Composer Chats

Jason K. Nitsch

Composer Chat is a podcast where we talk a little bit about music, a little bit about life, and a whole lot about whatever we feel like at the moment! Each episode I am joined by a special guest composer and we will chat about their pathway towards success in their musical career!

  1. 2D AGO

    2.36 - Jessie Cox

    Jessie Cox is Assistant Professor of Music at Harvard University and received his doctorate from Columbia University. Active as a composer, drummer, and scholar, his work thematizes questions at the intersection of black studies, music/sound studies, and critical theory. From Switzerland, with roots in Trinidad and Tobago, Cox thinks through questions of race, migration, national belonging, and our relation to the planet and the cosmos. His first monograph Sounds of Black Switzerland: Blackness, Music, and Unthought Voices (Duke UP, 2025) addresses how thinking with blackness and experimental musical practices might afford the opening of new discourses, such as thematizing Black Swiss Life.   Jessie Cox makes music about the universe and our future in it. Through avant-garde classical, experimental jazz, and sound art, he has devised his own strand of musical science fiction, one that asks where we go next. Cox’s music goes forward. When he describes it, he compares it to time travel and space exploration, likening the role of a composer to that of a rocket ship traversing undiscovered galaxies. He is influenced by a vast array of artists who have used their music to imagine futures, and takes Afrofuturism as a core inspiration, asking questions about existence, and the ways we make spaces habitable. Known for its disquieting tone and unexpected structural changes, his music steps into the unknown, and has been referred to by the New Yorker (Alex Ross) as an example of “dynamic pointillism,” a nebulous and ever-expanding sound world that includes “breathy instrumental noises, mournfully wailing glissandi, and climactic stampedes of frantic figuration.”   A dedicated collaborator, Cox has worked as a composer and drummer with ensembles and institutions such as the Sun Ra Arkestra, LA Phil, Klangforum Wien, Ensemble Modern, and the International Contemporary Ensemble; at Festivals such as the Lucerne Festival, MaerzMusik, and Opera Omaha. For his work as a composer, he has been recognized with a Fromm Foundation commission, the ASCAP Fred Ho Award, and his commissions have been funded by the Ernst von Siemens Foundation, Pro Helvetia, New Music USA, and others.   Cox’ scholarly writing asks new questions about our world through music. Recently, he has published in and co-translated the book Composing While Black, published as a bilingual edition in German and English by Wolke Verlag in 2023. Further texts appear in liquid blackness, Critical Studies in Improvisation, Positionen Texte zur Aktuellen Musik, Sound American, the American Music Review, and others. https://www.jessiecoxmusic.com/

    56 min
  2. SEP 23

    2.35 - Roger Zare

    Dr. Roger Zare is an assistant professor of composition and theory in the Hayes School of Music at Appalachian State University. He is praised for his “enviable grasp of orchestration” (New York Times), and often composes music inspired by science, nature, mathematics, and mythology. Dr. Zare previously taught at Illinois State University. An award-winning composer, Dr. Zare has had his music performed on six continents and has won multiple accolades, including the ASCAP Foundation Rudolf Nissim Prize, three BMI Student Composer Awards, a Copland House Residency Award, and a Charles Ives Scholarship from the American Academy of Arts and Letters. His works, such as “The Other Rainbow” and “Green Flash,” have been performed at prestigious venues like Carnegie Hall. His piece "Aerodynamics" was premiered by the Minnesota Orchestra. He has partnered with CERN for performances of his particle physics inspired music at the Montreux Jazz Festival and Sofia Science Festival, and in 2023 he was selected as the FRA Guest Composer at Fermilab, the United States’ national particle physics laboratory. In 2021, he collaborated with clarinetist Andy Hudson to write "Elements of Contemporary Clarinet Technique" and "SPACE BASS," etude books on modern clarinet techniques. Dr. Zare has served as composer in residence at music festivals including the Salt Bay Chamberfest and Chesapeake Music Festival, and his compositions are published by Theodore Presser Inc., FJH Music Company, Murphy Music Press, and Manhattan Beach Music. He is a founding member of the Blue Dot Collective. Zare holds a Doctorate of Musical Arts from the University of Michigan, a Master of Music from Peabody Conservatory, and a Bachelor of Music from the University of Southern California.

    55 min
  3. SEP 16

    2.34 - Cameron Moody

    Cameron Moody is an American composer, conductor, and trumpeter based in Los Angeles, CA. His distinctive utilization of the symphony orchestra has given way to a varied resume, with project genres in film and television ranging from action and documentaries to romance and comedies. Cameron composed the score for the Hulu original limited series Washington Black. The show, which was created by Selwyn Seyfu Hinds, led by showrunner Kimberly Ann Harrison, and stars Ernest Kingsley Jr. and Sterling K. Brown, premiered on Hulu on July 23rd. At 22 years old, he has made history as the youngest person to ever score a 20th Century Television series. He wrote the score to the eight-part documentary series Kennedy, which chronicles the life and legacy of the 35th President John F. Kennedy. It aired on the History Channel in November of 2023, opening to rave reviews and becoming one of the History Channel’s flagship programs for 2023. In the summer of 2024, he completed Patrick Green’s documentary feature film Sincerely, Los Angeles, a love letter to the late Oscar-winning basketball legend Kobe Bryant. Cameron was also a frequent collaborator of Emmy-nominated and Pulitzer Prize-winning composer Michael Abels, composing additional music on scores such as Disney’s Star Wars: The Acolyte—for which he also served as a conductor—Kobi Libii’s The American Society of Magical Negroes, David Yarovesky’s Nightbooks, the Emmy-nominated documentary series Allen v. Farrow, and Jordan Peele’s Nope. As an arranger, he contributed orchestrations and arrangements to the Disney+ anthology series Zootopia+ (score by Curtis Green and Mick Giacchino) a collection of short vignettes based on the 2016 hit film. Originally from Atlanta, Georgia, Cameron studied at New York University, majoring in Music Composition and Screen Scoring. In 2019, he was awarded a Marvin Hamlisch International Music Award for Best Composition by an Emerging Composer. In 2021, at age 18, he made history by becoming the youngest winner of ASCAP’s Henry Mancini Music Fellowship Award. In 2024, he also became the youngest composer (21) to ever be selected as a fellow in the highly coveted NBC/Universal Composers Initiative. A devoted champion of symphonic music, Cameron has added his voice to the ongoing struggle to keep postproduction work—specifically orchestral recording sessions—in Los Angeles. He hopes to be a guiding light in the current generation of film composers to return scoring back to the sound stages of Hollywood. https://www.cameronmoodymusic.com/

