Dirtbag

K.C. King

Dirtbag is a midlife survival story about the power of music. What happens when life causes you to lose track of what you truly love? Drift away from your first love and you will feel every bend and kink it takes to make you look like something—someone—else. The story follows a misanthropic ex-music producer who’s trying to find his way back into the industry. He believes his dreams are within grasp, when he overhears the golden voice of a Cambodian janitor. The resulting partnership forces this “Dirtbag” to consider how life’s changes can warp or make you. This is not a self-help book. It’s a story about the dangers of giving up on what you love, and how two men—with radically different experiences—were saved by the power of music. kckingauthor.substack.com

Episodes

  1. Dirtbag: EP 6 (Epilogue)

    Jan 31

    Dirtbag: EP 6 (Epilogue)

    Dirtbag: Epilogue New Year’s Eve Setlist: Bird of a Feather: Billie Eilish. “He’s here!” my daughter yells from the living room. “Who? Pannah?” I yell back from the kitchen. The dog skitters across the linoleum floor to see if whoever just arrived will pet him. “No, it’s Cassander!” “Who?” “My boyfriend, Dad. Get the net.” I choke on my beer, and it drips from my nose into the casserole I just pulled out of the oven. Oh well, no one will know. Where did she get that attitude? I shake extra cornflakes from the box onto the casserole and turn the oven off. She greets whoever is at the door. “Come on in. Oh, it’s so good to see you,” my daughter says. I peek into the living room and see a young man with a Clark Kent chin. “Dad, this is my boyfriend, Cassander.” I walk forward and offer my hand. Cassander steps forward, and we shake. “Welcome to our home, Cassander. Happy New Year,” I say. With your Superman-looking ass. “Happy New Year, sir.” Cassander shakes long black hair from his eyes, then lets go of my hand and sets his folded coat on the couch. “I brought something from home,” he says, patting his pockets. He pulls out a small twisted paper package. “These are tradition in my house for the new—” He’s interrupted by a knock at the door. I step past him and open the door to Koeh and Pannah. “You passed your drivers test?” I say. Koeh smiles, and I dap him up. “Good s**t, kid!” “I passed last week.” Pannah pats his son’s head but has to reach to do it. I collect their coats, and they step into the living room. “Yeah,” Koeh continues, “and with the advance from the record company, I was able to buy a new car.” “That’s yours?” I peer through the frosty window. “Dad still hasn’t fixed the van, so I guess I’m his chauffeur.” Koeh rolls his eyes. “He has the money now, stubborn old man.” “Lay off, kid. Maybe he likes spending time with his boy.” Pannah sits on the couch, and the others make their way into the kitchen for drinks and snacks. I plop next to Pannah on the other end of the couch. Not much to say, I think. I want to ask him if he’s happy that his voice is on the radio, that his album is rising up the Billboard Top 100. Not having the means of communication can be frustrating, but moments like these are fine. His cheeks are red, and his eyes squint into happy slits. My daughter hands him a small plate of cookies and a mug of dark black coffee. He takes a bite, dropping crumbs on his old worn corduroys and smiles up at his handsome son. I start to think I know what he’s thinking. The night hums by in comfort and ease. We play a party game Cassander insists is the best game he’s ever played. I want to judge him more than I do. My daughter is smiling, looking from him to me; she smiles deeper. Family filters in, and by 10 p.m. Cassander and my daughter are cuddling on a couch watching a music video. Billie Elish bats witchy eyes on the TV. I pass through the living room as she sings: “…Might not be long, but baby, I Don′t wanna say goodbye.” and into the kitchen where Koeh, Pannah, and my wife are playing clubs trump. I’m distracted. D major B minor, Christmasy—I think. E minor A major— why does this song remind me of— It hit me. “Last Christmas, I gave you my heart..”I hum the rest to myself in subtle satisfaction. I don’t have the heart to tell my daughter that every song is just another song. At around 11 o’clock, my brother arrives with his family. “Pretty late to show up,” I say. “Wasnt sure you were going to make it.” He chuckles and ushers his harried-looking wife through my front door. His two teenage children follow behind holding tablets. “Yeah, sorry,” he says, coming in for a hug. “Happy New Year. We’re late because of Jessica’s office party.” His wife takes off her coat and smooths her hair. “Yeah, sorry it went long,” she explains. “She’s trying to curry favor with her new boss.” He takes her coat and tosses it on the growing pile on the couch. “It’s not like you even need that job.” “Oh, don’t get me started,” his wife rebukes, walking away from the conversation and into the kitchen to greet the others. My brother drops to a knee to pet our new dog. “Cute, we have doodles too.” I get my brother and his family a plate of food and sit down for small talk and catch-up. It’s almost midnight, and I’m craving a cigarette so I throw on my shell jacket and try to creep away unnoticed. Outside in the cold moonlight, I light up and inhale deeply. Peaceful. The springs of the back door creak open, and I curl my fingers into a claw around my cigarette, just in case it’s my daughter. It’s just my brother. I blow out a smoky sigh of relief. “How ya doing?” he asks again. “Fine,” I say. He steps under the porch light next to me. “Sorry we couldn’t cut you a better deal for the record. I had my best lawyer on it.” “It doesn’t matter,” I reply—and to my surprise, I mean it. “I’m not pressed.” “That’s good,” he says. “You seem different.” He grabs for my cigarette, and I pull it away. He’s testing the water between us. “I feel different.” “That’s good, bro,” he says. “I was worried. You were kind of spiraling.” I inwardly sneer. What would he know about it? I think. I decide not to pick a fight. “Yeah, man, I just think… I don’t know. Life…” I draw deep from my cigarette and hold it in front of my face, watching the white turn to orange, then gray. “I can’t really articulate it.” He snatches the cigarette from in front of my eyes and takes a drag. “Well, whatever it is, I’m glad you’re happy again.” He holds his breath for a second, then exhales. His voice sounds deeper with the smoke in his lungs. “I’m glad you’re making music again, man. I always thought you had a gift—don’t get me wrong, there were times I thought you were just being pretentious and making s**t up.” He leans against the siding of my house and looks up at the moon. “Another year,” he sighs. I take my cigarette back from him and throw it into my now-empty beer can. We go back inside, and everyone is gathering together to sing Auld Lang Syne. I’m between my daughter and Pannah. I hold their hands. Pannah doesn’t know this song, so we all sing it. And as we drone the last note out, we all smile and shout, “Happy New Year!” There’s a loud pop behind us, and confetti rains down from the ceiling. We all turn to see Cassander smiling, handsome-faced, holding the husk of a party popper. I feel Pannah’s hand squeeze mine. I look to him. His other hand is grasping his chest, and he’s convulsing. His eyes flutter, and he falls to the ground. I’m still holding his hand. “Someone call an ambulance!” I scream. I’m still holding his hand. The ambulance arrives and takes him to the hospital. I’m still holding his hand. My fear is confirmed as they hook up his monitor. His dead heart hums a B-flat. Perfect pitch. I’m still holding his hand. I’m still holding his hand. THE END. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit kckingauthor.substack.com

