Continued Conversations with Megan Gill

Megan Gill

I started A Broadway Body: Continued Conversations in January of 2025 in hopes of having intimate and transformative conversations about body image with performing artists. While my initial focus was to talk with artists because of the level at which our bodies are involved in our work onstage and onscreen, as the series evolved over this past year, I’ve come to understand that it’s vital to highlight an array of humanity through this project. Everyone has a body image story. Do you want to share yours? What started as a project to highlight performing artists’ body image stories has turned into a movement to showcase that every single person on this planet has a body image story - no matter who you are. My mission is to highlight these stories in hopes of: * Demystifying taboo around body image in our image-obsessed culture * Normalizing shared struggle within our physical beings * Helping people feel seen, validated, and therefore less alone in their own journey towards liberation in their body Subscribe over on Substack to get notified when I share a post, and please consider a paid plan to help support my work for either $10/month or $80/year. If you’d like to be a part of the series, send me a DM or email me at themegangill@gmail.com. I’m currently booking virtual conversations for 2026, and I’d love to talk with you. If you’d like to remain anonymous but still share your body image story - there’s a form to do so! Please reach out via email, and I’ll send it over to you ◡̈ I’m so looking forward to either chatting with you for a conversation or hearing from you via the form and highlighting your body image story! ---------- Disclaimer: While I’m not a licensed therapist, registered dietician, or medical health professional and cannot speak to body image topics from a clinical, trauma-informed place, I am an expert of lived experience. I’m an academic of my own body, and I’m passionate about facilitating conversations with other humans about their relationships with their bodies. I believe it’s important to continue conversations about healthy body image in creative spaces as a means to heal individuals as well as the collective whole. But just know the information presented in this medium is not professional mental health advice or medical advice, and any questions or concerns you have should always be directed to your health providers. www.continuedconvos.com

  1. 5d ago

    Continued Conversations with Sara McKinley

    Trigger Warning: In our conversation, we discuss diet culture, weight, and numbers pertaining to these topics. Please take care of yourselves as you listen and avoid if these topics might be triggering for you. Everyone please welcome Sara McKinley to Continued Conversations! Sara and I met through the acting world, and I’ve been wanting to chat with her for a while now, so I’m thrilled she joined me for a conversation about body image! Sara comes from the world of acting, and she also shares her lens on personal injury and navigating chronic pain. In our conversation, we discuss… * Navigating diet culture when represented by a parent * Sara’s experience navigating a chronic illness * How the medical system’s recommendation of “just lose some weight” isn’t always the answer * Getting used to viewing yourself as an actor * Being forced to sit face-to-face with yourself as a means to work through your personal self-image hurdles and biases * How injury impacted Sara’s relationship with her body * Advocating for yourself and deeply listening to what your body needs, especially living with a chronic illness * We’re the ones who notice our bodies’ fluctuations the most Along with diving deep into the throes of moving through a personal injury that impacted her life and career, as well as discussing how she’s affected by chronic pain on a daily basis, Sara so delicately opened up about the lessons she learned from her dad’s dieting, as well as sharing her own relationship with food. Healing from diet culture is not linear, and I’m grateful to Sara for talking about this subject, along with others, so compassionately. I truly, truly cannot wait for you to hear our conversation! “ I think the hardest part for me is when it's something you deal with every day or almost every day or so much in your life, at what point do you know when it's something you can push through and when it's something you have to listen to? I was at the gym the other day, and I was like, “I just don't have the energy to be here.” If I pushed through, would I have more energy at the end of it, or do I need to listen to my body and go home? It's really such a hard thing to kind of figure out for yourself, and you're kind of just like guessing, you know? At what point do I feel like I'm being lazy if I don't try, or am I listening to my body?” - Sara McKinley Below is a text insert of our conversation that stuck with me, starting at around the 11-minute and 24-second mark: Megan Gill: I’m curious to know, as an actor, how has your relationship with your body and your self-image influenced how you show up in your work in that realm? Sara McKinley: Yeah, I feel not being stick thin and watching all of these people get cast that are, some things you – you can’t even change that about yourself. I’m never gonna be that skinny, even if I tried, which I shouldn’t. But there’s the body image that way. And I think for me personally, my biggest insecurity is my double chin, and even just in self-tapes, having to position my camera in a certain way so that I don’t see myself having a double chin when I look back at it, you know? And some of that stuff nobody else even notices. It’s just you. Even me, I got my headshots last week, and looking at my headshot from my eyes, I’m like, “Well, that’s wrong, and that’s wrong, and I don’t like that, and I don’t like that.” And then having other people look at them and be like, “I don’t see any of that.” I think that’s the biggest thing is you have to get so used to seeing yourself and knowing that that’s not how other people are seeing you. It’s just how you, you, yourself, are seeing you, and you’re seeing all the parts that you don’t wanna see right away, that’s what stands out first. So I think that’s the hardest thing is – sometimes I’m like, “Oh, well if I lost the extra 10, 20 pounds that I wanna lose, then maybe my double chin would go away.” But also, maybe it wouldn’t, you know? Megan Gill: Yeah. Sara McKinley: That doesn’t necessarily – that’s not necessarily something that’s gonna go away. That is just how we were built, you know? And another chunk of conversation jumping to around the 17-minute and 40-second mark: Megan Gill: I know that you have dealt with, in recent times, a lot of injury. You had injured your back, which is a big deal. I mean, I’m curious to know how, having gone through that and working through that, has also affected your relationship to your body or how you modified or navigated those times. Because injury, and especially as an actor too, when your physical body is such a part of your work, it has a big impact on how we could view ourselves too. So I’m curious to hear about your journey with that. Sara McKinley: Yeah. Yeah, so I broke my back two years ago. I got a compression fracture in my T12s from falling off my horse. I was in a back brace for three months, which was hard because, one, I couldn’t really audition for three months because you can’t really book anything when you can’t bend or twist or lift. I talked to my agents, and I was like, “If it’s an audition for something far enough out, you can submit me to it. But generally –.” I think I did two auditions in my back brace. I was like, just throwing ‘em out there. But yeah, it was hard because that year, so in January, I had hired a personal trainer, an online trainer, and I just started. I was gonna commit to figuring out my health issues, because I had chronic pain too, before that happened. And the funny thing is I actually made an appointment for physical therapy for my hips the day I broke my back, and I had to call them and be like, “Actually, I can’t go to physical therapy for my hips, because now I can’t do anything.” And so, yeah, I was maybe two weeks into my workout program and tracking my food and everything, and I was like, well, now I’m in a back brace. Luckily, I worked it out with them that I could pause my program that I paid for and wait three months. But having that motivation and then being stuck with now you can’t move hardly at all for three months. And also wearing a back brace in public, it’s just not, it’s not attractive. So dealing with that too, it was hard. I think the biggest thing is I’m really independent, so needing to ask for help and stuff was hard. Not being able to, I mean, just not being able to move very much. It was difficult, and honestly, it was really only for the first month that it was really that hard. I started to kind of phase out of the back brace in the last month and a half, but just even – I used to do background work, and I couldn’t even do background work because I was like, “They’re gonna make me sit in a hard chair for hours at a time where I’m gonna have to try to hide the back brace or all of this stuff.” And I was like, I just have to commit to not doing anything for several months. It was the beginning of the year, it was February, it was like, I know it’s pilot season, and I know there are auditions happening, and I’m not doing any of it. So that was frustrating. And then, yeah, just not being able to be active, and yeah. I could have eaten healthy while I was laying on a couch, but of course I didn’t, which surprisingly I wound up losing weight. But most of it was probably muscle because, you know, you wear a back brace for three months; you’re losing all of that core muscle that holds you up. Yeah, I think the interesting thing is how motivated I was afterwards. I was back in the gym, I was back riding my horse right after three months. Megan Gill: Wow. Sara McKinley: I wound up being probably the fittest I’ve ever been that summer and fall, which helped a lot because I needed to build all that muscle back up. And then, of course, I wound up gaining 20 pounds back, but, you know, fluctuation, that’s how it goes. Megan Gill: Yeah, yeah, yeah. I know. I feel you. Sara McKinley: But yeah, I think the hardest thing was just having to take a pause and feeling you couldn’t really do anything and you were just waiting for it to be better. And also just the frustrating thing of like, I’m already chronically ill, and I already have chronic pain, and now I have such a big injury to deal with on top of it. Yeah, it was not a great time. But, you know, I luckily recovered pretty well from it. I didn’t need surgery, and I just… Megan Gill: Thank goodness. Sara McKinley: Yeah, yeah. Honestly, I never even got my hospital bill, which is, which is good because they were saying that my insurance wasn’t taken at that hospital, so I just don’t question it. Megan Gill: Yep. Nope. Perfect. Love that for you! Sara McKinley: Yeah. I feel the only way it really affected my acting was not being able to do auditions. And that’s the hardest thing as an actor is you spend so much time waiting around for anything to begin with, and to have – I mean, at that point I had been in LA for almost five years, so you’re trying at any point to build any kind of momentum, so to have to stop is hard, when it’s not your choice, especially. Megan Gill: Yeah. Yeah, I’m so sorry that happened, and I appreciate you for sharing about it. And also, I want to point out how, to go off of what you said about how you had so much motivation after the fact, how incredible that not only you healed so quickly, that your body was able to heal itself, and that you were able to just get back in it. Do you feel you had a different appreciation for the overall function of your body and what it can do for you after you had gone through that experience? Sara McKinley: I think it’s hard because I already have such a not-great relationship with my body just because of the lack of functionality to begin with, of just I can’t get it to operate a lot of days just on a normal basis, just because of how I exist. But I think if I thin

