Chrysalis with John Fiege

John Fiege

I’m a professor, filmmaker, and storyteller interested in the question of how we can transform ourselves—as individuals, as societies, as an entire species—in ways that allow our planet’s ecological systems to thrive. I began this work through the study of environmental history and cultural geography. I then became a filmmaker and photographer focused on stories of transformation in the face of ecological peril. Most recently, I launched the Chrysalis newsletter and podcast to have conversations with a wide variety of environmental thinkers, as well as to share my writing on our relationship with the natural world. My newsletter, podcast, and photographs are available for free to anyone. By becoming a paid subscriber on johnfiege.earth—what we call a Butterfly Subscriber—you can also stream my films and post on the community comments section of the newsletter. Your support provides essential resources for the newsletter and podcast to grow and remain free and ad-free for everyone. Humanity has been a very hungry caterpillar, eating everything in sight. Can we now transform into a beautiful butterfly ready to pollinate the flowers, rather than just eat the leaves? This is the question that animates me—and I believe that digging deeply into the question itself can catalyze transformation.

  1. 2d ago

    27. Alina Simone — Siberia's Black Snow and the Environmental Threat of Authoritarianism

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/27-alina-simone-siberias-black-snow-and-the-environmental-threat-of-authoritarianism Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Imagine going up against a coal company to protect the health of your children and your community. Here in the United States, it's a daunting challenge; but in Putin's Russia, it's far worse. Listen on Apple Podcasts Alina Simone is a documentary filmmaker whose recent film, Black Snow, tells the story of a brave woman in Russia, named Natalia Zubkova, who went up against a Putin-backed coal company in her small town in Siberia. Natalia’s experience resonates with many environmental justice stories here in the U.S. I’ve recently released several podcasts related to Love Canal, the seminal environmental disaster that played out in the 1970s here in Western New York; and, in many ways, Natalia reminds me of Lois Gibbs, Luella Kenny, and other Love Canal activists. One of the key differences, however, is the dramatically different political situation in 1970s America compared to today’s Russia. Listen on Spotify Listen on YouTube Over the last decade, we in the U.S. have experienced an unprecedented assault on truth. We are told regularly by politicians not to believe what we can see with our own eyes and what we experience in our own lives—not to mention the all-out assault on more abstract truths, like the realities of climate change. Putin’s Russia shows us the end game of a world where truth is what the most powerful players say it is and what it looks like in an authoritarian regime when you step out of line to point out the most obvious truths. As many prominent political figures in the United States push our country towards authoritarianism, like we’re living in a George Orwell novel, Natalia’s story becomes a cautionary tale about how much worse the threats to our health and our environment can become when our democracy is weakened. I saw Black Snow last fall during Climate Week in New York City, at the Climate Film Festival, where my film Raising Aniya was also screening. Alina sat down with me after her screening to discuss the long arc of her documentary film journey and how she pulled off production of this incredible film. Alina is also my first podcast guest to knit through the entire conversation. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Here is Alina Simone. Notes and Media Recommendations: Black Snow https://www.pbs.org/pov/films/blacksnow/The Redford Center Emmy Nominations and Festival Nominationshttps://www.redfordcenter.org/news/emmy-nominations-cannes-and-two-weeks-left-to-apply-for-a-redford-center-grant/From Siberia, a Voice for Environmental Justice by Laura Fergusonhttps://now.tufts.edu/2025/02/10/siberia-voice-environmental-justiceThe Redford Center, Black Snow: After the Filmhttps://www.youtube.com/watch?v=2MeoLPkdXc4Toxic black snow covers Siberian coalmining region by Marc Bennettshttps://www.theguardian.com/environment/2019/feb/15/toxic-black-snow-covers-siberian-coalmining-regionBlack snow falls from the sky in Siberia, and it's toxic by Brandon Specktorhttps://www.cbsnews.com/news/black-snow-falls-from-the-sky-in-siberia-and-its-toxic/POV Behind the Lens: Black Snowhttps://www.pbs.org/video/behind-the-lens-black-snow-7v8upz/ POV Black Snow DELVE DEEPER READING LISThttps://cdn.prod.websitefiles.com/6733b7b0e0f4d5f62ca058ad/68d40230b7f50ace44ffa067_Black%20Snow%20Delve%20Deeper.pdf Credits This episode was edited by Maya Shook, with additional editing by Isabella Fleming. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker.