    11 min
  2. Jan 23

    Dirtbag: EP 5

    PART 2 A Return to Form Chicago, November–December 2025 Set list: Hotel California, The Eagles—or Bossa Bros Thinking Out Loud, Ed Sheeran Landslide, Fleetwood Mac What a Fool Believes, The Doobie Brothers House of the Rising Sun, The Animals The Wire, HAIM You Are the Sunshine of My Life, Stevie Wonder “You’re up early for a Sunday?” My wife comes into the kitchen. I can hear her open the cupboard behind me, where we keep the coffee cups. I stare out the window at the rising sun, just above the fence in our backyard. My wife pulls back a chair and sits down next to me. Steam from the coffee fogs her glasses. This tiny thing, this silly little gesture, reminds me that I love her. “I need to tell you a story,” I say, reaching for my wife’s hands. The next two hours pass by as I fill her in on Pannah: falling asleep at the office, going to find him with our daughter, karaoke, and finally his story of escape. “So the Vietnamese army invaded right in the nick of time?” My wife’s eyes grow wide. I wonder what mine look like. This is the third night I haven’t been able to sleep. “Yeah, a miracle. He was able to secure safe passage to Vietnam by showing the soldiers where the cache of hot dogs was.” I rub my face. My wife sets down a fresh cup of coffee in front of me. “He stayed there till Koeh was born. Then his wife got cancer, and they moved to Canada so she could see a specialist. After she died, they came here for Koeh to go to school.” “Wow, and all this time he didn’t learn English?” “Yeah. Koeh says that he’s stubborn about it, old-dog-new-tricks and all that. But actually, Koeh thinks the real reason his father doesn’t learn English is that he doesn’t want to know what the lyrics to his favorite songs mean—like they may not be as good as they are in his heart.” My wife brushes blonde hair from her forehead and warms her hands around her mug. “What next?” she asks. “I dunno. I guess we record an album.” “Why do you think he wanted to tell you all that?” My wife takes my hand in hers and traces the lines of my palm. Her hands are warm from her mug. “Not sure.” “Go to sleep. It’s Sunday. Nothing important to do. You need to rest.” She stands up and smiles down at me, and I look up at her. Maybe it’s the lack of sleep, but I don’t pull my eyes away. I study her irises—like if I keep looking, I can see who she really is—and that would somehow tell me who I am. That doesn’t happen. But I do see something I haven’t seen in a while: love. I leave her in the kitchen and pad down the hallway to the bathroom. As I piss, something deep and revelatory squeezes my temples. Was it that her love hadn’t been there before, or was it that I hadn’t looked long enough, hard enough, to see it? All the time I thought she was avoiding me, annoyed with me, secretly disappointed in me. Maybe I was scared to linger, to look at her and see what I feared in those eyes. I collapse into the bed and sleep all day. “The studio is on fire?!” It’s early in the morning, and I’m yelling at my brother on speakerphone. “Well, it’s not currently on fire, of course, but there was a fire, and they are closed for repairs.” “Hold on, I’m dropping off my kid,” I say. “Bye, Dad.” My daughter waves at me, walking backward. “Bye—oh, I’m still picking you up, right?” She smiles and nods. “Yep.” I pull out of the lot. “Hey, bro,” I ask. “Yeah?” “Do you own a dog?” “Yeah, two. Why?” “Never mind.” I sulk. “Anyway, thanks for trying to hook it up. I’ll just have to tap another resource. Let me know when we can get the deposit back.” “Hey! Wait. Don’t hang up.” “Yeah?” I turn onto the highway—no SBs today. “Didn’t you read the contract?” I feel a prick of dread on the back of my neck. “Yes.” I half-lie. There were way too many pages to fully read what was referred to me by my brothers as a standard boilerplate studio rental agreement. “So, you know that the deposit is non-refundable, right?” I feel my guts wallop. “What! For real?! That was a couple grand out the bank! How do I explain this to my wife? This expense, not to mention the musicians I hired—it’s close to 15k!” “Well, you can hope that the renovations get finished and you can keep your spot.” “Fine.” I wipe cold sweat from my forehead as I park at work. What the f**k am I supposed to do? “Hey, bro, what has you so excited to record again? You with a new band?” “Not exactly.” White noise builds up between us like accumulating snow. He wants an answer and won’t hang up till I give it. “Okay, I’ll send you the demo. It’s rough. I recorded it in my basement.” “I’ll be gentle, little bro.” He hangs up. I get to work, and my supervisor is standing by my cubicle. “So, how is the brain fog? Are you managing?” “Oh, yeah, actually I started taking cold showers,” I