Chrysalis with John Fiege

John Fiege

I’m a professor, filmmaker, and storyteller interested in the question of how we can transform ourselves—as individuals, as societies, as an entire species—in ways that allow our planet’s ecological systems to thrive. I began this work through the study of environmental history and cultural geography. I then became a filmmaker and photographer focused on stories of transformation in the face of ecological peril. Most recently, I launched the Chrysalis newsletter and podcast to have conversations with a wide variety of environmental thinkers, as well as to share my writing on our relationship with the natural world. My newsletter, podcast, and photographs are available for free to anyone. By becoming a paid subscriber on johnfiege.earth—what we call a Butterfly Subscriber—you can also stream my films and post on the community comments section of the newsletter. Your support provides essential resources for the newsletter and podcast to grow and remain free and ad-free for everyone. Humanity has been a very hungry caterpillar, eating everything in sight. Can we now transform into a beautiful butterfly ready to pollinate the flowers, rather than just eat the leaves? This is the question that animates me—and I believe that digging deeply into the question itself can catalyze transformation.

  1. 3d ago

    38. Brendan Hoffman — Photographing Ecocide in Ukraine

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/38-brendan-hoffman-photographing-ecocide-in-ukraine Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. We are a few months away from the five-year anniversary of Russia’s invasion of Ukraine. The horrors of this war pepper the news on a daily basis. The victims are soldiers and civilians, adults and children, parents and grandparents. Russia is increasingly hitting civilian targets in Kyiv and destroying infrastructure across the country. With this kind of constant trauma and suffering, it’s easy to lose track of the war’s impact on the non-human world. We might even feel guilty asking about the impacts on the natural world when entire towns are being destroyed and families are bombed as they sleep. Listen on Apple Podcasts But the assault on nature is a vitally important part of understanding the consequences of war. Rather than detracting from the human costs of conflict, looking closely at the ecological devastation expands and deepens our understanding of how people are affected by violence on this scale. Brendan Hoffman is an acclaimed photographer whose work has been featured in National Geographic and shown at festivals and in galleries globally, earning him the Philip Jones Griffiths Award and support from the Magnum Foundation and the Pulitzer Center. Listen on Spotify Brendan was living in Moscow when Putin attacked Ukraine on February 24, 2022. Immediately, he began to cover the war, and he soon relocated to Kyiv, where he spent years covering the conflict for The New York Times. As the war dragged on, a moment of relative calm within the fast-paced world of breaking news allowed Brendan to ask what impact this violence was having on nature. What he discovered was evidence of the destruction of nature being used as an active weapon of war. Much of his reporting began to circle around the relatively new concept of ecocide. Listen on YouTube But the ecological legacy of war is complex. While the direct impacts are horrendous, war can sometimes lead to unexpected ecological resilience—for example, with the absence of human activity. Brendan’s work dives deeply into this nuance and complexity. In addition to documenting the assault on nature with his camera, Brendan also picked up a pen, culminating in a major article in The New York Times in 2025 called “Ukraine’s Ravaged Environment.” Listen on Captivate Brendan now has a young child and is spending the year back in the U.S., where his wife, who is Ukrainian and also a photographer, has a prestigious Nieman Fellowship at Harvard. I caught up with him last month when he was at the University at Buffalo giving a talk on his work. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Here is Brendan Hoffman. Notes and Media RecommendationsThe New York Times: “Ukraine’s Ravaged Environment” by Brendan Hoffmanhttps://www.nytimes.com/interactive/2025/04/02/world/europe/ukraine-russia-war-environment.htmlBrendan Hoffman: Official Website and Ukraine War Portfoliohttps://www.brendanhoffman.com/The Pulitzer Center: Brendan Hoffman Journalist Profile & Grantee Projectshttps://pulitzercenter.org/people/brendan-hoffmanThe Guardian: Ukraine to Prosecute Russia for 'Ecocide' Over Environmental War Crimeshttps://www.theguardian.com/world/2023/jun/30/ukraine-to-prosecute-russia-for-ecocide-over-environmental-war-crimesUnited Nations Environment Programme (UNEP): The Environmental Toll of the Conflict in Ukrainehttps://www.unep.org/resources/report/environmental-consequences-conflict-ukraineTurning Point Magazine: Ukraine: Love+War, a Reviewhttps://turningpointmag.org/2024/10/16/ukraine-lovewar-a-review/ CreditsThis episode was edited by Domenica Klamm. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  2. Oct 13