    1h 59m
  2. May 20

    26. Christi Cooper — The Biggest Crime Against Humanity Ever

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/26-christi-cooper-the-biggest-crime-against-humanity-ever Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. The oil industry is scared. The impacts of climate change are upon us, and oil companies knew decades ago that burning fossil fuels would warm the planet. Listen on Apple Podcasts A paper published in the journal Nature in March of 2026 by several Stanford University researchers quantifies the economic impacts of fossil fuel emissions, concluding, for example, that emissions in the U.S. since 1990 have caused over $10 trillion in economic damages worldwide—what they call a conservative estimate. And that’s just the tip of the iceberg. Even if emissions were to go to zero today, the future economic damages from past emissions would be, as the researchers write, “at least an order of magnitude larger than historical damages from the same emissions.” Listen on YouTube What this all means for oil companies is massive liability. Their actions caused measurable economic harm to people, they knew that their activities would cause climate change, and they’ve spent decades dumping money into efforts to prevent emissions reductions. They’re scared, and they should be. On April 23, 2026, Emily Atkin, writing in the Heated newsletter, and Dharna Noor, writing in the Guardian, both reported on a bill introduced by Republican Senator Ted Cruz of Texas and Republican Representative Harriet Hageman of Wyoming, dubbed the Stop Climate Shakedowns Act of 2026. Listen on Captivate Its purpose, it states, is “To prohibit liability against those engaged in the mining, extraction, production, refinement, transportation, distribution, marketing, manufacture, or sale of energy for damages or injunctive or other relief from the use of their products, and for other purposes.” In other words, if this bill passes, it would strip Americans of their right to sue oil companies for many of the damages they’ve caused. A similar piece of legislation passed in 2005, called the Protection of Lawful Commerce in Arms Act, which largely shields gun manufacturers and dealers from legal liability. Currently, there are lawsuits in courts all over the country attempting to hold oil companies and governments accountable for climate impacts. If the Stop Climate Shakedowns Act of 2026 passes, then those pending lawsuits will be dismissed, as well. One of the first significant lawsuits of this kind is Juliana v. United States. My guest, Christi Cooper, made a documentary called Youth v. Gov, about this historic case, filmed as it was moving through the courts. Christi has an interesting story. She studied science and earned a PhD in neuroscience, going as far as to become a professor in Sweden before leaving everything behind to go study environmental filmmaking. She became an award-winning documentary filmmaker, including an Emmy award for cinematography. Youth v. Gov was released worldwide in 2022, when it premiered on Netflix. Listen on Spotify In this conversation, we dive into the Juliana case and the legal arguments against governments that fail to protect their citizens from the harms of climate change. Lawsuits against governments differ from those against oil companies, but they make similar legal arguments. In both cases, the defendants knew about the harms of climate change but failed to take meaningful action to prevent those harms. The lead attorney in the Juliana case, Julia Olson, calls the climate crisis, “the biggest crime against humanity ever.” Julia responded to this crime by helping these young people sue the government. Christi responded by making a film about what happened. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. I met Christi at an environmental filmmaking retreat at Sundance in 2018, when she was still in production on Youth v. Gov. We recorded this conversation on July 15, 2021. Here is Christi Cooper. Quotation Read by Christi Cooper“The rights of every man are diminished when the rights of one man are threatened” ―John F. Kennedy Update on Juliana v. United StatesThis conversation was recorded in the summer of 2021, and the plaintiffs in Juliana v. United States had to wait years for a decision. On Dec. 29, 2023, Judge Aiken of the federal district court for the District of Oregon allowed the case to proceed to trial; but just a few months later, on May 1, 2024, the Ninth Circuit Court of Appeals directed Judge Aiken’s lower court to dismiss Juliana v. United States for lack of standing, with no option to amend. The plaintiffs filed a petition for a rehearing from the Ninth Circuit Court, which they denied on July 12, 2024. The plaintiffs then filed a petition with the U.S. Supreme Court to revive the case, which they denied on March 24, 2025. Many of the same plaintiffs then filed a petition against the U.S. government with the Inter-American Commission on Human Rights. Notes and Media RecommendationsYouth v Gov Directed by Christi Cooper https://www.youthvgovfilm.com/Stories of Trust: Calling for Climate Recovery Directed by Christi Cooperhttps://www.ourchildrenstrust.org/short-filmsJuliana v. United Stateshttps://www.ourchildrenstrust.org/juliana-v-usLearning from the '60s By Audre Lordehttps://blackpast.org/african-american-history/1982-audre-lorde-learning-60s/Juliana v. United States https://static1.squarespace.com/static/571d109b04426270152febe0/t/57a35ac5ebbd1ac03847eece/1470323398409/YouthAmendedComplaintAgainstUS.pdfThe Twenty-One: The True Story of the Youth Who Sued the U.S. Government over Climate Change By Elizabeth Rusch https://www.harpercollins.com/products/the-twenty-one-elizabeth-rusch?variant=40980358365218 CreditsThis episode was researched and edited by Gabriela Cordoba Vivas, with additional editing by Isabella Fleming, Amy Cavanaugh, and Marta Kondratiuk. Music is by Daniel Rodriguez Vivas. Mixing is by Morgan Honaker.