    45 min
  2. Jun 9

    Continued Conversations with Evan Neilson

    Trigger Warning: in our conversation, we discuss weight, weight loss, diet culture, over-exercise, disordered eating habits, and more. Please take care of yourselves as you listen and avoid if these topics might be triggering for you. Everyone please welcome Evan Neilson to Continued Conversations! Evan is my very first male guest on this series!!! Evan and I were connected through his sister, Megan Neilson (who I’ve known for many years now), and I’m so grateful he was open to chatting body image in the arts with me! Evan comes from the high school and college theatre world, as do I, and he is now an educator with special ed students and still works within the arts and performs today. Our self-image stories of growing up as young kids and coming into adulthood were oddly aligned, so it was truly a joy to dive into this topic with Evan. In our conversation, we discuss… * Being the token “non-thin” (or, as we said in the nineties, “husky”) role both onstage and in real life in high school * The intersection of thin bodies being cast in leading roles and Evan’s journey with that very experience both in his acting and in his real life - and flipping that on me, where I share my story with this exact experience as well * The dieting industry and the explosion of social media impacting our self-image as young people * The freshman 15, a negative/toxic “grindset” in college, and the competition amongst male friend groups when it comes to fitness * The college environment driving Evan to adopt disordered eating habits * The lack of education on how to best fuel our bodies: “All food is better than no food” * Moving out of the all-or-nothing mindset when it comes to food and exercise * Rewiring our brains to be kinder to ourselves and our bodies * Leading from a place of grace and care and joy - and most importantly, by example of being true and genuine to yourself * Supporting kids (and all people) operating at medium capacity instead of 100% evry single day * The harmful impacts of “looksmaxxing” on men in our current society Evan is a joy of a gentleman, and I have been thinking about this conversation ever since we recorded. There are so many important points we touched on here. We opened the book and talked through a lot of poignant themes within body image specifically when it comes to the male experience, and I cannot wait for you to hear our very important conversation! “ Like you mentioned, how guys talk about it or engage with it or not engage with it, it's just different, you know? Just kind of the one-off comments of, “Ah,” you know, “I'll get in shape one of these times.” That's kind of the vibe, and it becomes a competitive thing with the people within male friend groups. And going to a college gym, I mean, a frightening idea. There are so many things I would do before stepping into the lower level of the Arc [college gym] again, you know? Working out around people, it's just not for me.” - Evan Neilson Below is a text insert of our conversation that stuck with me, starting at around the 30-minute and 55-second mark: Evan Neilson: I don’t know who said it or where I heard it from, but it’s been in my brain more recently is those moments where either you say something unkind to yourself, or you think, “Oh, maybe I don’t need this,” or, “Yeah, maybe I want this, but I’m not gonna get it.” Everyone in the arts community, especially, we all want to put good out there into the world and be good people to be around. You are also a person, you know? You are also a person to be nice to, and so, you being nice to yourself will have as much, if not more, of an impact compared to you being nice to another. And so, that goes beyond just body stuff, but just, you know, doing things that you like, doing stuff that brings yourself joy. Going back to hustle culture, you know, I’m on spring break, and I’m like, I just feel so – what am I – what can I be doing right now? I’m wasting this time. And then it’s like, oh, there are actually many things I enjoy doing that are just as helpful for me in the long term and in the short term than me doing something that feels more productive or important, what have you. Yeah. Megan Gill: Yeah, it’s rewiring our brains. Evan Neilson: Kind of. Kind of, yeah. And it just takes time. It really does take a lot of time. And thinking back to – I’m not in therapy currently, but I did a little bit of therapy after getting outta school. Not to focus on the body stuff, because I had therapy for a couple of years during school. It was more focused on my anxiety. My anxiety got really bad right after finishing school. And I actually learned that’s kind of a common thing is right after you graduate college, your worries become less about your grades – your worries about your grades go away, and then it becomes, “I think I’m gonna get murdered,” you know? That’s what it turned into for me, for whatever reason. And so, I was going and seeing a therapist for that, and once we kind of started to finish up, you know, for whatever reason, a few months in, he was like, “It’s interesting.” Even at that point, he was like, “You’ll say, ‘I struggle with my body,’ but that’s good. I’m done with that now.’” I still, at that point, was kind of pushing it away like, you know, a box that you don’t wanna unpack, you know, in the basement or whatever. I was still kind of treating it that way. But now, with just some more distance and looking back on it, and then yeah, thinking about it in the sense of I treated myself that way, in the same way you think about if I treated another person that way. It’s like, have grace for yourself and patience, but also like, yeah, it’s f****d up I did that. So I’m at that point now where more stuff is maybe – with some more distance, I can kind of process and intellectualize things a little bit more. Again, not always the best thing to do, to intellectualize your feelings and your body and stuff, but I feel like I’m at a point now where I think just the more and more experience I have in working with students that, you know, frankly, have way more difficult and complicated lives than I had as a child. Those things that you say to them or things that you want them to understand or process, they start to make their way back to you, eventually, as the teacher. And so, yeah, now I think working in special ed where some students may have learning disabilities, some students come from an emotionally difficult home, so they struggle to regulate their emotions in the school environment and stuff. Again, going back to internalizing a bunch of stuff you saw as a kid, you know, I’m trying to put messages out there, and the other people I work with are trying to put messages out there to kids. And some of that stuff does start to, you know, work back to you. Like, for example, I have a colleague who’s just awesome, an xperienced special ed teacher. She’s firm in expectations, but also is just the most gentle person. She started throwing out there at least medium effort as an expectation, where, yeah, we’ve been told that we need to do as much as we possibly can at every second, operate on 100%, you know, capacity. But it’s like, not every day is gonna be that. I feel like I’ve said that to – I’ve said, “Not every day is gonna be an 100% day,” to kids, a lot. But then when you start to take in what it means yourself, as a, you know – I mean, I’m almost 26, so again, I am an adult. I’m almost there. In a few years, I’ll be there. Yeah, if you’re operating at 50% capacity, that’s okay. Megan Gill: Yeah. Evan Neilson: Especially if you already worked the previous day or, you know, have other stuff going on. Not every day is gonna be your, your rockstar day, and that’s fine. Fill that space with, you know, the more joyful things you want to do and that kind of stuff. Megan Gill: Yeah, because joy is so important, for sure. And also, we have to give ourselves grace. We have to give our bodies grace. We have to give our minds grace. And I think that that’s so, so wonderful that you and your colleague are putting that information out there, especially planting it in young people’s minds. I’m curious to know if there’s anything else that – everything that you had gone through in terms of your upbringing and your relationship to your physical body, if there’s anything else like that that you are doing with your students or things that are a part of your story that you’re trying to almost give back to the young people you’re working with today, in a sense. Evan Neilson: Yeah, I mean, like anybody who became a teacher, you have the teachers you think back on. It’s like, okay, I really would like to emulate what those guys were doing for me and my peers. And going along with that, you have the bad ones. And it’s like, okay, I definitely do not want to emulate that person. So that’s a thing for me, for sure. I think for, I mean, now obviously all young people need a boost, need our help, need everything we can give them. But young men, you know, these guys aren’t gonna see as many male teachers coming up through high school and stuff, just given the political state of things and how easy all these guys can get ensnared into this stuff, you know, and just try to show – well, unfortunately, I’m not really allowed to make, you know, soapbox political stuff in the classroom, even though, you know, I may like to. I’m trying to show a more realistic – I don’t know if realistic is the right word, but, you know, not traditionally masculine in the classic Hollywood sense. But, so just being someone who, you know, is willing to look silly. That’s a big part of being a teacher. You know, showing them that you can make a fool of yourself. I’m pretty open with the passions I’m into, so there is a student who is very m