    37. Isabel Duarte-Gray — “Tennessee Valley Authority”

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/37-isabel-duarte-gray-tennessee-valley-authority Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Isabel Duarte-Gray’s poem, “Tennessee Valley Authority,” takes its title from the energy company and public utility created by Congress during the New Deal and owned, to this day, by the federal government. Through hydropower projects and other economic development programs, the Tennessee Valley Authority sought to modernize and electrify the Tennessee River Valley, which stretches across parts of Kentucky, Tennessee, Mississippi, Alabama, Georgia, North Carolina, and Virginia. Listen on Apple Podcasts By damming the river to create lakes and power, the Tennessee Valley Authority successfully created many jobs and lifted multitudes out of poverty, but there was a price for these large scale transformations. Entire towns and the surrounding ecosystems were flooded. 125,000 people were relocated. In 1966, the Tennessee Valley Authority dammed the Cumberland River, submerging the town of Kuttawa in Western Kentucky. All of the town’s residents were moved to a new location, which was then also named Kuttawa. This town, Kuttawa, is where Isabel Duarte-Gray grew up—just one fascinating piece of her background. Her mom’s family has lived in the area for generations, but her dad walked with his siblings, unaccompanied, to the United States from Mexico when he was eight years old. Isabel grew up poor, between Mexican and white Western Kentuckian cultures, not fully at home in either, and then she found herself at Amherst College, followed by Harvard University for her PhD. Listen on Spotify “Tennessee Valley Authority” probes this history and relationship to land, imagining the creatures that have been displaced and observing the ones that have taken their place. Isabel explores her complex relationship to home, which invites us to do the same. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on YouTube “Tennessee Valley Authority” is one of the poems in Isabel Duarte-Gray’s collection of poetry, Even Shorn, which won the Linda Bruckheimer Series in Kentucky Literature, was a finalist in Poetry for the New England Book Awards, and was named to “The Best Books of 2021” from the Boston Globe. She is now Assistant Professor at Loyola University in New Orleans. Listen on Captivate This episode of Chrysalis is part of the Chrysalis Poets series. I spoke with Isabel on June 29, 2022. Here is Isabel Duarte-Gray reading her poem, “Tennessee Valley Authority.” Tennessee Valley Authority by Isabel Duarte-Gray The corpse boat split the lilies in a black and heaving ribbon in a final day on earth. This lake ain't lake the way a god shapes lakes with claws of ice. A living man remembers when this hole was not a place of many waters but a city drowned in just a day. Underneath the lilies can't you see the roofs where finches threw a nest for sowing panic grass and babies. There was brides made in this place where herons sweep at corners. Mudcats breed here now their knowing whiskers rooted. Home the only thing to root here in these rooms we cannot save. Notes and Media Recommendations Even Shorn by Isabel Duarte-Grayhttps://www.sarabandebooks.org/all-titles/p/even-shorn-isabel-duarte-greyIsabel Duarte-Gray's Loyola University Pagehttps://www.loyno.edu/academics/faculty-and-staff-directory/isabel-duarte-grayIsabel Duarte-Gray's Poetry Foundation Page https://www.poetryfoundation.org/poets/isabel-duarte-gray-6161ff74a720c"Fallen Bridge" by Isabel Duarte-Gray https://www.poetryfoundation.org/poems/156609/fallen-bridge"Garden" by Isabel Duarte-Greyhttps://www.poetryfoundation.org/poems/156608/garden-61644221ab64a"Like As of Fire" by Isabel Duarte Grayhttps://www.poetryfoundation.org/poems/162600/like-as-of-fire"Like Hell You Are" by Isabel Duarte-Grayhttps://www.poetryfoundation.org/poems/156606/like-hell-you-are"Tennessee Valley Authority" by Isabel Duarte-Grayhttps://www.poetryfoundation.org/poems/156607/tennesse-valley-authority"Groom XII" by Isabel Duarte-Grayhttps://www.thedriftmag.com/groom-xii/"Cutter Quilt" by Isabel Duarte-Grayhttps://www.brinkerhoffpoetry.org/poems/cutter-quilt Credits This episode was researched by Lydia Montgomery and edited by Sarah Westrich. The podcast assistant is Domenica Klamm. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  3. Oct 6