    1h 32m
  3. May 5

    25. Abraham Joffe — The Polar Bear Trade

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/25-abraham-joffe-the-polar-bear-trade Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Why is there an international trade in polar bear body parts, despite their iconic status as a symbol of climate change? More than any other animal, the polar bear is an icon of climate change. Considering this iconic status, you might be surprised to learn that there is an international trade in polar bears. In the early days of talking about the greenhouse effect, scientists and activists had a hard time getting the public to care about the abstract, seemingly far-off threat of climate change. Listen on Apple Podcasts Polar bears, however, offered a story and a powerful visual to help the pubic understand the possible consequences of a changing climate. The diet of a polar bear is composed almost exclusively of seals, and they hunt those seals almost entirely on the sea ice in the Arctic. As the climate warms and the Arctic sea ice disappears, polar bears have much less habitat to hunt seals. Scientists in the 1970s, 1980s, and 1990s began to document the loss of sea ice and eventually its impact on polar bears. By the late 1990s, polar bears began to appear in the media as symbols of climate change. The iconic status of these charismatic, fuzzy, white teddy-bear-like animals, and their extraordinarily adorable cubs, achieved new heights in 2006, when the Academy Award-winning Al Gore climate change documentary, An Inconvenient Truth, used polar bears in their graphics as a symbol for the threat of climate change. Listen on YouTube In 2008, the U.S. Fish & Wildlife Service listed polar bears under the Endangered Species Act, making the polar bear the first animal listed soley due to the threat of climate change. Despite arguments from some scientists and activists that the polar bear deserved an endangered listing, the highest level of protection, due to the dire prospects for sea ice, the U.S. Fish and Wildlife Service under George W. Bush decided to list polar bears only as threatened, one level below endangered. Over the years, there has been a lot of debate about whether the polar bear should have been used as the symbol of climate change. The criticism is largely that polar bears and the Arctic can seem far away and unrelated to people's lives and the immediate threats of climate change to people all over the world. Polar bears, critics argued, were not the best symbol for mobilizing the public to demand an immediate reduction of carbon emissions. Listen on Spotify Regardless of whether polar bears were an effective icon of climate change, the fact is that their future in the wild is in grave danger. The lowest levels of sea ice in the Arctic typically occur in September, and the largest global climate models predict that the Arctic will be practically free of sea ice in September by 2050, if not before. It is on the context that the Australlian flimmaker, Abraham Joffw, has released his film about the global trade in polar bears, called Trade Secret. I was shocked to hear that a trade in polar bears even exists, as was Abraham when he forst learned of it. Some of the trade is illegal, but much of it is legal, and there are countires and other powerful players fighting to keep the trade open. Listen on Captivate Taking joy or profit in buying or selling the body parts of endangered animals seems to plumb the depths of depravity, but sadly it's a reality; and Abraham's film brings this story to light in a captivating way. I saw Trade Secret last fall during Climate Week in New York City, at the Climate Film Festival, where my film Raising Aniya was also screening. Soon after the screening, Abraham sat down with me to discuss how he found this story and the epic journey to make the film. I'm John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Here is Abraham Joffe. Notes and Media Recommendations:An Accidental Icon https://polarbearsinternational.org/news-media/articles/polar-bear-climage-change-iconWhy Polar Bears Became an Icon of Climate Change https://www.earth.com/news/polar-bears-climate-change-2/Bearing Witness? Polar Bears as Icons for Climate Change Communication in National Geographic https://www.tandfonline.com/doi/full/10.1080/17524032.2018.1435557Why the Climate Movement doesn't Talk About Polar Bears Anymore https://grist.org/culture/climate-change-polar-bears-symbol-history/The Polar Bear as a Climate Icon https://polarbearsinternational.org/news-media/articles/polar-bear-as-a-climate-iconWhy Polar Bears are no Longer the Poster Image of Climate Change https://www.bbc.com/future/article/20231113-climate-change-why-photos-of-polar-bears-dont-workThe polar bear became an 'accidental icon' of climate change. Is it time to rethink that? https://www.cbc.ca/radio/whatonearth/retire-polar-bear-as-climate-icon-1.6555579The Big Meltdown https://time.com/archive/6742122/the-big-meltdown/Arctic Meltdown, TIME Magazine, September 4, 2000https://content.time.com/time/covers/europe/0,16641,20000904,00.htmlMove over, polar bears: Climate change has a new symbolhttps://grist.org/article/move-over-polar-bears-climate-change-has-a-new-symbol/Polar bears https://www.worldwildlife.org/species/polar-bear/Polar Bears: Listing Under the Endangered Species Acthttps://www.everycrsreport.com/reports/RL33941.htmlPolar Bear Designation Under the U.S. Endangered Species Act https://toolkit.climate.gov/case-study/polar-bear-designation-under-us-endangered-species-actCourt Upholds Endangered Species Act Protection for Polar Bearshttps://www.nrdc.org/press-releases/court-upholds-endangered-species-act-protection-polar-bearsThe Polar Bear as a Climate Icon https://polarjournal.net/the-polar-bear-as-a-climate-icon/Arctic Sea Ice Minimum Extent - Earth Indicatorhttps://science.nasa.gov/earth/explore/earth-indicators/arctic-sea-ice-minimum-extent/#:~:text=Key%20Takeaway:,decade%20due%20to%20warmer%20temperatures.Charctic Interactive Sea Ice...

