Crafted Recordings Podcast

Crafted Recordings Podcast

Quality Audiogeekery in Northern New England

  1. 07/21/2017

    Podcast Episode 16 – Taboo to Totem: Heidegger & the Seduction of Fascism

    ©2017 Crafted Recordings. Some Rights Reserved (CC BY-NC-SA 4.0). As always, Crafted Recordings is about stories. If you have a story you’d like to tell, get in touch, yeah? Episode Notes First off, apologies for the long delay between episodes. Producing this episode was a struggle on many levels; Heidegger readers will not be surprised. Thinking about Heidegger evokes numerous struggles, one of which is Heidegger’s relationship with fascism and anti-semitism. Despite this history, interest in Heidegger’s thought remains strong. To find out why, and to more closely examine Heidegger’s (probably quite short-lived) seduction by fascist ideology, we interviewed three Heidegger scholars (in order of their appearance in the episode): Jeremiah Conway, philosopher, teacher, and author of The Alchemy of Teaching; philosopher, teacher, and Gods & Radicals writer Kadmus Herschel; and Susanne Claxton, philosopher, teacher, and author of  Heidegger’s Gods: An Ecofeminist Perspective. Music for this episode came from Gin Mill Julep and Lani Thompson. Gin Mill Julep, at the time of this recording several years ago, consisted of Greg Bjork on mandolin, Ann Murray on accordion, and Paul Mattor on upright bass. The song in this episode is called “Mettsa Kukkia,” which is a single live performance (no overdubs) recorded in an old church building alongside the Saco River in Maine, and was remixed and edited for this episode. Lani’s performance of “Song Of The Nesting Bird” is on the kantele, an 11-stringed Finnish instrument that reminds me of a dulcimer with an utterly enchanting sound. Other background drone sounds and percussion were also added throughout the episode. Translations In the episode, there are three excerpts of Heidegger himself speaking in German. I found the following translations for them, but since I do not speak German I cannot vouch for their accuracy. They seem coherent to me, and are consistent with my very cursory understanding of Heidegger’s thought: 0:17 – 0:30 “The relation of human beings to language is undergoing a transformation, the consequences of which we are not yet ready to face.” 23:55 – 24:38 “I would say that men – for example in communism – have a religion, because they believe in science. They believe unconditionally in modern science. And this unconditional belief in science, that means the confidence in the certainty of the results of science is a belief and is, in a certain way – something that exceeds the existence of a single person, and is therefore a religion. And I would say: no one is without a religion, and everyone is in a certain manner transcending themselves.” 36:07 – 37:09 “The decisive experience of my thinking and that means at the same time for western philosophy the meditation on the history of western philosophy has shown me, that in the past one question did never appear: the question of being. And this question is relevant because we determine, in western thinking, that man is in a relation to being and that he exists by corresponding to being.”

