Deep Calls to Deep: Reading Together

Martin Essig

Going deep together into the texts that have called to our spirits.

  1. APR 21

    Herman Hesse's Siddhartha.

    Shawn and I discuss Siddhartha by Herman Hesse, and its relation to his recovery. Hesse has served as an introduction of Eastern thought to Westerners for over a century now. Hesse has been criticized by some of getting Buddhism wrong, or of "cultural appropriation" in general, or of being too individualistic and naive in his depiction of the spiritual journey as a solipsistic retreat into the balance and harmony of nature from the fallen, hectic world of family and work. While all those accusations may be valid to some degree or another, there is still much that recommends Hesse's version of authenticity or of Jungian "Individuation." Shawn recounts how the text helped him to come to certain essential realizations as he walked the paths of both decadence and recovery. It may be that JD Salinger and other Western authenticity hounds misused Hesse's thought to separate the world into the real ones and the phonies, but Hesse himself doesn't make any such facile categorizations. Shawn demonstrates how Hesse's thought can be understood as a sort of unification of opposites that neither resolves one into the the other nor becomes the sort of whole that Hesse and the great thinker of wholeness Karl Jung were both accused of. Hesse's whole is the wholeness that includes what can't be whole, something like Jung's individuation through the integration of the shadow, and it is this creative contradiction at the center of Hesse's work that still makes reading him worthwhile. Intention without intention

    1h 24m
  2. APR 17

    Horrorstor by Grady Hendrix

    Char and I cross over from our normally audio-only Desire of Horror Podcast to produce this Youtube video.  https://www.buzzsprout.com/2509184/episodes/19031864  https://youtu.be/XR8TvC5gfso We discuss the book Horrorstor by Grady Hendrix. The book provides a somewhat obvious but nonetheless useful capitalist critique around the concepts of the Professional Managerial Class or corporate speak; Consumer Culture, especially influencer advertisement techniques; and the toxic positivity of constant "self-maximization." An Ikea-like furniture store is built on the past site of a particularly ignominious prison, and the spirit of its warden and his prisoners emerge from within the vast, deliberately disorientating halls of the "Orsk" furniture store to haunt its circulating corridors, which are already haunted by the gaze of capital and consumption. The former prison was one of Jeremy Bentham's infamous "Panopticons." A Panopticon was a prison designed to require minimal guards because the prisoners always had the sense that they were being watched by the guards who were placed in a watch tower in the middle of the prison complex, so that they were able to see the maximal number of cells from their vantage point. The Panopticon serves as a fruitful metaphor throughout the novel as the horror of the ineluctable, internalized gaze of the Lacanian "Big Other," which for horror fans is something like the incubus always speaking from inside of the possessed's head. Intention without intention

    44 min

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Going deep together into the texts that have called to our spirits.