    1h 26m
  4. Apr 28

    24. Laura Dunn — Live! Prophets! Live!

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/24-laura-dunn-live-prophets-live Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. If you’re concerned about what we’re doing to the climate and ecosystems around the planet and you’ve ever expressed those concerns to anyone, you probably know what it feels like to be seen as a Cassandra—the pessimist, the naysayer, the party pooper of Greek mythology. But the part of the myth we often forget is that Cassandra was a truth teller. She was right! The theater artist and activist, Laura Dunn, has brought the myth of Cassandra into an uproarious cabaret musical, called Live! Prophets! Live!, where Cassandra is a scientist who journeys into the underworld, where she meets many other truth-telling, trouble-making, prophetic woman from across the ages and confronts the very modern problems of climate change and ecological catastrophe. Listen to Chrysalis on Apple Podcats Laura Dunn is a multitalented theater artist: a playwright, actor, musician, composer, and activist. She’s also a poet and recipient of the Oregon Literary Fellowship from Literary Arts. Through her nonprofit theater company in Portland, Oregon, called The Broken Planetarium, she creates original productions that bring together professional artists and people new to theater. This kind of theater is all too rare, but it has a special ability to build community and draw more people into creativity and performance—and into a fun, campy, important discussion about how to change the world for the better. Listen on Spotify Photo Courtesy of Laura Dunn I'm John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on YouTube I recorded this conversation in November of 2022. You can see Laura's lastest productions at brokenplanetarium.org. Here is Laura Dunn. Recommended Readings & Media:Spider Blue By Laura Dunn https://dulcetshop.myshopify.com/products/spider-blue-laura-christina-dunn?ref=brokenplanetarium.orgPissed-Off Prophets & Climate Catastrophe: The Broken Planetarium's Live! Prophets! Live! By Brett Campbell, for Oregon Arts Watchhttps://www.orartswatch.org/pissed-off-prophets-climate-catastrophe-the-broken-planetariums-live-prophets-live/How to Make Thrilling Theater About Climate Change Negotiations By Alex Marshall, for the New York Times https://www.nytimes.com/2024/06/18/theater/kyoto-royal-shakespeare-company.html CreditsThis episode was researched by Lydia Montgomery and edited by Sarah Westrich, with additional editing by Isabella Fleming, Arthur Koenig, and Marta Kondratiuk. Music is by Daniel Rodriguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