lie. “I’m much more focused now.” To my horror, she pulls up a chair and sits, settling in for a fuller explanation. When I fail to give one, she scoots closer and drops her voice to a whisper. “Can I be honest?” I’m not sure what to say to that, but I nod. “Covid really messed me up too.” What is this b***h talking about? I feel my hackles rise. “That kind of radical change, the fear, the uncertainty. Powerful paradigm changes can really affect your mind, your relationships.” “Yeah.” I half-fake curiosity. I say half-fake because this is the first real conversation I’ve ever had at work. “Yup. The stay-at-home order was announced a week after I put my mother in a home. She died of Covid a month later.” My supervisor looks around conspiratorially. “I’m not supposed to share details about my life that are this personal. But that tragedy did something to me. I couldn’t enjoy what I enjoyed before. I didn’t think the same. I started to fixate on the strangest house projects, I made weird business investments, tried my hand at writing romantasy novels.” “Romantasy?” I ask, leaning back in my chair. “It’s a mix of romance and fantasy.” “And people like that?” I chuckle and scratch my scalp through my hat. “So many. You’d be amazed. Anyway, back to what I was saying—some psychologists call it ‘shaking the snow globe.’ When your life goes through a big change, your mind changes with it—you change. Sometimes for good and sometimes for the worse.” “Did you change for the better?” I ask. “My husband left me, my mom died, I lost a couple thousand dollars and hours of my life I can’t get back.” She pauses. “I changed, that’s all. No good, no bad, it just is what it is.” This pep talk was falling flat. I feel a prickly need to show her that her efforts weren’t in vain, so I nod my head. “But that’s not what I wanted to tell you,” she continues. “When life shakes the snow globe, it’s useless to ask whether you’re changing for better or worse. What matters is knowing that change is coming. You’re allowed to be afraid of it. But don’t waste time fearing that you’ll stay the same. That never happens.”**** I sit there with my mouth open. She looks concerned. “Brain fog again?” “Uh, no. Sorry. Thanks for saying that. That really helps.” Amazed, I realize I’m not lying. “No problem. Glad you’re back in the office.” She stands and walks away. “So I get to meet the band?” My daughter buckles up in the front seat. “Where are they from? How did you get them to join?” “You’re amped up,” I say. “I just really want Mr. P to be a famous singer.” She looks out the window and waves to her friends in the schoolyard. “My roommate back in college played bass in a punk band. He reached out to his sister, who is a classically trained jazz guitarist.” “Don’t you know someone involved with—” “I reached out,” I interrupt, “but haven’t heard anything. That guy is super busy. He probably has better things to do.” We drive into the heart of the city, into a blacktop lot behind a row of connected high street shops. The dumpsters are overflowing and covered with graffiti. “What a dump,” my daughter says, stepping out of the van. “It’s a place to practice. In this industry, you take what you can get.” My bassist is leaning against the back door of one of the shops. He sees me and waves through a fog of vape smoke. As he makes his way toward us, my daughter walks around the van to stand next to me. “Will Mr. P and Koeh be here?” she whispers. “Not tonight. I need to see if these guys have the right chemistry first. Plus, he’s cleaning my office building right now, remember.” “Hey!” My bassist reaches us and daps me up. “It’s been a while, man. Ready to jam?” My daughter cuts her eyes at this. “Come on in, man. The owner is real chill. He lets us play shows here sometimes—as well as practice.” We walk through a back door and into a shabby laundromat. Off to one side of a long bar is a dinky stage, complete with PA speakers and a drum set. We pass by rows of double-decker washing machines toward the stage. A very large man sits at the bar with his back to us. “Hey, Manny! Cool if we practice?” The man at the bar doesn’t turn around but simply grunts his consent and sips from a rocks glass. My daughter perches on an amp, kicking her legs in the air. My bassist slings his instrument over his shoulder and then pulls his long orange hair free from the strap, flipping it back. “You didn’t tell me you found a drummer,” he says. “I didn’t. Not yet,” I say, confused. A toilet flushes somewhere on the other side of the laundromat. “No way,” I say, dumbfounded. “Is that him!” screams my daughter. “Taylor Swift’s drummer?!” I cant believe my eyes. My college roommate who now plays in Taylor Swifts band comes out of the bathroom. He smiles and wipes his han