    36. Matt McPherson — Apple Ketchup

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/36-matt-mcpherson-apple-ketchup Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. It’s not everyday that you encounter a new recipe for ketchup. Most people wouldn’t even think of making their own ketchup. It’s one of the most ubiquitous and cheapest condiments in America. Listen on Apple Podcasts When we asked the celebrated Boston chef, Matt McPherson, to share a recipe on the podcast that represents sustainable food for him, he decided to bring a recipe for Apple Ketchup. This is not your typical ketchup, and Matt is not your typical chef. Listen on Spotify For Matt, sustainability is an idea that applies to every aspect of the restaurant business and the food system. His approach to sustainability is expansive. It includes the food he buys, the meals he cooks, and the way he works with his employees. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on YouTube This episode of Chrysalis is part of the Chrysalis Kitchen series. I spoke with Matt on September 20, 2022, when he was running his first restaurant, Cafe Iterum, located in East Boston. Here is Matt McPherson describing the recipe he brought with him: Apple Ketchup. Listen on Captivate Notes and Media RecommendationsIterum Foods Websitehttps://iterumfoods.com/Matt McPherson's Medium profilehttps://medium.com/@matt_41270Matt McPherson's instagramhttps://www.instagram.com/chefmcpherson/?hl=enMatt McPherson's Take a Chef profile https://www.takeachef.com/en-us/chef/matthew-mcpherson?utm_source=google&utm_medium=organic-seo&utm_content=en-us-chef-matthew-mcpherson CreditsThis episode was researched by Nina Bunn and edited by James Bowers. The podcast assistant is Domenica Klamm. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  4. Sep 29

    35. Jennifer Huang — “From the Taiwan Cypress in Alishan”

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/35-jennifer-huang-from-the-taiwan-cypress-in-alishan Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. There is so much going on Jennifer Huang’s poem, “From the Taiwan Cypress in Alishan,” starting with how the words are laid out on the page, with a wide blank space between two columns. It makes me wonder whether I should read across the page or down one column and then the other. The poem works either way. Jennifer takes on the persona of the Cypress tree itself, and the magic flows from there. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on Spotify Jennifer Huang was born in Maryland to Taiwanese immigrants and is the author of Return Flight, winner of the 2021 Ballard Spahr Prize for Poetry from Milkweed Editions. Jennifer holds an MFA in poetry from the Helen Zell Writers’ Program at the University of Michigan, and their poems have appeared in POETRY, The Rumpus, Narrative Magazine, and many other publications. Their other recognitions include The Academy of American Poets Prize, The Bain-Swiggett Poetry Prize, and the Brooklyn Poets Fellowship. Listen on YouTube This episode of Chrysalis is part of the Chrysalis Poets series. I spoke with Jennifer on October 5, 2022. Here is Jennifer Huang reading their poem, “From the Taiwan Cypress in Alishan.” Listen on Captivate Notes and Media Recommendations Return Flight by Jennifer Huanghttps://milkweed.org/book/return-flight?srsltid=AU7gw4VdCtQtUTmS0vf-kTrPWDfgnchilHob9Cpz2pI4mIILy5BOQgzfJennifer Huang's websitehttps://www.huangjennifer.com/Jennifer Huang's Substackhttps://wildlyrewilding.substack.com/Jennifer Huang's poets.org pagehttps://poets.org/poet/jennifer-huang“Departure” by Jennifer Huanghttps://onbeing.org/programs/jennifer-huang-departure/“Manifest” by Jennifer Huanghttps://www.poetrynw.org/poetry/jennifer-huang-manifest/“That dawn at the beach” and “Notes on Orange” by Jennifer Huanghttps://aaww.org/two-poems-by-jennifer-huang/“Procedure” by Jennifer Huanghttps://poems.com/poem/procedure/“Zuihitsu for Yushan” by Jennifer Huanghttps://aaww.org/zuihitsu-for-yushan/ CreditsThis episode was researched by Elena Cebulash, Lydia Montgomery, and Nina Bunn and edited by Sarah Westrich and Kathryn Fair. The podcast assistant is Domenica Klamm. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  5. Sep 22