    1h 3m
  5. Apr 14

    23. Christy Rupp — From Rubble Rats to Plastic Pangolins

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/23-christy-rupp-from-rubble-rats-to-plastic-pangolins Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Waste is often invisible—or at least many people work hard to make it disappear. Through landfills, incineration, and cargo ships traveling across oceans, we have become adept at pretending that waste is not a problem and that it can disappear. Who is Christy Rupp?Christy Rupp is a New York City-based artist who has spent her career bringing waste to light, making the invisible visible and the unnoticed noticed. She grew up here in Buffalo, but she started her career in the art world in the 1970s in New York City. Some of her early work brought attention to the rats on the streets as they experienced a population explosion due to the 1979 garbage strike, which itself made the garbage and the rats more visible. Listen on Apple Podcasts Her work exposes ecological threats often hidden from sight—from acid rain, to fast food, to microplastics; and often waste materials are her medium—from cardboard, to chicken bones, to credit cards—drawing attention to the presence of that waste and its ecological impacts. Listen on YouTube From the fall of 2024 through the winter of 2025, the Anderson Gallery at the University at Buffalo hosted an exhibition featuring more than forty years of Christy’s work, curated by Anna Wager. On November 15, 2024, I recorded an interview with Christy as we walked through the gallery and discussed much of the work on display. Listen on Spotify I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. On the page for this episode, you will find both the audio as a podcast and the full video of our gallery walk and interview, including close-ups of many of Christy’s art works. Listen on Captivate Here is Christy Rupp. Notes and Media RecommendationsChristy Rupp's Website: https://christyrupp.com/Christy Rupp's Wikipedia Page https://en.wikipedia.org/wiki/Christy_RuppNoisy Autumn Sculpture and Works on Paper By Christy Rupphttps://www.simonandschuster.com/books/Noisy-Autumn/Christy-Rupp/9781647224844"Manifesto for Maintenance Art—Proposal for an Exhibition" By Mierle Laderman Ukeleshttps://queensmuseum.org/wp-content/uploads/2016/04/Ukeles-Manifesto-for-Maintenance-Art-1969.pdf CreditsThis episode was edited by Jamie Hager, with color grading and additional editing by Isabella Fleming. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. Camera and production sound are by Jamie Hager and Marc Baan. Special thanks to Anna Wager, who curated Christy Rupp’s show and arranged the podcast recording at the Anderson Gallery at the University at Buffalo. ----------- Subscribe at https://www.johnfiege.earth/