    37 min
  2. 02/25/2017

    Podcast Episode 15: Like A Dragon Newly Woken

    https://craftedrecordings.com/wp-content/uploads/2017/02/Like-A-Dragon-Newly-Woken-8-final-mix.mp3 Podcast: Play in new window | Download (Duration: 13:01 — 29.8MB) Subscribe: iTunes | Android | RSS ©2017 Crafted Recordings. Some Rights Reserved (CC BY-NC-SA 4.0). A Love Song To Sacred Wild Water This episode came together out of love and gratitude. Quite literally, the piano music by Zoe Knight comes directly from a love song, and provides the musical structure of this episode. In working with the elements, my favorite Water devotional practice is gathering my own drinking water at a spring near my home, where the cleanest, most refreshing water Iâ€ve ever tasted flows like love from the ground. I recorded the sounds of the spring (and a water blessing) on one of my recent trips, and itâ€s a perfect sonic backdrop for this episode. The brilliant “Like A Dragon Newly Woken” poetry & performance narrative comes from Guests of the Earth, a performance group in the UK consisting of Nicolas Guy Williams, Peter Dillon, and Gods & Radicals writer Lorna Smithers. They were kind enough to send me an original sound recording of their performance by Terry Quinn. The music in this episode is piano and vocalizations written & performed by Zoe Knight, with bass, guitar, drums, spring field recordings, production, and mixing by James Lindenschmidt. Sound recording ©2017 Crafted Recordings. Some Rights Reserved (CC BY-NC-SA 4.0). This episode is dedicated with love and gratitude to the Aquifers and Water Protectors across the planet. Like A Dragon Newly Woken Red River Rushing by Nicolas Guy Williams deep in the heart ran the rusting river red earth mother rushing // under bridge leaping stone past old dripping wood bones // carrying the water out to far ocean earth bearing shoulder touching the knowing // cold as a whisper over grass leaping twilight ground keeping // hard the rain’s weeping stand upon cloud drenched land moans // deep in the heart ran the rusting river red earth mother rushing // through city’s soul shivers drenched by the cleansing // left handed path bouncing and bounding echo of rain on glass making tones // carrying the water out to far ocean earth bearing shoulder touching the knowing // the mud brown sliver shivering river bed broken and hushing // ocean’s demand to break over land like ice creaking over glacial stones // deep in the heart ran the rusting river red earth mother rushing // through moist eye surface oh come hither dry wither cease thy shivering // upon soaked sand ending dry land’s hold upon songs long forgotten by the wisdom of crones // carrying the water out to far ocean earth bearing shoulder touching the knowing // the feet of old mister dark coat floating memory of boating // through hardship unplanned by death and the sound of ships and their bones // deep in the heart ran the rusting river red earth mother rushing // carrying the water out to far ocean earth bearing shoulder touching the knowing Spirit of the Aquifer by Lorna Smithers, voiced by Lorna and Peter In eighteen eighty four a monolithic feat of engineering shifts the Ribble’s course: no water to the springs. From the hill’s abyssal deep a rumbling of the bowels, a vexed aquatic shriek: no water to the wells. Breached within the chasm a dragon lies gasping with a pain she cannot fathom: no water to the springs. Water table reft her giving womb unswells, surging through the clefts: no water to the wells. Unravelling inside her serpent magic streams to join the angry tides: no water to the springs. Culverted and banked her serpent powers fail, leaking dry and cracked: no water to the wells. The spinning dragon-girl tumbles from her swing and slips to the underworld: no water to the springs. Her spirit will not rise through the dead and empty tunnels, disconsolate we cry: no water to the wells. The hill, no longer healing stands broken of its spell, no water to the springs, no water to the wells. Four Wells by Lorna Smithers, voiced by Peter and Nick Four wells at Little Plumpton. Four wells at Roseacre. Four wells in the darkness between drilling and decision. Four wells of steel meets shale. Four wells boring into the mind. Four wells of screaming poison. Four wells of deadly sands of time. Four wells? A gaseous question scorches ears of invisible skies. Four wells? An uneasy whisper from underworld gods. Four wells to decide the future. Four wells of choice. Four wells of trembling. By word on four wells our land will be saved or destroyed. Drill Rig by Nicolas Guy Williams, voiced by Nick and Lorna it is like a metal horse eating the earth that drill stood still and chewing through layers of my stone skin it is like a robot mosquito sucking the earthblood that drill stood still and sucking through the veins of my flesh it is like a metal tick consuming the lifeforce that drill stood still and feeding all bloated on the stuff of my soul it can’t hear me screaming it can’t hear me screaming it can’t hear me shout it can’t hear me shout it can’t hear its poison it can’t hear its poison dissolving me out to a gas not worth breathing it’s burning it’s burning i’m screaming i’m screaming its waste is my doubt Anti-fracking Soliloquy by Nicolas Guy Williams, voiced by Peter the time of winter’s love does come upon the hearth and on the stone it creeps in moss and through the trees the portal of the dead to see the whispering wind doth stretch its hand to claim the passion of the land and thus curl around lost summer’s leaves to shake the branch the sun to breathe and pierce the bones of all the folk of forest fell of hill and mount the love of ice the love of frost whose cold caress creeps in the dark around the house around the hill the rivers rise the rain comes down the sun grows pale the moon demands that earth to cold doth turn its hand but summer spirit seeks still its turn the air may learn the air may learn that by the hand of man and sun the atmosphere alerts as do the chemicals in the earth and now they seek oh yes they seek to gather more unto the bleak they seek to frack the hypodermic toxic jack and spill the winter’s love but spring is strong inside our hearts and the fight against fracking is our fire as deep as our old sun we start in the love of winter in the love of glistening mother earth and from our heart we start Proud of Preston by Lorna Smithers The voice of Belisama, goddess of the Ribble: Proud of Preston heed my entry Hear the call of ancient memories Hearts purloined by Roman sentries Like a river shining bright. Proud of Preston born free traders Made by commerce and hard labour Merchants gilded artists favored Like the Brigantes warred in tribes. Mechanics shift the scene of battle Raise the red brick smog industrial Cording hearts like twisting material On the wheels of the cotton lords. Step the Chartists to the engines Pull the plugs release the tension The rioters face the sentries Dye the river dark with blood. Grey arise the business faceless Fake fulfillment for the faithless Mass the market for the tasteless Selling life for capital. High in the stone fortress The sentries hold their rule Beyond the mall and office Do you hear a river call? Proud of Preston I have carved you In my sweeping spirit formed you Through your veins floods dazzling water My Setantii shining bright. Will you hearken to my entry Drown false dreams in ancient memories Will the proud of Preston Like a shining river rise? The Activist Said by Nicolas Guy Williams, voiced by Nick and Peter is like a bush-break-bead-bone born from what the hurricane missed this oh so nonchalant idea of distance sun seared so cerebral tone that crone-corn in the drying field a fist ferocious free fall frozen in street moments gaze grown atonements of a prize-praised eye oh so diligent in polite society here is the bombchord the cold ordered class called what pierceth earth doth pierceth heart like broken glass like broken glass do i have to ask which Herculean task this voice must break over the record of a snake sneered volatile habit of wrong thought ain’t no money-honey in the poor in the poor and whilst virgin forest is persecuted for gold whilst industry doth chemical-rape our innocent earth and whilst bankuponbank can take from folk both home and hearth for their false wealth we will live in the fierce dawn like that first fire draw line-carved dont’s across their most hearted won’t-stops and be in our strong silence stoic grim where thought and voice are force are force and revelation is a choice a choice and stand on stone with stone born mind with eyes that set their worlds on fire like a dragon newly woken

