Clexical

Laurentia Woo

Clexical is a student-led nonprofit organization 501(c)(3) that aims to democratize access to contemporary music. Laurentia founded the Clexical team based on her personal struggles as a young musician to find contemporary pieces to play and learn about. The collective frustration with the limited resources for exploring modern music inspired her to establish a platform dedicated to enhancing access to contemporary compositions. Through Clexical, they aim to spotlight underrepresented composers, organize workshops and concerts for children with limited exposure to contemporary classical music, and explore innovative trends. Their shared vision drives Clexical’s mission to make contemporary music more inclusive and accessible for all, creating a space where individuals can explore, learn, and grow through the power of music.

  1. 06/03/2024

    Ep. 18: Interview with Osnat Netzer

    Osnat Netzer /osˈnat ˈnɛtsɛʁ/ is a composer, performer and educator. Osnat creates her compositions collaboratively, tailoring her work to the performer’s sensibilities, physicality and improvisational inclinations. She takes inspiration from cognitive linguistics, and in dialogue with the embodied experience of physical forces, such as potential and kinetic energy, resulting in compositions that are rich in musical languages and connected to the fulsome pursuit for tension and relaxation. Born in Haifa, Israel, Netzer studied composition and piano at the Jerusalem Academy of Music and Dance, where her primary composition teacher was Menachem Zur. She came to the United States in 2003 for graduate studies in composition with Robert Cuckson at Mannes school of Music and continued her studies with Lee Hyla at New England Conservatory, where she earned her doctorate in 2011. In 2019, she joined the faculty of DePaul University, where she is now Associate Professor of Composition and Musicianship. Netzer’s works have been commissioned and performed by Ensemble Dal Niente, ICE (International Contemporary Ensemble), Patchwork, mezzo-soprano Lucy Dhegrae, bass David Salsbery Fry, saxophonists Kenneth Radnofsky, Doug O’Connor and Geoffrey Landman, Spektral Quartet, and Winsor Music, among many others, published by Edition Peters and earthsongs, and recorded on Bridge Records and New Focus Recordings. Her opera, The Wondrous Woman Within, was described as “riotously funny” in The New York Times when its first scene was performed at New York City Opera’s VOX festival in 2012 and “challenging and fascinating” by critic Amir Kidron when it received its World Premiere in a sold out run at Tel Aviv’s Cameri Theatre in 2015. As a pianist and performer, she regularly plays and conducts new music by fellow composers, as well as her own songs and compositions. Also a committed and passionate educator, Netzer teaches at The Walden School and has served on the faculties of New England Conservatory, Longy School of Music of Bard College and Harvard University.

