Control Chelsea Wilson

This episode features Yamatji and Gumbaynggirr vocalist and songwriter, Emma Donovan. Growing up in a musical family, Emma first appeared on the stage with her renowned family band, the Donovans. She's since collaborated with artists such as Paul Kelly, the Black Arm Band, the Teskey Brothers, Paul Grabowsky, Spinifex Gum, the late Uncle Archie Roach and Aunty Ruby Hunter and The Putbacks.

Recently, she was the executive producer for the award winning documentary, Wash My Soul in the Rivers Flow and appeared on PlaySchool, but in 2024, she's set to release her debut solo album 'Til My Song is Done'.

Clare Bowditch is an award winning vocalist, business woman, mentor, mother, actress, broadcaster, podcaster and author. Claire has won the coveted ARIA Award for Best Female for her music, the Rolling Stone Woman of the Year Award for her contribution to Australian culture, and has been nominated for a Logie Award for her role as Rosanna on popular television show Offspring. Her very first book, entitled “Your Own Kind Of Girl” won the 2020 Australian Book Industry Award for “New Writer of The Year”. As a songwriter and musician she has toured with artists such as Leonard Cohen, Paul Kelly, Missy Higgins, Gotye and John Butler, to name just a few. In August 2020, she released an Audible Original audio book entitled “Tame Your Inner Critic” which has remained at the top of the Audible Charts since the day of release. Recorded live at The Soundbox, as part of Always Live Festival, Chelsea and Clare chat about songwriting, body image, burnout and much more.

Zoe Hauptmann is one of Australia’s most in demand session musician’s who has recorded and performed with some of Australia’s most iconic artists including Paul Kelly, Neil Finn, Kate Ceberano and Peter Garrett.

Zoe is also the Artistic Director of SIMA, Sydneys’ Improvised Music Association that presents a year round program of events as well as the Sydney International Women's Jazz Festival. In 2018 she won the Creative Leadership Award at the Australian Women in Music Awards.

In this conversation, recorded shortly after the festival, I asked Zoe to tell us what she makes a great bandleader, how to negotiate performance fees, how she chooses what projects to work on and much more.

https://sima.org.au/

Currently just 7% of live production technicians are female. 7%. Now imagine how many female technicians were touring in the 1970s - almost none. Our guest today was just 16 when she took her first job as a roadie with AC/DC in 1974. I’m talking to the first female roadie, the incredible, Tana Douglas.

Since her first role in the live sector as a roadie, Tana has worked as a sound engineer, a lighting designer and logistics manager. she’s worked with acts such as Suzie Quatro, Status Quo, INXS and Elton John and has over 30 years of touring experience across three continents. Currently based in LA, Tana recently released her first book, the memoir titled Loud.

In this conversation I ask Tana about inclusion in production crews, how she feels audiences have changed over the last few decades, and about that time Iggy Pop threw her favourite leather jacket into the crowd. We also chat about mental health - please note there is a content warning in this episode, there are some references to suicide and drug use.

https://www.tanadouglas.com/home

If you need help please contact the wellbeing hotline :1800 959 500

Supportact.org.au

Special Reminder: Always Live will present the Control podcast live at the Sound Box Monday 27 November. Hosted by artist/producer Chelsea Wilson, the session will feature two incredible Australian artists in conversation, Emma Donovan and Clare Bowditch. Housed in the Arts Centre Melbourne forecourt, the Soundbox Control session will comprise two back to back Control episodes recorded in front of a live audience. Soundbox Sessions are free, no booking required.

In this episode we speak to Jasmine Moseley, Executive Director of the Australian Art Orchestra. A classically trained instrumentalist, Jasmine moved into arts management post music study, and has since worked for organizations such as Melbourne International Arts Festival, the Public Theatre in NYC,  the Australian Ballet and Monash University Performing Arts Centre. In this conversation I ask Jasmine about the duel management structure of the Art Orchestra and where she thinks art music sits in Australia. We also cover a lot of arts management practice - I ask how Jasmine approaches providing feedback and securing partnerships and how she approaches developing commissions.

https://www.aao.com.au