Do You Even Lit?

cam and benny feat. rich

stemcel tragics use THE POWER OF FRIENDSHIP to read litfic and classics

  1. 11h ago

    Middlemarch FINALE: It's OK to be mid

    "The growing good of the world is partly dependent on unhistoric acts." — Middlemarch The DYEL boys finally finished George Eliot's Middlemarch and finally answered the question of what this thing is about. At least we think we did: A 900-page long cope on being mid.  Updated Website: We unveil the new Do You Even Lit website: doyouevenlit.com. It now has searchable tags by theme, book, and thinker and a breakdown of our most biggest obsessions: Christianity, David Foster Wallace, signalling, death, David Foster Wallace, and the sexual revolution. Thwarted ambitions: Nobody seems to achieve what they set out to: Dorothea, Lydgate, Casaubon, even Bulstrode. We ask whether Eliot is simply describing reality or arguing against ambition. Ordinary goodness: Related to the above, we unpack the famous final paragraph. Rich wonders if it's all just cope. And points out how it seems at odds with the real life of George Eliot, aka "Mary K", aka Mary-Ann Evans. Full transcripts are available at doyouevenlit.com, where you can filter and search episodes by key ideas, authors, and themes. CHAPTERS: (00:00:00) shiny new website (00:14:04) Bulstrode scandal and Lydgate's innocence (00:24:42) Lydgate, a failure? (00:28:06) Emphasise on Middle (00:32:11) Is this book anti-ambition? (00:40:42) close reading of the final paragraph (00:59:52) Rosamond's (slight) redemption (01:14:03) Next book   WRITE US: We love listener feedback. Send us a note at douevenlit@gmail.com to correct our hot takes, add your own, or ask a question. NEXT UP: Herzog by Saul Bellow

  2. Jul 28

    Christopher Nolan's The Odyssey: Wearing Homer as a skin suit

    Rich reflects on his truly deranged reaction to the film, after entering a manic state and staying up all night penning a 2500 word rant. Meanwhile Cam had a nice time at the cinema and gives it a soft seven. Benny liked it too, until he thought about it, and is now hopelessly hung up on whether you can fairly judge an adaptation of something you know so well. Just after we recorded, Emily Wilson came out swinging with a review in the London Review of Books, in which she shares many of our disappointments: Nolan’s Odyssey lacks many of the elements that make the poem great. It has nothing convincing to say about time, memory, history, war, or about the relationship between one warrior’s glorious return and the lives of his family, adversaries, comrades, friends and neighbours. It lacks psychological, emotional, political and ethical depth. Its narrative structure is gimmicky. The writing is abysmal. None of the characters has convincing motivation for their actions or words. Oof. anyway, 7/10 Full transcripts are available at doyouevenlit.com, where you can filter and search episodes by key ideas, authors, etc. CHAPTERS: (00:00:00) a normal and proportionate reaction (00:07:25) Homer's Odysseus vs the Matt Damon character (00:22:59) nostalgia for Nolan blowing our teenage minds (00:29:30) Making Zeus's law central to the entire plot (00:39:46) do we like the treatment of the Gods (00:45:52) woke casting discourse and post-Christian morality (00:59:52) Half-hearted slaughter of the suitors (01:05:53) final ratings + has book club ruined our ability to enjoy things WRITE US: We love listener feedback. Send us a note at douevenlit@gmail.com to correct our hot takes, add your own, or ask a question. NEXT UP: Middlemarch finale Herzog — Saul Bellow