    34. Anne Haven McDonnell — “The Study”

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/34-anne-haven-mcdonnell-the-study Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. When she was in her twenties, Anne Haven McDonnell worked on an organic farm on an island in British Columbia. She made good friends and visited frequently in the years that followed. In her time there, she had some encounters with wolves, who live wild on the island, and she began to explore the tensions around co-existence with wolves. As Anne turned her attention full-time to poetry, she began to write about wolves and the people who share space with them. On this episode, we dive into one of those poems: “The Study.” Listen on Spotify I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Anne Haven McDonnell lives in Santa Fe, New Mexico, where she teaches at the Institute of American Indian Arts. Her poems have been published widely, including in Orion Magazine, The American Journal of Poetry, and The Georgia Review. She is the author of Singing Under Snow, winner of the Wheelbarrow Books Poetry Prize, and Breath on a Coal, winner of the Halcyon Poetry Prize. She is the recipient of a National Endowment for the Arts Fellowship in Poetry and a MacDowell fellowship, and she has held residencies at the Andrews Forest and the Sitka Center for Art and Ecology. Listen on YouTube This episode of Chrysalis is part of the Chrysalis Poets series. I spoke with Anne on September 13, 2022. Listen on Captivate Here is Anne Haven McDonnell reading her poem, “The Study.” Notes and Media RecommendationsSinging Under Snow by Anne Haven McDonnellhttps://msupress.org/9781611865639/singing-under-snow/Breath on a Coal by Anne Haven McDonnellhttps://bookshop.org/p/books/breath-on-a-coal-anne-haven-mcdonnell/a856cb6da59bc77c?ean=9781734820898&affiliate=20964Living with Wolves by Anne Haven McDonnellhttps://www.splitrockreview.org/store/living-with-wolvesAnne Haven McDonnell's profile on National Endowment for the Artshttps://www.arts.gov/impact/literary-arts/creative-writing-fellows/anne-haven-mcdonnellAnne Haven McDonnell's profile on poets.org https://poets.org/poet/anne-haven-mcdonnellAnne Haven McDonnell's profile on MacDowellhttps://www.macdowell.org/artists/anne-haven-mcdonnell Credits This episode was researched by Nina Bunn and edited by Sarah Westrich, Kathryn Fair, and Alice McClain. The podcast assistant is Domenica Klamm. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  6. Sep 17

    33. Jenny Rosenstrach — Miso-Mushroom Tacos with Pickled Vegetables

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/33-jenny-rosenstrach-miso-mushroom-tacos-with-pickled-vegetables Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Jenny Rosenstrach writes about food and how food can bring us together. Several years back, her kids started pushing her to think about the climate impacts of the recipes she was writing about, and she began to shift her cooking and writing toward plant-based meals. But rather than strictly abandon meat, she has experimented with greatly reducing her and her family’s consumption of meat. Listen on Apple Podcasts Jenny documented this shift on her many platforms, including her award-winning website, Dinner: A Love Story, and her Substack newsletter. She has written for The New York Times, Martha Stewart Living, and Bon Appétit and is a New York Times Bestselling author of many books, including Dinner: A Love Story, How to Celebrate Everything, and The Weekday Vegetarians. Listen on Spotify I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on Captivate This episode of Chrysalis is part of the Chrysalis Kitchen series, where we kick off our conversation with the discussion of a recipe. I spoke with Jenny on July 12, 2022. Listen on YouTube Here is Jenny Rosenstrach describing the recipe she brought with her: Miso-Mushroom Tacos with Pickled Vegetables. Notes and Media RecommendationsThe Weekday Vegetarians by Jenny Rosenstrachhttps://www.penguinrandomhouse.com/books/634444/the-weekday-vegetarians-by-jenny-rosenstrach/?fbclid=IwAR3KVV6HRoI8_p7kb9MtJEc6zgbnQxzltvaWQKwHhpUnP20CuHkEpPpDpk0Dinner: A Love Story by Jenny Rosenstrachhttps://www.harpercollins.com/products/dinner-a-love-story-jenny-rosenstrach?variant=32122670645282How to Celebrate Everything by Jenny Rosenstrachhttps://www.penguinrandomhouse.com/books/234273/how-to-celebrate-everything-by-jenny-rosenstrach/Dinner: A Love Story - Websitehttps://www.dinneralovestory.com/Jenny Rosenstrach's Substackhttps://substack.com/@dinneralovestoryJenny Rosenstrach's Linktreehttps://linktr.ee/dinneralovestoryJenny Rosenstrach's Latest Articles in Bon Appétithttps://www.bonappetit.com/contributor/jenny-rosenstrach?srsltid=AfmBOopyaMuJ50Qrncxwm7XJpnJxAm15QMhTXo-QBjfhsxCK4KXq1B6S Credits This episode was researched by Nina Bunn and edited by Sarah Westrich and Marta Kondratiuk. The podcast assistant is Domenica Klamm. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  7. Sep 8