    51 min
  3. May 26

    Continued Conversations with Mallory Gonyea

    Trigger Warning: in our conversation, we discuss themes surrounding body image, the beauty industry, and diet culture. Please take care of yourselves as you listen and avoid if these topics might be triggering for you. Everyone please welcome Mallory Gonyea to Continued Conversations! Mallory and I met through The Spark Membership (shoutout Amy McNabb for bringing us together!), and I’m so grateful she was willing to sit down with me for a body image conversation. In our conversation, we discuss… * Existing at the intersection of being an artist and an athlete * Rebuilding trust with your body after an injury * How to manage when our work/sport is so closely tied to our identity, and the ability to execute our work/sport is stripped from us * Mallory’s journey growing up a tomboy and connecting to her femininity and working to appreciate her body * Because of today’s beauty standards (especially in Hollywood), Mallory grappling with the feeling like she has to choose between her career and a healthy body * Working out and lifting weights for bodily longevity and strength as we age * The implications of weight loss drugs on our whole system * Representing your body type in this art form in hopes of showing a young person out there that their body, too, is good * Mallory’s thoughts on how current female superhero roles are cast * Taking up space as women, in our lives and in our art * Helping other women see that strong is beautiful Mallory is a Nashville-based actress who recently started her own production company. She also used to be a semi-pro soccer player, so her understanding of her body and self-image runs deep. Mallory dropped so many incredible tidbits in our chat - I was blown away by her knowledge of the body, and I cannot wait for you to hear our conversation! “My grandmother, at the end of her life, she was bedridden because she did not take care of herself physically. She didn’t lift weights. She had had a stroke, and she didn’t do the rehab and the physical therapy that she needed. And I’ve seen that, and I can’t unsee that. And that’s what’s so concerning to me about this emphasis on becoming smaller as women, not just to take up less space, but it’s like we need muscle. When we’re in our thirties, we start losing muscle and collagen and all these other things that are so important, so quickly. And if we are not strength training, if we are not trying to be strong, we are gonna lose independence. I’ve seen it happen, and it takes off years of your life. And so, I’m always having to grapple with, do I have to choose between my career a healthy body. And it’s like I don’t want to do that, right? It’s like, how do we find space for both??” - Mallory Gonyea Below is a text insert of our conversation that stuck with me, starting at around the 4-minute and 32-second mark: Megan Gill: To call yourself an athlete, and then to have your body betray you in this way, and have something completely, like you said, out of your control happen to your body and then have to have to grapple with that is, I can only imagine…. Mallory Gonyea: Like I said, it’s something that you build your identity on, right? And it’s like, I know this about myself. I know I am strong. So when you are no longer strong, when you’re stripped of that, you’re like, okay, this thing that I found value in the thing that I found my worth in is gone. You’re like, well, how do I – where’s my value? Where’s my worth, then? I came out of the womb an athlete, very strong. If you look at my baby pictures, I had muscle definition, right? And being a woman, back when we were – I was born in ‘97, so grew up in the 2000s, right, where skinny was seen as beautiful. And it was the time where it was like, what do they call it, “heroin chic” was the in thing, right? And so, I was growing up where I’m just naturally strong, naturally a muscular woman. And I had to do a lot of learning on how to find that beautiful. And so, when that gets taken away, you’re like, well, what am I now, right? So that’s kind of been just a whole journey for me, like my whole life growing up, of grappling with finding my identity and being strong, but also still not that being the accepted thing. And so, when that is taken from you, when that is your crutch of like, well, I’m gonna lean into being a strong woman, an athletic woman, and then that’s stripped away as well, it’s just huge mind – you know? Megan Gill: Oh my gosh, yes. It’s like not only have you – and I don’t mean to speak for you, but I’m curious about all of the work you did with yourself mentally to accept your physical body, your athletic body as an athlete, and then to have put in all of the work to get to a place with that. But to have done all of the mental gymnastics, to get to this place of like, ah, okay, this is my body, and I am an athlete and I can play this incredible sport with my body. And then to have it, like you said, stripped away and then to have to like do mental gymnastics times two. What was that journey like for you coming out of that? Mallory Gonyea: Well, yeah, to be completely vulnerable and honest with you, I was never like this girly girl, or this, you know, little princess, and I found my identity and my worth in what my body could do, not necessarily what it looked like. So I really leaned into the tomboy-ness of it and the, well, I don’t have to look pretty if I’m a strong athlete, right? I don’t have to try to be feminine. I can just be me, and it can be focused on what I’m good at. All my teammates growing up, they loved going shopping for makeup and they loved doing all these girly things, and I just never identified with that, or I don’t think I ever felt safe to. I didn’t feel comfortable in my femininity. And honestly, I’m still on this journey. I’m still learning how to love this body that I’m in. It’s been a whole journey of never quite feeling like I fit anywhere. But if I can be really good at something and if I have something to bring to the table, well, then that’s fine. It doesn’t matter how I look. But then when you pivot into the acting industry, when you find out that that’s completely different, that the whole industry is based off of looks right, and you grow up and you see all these movies that are about athletes. Well, if you look at the ones that are about male athletes, they’re ripped. They’re very strong. They’re shredded. You look at these female athletes, they don’t match what I’m seeing in the real world, right? I always was between a size two and a six, and I still felt too big to play an athlete on screen. I didn’t see myself represented in the women who were playing athletes on screen. And I think we’ve gotten better, but we’re still a long ways away from that, right? It’s like, “Oh, well she shouldn’t be too muscular because we don’t want her to be too bulky.” Where it’s like you look at any of the women athletes in the world, they have muscle. They have to have muscle to be doing the things that they’re doing. And for some reason, Hollywood has equated thinness with being athletic, and that’s just not true. Megan Gill: Yeah. Mallory Gonyea: And so, I have found myself in a battle recently of like, okay, I’m no longer a competitive athlete, but I’m still an athlete, and I’m still constantly – even at my fittest, when I was a size two or four and really lean, I still felt like I needed to lose ten pounds. Like, “If I lose ten pounds, this will help me get cast,” or, you know, I see all these young, pretty, thin girls are the ones that are getting cast. And it’s like how am I super fit and super, you know, proud of my athleticness, but also wanting to not be that way. Megan Gill: Yeah. Mallory Gonyea: So it’s a constant battle of how do I stop myself from feeling like I need to be something other than myself. Megan Gill: Right. Gosh, because as actors, it’s so important, in my opinion, to bring ourselves to the work that we do obvi – whether you are producing, directing, acting (especially when you’re acting) because that character that’s being brought to life through you is only the way that they are because it’s you, because you are the one playing the role. And that’s the beauty of humanity. That’s the beauty of being able to act and why everybody brings something different to like the same role or the same character. Mallory Gonyea: Absolutely. Megan Gill: And if we are so disconnected from ourselves in that sense and just trying to fight who we naturally are, it’s so not beneficial. Mallory Gonyea: I would have to quite literally be malnourished to ever get to some of these sizes that we have glorified as a society, right? And I don’t want to do that. Me, personally, my grandmother, at the end of her life, she was bedridden because she did not take care of herself physically. She didn’t lift weights. She had had a stroke, and she didn’t do the rehab and the physical therapy that she needed. And I’ve seen that, and I can’t unsee that. And that’s what’s so concerning to me about this emphasis on becoming smaller as women, not just to take up less space, but it’s like we need muscle. When we’re in our thirties, we start losing muscle and collagen and all these other things that are so important, so quickly. And if we are not strength training, if we are not trying to be strong, we are gonna lose independence. I’ve seen it happen, and it takes off years of your life. And so, I’m always having to grapple with, do I have to choose between my career a healthy body. And it’s like I don’t want to do that, right? It’s like how do we find space for both? And I do think that we are getting better. We’re starting to see more stories of women of all shapes and sizes, and we’re starting to see stories of actual athletic women, which is great, but it i