    43 min
  6. Apr 8

    22. Revisiting Poisoned Ground at Love Canal with Luella Kenny – Photographs and Upcoming Live Event

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/22-revisiting-poisoned-ground-at-love-canal-with-luella-kenny-photographs-and-upcoming-live-event Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. See Luella Kenny Tour Photos In 1978, Luella Kenny was living in the Love Canal neighborhood in Niagara Falls, New York, when her 6-year-old son, Jon Allen, mysteriously became ill. He was in and out of hospitals over the next several months as he struggled with seizures, hallucinations, swelling, nausea, and labored breathing. Over and over, Jon Allen would never recover in the hospital, the doctors would send him home, and he would get sick again. Jon Allen turned 7 in September of 1978. In October, he fell sick again. He was vomiting, his heart was racing, and he had trouble breathing. He went to the hospital one last time, where his heart stopped beating. Jon Allen’s death was traumatic and devastating for Luella and her family: her husband, Norman, and Jon Allen’s two older brothers, Christopher and Stephen. His death was also a turning point in the struggle of Love Canal residents to convince politicians and health officials that the many unexplained illnesses, birth defects, and miscarriages were linked to the toxic pollution under their homes and schools and coursing through their streams. Just years before Love Canal became the site of a school and a housing development, it was used as a toxic waste dump by the Hooker Chemical Company, which was acquired by Occidental Petroleum in 1968. By the time residents started asking whether there was a link between the illnesses and the toxic chemicals in the ground, Occidental Petroleum denied any culpability, hiding behind the lack of environmental laws when they did the dumping, and their disclosures to the school board when they sold them the dump for one dollar. After Jon Allen’s death, Luella began to speak out and demand answers. She began to tell Jon Allen's story, as painful as it was. She realized that talking about her experiences could help prevent other young children from dying needlessly in the future—in Niagara Falls or in one of the many other neighborhoods near a toxic waste dump somewhere else in the country. Listen to Chrysalis on Apple Podcats Luella is now 89 years old, and she still regularly gives tours of her old neighborhood and recounts what happened to her, her son, and her neighbors. Last month, I was privileged to be on one of her tours as part of the University at Buffalo Humanities Institute conference. Over four hours, she showed us around the neighborhood, recounted her story, and answered questions. We drove past her old house, where Jon Allen used to play in the backyard by the creek, which was later found to be highly polluted with dioxin. We did not stop. A new family lives there now. On April 16, 2026, I will be recording a live podcast conversation on stage with Luella, along with Keith O'Brien, author of the book Paradise Falls: The True Story of an Environmental Catastrophe. Keith’s remarkable work of literary nonfiction places the reader in the middle of the story of Love Canal, as if it’s playing out in real time, like a thriller. His meticulous research and extensive interviews connect dots and create a clear timeline, revealing many new insights about an infamous chapter in American history. His book allows you to feel the story—the horror, the outrage, and the courage of those who fought back against powerful men in industry and government who would let all of this happen. Official Love Canal memorial, which does not recognize the residents, activists, and government officials responsible for catapulting Love Canal into the national spotlight. Photograph by John Fiege © 2026. In our conversation, we will hear from Luella about her story and from Keith about how he wove her story into the narrative of his book. If you’re in Buffalo on April 16, please join us in person. In the show notes, you can find the registration link. It’s filling up fast, so register soon. If you can’t make it in person, you can also register to watch online. You can see my photographs from Luella’s tour of Love Canal last month at johnfiege.earth. See Luella Kenny Tour Photos Please subscribe to receive a notice when we release the conversation as a podcast. Notes and Media RecommendationsParadise Falls: The True Story of an Environmental Catastrophe, by Keith O'Brien https://www.penguinrandomhouse.com/books/665371/paradise-falls-by-keith-obrien/ Love Canal: The Story Continues..., by Lois Gibbs https://archive.org/details/lovecanalstoryco0000gibb Love Canal: A Toxic History from Colonial Times to the Present, by Richard S. Newman https://global.oup.com/academic/product/love-canal-9780190053840?cc=us&lang=en& Credits This episode was edited by Isabella Fleming. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

    4 min
  7. Apr 1

    21. Ken Baker — Rethink Food

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/21-ken-baker-rethink-food/ Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. New York City is one of the wealthiest cities in the world–and the financial capital of the world. And yet, food insecurity in the city is rampant. About one in three adults and nearly half of families with children experience "food hardship" each year, defined as "sometimes or often running out of food, or a person worrying that they will." Listen on Apple Podcasts At the same time, about 40 percent of all food in the United States goes unsold or uneaten each year. The greenhouse gas emissions that result from this wasted food are equivalent to the annual carbon dioxide emissions of 42 coal-fired power plants. Once this excess food is produced, the best way to minimize the climate impacts is to donate or upcycle the food that will otherwise go to waste. What if this excess food in the food system could be rescued and put to use to create jobs, to build community, and to combat inequality and food insecurity? This is exactly what a nonprofit organization in New York City, called Rethink Food, has been doing since its founding in 2017 by Matt Jozwiak (You-swee-ak). Jozwiak is a former chef at Eleven Madison Park, a restaurant in Manhattan with three Michelin stars, voted–also in 2017–the world's best restaurant. Listen on YouTube Rethink Food began finding and rescuing excess food in the food system and turning it into high quality meals that they gave away through their growing list of partner organizations in the city. The organization remains chef-led, priding itself on creating nutrient dense, culturally relevant, and great tasting meals. Rethink Food has grown rapidly since its founding and today serves over 40,000 meals a week, sometimes over 50,000 meals a week. They've accomplished these amazing numbers by partnering with restaurants and other kitchens around the city, often creating meals between lunch and dinner, when the kitchens typically see little use. Listen on Spotify Ken Baker is one of the people who's been with Rethink Food through much of its growth. He grew up with a single mother in Baltimore and experienced food insecurity himself as a child, before getting into food service early in life. He now serves as the culinary director at Rethink Food and helps build the organization's impact through the relationships he's built around the kitchen and around the city. Ken Baker at Rethink Food. Photograph by John Fiege © 2025. I met Ken in the course of production on a new film I'm making about consumption and waste in New York City. I've found him to be an extraordinarily warm person, driven by deeply held values. For me, Ken's story, and the story of Rethink Food more broadly, is one of cascading solutions. I often talk about cascading crises–of climate change, habitat destruction, mass extinction, and environmental injustice. Ken and Rethink Food show us that this cascading effect can also work in reverse: a cascade of solutions, rather than a cascade of crises. It's inspiring and hopeful. Listen on Captivate It turns out that a solution to the huge ecological problem of food waste can also serve as a solution to injustice, inequality, food insecurity, loneliness, lack of purpose, lack of community, and more. I'm John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. I recorded my interview with Ken in September of 2025, during Climate Week, at the offices of Rethink Food. Occasionally, in the distance, you will hear the telltale signs of life in the heart of Manhattan. Here is Ken Baker. Notes and Media Recommendations: Robin Hood, "Robin Hood Poverty Tracker Finds One in Three New Yorkers Have Used a Food Pantry Over a Three-year Period Following the Pandemic" https://robinhood.org/news/poverty-tracker-spotlight-food-assistance-pantries-2024/ Natural Resources Defense Council, "Food Waste 101" https://www.nrdc.org/stories/food-waste-101 Rethink Food https://www.rethinkfood.org/ The World's 50 Best Restaurants: Eleven Madison Park https://www.theworlds50best.com/awards/best-of-the-best/eleven-madison-park.html Credits This episode was edited by Isabella Fleming. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