    32. Jennifer Elise Foerster — “Leaving Tulsa”

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/32-jennifer-elise-foerster-leaving-tulsa Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Poet Jennifer Elise Foerster writes in her poem, “Leaving Tulsa,” about a warning from her grandmother: When they see open land they only know to take it. Jennifer has German and Dutch heritage from her father’s side, and Mvskoke heritage from her mother’s side, which includes the grandmother she mentions in her poem. When they see open land they only know to take it. It’s a chilling line that conjures the long history of European displacement of indigenous peoples and the theft of land that has continued for centuries. Listen on Apple Podcasts In my conversation with Jennifer, she talks about amnesia and the collective act of forgetting our history. Her poetry is an act of remembering. Her memories reveal a dramatic transformation of the cultural relationship to the land that came with this displacement of Mvskoke people. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on Spotify Jennifer Elise Foerster is the author of three books of poetry, The Maybe Bird (2022), Bright Raft in the Afterweather (2018), and Leaving Tulsa (2013). She is the recipient of an NEA Creative Writing Fellowship and a Lannan Foundation Writing Residency Fellowship. She was a Robert Frost Fellow in Poetry at the Breadloaf Writers Conference and a Wallace Stegner Fellow in Poetry at Stanford University. She currently teaches for several writing programs and serves as the literary assistant to Joy Harjo, the 23rd U.S. Poet Laureate. She lives in San Francisco and is a member of the Muscogee (Creek) Nation of Oklahoma. This episode of Chrysalis is part of the Chrysalis Poets series. I spoke with Jennifer on November 15, 2022. Here is Jennifer Elise Foerster reading her poem, “Leaving Tulsa.” Listen on YouTube Notes and Media Recommendations Jennifer Elise Foerster's Website: https://www.jenniferfoerster.com/The Maybe-Bird by Jennifer Elise Foersterhttps://the-song-cave.com/products/the-maybe-bird-by-jennifer-elise-foersterBright Raft in the Afterweather by Jennifer Elise Foersterhttps://uapress.arizona.edu/book/bright-raft-in-the-afterweatherLeaving Tulsa by Jennifer Elise Foersterhttps://uapress.arizona.edu/book/leaving-tulsaJennider Elise Foerster on poets.orghttps://poets.org/poet/jennifer-elise-foersterWhen the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry, edited by Joy Harjo, with LeAnne Howe and Jennifer Elise Foersterhttps://wwnorton.com/books/9780393356809 Credits This episode was researched by Nina Bunn and edited by Sarah Westrich and Kathryn Fair. The podcast assistant is Domenica Klamm. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  8. Sep 1