    43 min
  4. Continued Conversations with Kelsey Cally

    May 12

    Continued Conversations with Kelsey Cally

    Trigger Warning: in our conversation, we discuss themes around body image and evolving bodies. Please take care of yourselves as you listen and avoid if these topics might be triggering for you. Everyone, please welcome Kelsey Cally to Continued Conversations! Kelsey and I met in an acting class here in Los Angeles, and she’s since moved back to Chicago, which is fun since I’d spent a few years in the city myself and adore it so much. Kelsey is a stunning actor, director, teacher, and human, and she has a lot to say about body image, especially when it comes to being an actor. The way Kelsey works with her students to become present in their bodies and accept where they are right here, right now is powerful. She speaks about shifting the body narrative to one of joy and talks about the importance of representing other women who have our similar body types through our art, whether on stage or on screen. Kelsey’s story inspired me, and I hope that her thoughts and offerings inspire you too. In our conversation, we discuss… * Her earliest memories of body image were witnessing how her mother (who was a dancer) would speak about her own body and dealing with people commenting on her red hair and freckles * Shifting the mindset that your body is your own and no longer letting other people’s opinions dictate what you do with it * Sharing with others how you feel about your body might just be how we start to accept our bodies and find self-love * Working with actors on self-acceptance and shifting the narrative to joy * Representing other women who have similar body types to you onstage and on screen * Understanding that, as women, our bodies are constantly shifting due to our cycle and our hormones and educating more people (and young people) about this * Arriving to where you are, in your body and psyche, when performing * Living in your imperfections, as an artist and a human * Kelsey takes her responsibility of holding her position as a leader very seriously * Understanding the power of your example when in a position of leadership, whether that’s as a mother or as a teacher or as a director * Learning how to trust yourself in your artistry * Using wardrobe as play Kelsey does not hold her role as a leader lightly. She understands the power she holds when spearheading a project or mentoring a room of students and makes it a priority to set a good example. I’m just in awe at the way Kelsey moves about the world, as a person and an artist, and I cannot wait for you to hear our conversation! “ I work a lot on the stage. I come from the world of stage. So you aren’t necessarily watching your own work, but you are being perceived, sometimes by a room of 30, sometimes by a room of thousands, depending on what you’re doing. So there has to be a level of acceptance of being perceived as well, which goes back to what you were talking about earlier of it’s not just snap your fingers and, ‘I accept myself, and here you go.’ And maybe it’s for some people, I don’t know, if it is for you, how exciting to have ease in that. But it’s a lot of work behind the scenes, and daily work behind the scenes, and it can look different all the time. Sometimes it’s an internal conversation with self, sometimes it’s journaling, sometimes it is consuming work that inspires you because you see a reflection of yourself. A lot of my work with students is, yeah, getting them to that level of allowance and acceptance in self. And then once we get there, arriving to character is that much more free.” - Kelsey Cally Below is a text insert of our conversation that stuck with me, starting at around the 28-minute and 33-second mark: Kelsey Cally: Yeah, I’ll start by saying I take my position – and I even giggle as I say, a leader, because I feel as if I didn’t consciously choose this necessarily. I always say I fell into teaching. That’s what I tell people. I didn’t mean to be a teacher, but it accidentally happened, and I really love it so much. And with that, I take my responsibility of holding that position of leadership – now I’m getting emotional, my god. I take my responsibility of holding that position very seriously. Because I’m not really doing it for me. And what I mean by that is that I don’t crave control. I don’t crave, “I’m the most important person in this room. Everyone listen to me.” In fact, I reject that with my full being, and almost sometimes I have to be like, “Kelsey, you are the one holding the space for everyone, so you do kind of have to be in charge right now.” And I do when I’m in that space, I won’t make you feel like, “What am I doing?” But so your question means a lot because I very consciously make sure – let me see. I have two parts to this. I very consciously choose my words about myself when I’m using myself as an example in class, which is often, mainly because I don’t wanna reflect anything to – I don’t want anyone to feel they have to be perfect. That’s the best way I can say it. And that starts by me, how I treat myself and how I show up too. So if I’m allowing myself not to be perfect in the space, it gives others freedom not to be perfect in the space. And again, I even hate that word “perfect,” necessarily. Maybe more if I’m accepting myself, where I am that day, in the space very openly, it gives everyone else freedom to accept themselves that way in that space very openly. And that is what is most important to me in the room I am in. I love the medium of acting and the craft, and that’s what I’ve done since I was six years old. I’ve been lucky enough to do it this long, and so, that is the thing I teach. I think, though, in any lifetime, I may have been a teacher. I don’t know if it’s always been acting, but I think in some sort of way, I’ve always been a teacher. It just has fallen on me naturally. So again, I take that very seriously, the example I’m setting. And, like I said earlier, a ton of my conversation with people, especially in this medium, again, which is very physical, and we are often looking at ourselves and consuming our own work or being perceived by others, right? I work a lot on the stage. I come from the world of stage. So you aren’t necessarily watching your own work, but you are being perceived, sometimes by a room of 30, sometimes by a room of thousands, depending on what you’re doing. So there has to be a level of acceptance of being perceived as well, which goes back to what you were talking about earlier of it’s not just snap your fingers and I accept myself, and here you go. And maybe it is for some people, I don’t know. If it is for you, how exciting to have ease in that. But it’s a lot of work behind the scenes, and daily work behind the scenes, and it can look different all the time. Sometimes it’s an internal conversation with self. Sometimes it’s journaling. Sometimes it is consuming work that inspires you because you see a reflection of yourself. So a lot of my work with students is, yeah, getting them to that level of allowance and acceptance in self. And then once we get there, arriving to character, is that much more free, or sometimes it could be the opposite way. Sometimes it could be a character that is first inspiring, and then the work is allowing yourself to assume that. Yeah, I hope that answered… Megan Gill: Oh, absolutely. It’s so lovely. That was – yes, so beautiful. And there are a couple things here that are jumping out to me. First, the parallel between you setting the example for the people that you are working with and teaching and leading and directing, Ms. Leader, you’re just reminding me of the way that you, as a young person, you were looking at your mom and looking at her as the example, and not saying that one is good and one is bad at all, by any means, but that’s just really lovely parallel that’s jumping out to me. Wow, so much of it is just by example, and I even find myself in front of my friends and my people, I am now aware of how I speak about myself. Kelsey Cally: Yes. Megan Gill: And even sometimes I’m joking, and I’ll say something – I said something joking about my booty last night, and my girlfriend that’s staying with me – Chloé Godard! Kelsey Cally: Oh, Chloé! Megan Gill: You know her! She’s staying with me right now, and she was like, “Do not talk about my friend that way.” And I was like – yeah, even at this point, my friends are calling me out if I’m even saying something in a very jokingly manner. But I too try to lead by example in the spaces that I’m in, because I do think it affects people, and I do think that negativity breeds more negativity and if we can just – I also hate the word positivity, but it’s if we can just speak with more kindness about our physical vessels, then hopefully the people that are around us are either taken aback by that like, “Hmm, maybe I should try that too,” or they just inadvertently take it in, and you just never know how it could impact people. So I think that is so wonderful. Kelsey Cally: I don’t know why I just thought of this, but I’m reflecting back to a student. So for a minute, I was coaching a lot, and I still do, but there’s one pocket of time where I was coaching a lot of people for school auditions. A big age range. But this person I’m thinking of was, I believe, 16 when we started working together, and they were working towards college auditions. And also, this kind of applies to young college kids as well. Maybe you experienced this in musical theater, the “look,” right, that you have to have – this specific look when auditioning. I remember just never understanding that, really. I don’t know, when I don’t understand things, then sometimes I’m just like, “Meh, I’m not gonna do it,” me personally. But this was early on in my coaching career, and I was working with this young person, and t