    1h 1m
  3. Dirtbag: EP 4

    Jan 10

    Dirtbag: EP 4

    Content Warning: This episode contains violence against children and explicit language. Cambodia1975 Set list: Simon & Garfunkle, The Sound of Silence After a moment, we compose ourselves and muster enough courage to stand around the crater that used to be a dog and a land mine. “Goodbye, Samnang. You were a good boy.” Meng is crying, leaving the eulogy to Siem, who is wringing sweat from his black pajama top. I peer into the hole and direct my flashlight to its center. There, shining bright in the reflection of my beam, is a bit of riveted metal. It’s round and reminds me of a submarine hatch in a James Bond film. I drop down into the hole. “Pannah! What are you doing?” “What? It’s not like there is another mine under this one. This might be the safest place in this whole field. I need to look at this.” I brush away moist soil and roots from the wheel and discover that it is some kind of door. Siem drops down to help me clear away the debris. Meng is still crying. After a concerted effort, we uncover a hatch wide and tall enough for a person to crouch through. “Well,” says Siem, “what now?” “You open it,” I say. “No. You are the one who spotted it and came down here first.” I shine my flashlight at the metal of the door. The reflected light illuminates Siem’s face. He looks mad, but he’s always squinting like that, so it’s hard to tell. I grasp the thick metal rods in the center of the wheel and pull down, wrenching counterclockwise. “It’s no use. I’m not strong enough.” I look back at Siem, who sighs and grabs the rods with me. We strain against the metal, but it’s still stuck fast. We are blinking sweat from our eyes and breathing too hard to notice Meng as he slides down the bank of the crater. He places his hands on ours, and together we give it one last try. The wheel gives slightly and we lose our balance, falling into a muddy heap. I hear the hiss of released air as I wipe mud from my eyes. We pick ourselves up and stare into the open door of a bunker. Flickering light strobes out of the aperture. Our mouths hang open in surprise and wonder. I step into the hatch and shine my light around. The walls are lined, floor to ceiling, with tins of Oscar Mayer Cocktail Weenies. “We’re rich,” I say. Meng sniffles, mumbles something, and rubs his nose with a muddy sleeve. “What was that, Meng?” I ask. “I said, thank you, Samnang.” All three of us sit together in the hatch wearing only our underwear. We left our clothes, smeared with dog guts, on the roadside. Siem wears his glasses now. “Do you think they will believe that we’re dead?” he says through a mouthful of wieners. “I doubt they will spend much time making sure,” I say. “Come on, Meng, eat the food!” “I don’t eat meat,” Meng says quietly. “You can’t possibly care about piety now! Besides, I’ve seen you eat crickets,” I argue. Siem chuckles. “Yeah, are you a monk, Meng?” Meng starts to cry again. “No,” he sniffles and wipes his nose with the back of his skinny bare arm, “but my father was.” We stop chewing. “He was, until they killed him.” Silence falls between us. “Well, what do we do now?” I ask. “Isn’t it obvious?” shouts Siem. He doesn’t squint anymore, now that he has his glasses. “There’s no going back now.” Siem stands and scratches his crotch. “If the Khmer Rouge finds us with this, they will kill us,” he says. “We can stay in here and hide until—” “Until when, Pannah? Until all of Kampuchea is one big farm? Until Pol Pot and his thugs kill everyone they don’t like? People who wear glasses and go to school? Priests?” He glances at Meng. “I am hungry,” admits Meng, and he reaches for a tin. “I suppose they were going to kill us with these mines anyway,” I admit. Siem’s face is red with anger. “This is a way to fight back against them!” he says, gesturing at the sting rows of tin. Meng’s hands are shaking as he pulls the ring tab off the wieners. “Fight back? How?” I ask, standing up to face him. “People are starving, Pannah! The Organization doesn’t care about us!” “But what are we going to do, Siem? We are just teenagers—not even. I’m twelve.” “I know why you’re afraid, Pannah.” Siem steps closer to me. “You’re from the country. You’re scared to act because you are one of them! The Angkar is for people like you. Your people helped put them in power!” Before I know what I’m doing, I push him in the chest. It was a feeble push, but something softens in my friend’s face. “So, you can fight.” He steps closer and places a hand on my bare shoulder. “They took away my family. They took away my dreams.” Siem takes off his glasses and shakes them in my face. “They would have killed me because I got good grades and wore glasses. What did they take from you, Pannah?” I search his brown eyes. I know the answer, but I’m afraid to say