    1h 31m
  8. Mar 24

    20. Todd Scott — Detroit Greenways Coalition

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/20-todd-scott-detroit-greenways-coalition 20. Todd Scott – Detroit Greenways Coalition Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. The ways we live our lives, design our communities, and move around within those communities are all intimately connected to the ecological health of the planet. Most North American cities are designed around the automobile or at least cars have come to dominate these urban landscapes, far more than in European or Asian cities. There are few cities in the world more closely associated with the automobile than Detroit, Michigan. Motown. But the privileging of cars in Motor City, and other cities around the country and around the globe, has had dramatic costs, from polluted air and water and a high number of traffic fatalities, to transportation inequality and high levels of carbon pollution. The Detroit Greenways Coalition is looking to change all that, right in the heart of the world’s automotive power center. Todd Scott is the executive director of the Detroit Greenways Coalition, and he joins me to discuss how their work promoting greenways throughout the city is improving people’s health and happiness, beautifying a very industrial city, reducing inequality and climate impacts, and a whole host of other benefits, even economic development. Listen on Apple Podcasts This is a tale about Detroit, but if this work can happen in Motor City, it can happen anywhere, and Todd’s stories will inspire you to go outside, find some green space and some fresh air, meet your neighbors, and explore wherever it is you live. Listen on Spotify I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Here is Todd Scott. Listen on YouTube CreditsThis episode was researched by Lydia Montgomery and edited by Sarah Westrich, with additional editing by Isabella Fleming, Amy Cavanaugh, Arthur Koenig, Kate Fair, and Marta Kondratiuk. Music is by Daniel Rodriguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

    58 min

Ratings & Reviews

5
out of 5
6 Ratings

About

I’m a professor, filmmaker, and storyteller interested in the question of how we can transform ourselves—as individuals, as societies, as an entire species—in ways that allow our planet’s ecological systems to thrive. I began this work through the study of environmental history and cultural geography. I then became a filmmaker and photographer focused on stories of transformation in the face of ecological peril. Most recently, I launched the Chrysalis newsletter and podcast to have conversations with a wide variety of environmental thinkers, as well as to share my writing on our relationship with the natural world. My newsletter, podcast, and photographs are available for free to anyone. By becoming a paid subscriber on johnfiege.earth—what we call a Butterfly Subscriber—you can also stream my films and post on the community comments section of the newsletter. Your support provides essential resources for the newsletter and podcast to grow and remain free and ad-free for everyone. Humanity has been a very hungry caterpillar, eating everything in sight. Can we now transform into a beautiful butterfly ready to pollinate the flowers, rather than just eat the leaves? This is the question that animates me—and I believe that digging deeply into the question itself can catalyze transformation.