    47 min
  5. Apr 28

    Continued Conversations with Brittany Brown

    Trigger Warning: in our conversation, we discuss the impacts of the modeling industry and other themes around the beauty industry and diet culture. Please take care of yourselves as you listen and avoid if these topics might be triggering for you. Everyone, please welcome Brittany Brown to Continued Conversations! Brittany and I met through a shared acting community in Los Angeles back in 2019. I knew she was a phenomenal actor, and I also knew she had experience in the modeling industry, so when I started this project, she was on my list of people I wanted to have a conversation with. But it took Brittany sharing a bit more about her experience on “America’s Next Top Model,” once the documentary had been aired, for me to reach out and ask if she’d be open to talking body image with me in this space. And I’m so thankful she was because our conversation was powerful. In our conversation, we discuss… * Brittany’s journey to finding Reiki for her own healing and now starting her own Reiki practice to help others * Giving yourself permission to slow down and rest * As a kid, learning your body is being perceived by others * The intersection of a cut-throat modeling industry and the desire to be a soft and creative artist * Her experience on “America’s Next Top Model” leading her to want to step away from modeling, so she could return to the industry on her own terms * The importance of safe, supportive representation * Truly embracing you, who you are, and your body * Re-teaching our bodies safety after traumatic experiences * Finding freedom in acting * It’s our responsibility to protect our bodies Brittany is truly an incredible light of a woman. She shared so much wisdom in the 45 minutes that we spoke together, and I’m so grateful to her for joining me in discussing parts of her story she hadn’t spoken about in a while. I’m hopeful that anyone who’s gone through something similar to Brittany hears her words and feels seen and validated in her generous vulnerability. In the Instagram post she shared that pulled me to finally reach out to her she shares: “If this documentary sparks conversations about care, consent, and humanity within creative industries, I hope it also makes room for stories of resilience and moving forward.“ So, thank you, Brittany, for opening up in this space with me. And to everyone here reading, get ready for a moving conversation - I cannot wait for you to listen in! “ I know it sounds cheesy too, but even I just tell people, I’m like you really have to embrace you because things are constantly gonna be changing. And if you’re always like, “Well, now I’ve gotta lose 10 pounds,” or “Now I gotta stuff my bra,” I don’t know, just to fit something, if you’re chasing that, it’s never gonna feel aligned. Because trust me, I love throwing on a pair of jeans and a t-shirt and then doing a photo shoot. I don’t think there’s anything wrong with that. I think it’s when you feel good, it’s empowering. It’s just when I think maybe it’s giving your power away or how the biggest part for me is learning to not abandon myself in these moments, because no amount of external validation will ever be enough, or it has to come from inside, and people say that, but until you really live it and feel it, I’m like, whew, yeah, that’s very true.” - Brittany Brown Below is a text insert of our conversation that stuck with me, starting at around the 10-minute and 54-second mark: Brittany Brown: So I feel lucky in the sense of, when I was a kid, I just wanted to play. And I think when you’re around, I don’t know, sixth grade, I remember a boy on the playground just being like, “Where are your boobs?” And I was like, “I don’t know. They’re just not in yet.” This is so silly. I used to wish, on my birthday, “I wish my boobs would grow.” And then, like I said, being that late bloomer – well, and again, other people just always point out, “You’re so tall,” or “You’re so this,” and I’m like, “Yeah, that’s just my body.” And then I think when I – it was after high school when my body just shifted, and I was like, “Ooh, this is, this is different.” And then that was the time when I went on America’s Next Top Model, and then I’m being told, you know, “Oof, this still doesn’t really quite work. We don’t know where to put you.” And then I’m like, oh, now you’re being evaluated in that sense. And I started to kind of feel like I didn’t have autonomy over my own being, because I was like, “Oh, I’m finally –.” Here we go. I don’t know why this is making me emotional now. You go from being awkward to then feeling good to then still not being enough. And it really messed with me for a long time of just, “Ugh, well, what is my body type? Am I just… I’m not quite tall/skinny enough to be a runway model. I’m not volumptuous. And I just kinda went from caring a lot to kind of just shutting down. Megan Gill: And like disconnecting from – or what do you mean shutting down? Brittany Brown: Especially around the timing of me doing that show was just – I was 18, almost 19. And I was so excited because I was like, “I want to just go, and I want to play, and I love being creative and doing photo shoots”. And then it just so quickly became something that wasn’t really fun. And I know people are like, “It’s a tough – it’s a brutal industry. You need to have thick skin.” And I’m like, I am so soft and so tender. I am one of the most – and for a long time, I would get frustrated like, “Brittany, don’t cry, stop crying!” or, “Don’t be so affected.” And I just had to like really accept myself like, “You’ve always been sensitive, and that doesn’t have to be a bad thing.” So the shutdown thing was just – Megan Gill: That’s your superpower! Brittany Brown: Yeah, I think I’m more – well, I wanted nothing to do with the modeling industry. Megan Gill: After that experience? Brittany Brown: I was just – I came home, and I was just still processing. And other people are like, “Ah!!!” And I’m like, “Huh?” Megan Gill: Yeah. Brittany Brown: It took time. And then I was like if I do this, I want it to be on my terms. I want to find an agency where I feel protected and safe and not constantly just evaluated or… Megan Gill: Yeah, absolutely, and supported. Brittany Brown: Yeah! Megan Gill: Because you’re right, the industry is brutal, and I don’t even know the half of it, but I can only imagine that coming off of that show and having people that don’t know what you went through be like, “Oh, my gosh, this is so exciting!” And you’re having to still sit with and process and deal with everything that you had experienced and how your relationship to your body, the work itself, what you once thought was going to be this – what was this fun, enjoyable thing for you has now been tainted. I am just hurting for 19-year-old you who, you’re still a kid in a sense. It’s a lot to process and sit with and manage. Brittany Brown: Yeah, and, I mean, I’m grateful in hindsight because some of the women that I was able to meet through that, that was one of the best parts - connecting in this kind of weird process. And some people could argue like, “Well, you signed up for the show. You went on.” And I’m like, yes, I did sign up for the show, but I didn’t sign up for other manipulation or other things that kind of took place, and I was the one who had to come home and then live my life and do the work on healing from that. So it’s a journey. Megan Gill: Yeah, and it’s also hard for people to say that. Well, yes, but also you would hope – one would hope that going on a show like that would not have been such a difficult experience to go through. You would hope that it would – the pros would outweigh the cons in it to an extent. And I don’t mean to speak for you and say the cons outweighed the pros, but it’s like – I don’t know. I don’t know. Brittany Brown: Yeah. No, I know what you mean because I remember I got home, and I was in Arizona, and I think an agency wanted to meet with me, and I was very much just like, “I don’t want to do that.” I was just like, “Mm, mm-mm.” And I think I waited almost a year. I did end up being signed, and I was like, “Oh, this is okay.” I moved to LA shortly after that as well, but I remember just being like – also, I was like I like acting way better because I feel like in modeling it’s so much about how you look, which is also frustrating because – I don’t hate modeling. I love being creative and moving your body, and I just – I hate the bad rap that it’s gotten, but it’s gotten that for a reason, you know? Megan Gill: Yeah, it is unfortunate. And, okay, a couple things here, because I do want to talk more about your journey into acting and kind of how that evolved your story and your relationship to your self-image. But I’m also thinking it’s so tough in our society today, where ten years ago, we were having this like body positivity movement, and we were getting all different shapes and sizes of bodies in our media. And now it’s – god, I saw something this morning about I don’t know, just the, the way that our society is now leaning back towards like everyone is very, very small. Brittany Brown: Yeah. It does. It becomes things are more in or trendy. Megan Gill: That’s like a testament to – that made me think when you were it’s not that you don’t like modeling, or that you like dislike the modeling industry or like the creative act of modeling, but it’s hard when the confines of it are being manipulated by brands and by trends. And it’s so hard to keep up and feel… yeah. I’m rambling. Brittany Brown: Yeah. It’s almost like – no, you’re not. I know it sounds cheesy too, but even I just tell people, I’m like you re