it. “They took away his singing,” whispers Meng, “and his music.” Meng drops the empty tin, looking up at us. I sit down heavily next to Meng and hand him another. “What are you suggesting exactly?” I ask. “That we sneak around the labor camps and compounds delivering tins of wieners to our starving countrymen?” We all three look at each other. Meng’s teeth sink—with no resistance—into the meat, and his face melts with happiness. He stands, mouth full, and says: “Let’s do it.” Chicago late August 2025 * I Will Survive, Gloria Gaynor * There’s Nothing Holdin’ Me Back, Shawn Mendes * Semi-Charmed Kind of Life, Third Eye Blind * Yesterday, The Beatles I’m in hell! Saturday night with three pre-pubescent furries! All her friends, they wear animal tails. I thought I told her no weirdos. The worst part is meeting these girls’ parents. You think there’d be some sort of organic camaraderie, a sympathetic half-smile, like yeah, we all have to forgo Saturday nights to drive our weird kid around to do weird things. Tonight is just your turn. Maybe they feel this way—no one treats me badly—but I feel a creeping, subtle judgment. It makes me feel gross and self-protective. I wonder if they think I like spending my time toting twelve-year-old girls around to karaoke bars. I’m not the creep.You are.Sperry-dad. I’m not pining for lost youth. You are.Hipster mom with bird tattoos. Yeah, we were all cool once. Get over yourself. I scratch my scalp through my cap and turn down the blaring K-pop my daughter and her friends are blasting into my stereo from their phones. It would have helped the optics if my wife had actually come with us. She got called into work for an “emergency.” It may be better this way. Now I don’t have to explain Mr. P’s presence. “Mr.!” One of her weird friends pokes my shoulder. She is wearing sharp triangles of pink makeup on the sides of her eyes. How did that become popular? It’s like if Elsa from Frozen got pink eye. “Did you use to play in a band?” I eye my daughter in the rearview. “Yeah, I did for a bit in college.” “Did you play with anyone important, like on-the-radio popular?” “Some. I doubt you would know any of them—” They are not listening anymore. The other friend is showing them something on “her” phone. Kids today are so free to express themselves–which is great–in theory, but they are so weird. I honestly don’t know if I envy them. After filing into the Karaoke bar, we are ushered into a small private room by a very young Asian man wearing a white shirt and black tie. The girls rush in and grab the remote and tambourines, and the young attendant hands me sticky laminated drink menus. As he turns to leave, I look down the narrow hall and see Mr. P entering the building. He sees me too. Who the f**k is that behind him? A young man is following beside him. Is this dude his agent, lawyer? The young man overtakes Mr. P in the hall and offers me his hand. He is handsome, with soft features, clear dark tan skin, and a streak of blond in his straight black hair. They are both holding motorcycle helmets. “Hello, I’m Koeh, Mr. P’s son. I hope it’s okay that I’m here. My father asked me to come along because, well—” He turns back to his father for a second, as if to ask a silent question. The boy continues, blushing slightly. “He said that while he’s impressed that a twelve-year-old white girl can speak any Khmer, it was still hard to understand her.” Mr. P bows and smiles a conspiratorial smile. This makes sense. I nod and shake his hand. “That and his van broke down, so we rode here on electric scooters.” says Koeh with a smile full of straight white teeth. “No, that’s fine.” I answer. “The more the merrier. Come on in.” I open our door, and the girls have already turned down the lights, turned on a disco ball, and my daughter is belting out the chorus of some Japanese pop song. I give the two Cambodians a withering smile. We sit in the corner. Koeh is polite, and his English is excellent.“I understand you want my father to sing on a record,” he says. Mr. P gets up and waddles toward the girls.“Mr. P!” they scream and wave him closer. His waddle becomes a playful waltz, and he doffs an imaginary cap. My daughter hands him the remote.“Sing! Sing! You pick next!” “There’s something you need to understand about my fath—” Koeh starts. I put my finger up to silence him. “Sorry, one sec,” I say. “I know this song.” The tell-tale piano intro makes my spine tingle in anticipation. Great choice, Mr P. “First I was afraid, I was petrified!” Perfect English. Did the lights dim lower on their own? Jesus. This guy’s voice… It’s not Gloria Gaynor, but it’s just as haunting. I feel a lump starting in my throat, and I blink back tears. “I should’ve changed that stupid lock, I should’ve made you leave your key…” He’s legit angry. This man has lived a life.