    37 min
  2. 06/03/2024

    Ep. 17: Interview with Christopher Cerrone

    Christopher Cerrone (b. 1984, New York) is internationally acclaimed for compositions characterized by a subtle handling of timbre and resonance, a deep literary fluency, and a flair for multimedia collaborations. Balancing lushness and austerity, immersive textures and telling details, dramatic impact, and interiority, Cerrone’s multi-GRAMMY-nominated music is utterly compelling and uniquely his own. Cerrone’s opera, In a Grove (libretto by Stephanie Fleischmann), jointly produced by LA Opera and Pittsburgh Opera, was called “stunning” (Opera News) and “outstanding” (Pittsburgh Post-Gazette) in its sold-out premiere run directed by Mary Birnbaum in March 2022. Other recent projects include The Year of Silence, based on the story of the same name by Kevin Brockmeier, for the Louisville Symphony and baritone Dashon Burton; A Body, Moving, a brass concerto for the Cincinnati Symphony; Breaks and Breaks, a violin concerto for Jennifer Koh and the Detroit Symphony; The Insects Became Magnetic, an orchestral work with electronics for the Los Angeles Philharmonic; The Air Suspended, a piano concerto for Shai Wosner; and Meander, Spiral, Explode, a percussion quartet concerto co-commissioned by Third Coast Percussion, the Chicago Civic Orchestra of the Chicago Symphony and the Britt Festival. Upcoming projects include Beaufort Scales, an oratorio for voices, electronics, and video commissioned by Lorelei Ensemble to premiere at Mass MoCA; a new percussion quartet co-commissioned by Sandbox Percussion, Blow Up Percussion, and the Park Avenue Armory, and new large works for the LA Philharmonic and Roomful of Teeth. Cerrone’s first opera, Invisible Cities, a 2014 Pulitzer Prize finalist, was praised by the Los Angeles Times as “A delicate and beautiful opera…[which] could be, and should be, done anywhere.” Invisible Cities received its fully-staged world premiere in a wildly popular production by The Industry, directed by Yuval Sharon, in Los Angeles’ Union Station. Both the film and opera are available as CDs, DVDs, and digital downloads. In July 2019, New Amsterdam Records released his GRAMMY-nominated sophomore effort, The Pieces that Fall to Earth, collaborating with the LA-based chamber orchestra, Wild Up, to widespread acclaim. The Arching Path, from 2021 (In a Circle Records), features performances by Timo Andres, Ian Rosenbaum, Lindsay Kesselman, and Mingzhe Wang and was nominated for a 2022 GRAMMY. His most recent release, a studio version of In a Grove, was named one of the best recordings of 2023 by The New York Times: “A vividly immersive thriller... not a word or note is without purpose, and both are captured, if not enhanced, in this richly produced recording.” Cerrone won the 2015–2016 Samuel Barber Rome Prize in Music Composition and was a resident at the Laurenz Haus Foundation in Basel, Switzerland from 2022–2023.

    28 min
  3. 06/03/2024

    Ep. 15: Interview with Andres Soto

    Andrés Soto is a Costa Rican composer based in Los Angeles with an active career in both film and concert music. He has written music for several feature films, documentaries, shorts, trailers and video games, as well as numerous concert works that have been performed by orchestras around the world, (including the Nashville Symphony, Baltimore Symphony, Detroit Symphony, Seattle Symphony, Buffalo Philharmonic, Utah Symphony, Florida Orchestra), and in 2024 the New York Philharmonic and the Juilliard Pre-College Symphony will jointly premiere an upcoming work as part of a grant from the Sphinx Foundation.  Recent albums include “Doce Musas”, recorded by 12 emerging pianists from his native Costa Rica, and three albums for Universal, including  “Champion Beats”, co-written with Grammy-winning producer Alex Hitchens and recorded at Capitol Studios, with tracks that have appeared on ABC, ESPN, Univision, Golf Channel, NBA, Tennis Channel, Fox, and other channels. In 2022 he collaborated with producer/ composer Daniel Rojas by writing  incidental music for the celebrated 90th Pageant of the Masters at the Festival of the Arts in Laguna Beach. Recent feature films include the sports documentary King Otto (available on Peacock), the sci-fi Órbita Prima; Nowhere (nominated for Best Film Score in Colombia’s national film awards), the comedy He Matado a mi Marido; and a coming-of-age family film, Buscando a Marcos Ramírez.  He has twice received rare Honorable Mentions in the National Prize in Composition (Costa Rica) for his works Amalgama (2018) and Pas de Deux (2022). He made his Carnegie Hall compositional debut in 2015 and has led workshops and masterclasses on film scoring and composition at USC, University of Costa Rica, Spain, New Jersey and the University of South Dakota.  Andrés’s music is published by Symphonica Productions.

    35 min

About

Clexical is a student-led nonprofit organization 501(c)(3) that aims to democratize access to contemporary music. Laurentia founded the Clexical team based on her personal struggles as a young musician to find contemporary pieces to play and learn about. The collective frustration with the limited resources for exploring modern music inspired her to establish a platform dedicated to enhancing access to contemporary compositions. Through Clexical, they aim to spotlight underrepresented composers, organize workshops and concerts for children with limited exposure to contemporary classical music, and explore innovative trends. Their shared vision drives Clexical’s mission to make contemporary music more inclusive and accessible for all, creating a space where individuals can explore, learn, and grow through the power of music.