    44 min
  6. Apr 14

    Continued Conversations with Katie Stone

    Trigger Warning: in our conversation, we discuss chronic health conditions, diet, and body measurements. Please take care of yourselves as you listen and avoid if these topics might be triggering for you. Everyone, please welcome Katie Stone to Continued Conversations! Katie and I were connected through a friend of mine, Alia Parise, who I previously spoke with on Continued Conversations. (Thank you, Alia - we love you!) Katie is also a fellow fit model and print model, and when she had mentioned she has a condition called adenomyosis that she is starting to talk more publicly about, I knew we had to chat. After all she’s been through with her condition, Katie’s outlook on her life and her relationship to her body now is extremely inspiring. She opens up about her story and shares so beautifully all that she’s gone through that led her to where she’s at now in terms of how she’s relating to her body. She shares so much about her own story in our conversation, and I know she hopes to reach others in doing so too. [Keep an eye out because this woman is going to write a book one day!!!] In our conversation, we discuss… * Katie’s health journey that led to her adenomyosis diagnosis * Educating yourself and caring for your body through that lens while struggling with a chronic health condition becomes your part-time or full-time job * Radical acceptance of her pain, coupled with science and spirituality, allowed her to begin to heal her body * The Dutch Test gave her a breakdown of her hormones * Having to give up coffee, even though she loves it so much - the sacrifices she has had to make to feel good in her body * How she deeply listened to her body when it told her not to get a hysterectomy * Katie’s serendipitous discovery of her doctor, who changed everything (who’s also named Katie) * The toll stress, coupled with genetics, diet, and lifestyle, can truly take on our bodies * How to cope when feeling out of control in your own body * Katie’s journy towards opening up about her story and listening to her own heart * Being honest with a client (or anyone, really) instead of pretending everything is okay Katie’s vulnerability in sharing her story was admirable. She got into the nitty-gritty of the intersection of science and spirituality when it comes to how she is healing her body. Despite her journey and all she’s been through, Katie is such a light of a human, and I cannot wait for you to hear our conversation! “ I want other women to understand that they’re not the only ones going through this. That it is so confusing, and it’s frustrating, and I get it. And I have just been the type of person where I don’t accept just giving up in my life. I cannot accept that. I cannot accept, “Well, I guess I’m gonna have to remove my entire uterus because there’s nothing else I can do, and I’m at the mercy of people telling me what I should be doing." I just – and trust me, I have worked with amazing gynecologists, you know, just people who really do care about me and my wellbeing. But this is just how the world works. You do have to do your own research. You do have to find people you work with, that you work well together. You do need to approach it in a holistic sense, in my opinion, if you don’t want to go down that route.” - Katie Stone Below is a text insert of our conversation that stuck with me, starting at around the 28-minute and 2-second mark: Katie Stone: I’ve had to navigate through all of this while still doing all of the work that I do. And but, you know, health comes first and foremost because it affects everything else in my life. So it’s like, I know that I need to prioritize this, even if that means that maybe I don’t get a casting one day because I’m just not the right measurements because maybe I’ve been eating a certain way for a few months, and it’s actually made me smaller, and now I’m not those measurements anymore, but I want to bounce back, you know? And so, it’s just a matter of being aware of what’s going on and understanding that you have to just love your body. You have to love yourself going through this. You really do, because it’s difficult and I don’t want to make it worse for myself ultimately. Megan Gill: Yeah, absolutely. I think that that’s such an important piece of the conversation, that even when you are dealing with so many of these things that are so out of your control – granted, I do think that just living in a body, generally speaking, we think we can control all these little things about ourselves, but we can’t. And then you add a condition like adenomyosis on top of that, and you’re like, “Wow, I really have no control,” especially with the elimination from your diet and trying different things here and there. It’s like, oh my god, it seems as if it’s what the average person experiences, yet tenfold. Katie Stone: Yeah. Yeah, it really is. And again, people sometimes have no idea that I go through this because I’m not the type to complain a lot. I’m not the type to just, you know, publicly share so much about all of the details that I go through, because it is very sensitive stuff, and I want to share it because I want other people to be aware, first of all. And I want other women to understand that they’re not the only ones going through this. That it is so confusing, and it’s frustrating, and I get it. And I have just been the type of person where I don’t accept just giving up in my life. I cannot accept that. I cannot accept, “Well, I guess I’m gonna have to remove my entire uterus because there’s nothing else I can do, and I’m at the mercy of people telling me what I should be doing.” I just – and trust me, I have worked with amazing gynecologists, you know, just people who really do care about me and my wellbeing. But this is just how the world works. You do have to do your own research. You do have to find people you work with, that you work well together. You do need to approach it in a holistic sense, in my opinion, if you don’t want to go down that route, and I didn’t. It’s not specifically because I want to have kids or anything that. It’s more so because this is my body, and that’s such a drastic move to have to remove something completely from your body. And then when you think about it – and I know that this has helped so many women out there, you know, having that type of surgery, and I completely get that and support people in their decision, no matter what they do. But for me personally, I just didn’t want to go down that route. And you know, when you remove an organ from your body, that doesn’t necessarily mean you completely solve the problem, you know? Because you’re not understanding, again, why the inflammation is happening to begin with and what’s going on with your hormones. You could still be doing things like, you know, stress levels and things that, that are affecting you even if you do remove your uterus. So I just like, logically just thought like, “Well, but I want to know what’s going on in my body, you know, and I want to figure that out.” I want to have a working relationship with my body versus thinking of it as something just like, “Okay, I’ll just remove this,” you know, as a project or something. Megan Gill: Yeah, like a curiosity about deepening that connection to your body that had not been present for so long. And I don’t mean to say that so black and white, but just getting more and more connected. this body that you felt you were disconnected to previously when you had first started going through all of this is deeply important, and that makes so much sense and is so beautiful. And I’m also curious about, earlier you mentioned that there was a whisper telling you not to have the surgery and not to remove your uterus. Katie Stone: Yes. Yeah. Megan Gill: I’m curious to hear more about that because that’s also like – I love that you listen to that. That is deep listening to what your body is telling you. And I think that so many people cannot or do not listen to themselves in that way, you know? Katie Stone: Yeah, no, that’s an amazing point, and I’m really glad you brought that up because that was a really big turning point for me because I was at the end of the line. I was just like, “Okay, I don’t know what else to do.” I was so frustrated. Megan, I was so frustrated. You know, it was probably summer of last year. Yeah, summer of last year, and I was so frustrated at that point, and I exhausted everything, or so I thought at that time, and I was just like, “You know what? Forget it. I’m just gonna get the surgery.” I had scheduled it; I actually had scheduled the surgery. I put it on the calendar, you know, with the surgery scheduler and and everything, you know. And then, because it takes a long time to schedule those types of surgeries, I had a few months, and I was like, “Okay, if I don’t figure it out in the next few months, I already have it on the calendar, and I’ll do it.” So that really put my butt into gear to figure it out. And I have to give a giant shout-out to my mom, because she heavily helped me throughout this. And she was very much on my side of like, “Whatever you want to do, I support. But I do think we should give it one last shot just to see if we can find someone out there who specializes in this.” Because I had talked to nutritionists in the past. I had talked to more holistic types of doctors, Chinese, you know, medicine, and things that. I’ve done so many things, you know, acupuncture and things that. And it just, nothing was working enough. And that’s why I was like, “Well, I tried that, so why would I keep trying that?” So that’s why I was just at this point where I was like, “Screw it. I’m just gonna get the surgery.” But then my mom was like, “Let’s just try it one more time. Like, what do we have to lose