    22 min
  4. 12/17/2025

    Dirtbag: EP2

    Cambodia 1975 Sophomore Slump: The Weiner-man Cometh. Setlist: * I Can’t Help Falling in Love With You, Elvis Presley * Love Will Keep Us Together, Captain and Tennille * Stand by Me, Ben E. King We walk for a whole day to a farm that serves as a basecamp for the teenaged Army. I trudge alongside the boy who used to wear glasses. His name is Siem. Once settled in our new home the leader of the camp— a pudgy faced man with lank hair—tells us: “Your talents are required of you, in service of the Establishment. So, we will be holding a talent competition and forming dance troops.” This is great news, I think. Last week, when the soldiers took over the city, we had been strictly forbidden from singing, smiling and dancing. Now, they give the attractive girl soldiers red dresses and ask them to dance. I am a great singer, and I ask to be part of the talent troupe. The leaders require me to audition. I stand up and begin to sing my favorite Elvis Presley song from the bottom of my heart. “Wise man say, only fools rush in..” I let my voice drop to match his pitch and warble that last bit, just like The King. I love Elvis. My thick dark hair is like his. I sing with my eyes closed. I soon discover that is not a good idea. Before I get to the second chorus— “I can’t help falling in love with…” —I hear angry murmuring and rushing feet. I open my eyes and see the butt of a gun rocketing toward my forehead. So, I won’t be singing with the talent troupe. Instead, they send me out into the countryside with a broken nose and three other boys—Siem is one of them, I am happy about this. They command that we discover the location of lost land mines. The four of us are more than up to the task… but our superiors never tell us what the mines look like. How are we going to find them? I suppose it will be obvious. When we are far enough away, I sing. Siem and two other boys, Meng and Koeh, love it when I sing. We spend our days walking the fields and recording all the ground we’ve covered in a small notebook. The other boys back at camp are working laboriously, planting rice or unloading trucks. We are lucky to have this job. We find crickets and eat them. Higher-ups say that all food is to be shared with the collective, but my friends and I keep it a secret. This is a big deal because many of the other kids are starving. Occasionally, we come across fruit trees. Those are the best days. We eat, walk, and I sing. Today I’m singing “Love Will Keep Us Together” by Captain & Tennille. It was a huge hit and everyone was listening to it before the Khmer Rouge took over and burned the Russian Market. While I don’t understand English, the melody gives me a sense of hope. Just then, my foot sinks into the mud. I hear a click and then feel Koeh’s shoulder ram into my side. There is a deafening explosion and I’m flung into the air, tumbling like a Chinese acrobat. I land, blind from grit and deaf because of the explosion. Koeh is gone. Pulp. My cheeks are shredded and burning, my tears hurt. I am forever in his debt. I swear if I am ever blessed with a son, I will name him Koeh. I hum “Stand by Me” by Ben E. King as I wash bits of my friend off of me in the brown river. Little by little, my hearing comes back, and I notice that I’m slightly out of tune. I wasn’t sure before, but now I know that I no longer want to be a part of Pol Pot’s army. Chicago, Late August 2025Set list: * Fortnight, Taylor Swift feat. Post Malone I can’t sleep. I toss and turn until two in the morning. My wife pretends to be asleep. She has to get up soon for her shift at the hospital. She rolls over to the outer edge of the bed and sighs. I can sense the passive aggression radiating from her like steam off piss. I get up, go to the bathroom, then head down to the basement, where, years ago, I fixed up a small studio. It was that song. I can’t get it out of my head. I think of ways to change it, match it to the voice I’d heard. By the time the birds were chirping, I’ve made a couple of passable demo tracks and upload them to Drive. I play them back to myself on repeat in the car. I’m wearing headphones this time. On the way to drop my kid off at school, I don’t even notice the doodle-nova crossing in front of us. “Mr. P sings that song.” My daughter is speaking. I take off my headphones. She’s speaking to me—something about this song. “What?”“Mr. P, at school.” What is she talking about? “Can you hear the song even with my headphones on?” “Yeah, that and you played it all night long. Your office is right below my room.” she says, looking out the window. I furrow my brow. “I’m surprised you know it. It’s an old one.”“Well, I wouldn’t know about it unless I’d heard him sing it.”“Yeah.” I stare blearily out the window. I got a late start. I won’t be able to make my detour to S.B.’s. Her car door slams, waking me out of my reverie.“Bye.”“Bye.” I daydream about recording this track. What favors could I call in? I’m still tight with the touring drummer for Taylor Swift, and he owes me a favor. What about that bassist from Pittsburgh? How much of this can I simply program on my own? Could I make it work without that voice? No. I need to find out who this mysterious singer is. I spend the first half of work in a daze. I finish the workload, of course. Anyone could do this job. Give a chimp some adderall and it would get done. But every fifteen minutes, I get up from my desk to stretch, then pop through the exit, down the stairwell just in case. By lunch, I’m completely drained, sleep-deprived, and my calves burn. The last part of my day I stare at my screen, depressed, deflated. Knuckle-dragger comes up and raps “shave and a haircut” on my cubicle. He’s asking me some benign questions about fantasy football. I just look at him. His mouth hangs open, then forms a thin line. His eyebrows, clinging to that ugly Stone Age ape-drape, let me know he’s offended. He walks away. I lay my head down. I’m so tired I don’t even notice when I fall asleep at my desk. I wake up to the sound of jingling keys, and then the hum of a vacuum. As I lift my head a string of drool connects my chin to the bottom of my keyboard. I look at my watch—7 p.m.! No one even thought to wake me up? What was my boss doing? Shouldn’t I get chewed out? F**k. My wife is going to be pissed. I grab my keys and my briefcase and stand up. As I turn, I almost run right over a small brown man. He is old and startled. He steadies himself on a cleaning cart. The janitor. His initial look of shock melts into a placating smile. “Damn, I’m sorry.” He nods and bows. “I didn’t keep you from leaving, did I? I mean, no, you don’t clean the cubicles, do you?” He nods and bows again, leading me to believe the only thing he’s understood is that I finished my sentence. “Sorry again.” I head for the door, but something crinkles my eyes together in subconscious concentration. I turn. The gravitational pull, the inertia of fate, causes my eyes to zoom in on his name tag. Pannah, it says. Like Hannah but with a P. Mr. P? Where had I heard that? I shake my head and walk to the exit. As the door closes behind me, I stop at the foot of the stairs. But what if it is? I’m already late. I crouch low against the painted cinderblock wall. I wait, and wait some more. After twenty minutes, I can hear a radio, sometimes louder, sometimes quieter. I peek out the small rectangular window in the metal door. Mr. P is cleaning, and he has a small portable radio attached to his cart. He is emptying trash—not singing. This is stupid. This is a waste of time. What am I doing here? I should just go. I curse myself with every deep, interpersonal curse word I can think of. Dirtbag is still the one that stings the most. I make it down the first flight of stairs before I hear it again. There is no mistake. It’s the same voice, but this time he sings a different song. A female pop icon, on her sixth album, decided to bring in a rowdy R&B singer in on the track. The lyrics are familiar to me: “And for a fortnight there, we were forever Run into you sometimes…” The song is fine—not her best—the album is fine. This man, this little foreign man, has re-created it. He sings both parts as if it were written that way. The song means something totally different now. Am I crying? He is old. He is slow. He is singing with the voice of an angel. His eyes are closed. He belts out the final chorus as it reaches its climactic key change. I barge open the door. “I got you, m**********r!” I exclaim. The poor old man falls backward. I can’t see him now as he scurries away between cubicles. “F**k! I’m sorry! I didn’t mean to scare you!” I call out. I can’t see him, but I can hear his keys jingling and muffled shuffling. I give chase. “Hey! Come back!” I hear whimpering, and I follow the pathetic sound. Rounding a corner, I see his reflection in the glass of a conference room. He darts into the employee break room on all fours. There is no escape from there. I slowly walk towards the door, hands outstretched in a gesture of surrender. I keep my voice calm and measured. If he doesn’t know what I’m saying, at least he can understand that I mean him no harm. He’s in the corner, shaking, hands over his face. He speaks a language I don’t recognize. I crouch and pull out my phone. Man, it’s weird to see old people cry. I feel bad thinking it, but it’s almost cute. I get that same nasty thrill when I see dogs whimper. I pull up the demo track. I tap play and slide my phone towards him. He stops shivering and peeks out from behind his small brown hands. “Do you know this song?” He nods. I think he might understand what I said this time. “Do you work at the school? The middle school on Broadview?”He nods. I found him. “Mr. P, I’m going to make you a star,” I

