Conversations from the Barn

Everwood Farmstead Foundation

Everwood Farmstead Foundation is an arts non-profit located on a century-old farm in the bucolic Driftless Zone of Western Wisconsin. We host inspiring spaces for artists to perform (Artist Series), teach (Artist Workshops) and work (Artist Retreat) in a natural environment. We focus on the artists' experience because we know when they are happy, healthy and nurtured, it is good for everyone. Every day, their job is to find fresh language for the human experience. As a result, healing and restoration is possible for our communities. In this podcast, we host brief and informal conversations with artists that visit our farm. They'll share about their experiences at Everwood, the projects that are exciting them, and the insights they're gaining along the way.

  1. 12/10/2025

    A conversation with writer Chris Stedman

    Chris Stedman is a writer, podcaster, and professor who teaches in the Department of Religion and Philosophy at Augsburg University in Minneapolis, MN. He is the author of the books IRL, Faitheist, and the forthcoming Nothing in Particular, as well as the writer and host of Unread, named one of the best podcasts of 2021 by the Guardian, Vulture, HuffPost, Mashable, the CBC, and others, and honored by the 2022 Webby Awards under Podcasts – Best Writing.  Chris is the founder of Good Judy Productions, a new podcast studio based in Minneapolis committed to telling stories that, in the words of Dietrich Bonhoeffer, take the "view from below," or "the perspective of the outcasts, the suspects, the maltreated, the powerless, the oppressed and reviled, in short from the perspective of the suffering." The studio's first series, for which Chris was awarded a 2025 Minnesota State Arts Board Cultural Expression Grant and 2025 Arts Impact for Individuals Award from the Metropolitan Regional Arts Council, is currently in production and will be distributed by iHeartPodcasts. In addition to his books and podcast work, Chris has written popular essays for outlets including the Atlantic, Pitchfork, BuzzFeed, VICE, the Washington Post, and others. At Augsburg, Chris teaches on the search for meaning. He has also held fellowships in Augsburg's Center for Democracy and Citizenship and Interfaith Institute, and in 2023 the university appointed him as the Institute's inaugural Research Fellow in support of his ongoing work studying the religiously unaffiliated. He was also awarded a Director's Residency at the Collegeville Institute for Ecumenical and Cultural Research at the College of Saint Benedict and Saint John's University, named 2025 Visiting Scholar at Northwestern University and 2025 Scholar-in-Residence at Susquehanna University, and invited to be in residence at Write On, Door County and at the New York Mills Cultural Center for this research and writing. Previously the founding director of the Yale Humanist Community and a fellow at Yale University, he also served as a humanist chaplain at Harvard University and as a Trainer and Content Developer at Interfaith America. In 2018, Augsburg selected Chris for their annual First Decade Award, which recognizes alumni "who have made significant progress in their professional achievements and contributions to the community" ten years after graduating. chrisstedmanwriter.com

    35 min
  2. 11/06/2025

    A conversation with playwrights Kurt Robert Engh and Dave Osmundsen

    Kurt Robert Engh is a theater-maker with the goal to expand the framework of what "theater" is in order to adapt the art form to a twenty-first century audience. He transposes experimental practices to narrative stories, addressing how contemporary audiences consume live performance. He is specifically interested in exploring Midwestern identity, creating characters as complicated as real people, and taking advantage of the metaphysical space of the stage. He likes testing the endurance of audiences and uncovering ways to contextualize a physical space in a digital culture. He borrows more from concerts, obscure YouTube videos, contemporary film, restaurants, clubs, and social media than he does classical theater. Kurt wrote and self-produced an anti-romcom "Only Ugly Guys" in June 2024 at Open Eye Theatre, which reviewer Cherry and Spoon called "funny, clever, inventive, and very modern." He produced, adapted and directed "Naïve. Super" at Norway House in September 2023, with a new actor at each performance, experiencing the play for the first time. He hosts "Running Errands," a short-play incubator for writers/directors/actors to experiment with new ideas at Bryant Lake Bowl (March/May/July/September 2023 and beginning again quarterly October 2024).   Dave Osmundsen is a queer and Autistic playwright whose work has been seen and developed at BLUEBARN Theatre, the Kennedy Center/NNPN MFA Playwrights Workshop, Purple Crayon Players, Great Plains Theatre Conference, the William Inge Theatre Festival, Clamour Theatre Company, Premiere Stages, the Valdez Theatre Conference, and more. His play Light Switch was a Distinguished Achievement recipient of the Jean Kennedy Smith Playwriting Award. A recipient of the Blank Theatre/Ucross Foundation's inaugural Future of Playwriting Prize, his plays have been published by The Dionysian, Canyon Voices, Exposition Review, Concord Theatricals, Broadway Play Publishing, and more. MFA: Arizona State University.