    1h 10m
  4. AUG 26

    2.31 - Giovanni Santos

    Giovanni Santos serves as Director of Bands and Associate Professor of Music at La Sierra University, where he directs the University Wind Ensemble, Chamber Winds, Big Band, and teaches courses in graduate and undergraduate instrumental music education, popular music, conducting and composition. Dr. Santos has proudly implemented a yearly wind band conducting workshop at La Sierra University and has worked alongside H. Robert Reynolds, Thomas Lee, Larry Livingston, Travis Cross and Allan McMurray, helping some of the brightest young music educators in the United States. Santos also organizes yearly workshops. clinics and conversations with conductors and composers, such as Frank Ticheli, Mallory Thompson, and most recently, Maestro Leonard Slatkin. A strong advocate for music education, Santos frequently presents at conferences, school in-service days, classrooms, and as clinician for young ensembles across the United States, Mexico, and Europe. Most recently, Dr. Santos presented at the Midwest Clinic’s High School Leadership Institute, California All-State Music Education Conference (CASMEC), for the California Music Educators Association’s ‘Casting a Wider in Net’ at Azusa Pacific University, for the North American Division National Teachers Convention, the Midwest Clinic International Band and Orchestra Conference in Chicago, CBDNA National Convention in Arizona, for the 2019 SCSBOA Professional Development Conference, and for the World Association of Symphonic Band and Ensemble International Conference (WASBE) in Prague. Santos also maintains a busy guest conducting/clinician schedule, with recent residencies at the Manhattan School of Music, University of the Pacific, Cal State University (Fullerton), University of Illinois (Chicago), the University of Connecticut and for the Association of Concert Bands conference in Orlando. As a composer, Santos has premiered his works across the United States, Asia and Europe, including a premiere with the United States Naval Academy Band Brass Ensemble at the John F. Kennedy Center for the Performing Arts in Washington D.C. under his baton. His works have received premieres and performances by ensembles at the University of Michigan, University of Illinois, Michigan State University, University of North Texas, Florida State University, University of Florida, Yale, Ball State University, Oklahoma State University, UCLA, Pacific Symphony Youth Wind Ensemble, Illinois State University, Tanglewood Young Artist Wind Ensemble, Interlochen World Youth Wind Symphony and many more. His works for wind ensemble, orchestra, chamber music, and solo wind instruments are published exclusively by Murphy Music Press, LLC. His compositions and passion for music education have received many recognitions, including a Meritorious Achievement Award by the Minority Band Directors National Association for “exceptional contributions to the wind band repertory.” Dr. Santos earned graduate degrees from the University of Southern California (MM) and Florida State University (PhD). https://giosantosmusic.com/

    1h 4m
  5. AUG 12

    2.29 - Alex Wurman

    EMMY® Award-winning composer Alex Wurman is known for his versatility and broad musical range. He has collaborated with notable directors across various genres, including Steven Conrad (Ultra City Smiths, Patriot), John August (The Nines), Jill Sprecher (Thirteen Conversations About One Thing), Adam McKay (Anchorman, Talladega Nights), and Ron Shelton (Play It To The Bone) and more. Wurman composed the majestic, ethereal score for the Oscar®-winning film March of the Penguins, as well as the vastly different, '70s-inspired comedy Anchorman. His signature scores include eerie piano melodies for Confessions of A Dangerous Mind, contemporary minimalist music for his Emmy award-winning score for Temple Grandin, and French impressionist interpretations for Thirteen Conversations About One Thing. Born into a musical family, Wurman's father, Hans Wurman, was a classically trained composer and a pioneer in electronic music. His mother was a beloved violin teacher, and his older siblings are all musicians in their own right. Alex credits his musical understanding and approach to both nature and nurture. His passion led him to the Academy of Performing Arts High School in Chicago, followed by studies at the University of Miami and back to Chicago at the American Conservatory of Music. Moving to Los Angeles at the age of 22, he began his career by scoring student films at the American Film Institute, which eventually led to over 100 film credits in the highly competitive Hollywood movie business. Recently, after completing two albums, The Classical Synthesizer (a tribute to his fathers pioneering of the Moog Synthesizer), and Pianos (a celebration of multi-piano approaches), Alex continues to expand his love for musical exploration with livestream concerts showcasing his dynamic playing and improvising abilities. These concerts have received significant positive reception, connecting with audiences worldwide. Alex continues to create new content with diverse artistic collaborations. His goal is to provide art that enhances his audiences' personal journeys. https://www.alexwurman.com/

    53 min

Ratings & Reviews

5
out of 5
2 Ratings

About

Composer Chat is a podcast where we talk a little bit about music, a little bit about life, and a whole lot about whatever we feel like at the moment! Each episode I am joined by a special guest composer and we will chat about their pathway towards success in their musical career!

You Might Also Like