordinary laugh, and a deliberate way of honouring her.

    46 min
  2. May 6

    Ian Hembrow: "Celsius: A Life and Death by Degrees"

    In this episode of Biographers in Conversation, Ian Hembrow chats with Dr Gabriella Kelly-Davies about his choices while crafting Celsius: A Life and Death by Degrees. Here’s what you’ll discover in this episode: Celsius: A Life and Death by Degrees is the first full-length English biography of Anders Celsius, a modest Swedish astronomer who quietly revolutionised our understanding of the natural world. Ian Hembrow’s accidental discovery of Celsius’s story in 2016 sparked a years’-long quest that led him to the Arctic Circle, retracing Celsius’s 1736–37 expedition to measure the shape of the Earth. Celsius’s story is set against the backdrop of the European Enlightenment, illustrating how he thrived in the vibrant 18th-century scientific community while unlocking fundamental mysteries of nature. Ian Hembrow draws connections to the present, noting that Celsius, who is best known for inventing the 100-point centigrade temperature scale, now lends his name to global climate targets as humanity strives to limit warming to 1.5°C. How Ian Hembrow delves into Celsius’s human story, sharing the personal struggles and triumphs behind his scientific achievements and offering a poignant reminder that even great scientific minds face immense personal challenges. The relevance of Celsius’s story today, reminding us of the crucial role of scientific inquiry and our shared responsibility to use knowledge wisely as we face urgent challenges like climate change.

    42 min

Ratings & Reviews

5
out of 5
4 Ratings

About

Biographer Gabriella Kelly-Davies chats with biographers across the world about the myriad of choices they make while researching, writing and publishing life stories. In every episode, she explores elements of narrative strategy such as structure, use of fiction techniques, facts and truth, beginnings and endings and to what extent the writer interpreted the evidence rather than providing clues and leaving it to readers to do the interpreting themselves. She also asks how they researched their books; how they balanced a subject’s public, personal and inner lives; and ethical issues, such as privacy and revealing secrets.

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