    13 min
  3. 12/02/2016

    Podcast Episode 13: Fascism, Solidarity, & War Magic

    “We have what we’ve always had, which is each other. We have the ability to come together.” — Shane Burley “Pushing back against the atomization of the individual is the bedrock of … solidarity. Once we have that, it’s possible to really push back.” — Ryan Smith “A fertile and new American resistance is blossoming, and it needs a magical edge.” — Dr. Bones This episode has a lot of fun stuff in it. It begins with an automated recital of the 14 characteristics of fascism. Next, is an invocation by Kiarna Boyd, performed by Cassandra Boyd, “To Thems What Practice War Magic.”  After that is excerpts from a discussion on fascism with Shane Burley and Ryan Smith. Dr Bones also has an an inspiring sermon about the importance of the magical edge of resistance and linking up with people around you. Music from this episode is “Inside The Forest,” from Eddy Dyer‘s new album, Love Is At The Heart Of This Thing, Right? This album was just released and I’m very excited about it, since I was involved as a producer, recordist, and mixer. It was a pleasure to work with Eddy, and this track had the perfect vibe for this episode. Drums by Charles Greenwood, piano by Zoe Knight. Vocals, synthesizers, and theremins by Eddy Dyer. Kiarna Boyd is an author, a practicing Geomancer, and a System Administrator. More info: www.blessedandcursedalike.com. Shane Burley is a journalist and filmmaker based in Portland, Oregon.  His work has been featured in places like ThinkProgress, In These Times, Waging Nonviolence, Labor Notes, Roar Magazine, and Make/Shift.  He has provided interviews and research on fascism and the far right to places like The Guardian and the Huffington Post, and is currently working on a book on neo-fascism for AK Press.  His work can be found at ShaneBurley.net and at Twitter at @shane_burley1. Ryan Smith is a Heathen devoted to Odin living in the San Francisco Bay Area. He is the co-founder of Heathens United Against Racism, a founding member of Golden Gate Kindred, is active in the environmental justice and anti-police brutality movements, and recently completed his Masters in modern Middle East History and economics. Dr. Bones, as always, can be found at The Conjure House, on Gods & Radicals, and on Disinfo. Audio recording produced by James Lindenschmidt. ©2016 Crafted Recordings. Some Rights Reserved (CC BY-NC-SA 4.0).

    20 min
  4. 08/10/2016

    Podcast Episode 9: Peoples’ Magic, Peoples’ Remembrancer

    “The Storming of the Bastille”, by Jean-Pierre Houël. Public Domain. This episode was a treat. I was lucky enough to interview A Peoples’ Remembrancer, Peter Linebaugh, on Bastille Day. These comments are taken from that conversation. We spoke about a lot of things, including Bastille Day; the Green and Red struggles of May Day; prisons, plantations, & the factory as locations of struggle; coal miners; the lungs as part of the nature; rewilding the cities; welfare as referring to wellness; how the magical Will is a social creation and becomes more powerful when shared collectively; and revolt as a Peoples’ Magic. The excitement, the joy, the emotions, and the will is collective when it becomes powerful, and then it produces events that are totally unthought of. Who could have possibly imagined that a wall 90 feet high, in parts 30 feet thick, surrounded by a moat deep enough to drown in, who would have thought that such an edifice which had remained for centuries could be brought down in the space of less than 24 hours. Thatâ€s what weâ€re celebrating on the 14th of July, 1789. This edifice of tyranny, this edifice of repression, this action of people who are rewilding it has provided inspiration for every urban revolution that has ever taken place, and it provides us inspiration now that the carceral archipelago, the huge military prison complex of the USA, can be brought down in a twinkling. These are the miracles of history, but itâ€s just as accurate to say these are peoples†magic.” –Peter Linebaugh Several months ago, I had an opportunity to record Moore, Wild, & Lynch in a living room in Maine. The music in this episode, an instrumental called “The Jig,” is from that session, along with several ambient recordings of city people celebrating and the ocean. Audio recording ©2016 Crafted Recordings. Some Rights Reserved (CC BY-NC-SA 4.0).

    23 min

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4
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4 Ratings

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Quality Audiogeekery in Northern New England