    31. Joan Naviyuk Kane — “Exceeding Beringia”

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/31-joan-naviyuk-kane-exceeding-beringia Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. The poet Joan Naviyuk Kane ends her poem, “Exceeding Beringia,” with a call “to make our land our home anew.” I love this unusual phrasing, “our land our home,” connecting the two as one. Listen on Apple Podcasts Joan is writing about a specific area of land. She is Iñupiaq, and her ancestral land includes Beringia, which is a region between Russia and Alaska. Her poem, “Exceeding Beringia,” explores the area’s troubled colonial history and it’s ecological devastation, but it also feels like the beginning of a new era of reclaiming the culture, the land, and the relationships that have been under attack for so long. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on Spotify Joan Naviyuk Kane’s many books of poetry, including The Cormorant Hunter’s Wife, Hyperboreal, and Milk Black Carbon. She is the recipient of many prestigious awards and fellowships, including a Guggenheim Fellowship, Radcliffe Fellowship, Whiting Award, Paul Engle Prize, and Shelley Memorial Award. I spoke with Joan on July 14, 2022, when she was living in Cambridge, Massachusetts, and teaching at Harvard. She now lives in Portland, Oregon, where she is Chair and Associate Professor of Creative Writing at Reed College. This episode of Chrysalis is part of the Chrysalis Poets series. Here is Joan Naviyuk Kane reading her poem, “Exceeding Beringia.” Exceeding BeringiaJoan Naviyuk Kane “I remember the birds ever so many of them when I hunted with the weapons of a child. The water was covered in their numbers, red as the flowers of summer on the mountain. The red phalarope were our prey of choice, there were so many. Today, these birds return yearly, but now only a few return home in spring to show us they remain a part of the land, as we are.” —Herbert Aġiyġaq Anungazuk Nimiqtuumaruq aktunaamik: bound with rope. This land with its laws that serve as wire and root to draw us together. Sinew, snare, the unseen growth of the green tree many rivers south whose stump now shoals into use. Through layer upon layer of land submerged, of ice, of ash, through lakes that cannot be the eyes of the earth. The phreatomagmatic blue sprawl of the Devil Mountain Maar, the Kuzitrun drained by inland veins scrawling tributaries with name upon vanishing name. The giant granite tors at Serpentine: Iyat, the cooking pot sentineled by unscoured stone as it towers endlessly into the flickering sky. Auksruaq, like the blood that seeps across such hot and dim and strenuous times where one still cannot be serene: red phalarope, might we follow, leaving the meadow wet with tears? From nest to fledge and then to move again right out to sea, circling tight vortices to upwell food. Let us lose our grief in great rafts as we translate the renamed straits. Our limbs, like yours, are burnt and broken. Let us at last make noise of this truth as we return together to wear another furrow, to make portage, to make our land our home anew. Listen on YouTube Notes and Media Recommendations Joan Naviyuk Kane Websitehttps://www.thejoankane.comThe Cormorant Hunter’s Wife By Joan Kane https://upcolorado.com/university-of-alaska-press/the-cormorant-hunter-s-wifeHyperboreal By Joan Naviyuk Kanehttps://upittpress.org/books/9780822962625/Milk Black Carbon By Joan Naviyuk Kanehttps://upittpress.org/books/9780822964513/Dark Traffic By Joan Naviyuk Kanehttps://upittpress.org/books/9780822966623/with snow pouring southward past the window By Joan Naviyuk Kanehttps://upittpress.org/books/9780822967668/Sublingual By Joan Naviyuk Kanehttps://finishinglinepress.com/product/sublingual-by-joan-naviyuk-kane/ A Few Lines in the Manifest By Joan Naviyuk Kanehttps://books.google.com/books/about/A_Few_Lines_in_the_Manifest.html?id=vmLquQEACAAJAnother Bright Departure By Joan Naviyuk Kanehttps://www.thejoankane.com/Ex Machina By Joan Naviyuk Kanehttps://asterismbooks.com/product/ex-machinaThe 2017 Griffin Poetry Prize Anthology: A Selection of the Shortlist By Sue Goyette, Joan Naviyuk Kane, George Szirteshttps://www.strandbooks.com/the-2017-griffin-poetry-prize-anthology-a-selection-of-the-shortlist-9781487002329.htmlCircumpolar Connections: Creative Indigenous Geographies of the Arctic By Liisa-Rávná Finbog, Joan Naviyuk Kane, Johannes Riquethttps://www.weslpress.org/9780819501899/circumpolar-connections/ Credits This episode was researched by Elena Cebulash and edited by Alice McClain, Sarah Westrich, and Kathryn Fair. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

Ratings & Reviews

5
out of 5
7 Ratings

About

I’m a professor, filmmaker, and storyteller interested in the question of how we can transform ourselves—as individuals, as societies, as an entire species—in ways that allow our planet’s ecological systems to thrive. I began this work through the study of environmental history and cultural geography. I then became a filmmaker and photographer focused on stories of transformation in the face of ecological peril. Most recently, I launched the Chrysalis newsletter and podcast to have conversations with a wide variety of environmental thinkers, as well as to share my writing on our relationship with the natural world. My newsletter, podcast, and photographs are available for free to anyone. By becoming a paid subscriber on johnfiege.earth—what we call a Butterfly Subscriber—you can also stream my films and post on the community comments section of the newsletter. Your support provides essential resources for the newsletter and podcast to grow and remain free and ad-free for everyone. Humanity has been a very hungry caterpillar, eating everything in sight. Can we now transform into a beautiful butterfly ready to pollinate the flowers, rather than just eat the leaves? This is the question that animates me—and I believe that digging deeply into the question itself can catalyze transformation.