    17 min
  5. 12/05/2025

    Dirtbag: EP 1

    Part 1 Cambodia 1975 “ch’kai!” Blood splatters the machete wielding commander as he hacks the head off a man who used to sell cassette tapes in the market. A boy next to me pockets his glasses and squints back toward the mess. “The dogs have been put down! A new era begins with you!” The children around me chant: “Angkar! Angkar! Ankar!” Kids at my school called me ch’kai because I grew up in the country. Most of those kids and their parents are dead now. I think I would be too if they knew that my aunt and uncle worked in the market, but I have the dark skin and blunt features of a country boy. Even though I’m only twelve years old they tell me that I’m a vital part of Pol Pot’s army. “You are strong! Cambodian men are strong. One of us is like ten of the Vietnamese soldiers. We fight for the Angkar (Establishment) to make the new Kampuchea great again. Angkar!” They all chant, “Angkar! Angkar! Angkar!” My name is Pannah, which means “wise.” My name is not ch’kai. Ch’kai means dog. The bloody commander continues: “The metropolitan bourgeoisie are influenced by the Chinese… or the French… or are secretly Vietnamese in disguise! The new leader of Kampuchea, Pol Pot, loves and protects you now from foreign influence.” I can’t see my aunt and uncle anymore in the crowd. They sold promotional movie posters out of the stall next to the now-headless man. The commander kicks the corpse at his feet and signals to his lieutenants dressed in black shirts and pants. They push us, like cattle, out of the city. The man they beheaded—the man I watched die in front of me as a twelve year old boy— was killed for hiding a tape in his bag. I wonder what tape it was? What music was worth his life? I used to think music saved my life. It was only a month ago that I came to work for my family in Phnom Penh. I would go to the cassette stall and listen to so many tapes. Now, it seems, music may get me killed. Debut Album: You’re Such a F**king Dirtbag Chicago, Late August 2025Set list: * Let’s Stay Together, Al Green My daughter and I walk to the van. It’s starting to get cold in the mornings; I can see my breath. She has headphones in, so the drive to school will be quiet. Feeling spacey—one too many beers last night. I woke up today with one word in mind, surfacing like the murky fortune in an eight ball: “Dirtbag.” My older brother used to call me a dirtbag. Not the crème de la crème of insults, but coming from him—what I mean is, when he called me “dirtbag,” it felt like a curse—not a cuss—but like something a gypsy might do. Stopped at a light, a dog walker crosses the street in front of our van. I look on in disgust. This guy, what am I looking at here? I swear, if I see another goldendoodle, I’m going to vomit. You’d never catch me dead walking a doodle. I crane my neck over the steering wheel as the impossibly handsome dog walker turns around the block and out of sight. I swear, these stupid f*****g dogs could make Hercules look like a p***y. I steer my minivan into the schoolyard. It’s Monday, and I’m looking down the barrel of another hopeless week at work. I park and she steps out quickly. My twelve-year-old daughter is in her last year of middle school. To say she’s eccentric is a nice way of saying she dresses like a kid I would’ve made fun of back when I was in school. Today she insists on wearing a top hat… and a raccoon tail. I wonder what the teachers think of her. I guess I would know if I showed up to the conferences. I watch her walk toward a gaggle of equally weird friends. Bye. Okay. Out the lot. I can’t help myself. I circle back. Goddamn! Look at this guy walking this golden f*****g doodle! The dog-walker has a chin that could sink ships. He is white, but perhaps slightly Mediterranean, with effortlessly tanned skin and thick dark hair. Ray-Bans, a linen short-sleeve button-up. I wish I had that kind of hair. All the men in my family end up looking like… well, like bald. We all have the same blotchy reddish skin under patchy beards, shiny foreheads, and receding hairlines. Last Christmas my brother clapped me on the back, brought me in close for a hug, put his mouth to my ear, and whispered, “Oh, it’s so good to see I’m not the only one losing hair.” That’s what he said. A*****e. I started wearing my knit hat more after that. I used to do that in college. I thought it was artsy, but I realize that I should’ve shown off my hair more then. Whatever. Now that the kid is dropped off, it is time for my morning treat. Starbucks! Drive-through this time because I’m already late for work. I creep the minivan around slowly, peering through the windows into the coffeehouse lounge. I’m not really here for the coffee. I’m here to catch a glimpse of the clientele. I swear, if I had a whole day to myself, I would just post up at S.B.’s and ogle the hot college girls going in and out. Wait—jackpot! A leggy brunette in a tight-fitting athletic-wear dress walks quickly across the street, skips up the curb, and enters the coffee shop. The car behind me honks. I raise my hand in a gesture of apology and pull out onto the high street. What’s the deal with female fashion today? It’s like, in the past two months, everyone decided that dressing like a tennis