    55 min
  7. Continued Conversations with Alena Acker

    Mar 31

    Continued Conversations with Alena Acker

    Trigger Warning: in our conversation, we discuss themes around body image, diet culture, and weight loss. Please take care of yourselves as you listen and avoid if these topics might be triggering for you. Everyone please welcome Alena Acker to A Broadway Body: Continued Conversations! Alena is another wonderful actor and human that I met through Amy McNabb’s The Spark Membership, and I was so thrilled to sit down and chat with her. I’m so grateful to Alena for her kind heart and vulnerability in our conversation to share some opposing ideas when it comes to body image and general health, prevention, and wellbeing, in hopes that it reaches someone who needs to hear it. Alena also shares a pretty incredible perspective on being a fat actor and hoping to be the representation for others that she needed when she was younger. I know you’re going to enjoy hearing about her body image story, and just get ready to soak in all of the wisdom she shares in our conversation. In our conversation, we discuss… * Reclaiming the word “fat” and not demonizing it * Weight cycling and the impacts of the generational weight loss cycle * Alena’s choice to stop dieting and accept her body after experiencing the loss of her dad * The tie between Alena’s acceptance of herself and her acting career taking off * Being the representation on screen that she needed when she was a kid (that we ALL needed when we were kids) * The inundation of cultural ideals we’re almost brainwashed by * The nuance of accepting your body now, in this moment, and still taking the steps to prevent predisposition to heart disease by way of GLP-1 * The fear, as an actor, of your body and appearance drastically changing, and how that could affect your career * Doing what is best for you and your body, and trusting yourself when it comes to knowing what’s best I cannot wait for you to hear our conversation! “I want to be around for a long time, and I want to be able to tell these stories. And if my body becomes different, then it’s just, you know, a different body type that I’m representing. And I’ve always felt like sort of a weirdo and an oddball, and I still get to represent the weirdos and oddballs in the world at any weight. It’s been an interesting challenge because we think of loving ourself at any weight, or any shape or any size, as having more to do with if we get larger, if we get older, you know? But it’s like if you’re gonna do it, then you have to do it all the way, no matter what direction your body changes in.” - Alena Acker Below is a text insert of our conversation that stuck with me, starting at around the 1-minute & 52-second mark: Alena Acker: It’s interesting. When I was younger, people would say, “Oh, you’re not fat,” or “You’re not that fat.” And what they meant was “You’re not a bad person. I don’t think that you’re lazy or undisciplined or bad,” because those are often – or at least back then in the eighties and nineties, especially, those were things that came along with the word fat. So yeah, it’s one of those things where I’m I think it’s okay to be fat, and I think it’s okay to say that you’re fat. And that it, yeah, just shouldn’t be negative. Megan Gill: Right. I absolutely agree with you. I saw this post recently about the belly and how it’s also demonized in a similar sense. Whereas, if you have a soft belly and if you have a soft body in general, that you are seen as weak or not disciplined enough. And it’s very much still a theme today. As deep as it went, in the nineties and early two thousands, it’s no, it’s still present here with us today. Yeah. Alena Acker: It is. Yeah, it is. It feels we’re in a rough moment with this right now because it did seem I don’t know, a few years ago, five, ten years ago, this movement – at least in my perception of things – it seemed oh, there’s this movement that’s really gathering steam, that’s all about body positivity and body diversity and, you know, being able to love yourself and your body regardless of the size and shape of it. Now it feels we’re sort of, I don’t know, regressing a little bit, and we’re in a moment where it seems there’s a big moment that’s sort of trying to get rid of all the diversity in our country. It’s really, really sad. It’s really awful. And, you know, I think body diversity is, you know, a part of that too. Megan Gill: I absolutely agree, and it is really scary. We are in trying times, and it’s sad because, in terms of body liberation, it’s like we have come so far, and yet we aren’t able to fully live freely within that because, here we are again, yet having to fight back at the patriarchy and fight back here and fight back there. The conversation’s being had because we’re still in the cycle of the fight instead of just being able to live, which is frustrating because it did feel like, for so long, within the last span of ten years, I’d say, and during the pandemic body positivity and body neutrality were becoming such big important liberating movements and now it’s just hard to see it… Alena Acker: And it was so inspiring for me to see younger people than myself, because I’m middle-aged, you know, just really embracing and sharing these ideas and being like, “Oh, wow. What a different and wonderful way to think,” and it helped me to sort of look at and face some of my own internalized fatphobia, you know? So yeah. So it’s a real bummer that we’re kind of in, you know, one of those sort of valleys of the fight, I guess. You know, things go up and down, and it feels like we’re in a bit of a down spot right now, which is rough. Megan Gill: Yeah, absolutely. As an actor, I’m curious, as someone who is using your body as your instrument onstage, on screen, probably daily in auditions, and just having it be such a forefront of your life’s work in that sense and your career, I am curious – and this is also kind of a convoluted question here – but how your relationship to your body has influenced your work and your career and your journey as an actor? Alena Acker: Yeah, what a wonderful question. I’m going to take it way back to when I was a kid, because I kind of always knew I wanted to be an actor. It was like I was taken to the touring company production of Cats as a 6-year-old, and I was like, “Hold on. Are you telling me there’s a job where you can act like a cat, and people come and watch you do it and applaud that? Sign me up!” You know, “This is definitely what I want.” But as a young person, I really only focused on theater. I really only thought I could do theater because I just didn’t see hardly any women, especially with my body type, on screen. So it was just, it was I thought these were facts. I was like, “Oh, well, I can’t do film or TV because fat people can’t be on film or TV, so I’m gonna do theater!” And, you know, it didn’t even occur to me at that point that it was a possibility. And, you know, weight has, has kind of always been a part of my life. My mom put me in a kid’s – I’m getting emotional thinking about this. She put me in a kid’s weight loss program when I was 12 years old. And I’m someone who has weight cycled about five different times in my life, so what I mean by that is I would lose a significant amount of my body weight, let’s say 20-25%, and then gain it back, you know, and then lose it again, and then gain it back. And so, you know, it started at that super young age, and you know, my mom had her own struggles with this, and she was doing what she thought was the best thing for me to help me, you know, to help my health, to help me perhaps not make what she perceived as mistakes that she had made. And I’m also a lifelong vegetarian. I was a really picky eater as a child, so I think she was also just like – she kind of was like, “What do I feed this kid? I don’t know how to –.” She just kind of didn’t know what to do. And luckily for us, we’ve since had conversations in adulthood where I’ve said, “I need to know that I am okay no matter my weight and no matter the size and shape of my body. That I know you were trying to help me. But what you did was make me feel there was something fundamentally wrong with me.” And that’s, you know, that’s a very harmful thing for a person to feel. And, you know, I can only imagine how much worse it is when you’re at the intersection of if you’re fat and queer and a black or brown person. It’s not great to grow up thinking that you have this deep, deep flaw. So it was something that I, you know, just didn’t even think about film or TV. My body’s been many different shapes and sizes and weights over the years, but after coming to New York, I started to find a little bit more success in that on-camera world. And I think the industry also just started to open up in those years, and you started to see more people with a wider variety of shapes and sizes. And so, it was like, “Oh, oh, this is something I could do.” Megan Gill: Wow. Yeah. Alena Acker: And I eventually reached a point where I started to feel like, you know what? I’m okay the way that I am. And that, you know, comes from a lot of therapy, a lot of talking to other friends who are fat, just learning, experiencing things. But I got to a point, I had lost a bunch of weight again in like 2019, and then in 2021, my dad passed away. And it was during the experience of that happening that I gained the weight back because it was it stressful, and nobody wants to sit there and count calories when someone very important to you is dying. Megan Gill: Wow, yeah. Alena Acker: And so, it was after that point that I was like I’m done. I’m done with diets. I’m done losing weight and gaining it back again. This is just gonna be it, and what I’m really gonna work on now just accepting who I am no matter what, you know,