    33 min
  3. 12/08/2024

    A conversation with Ceramic Artist Cym Warkov and Choreographer Genevieve Waterbury

    Originally from Colorado, Genevieve Waterbury grew up in the mountains and in the ballet studio at Boulder Ballet and eventually studied dance at Colorado State University. She then joined Nevada Ballet Theatre in Las Vegas where she collaborated annually with Cirque du Soleil. One of her favorite moments from NBT was working intimately with Cynthia Gregory on character portrayal for the company's performance of Giselle; It deepened her interest in acting and dance theater, ultimately prompting the move to New York City.  In New York, Genevieve had opportunities to work across many genres including a Butoh Residency at Kaatsbaan with Joan Laage (Kogut Butoh), a lead dancing role in the original cast of RED, a New Musical by Lawrence Dandridge ("Ain't Too Proud" National Tour), dancing in New York Fashion Week for JAHNKOYxPUMA, and several seasons as a company member with nathantrice/RITUALS. Genevieve moved to Minnesota in February of 2020 and made her local choreographic debut at Sher Demeter's River's Edge series that fall. Highlights since then include setting On the Bank of Snake River for Christopher Watson Dance Company, collaborating with Melody Gilbert as dancer/choreographer for her documentary Judy's Thoughts, and creating commissioned ballets Emily Dickinson: The Untold Verse, Lunar Lullaby, and Dirty Dancing, for Ballet Co.Laboratory. Genevieve also directs Ballet Co.Laboratory's second company, and the non-professional Performance Ensemble. She creates original choreography for these groups each season. Her short stories, Tortoise and the Hare and Danse Macabre were performed alongside the company at Orchestra Hall and the Cowles Center.  genevievewaterbury.com   Cym Warkov creates ceramic pieces that explore the tension between imagination and construction. That invites conversation between herself and the medium she's working with.  Cym grew up In Northern CA & Minneapolis. Her parents (both artists) thrived in the Minnneapolis art scene. Her mother, Lynne Lockie, founded the Women's Art registry of Minnesota in the 70's. Her father, Saul Warkov, taught photography at the UofM. Both parents were founding members of the Minnesota Zen Center. She's mostly self-taught through a lifetime of various experiences and vocations all leading up to my current endeavors. She lived in Los Angeles for 30 years, raising 2 children there. She worked as a hair colorist, creative team member for Aveda and as a hair & make-up artist in the entertainment industry before earning a degree in landscape architecture from UCLA. Cym's always had a personal creative / artistic practice and decided to return to Minneapolis to explore this seriously in 2018. As of today, she has a thriving business as a ceramic artist. cymwarkovceramics.com

    29 min
  4. 09/02/2024

    A conversation with multi-disciplinary artists Cori Nakamura Lin and Tori Hong

    Cori Nakamura Lin (she/her) is a Japanese, Taiwanese, Okinawan-American multimedia visual artist based in Chicago. By painting, documenting, and weaving, Cori is finding her way to a world that prioritizes ecological and community care. Descended from East Asian island peoples and born and raised in the midwest, Cori's art practice is an ongoing self-archive where she examines her own multiple identities as a story of self.  Cori's work asks: How do we dream beyond our fears in the face of climate collapse? How do we carry multiple legacies, multiple ancestors, through the generations? How do we honorably re-root as unmoored people on occupied lands? Primarily using gouache, watercolor, and paper-cutting when making images, Cori layers fluid washes with sharp paper edges to create dreamy, textured paintings that investigate liminal spaces in the natural world and her cultural identities. She is inspired by Japanese records of yōkai, kawaii visual culture, and Okinawan textile practices, and she is currently learning basket making practices to help her process her relationship to the lands that she lives on. Learning from the work of Black and Indigenous feminist abolitionists — like Mariame Kaba, Kelly Hayes, and Ruth Wilson Gilmore — and Afro-diasporan and Indigenous futurists —like Octavia Butler, NK Jemisin, and Grace Dillon—Cori Nakamura Lin aims to create art that will outlive her into the next seven generations. corilin.co   Tori Hong (she/they) pursues an interdisciplinary art practice expressed through illustration, textiles, printmaking, and installation. Positioned within queer theory and praxis, her work explores the concepts of ritual, pleasure, self-determination, and political resistance. Hong endeavors to bring the past into the present — and the present into the future — by incorporating Hmong and Korean aesthetics into their practice. Expressed through repetition, saturated colors, and confident lines, Hong's art embodies and expresses their authentic self, encouraging her audience to do the same. Born in 1992 in Minneapolis, MN, Hong is currently based in Providence, RI working toward her MFA in Illustration at the Rhode Island School of Design. Hong has been awarded the Everwood Artist Retreat (2024), Springboard for the Arts Hinge Arts Residency (2021), MRAC Next Step Fund (2020), Forecast Public Art Early Career Research and Development Grant (2020), and more. Ntxoo Art reclaims the name Hong shares with her mother and sister: Ntxoo ["un-Zong"] meaning "shade" or "shadow". ntxoo.art

    27 min
5
out of 5
3 Ratings

About

Everwood Farmstead Foundation is an arts non-profit located on a century-old farm in the bucolic Driftless Zone of Western Wisconsin. We host inspiring spaces for artists to perform (Artist Series), teach (Artist Workshops) and work (Artist Retreat) in a natural environment. We focus on the artists' experience because we know when they are happy, healthy and nurtured, it is good for everyone. Every day, their job is to find fresh language for the human experience. As a result, healing and restoration is possible for our communities. In this podcast, we host brief and informal conversations with artists that visit our farm. They'll share about their experiences at Everwood, the projects that are exciting them, and the insights they're gaining along the way.