pro was the sexiest thing in the world. More like tennis-ho. I chuckle to myself and merge on the highway. One part of my brain fires up the autopilot, effortlessly navigating to work, while the other part of my brain wonders if my wife would ever wear a tennis skirt like that. S**t, I really am late… I guess my brother was right. I’m a dirtbag. Maybe that’s the problem. Maybe if I were more like him, I would have a record deal. Maybe I would be driving a new Range Rover instead of this s****y Dodge. I tell you what, no matter how much money I would’ve hypothetically made, I would never buy a goldendoodle. F*****g doodles. Who is walking who, b***h? F*****g biceps. I could go to the gym, but I’m not going to—because I’m late for work. Everyone at the returns center is exactly the same. The small-talk is what kills me. It’s not the monotony. Moving numbers from one cell to the next, I can do that. If it were just me and four walls, alone, clock in, clock out. Do your time. Go home. I could do that, no problem. No, the thing that makes the job unbearable is how disinteresting all these plodding lobotomites are. All they care about is b******t contest shows. Who gets kicked off what island? Who will be going home—gah, I wish you would. This knuckle-dragger is talking up a storm with the lady from I.T., whose face is as blunt as the broad side of a barn. Moooooooooooooo! It’s all the same s**t with different wrapping paper. Get the net. Speaking of: I think about the suicide nets on the top of skyscrapers in Japan. I bet the guy who came up with it is super rich. I wonder if he ever felt like jumping before he had his billion dollar idea. I smile at them–my co–workers– even though I hate them, which makes me hate them more. I hate them because they make me hate me. I feel like I betray myself on a soul-deep level every day by just responding to their standard salutations.“How you doing?” they say.“Oh, you know, hanging in there,” I reply, smiling like an idiot at the idiot parade. No one here understands art. I bet none of these people have read a book in the past ten years. I mean, I don’t read books anymore either—I listen to podcasts—so I guess I can’t say anything. Music is my true passion. I used to own a recording studio—back when I was cool. That’s when I met my wife, actually. I’m sitting in the break room now. I let the moments tick by, making love to my plastic spoon. I finished the SnackPack long ago, and now I simply suck the plastic, feeling its curve on my tongue. I’m a million miles away. I’ve been done with my lunch for a while now, but if they give me thirty minutes for lunch, I am taking every goddamn minute of it for myself. Mercifully, no one is in here. I need to think. I need to strategize. I need to daydream about not being here, not doing this. I know that if I quit my job, it would worry my wife. It might mean we could not afford the city taxes and would have to move our kid out of her school. I wonder what she would think about that—not my wife—the kid. She seems to have some friends. Weird ones. But what if I broke out? What if I found a niche? What if I found a local talent I could cling to? What if I found someone I could make into a star. I’m jittery—too much coffee. I need to get out of here. I “quit” smoking twenty years ago, but I always keep an emergency pack in the glove compartment. I’m walking down the stairwell to the parking garage when I hear it for the first time—singing. I have never heard singing so obviously pleasant yet subtly disturbing. The accent is unplaceable, the authority enough to bend the knees of kings. Where is this sound coming from? The song is an oldie. A soul classic. The kind of song you never get tired of, whether you hear it perusing the aisles of a thrift store or watching someone at their wedding take their lover into their arms for their first dance. It echoes up to me from the bottom of the stairwell. I scramble after the sweet sound, grasping the handrails, taking each step three at a time, looking down the center every so often to see if I can spy the singer. The song stops at the sound of my clattering Rockports. I reach the bottom floor. I gasp and watch the door shut its last centimeter and then clunk. I’m alone, with only the subsonic suggestion of that beautiful song bouncing off the merciless concrete. Whoever it was is gone. I look at my watch. My break is over. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit kckingauthor.substack.com

    16 min

About

Dirtbag is a midlife survival story about the power of music. What happens when life causes you to lose track of what you truly love? Drift away from your first love and you will feel every bend and kink it takes to make you look like something—someone—else. The story follows a misanthropic ex-music producer who’s trying to find his way back into the industry. He believes his dreams are within grasp, when he overhears the golden voice of a Cambodian janitor. The resulting partnership forces this “Dirtbag” to consider how life’s changes can warp or make you. This is not a self-help book. It’s a story about the dangers of giving up on what you love, and how two men—with radically different experiences—were saved by the power of music. kckingauthor.substack.com