    43 min
  8. Continued Conversations with Tatiana Pavela

    Mar 17

    Continued Conversations with Tatiana Pavela

    Trigger Warning: in our conversation, we discuss ideas relating to diet culture and self-image. Please take care of yourselves as you listen, and please avoid if these topics might be triggering for you. Everyone please welcome Tatiana Pavela to A Broadway Body: Continued Conversations! Tatiana and I are a both a part of The Spark (Amy McNabb’s mindset-focused membership for ambitious, heart-centered actresses), and it’s fun because she’s a Chicago-based actress, theatre artist, and teaching artist (which is just fun for me because I adore Chicago so much and lived/worked there prior to moving to the beach). I was thrilled to sit down with Tatiana and discuss body image. When I read this quote on her website, “As a teaching artist, she has worked with students of all ages to guide actors to work through fear, take up space and do the ridiculous,” I knew I was in for a treat with this conversation. In our conversation, we discuss… * Working through fear as an actor * Getting comfortable with being profoundly uncomfortable * People telling us “no” fuels the fire * Her changing body leading to an autoimmune disorder * The realization that she doesn’t have as much control over her body as she once thought she did and coming to terms with that * The nuance of wanting to accept her body but also wanting it to change * Our bodies are designed to fail * Her fearlessness and vulnerability in showing the range of humanity onstage as an actor * The pressure we put on ourselves to be perfect as actors, but the reality being that these characters we’re playing are inherently imperfect beings (just like all of humanity) * We are taught to hate our bodies, and we are taught to not listen to our bodies and override them - how this led Tatiana to a post-sickness diagnosis of mono * Creating space to listen to your voice and hear your body * We discuss joy and the things we both find joyful in our day-to-day lives * We have a big chat about delicious food at the end, so grab your snacks ◡̈ I cannot even tell you how many little golden nuggets of wisdom are within this 54-minute conversation - I hope you enjoy this one. Tatiana is a wealth of knowledge when it comes to our bodies as actors, the patriarchy + our societal conditioning, and ultimately coming back to ourselves. She’s also absolutely hilarious and wonderful. I truly, truly cannot wait for you to hear our conversation! “I’m a fat actor. I would love to be thin. I have tried my entire life to be thin. Sometimes I have been thinner than others, but it’s just like it’s constantly something that I’m wrestling with. And I’ve always questioned, “If I wasn’t an actor, would I have this same relationship?” You know what I mean? And me and my actor friends, when they talk about their mom trying to lose weight or whatever, we’re like, “What does she care? She’s not an actor!” Like, “Live your fat life. Live your midsize life, and stop worrying about —,” you know what I mean? And so, it’s always like — this is so connected. I mean, I do think ultimately it’s like. every woman does feel this. It’s heightened for actors and people that are in front of other people.” - Tatiana Pavela Below is a text insert of our conversation that stuck with me, starting at just after the 22-minute mark: Tatiana Pavela: I mean, it feels like we’re sliding backwards now, to be honest. But the thing that I’ve been telling myself since – because even when I was “thinner,” I was still larger than everyone else around me. Do you know what I mean? It’s kind of a sign that’syou know, “Tatiana, to a certain extent, you’ve always been this.” But the thing that I would tell myself, and I still do tell myself, is my goal as an actor is to show the range of humanity as much as possible, and I can do that. You know, and it’s so – yeah, it’s like if I can be as fearless – let’s go back to fear, right? If I can be as fearless onstage, I can be as vulnerable, if I can be like, “Look at this. Look at this heartbreak, look at this. This happened on stage. Look at this, look at this, look at this,” you know? I just did a play, and my goal was how vulnerable can I be every night. Can I shed my skin so that they can see this journey? And it’s just like – yeah, that’s my goal. It’s a challenge to myself. It’s like, “I dare you. I dare you to work through your fear so that you can show more humanity to people.” Megan Gill: Yeah, because we need it now more than ever. Tatiana Pavela: Because we need it, and because it’s true. You know what I mean? I’m sure so many people have said this on your podcast, but it’s like we’re out here living our lives. I’m in love. I have a wonderful relationship. So many crazy things have happened to me, good and bad. Do you know what I mean? That it’s just like I’m not just here as, you know, young mom number one auditioning for a Triscuit commercial. Megan Gill: Exactly. Exactly. Exactly, 100%. And that’s not to say that if you were in a smaller body, that it wouldn’t be “easier,” or that there wouldn’t be more bookability or more roles available, and I f*****g hate that so goddamn much. Tatiana Pavela: Let it out. Let it out! Megan Gill: Yeah, it’s just – and I also just wanna say that too, because that’s also just a very real part of what’s wrong with the industry and what I would like to change about the industry, if I could. Yeah. Tatiana Pavela: I mean, it’s hard. It does feel we’re sliding backwards, you know what I mean, in terms of plus-size clothing availability – Megan Gill: Yes. Tatiana Pavela: – in stores. I remember when Athleta started offering their plus-size in store, and it was so awesome. I was like, “I’ll give you all my money.” Do you know what I mean? Like this is amazing. This is great. And then when they recently pulled that back, I was like oh man, do you know what I mean? It just happens over and over again where lines are closing or it’s not offered in store. It just feels like a lot of this is moving backwards. Megan Gill: Yeah. Tatiana Pavela: And so, how’s your body image now Tatiana? Well, it was better a few years ago. Megan Gill: Right, right. Tatiana Pavela: It was better two years ago. But I mean… and then the thing that I can just tell myself is – and it sounds so pretentious to be like, “Oh, I’m gonna be an example to people,” but is that it’s just like, look, I love when I’ve seen fat women onstage, you know what I mean, especially as love interests where it had nothing to do with fat. Megan Gill: Yep. Tatiana Pavela: I was just like, just be that example for someone else, you know? And my students, who are adults, there’s so much fear in them, and there’s so much think-we-need-to-be-perfect before we do the thing. And I’m like no one’s perfect. You kind of have to be strong and wrong. How I’ve learned anything in this industry is by doing it wrong and having someone tell me the right way to do it, or, “Don’t do it that way. Do it like this,” you know? And it’s like… one of my students was talking about their need for perfectionism, and I was thinking about it on my walk home after class where I was like how interesting, how unfortunate, how bizarre, how weird, how whatever that we think, as artists, we need to be perfect, but the thing that we are trying to represent is imperfect, always. Humanity is always imperfect, and that’s what makes it interesting. And those are the stories that we want to watch, and yet, we think we need to be perfect in order to represent that. Megan Gill: Yeah. Tatiana Pavela: Why? Megan Gill: Seriously why. Make it make it make sense! And we think that our bodies need to be this image of perfection or acceptable in order to tell these stories. For me, a big thing now that I’m in my early thirties, approaching my mid-thirties is I have never had Botox, and I am now seeing my deeper lines. I just got headshots done, and I’m like, “No, bitch. You are not doing that.” And you know what? If people, if actors want to, more power to you. Do what works for you. For me, kind of like you were saying, I’m challenging myself to not because I want to be that face that looks the age that I am, and I wanna tell those stories with this face and with this body, and it is so damn hard. But it’s like we also need that. Sure, we need the 35-year-old women with Botox. Yes, that’s needed too. But also, my forehead wrinkles and my smile lines are also needed. They’re both needed. Tatiana Pavela: Have you seen “The Beat In Me” with Claire Danes? Megan Gill: Yes. Yes. Wait, with the – she’s the writer, she’s the writer. Tatiana Pavela: She’s the writer. So I say this completely neutral. You see her, and she looks older, right? I’ve been watching her since “My So-Called Life” days. When I saw her face, when I first started watching that series, I breathed a sigh of motherfucking relief I didn’t realize I was holding. I was like, “Oh, my god.” Megan Gill: Yeah, it’s beautiful. Tatiana Pavela: It was like – because you could see everything on her face. You could see every emotion, everything she’s holding, everything she’s thinking. I mean, truly, truly phenomenal. And the thing that I love about her and Matthew Rhys in the show is you never know what they’re gonna do, and when they do it, it’s always the more psychopathic choice. You’re just like, “Oh, my god!” Megan Gill: It really is such a good show. Tatiana Pavela: It’s incredible. Megan Gill: It took me a second to piece together… Tatiana Pavela: Yeah. Yeah. Yeah. There’s so much out there right now that it’s like, “Wait, did I watch that? I don’t know, maybe?” Megan Gill: “I know I’ve seen it! I know I’ve seen Claire Danes in a series recently, but I need to visualize it for one second, yep.” Yeah, you’re so righ

    54 min

About

I started A Broadway Body: Continued Conversations in January of 2025 in hopes of having intimate and transformative conversations about body image with performing artists. While my initial focus was to talk with artists because of the level at which our bodies are involved in our work onstage and onscreen, as the series evolved over this past year, I’ve come to understand that it’s vital to highlight an array of humanity through this project. Everyone has a body image story. Do you want to share yours? What started as a project to highlight performing artists’ body image stories has turned into a movement to showcase that every single person on this planet has a body image story - no matter who you are. My mission is to highlight these stories in hopes of: * Demystifying taboo around body image in our image-obsessed culture * Normalizing shared struggle within our physical beings * Helping people feel seen, validated, and therefore less alone in their own journey towards liberation in their body Subscribe over on Substack to get notified when I share a post, and please consider a paid plan to help support my work for either $10/month or $80/year. If you’d like to be a part of the series, send me a DM or email me at themegangill@gmail.com. I’m currently booking virtual conversations for 2026, and I’d love to talk with you. If you’d like to remain anonymous but still share your body image story - there’s a form to do so! Please reach out via email, and I’ll send it over to you ◡̈ I’m so looking forward to either chatting with you for a conversation or hearing from you via the form and highlighting your body image story! ---------- Disclaimer: While I’m not a licensed therapist, registered dietician, or medical health professional and cannot speak to body image topics from a clinical, trauma-informed place, I am an expert of lived experience. I’m an academic of my own body, and I’m passionate about facilitating conversations with other humans about their relationships with their bodies. I believe it’s important to continue conversations about healthy body image in creative spaces as a means to heal individuals as well as the collective whole. But just know the information presented in this medium is not professional mental health advice or medical advice, and any questions or concerns you have should always be directed to your health providers. www.continuedconvos.com