  3. Jul 22

    The Tragedy of Othello: Cucked by the green-eyed monster

    O, beware, my lord, of jealousy; It is the green-eyed monster which doth mock The meat it feeds on. Tackling Shakespeare's 1604 play Othello. It goes a lot better than last time, altho Rich gets a bit of a fright when the lead actor comes out in blackface. Othello the outsider: Was interracial marriage an uncrossable divide for a man of Othello's station? What do we think of race-swapped casting? What exactly is a Moor anyway? A special investigation. Iago as master manipulator: Why does he keep escalating his schemes? How did the most conniving man in Venice get the nickname 'honest Iago'? Is he too OP to be believable? We try to make sense of whether he's motivated by ambition, sexual jealousy, or is purely in it for the love of the game. Sexual jealousy as a uniquely destabilising force: How does a general who can stare down an armed mob go to pieces over his wife's handkerchief? Benny runs through Othello's many epistemological mistakes. Cam gives us the evo psych line on why men have a deep-seated fear of being cucked. Some embarrassing personal confessions emerge. Full transcripts are available at doyouevenlit.com, where you can filter and search episodes by key ideas, authors, etc. CHAPTERS: (00:00:00) when an old black ram is tupping your white ewe (00:06:50) race-swapped casting and a brief history of blackface  (00:16:26) So You've Been Passed Over For Promotion (00:23:46) What does Iago actually want? (00:30:04) the crusty handkerchief and 'eavesdropping conversation' gambit (00:38:11) Confirmation bias and bad epistemology (00:44:22) Let the bodies hit the floor (00:49:21) Sexual jealousy as a uniquely destabilising force (00:59:11) original vs modern translations discourse   WRITE US: We love listener feedback. Send us a note at douevenlit@gmail.com to correct our hot takes, add your own, or ask a question. NEXT UP: Middlemarch finale (hopefully some time before christmas, if Cam ever pulls his finger out of his ass) Christopher Nolan's The Odyssey

  4. Jun 22

    Middlemarch, part 2: Pity the man with the young hot wife

    "In such a crisis as this, some women begin to hate." Let's go baby, things are getting steamy.  Rich isn't sure if he's turned on or terrified by Dorothea, Cam can't figure out whether he'd take blood money, and Ben is torn about whether marrying a psychopath is worth it if she's a hottie.  The middle section of this 800-page whopper is a tournament of injured pride. Casaubon exits early, Will (stupidly?) can't take or give a hint, Rosamund becomes Lydgate's worst nightmare, and Fred ... somehow fumbles his way back into credibility??  Question of the ep: Is Mary Garth a stand in for George Eliot who, as it happens, was described by Henry James as "magnificently ugly, deliciously hideous."  Listener mail: a non-native English speaker writes in to say Cam's sentences are hard to follow. Cam accepts the feedback with unusual grace. Full transcript for this episode (and every episode) is available at doyouevenlit.com, where you can filter and search by key ideas, authors, etc. (00:00:00) fiction as thought experiment (or: anti-thought experiment?) (00:07:44) Dorothea's arc: the crisis of rejection (00:18:00) Will Ladislaw in the vicinity (00:26:23) Bulstrode's pawnbroker past revealed (00:30:51) would you take the blood money? (00:37:40) Featherstone's will surprise — enter Rigg (00:44:45) Fred finds his feet with Caleb Garth (00:47:56) Farebrother's impossible magnanimity (00:51:36) is Mary Garth a George Eliot stand-in? (00:55:03) Lydgate and Rosamund: the marriage goes off a cliff (00:59:40) the sexual politics of Lydgate's mistake (01:06:05) listener mail: Cam gets roasted Write Us We love listener feedback. Send us a note at douevenlit@gmail.com to correct our hot takes, add your own, or ask a question. Next up  - Finish Middlemarch  - ???

  5. Jun 8

    Middlemarch, part 1: A wish-fulfilment fantasy for spergy scholars

    For our big summer read we're cracking into Middlemarch, the 1871 doorstopper written by Mary Ann Evans under her pen name George Eliot. This chat covers the first 30 chapters. Not a whole lot has happened so far but it's a very cosy read. On Eliot and Tolstoy: which way does the influence go? How does this compare with our beloved Anna Karenina? Worst honeymoon ever: did we buy Dorothea and Casaubon as a couple? how were age-gap relationships treated in ye olden days? Did they even bone? And if girls like Dorothea exist in real life, where might we find them today? Lydgate and Rosamond: who he will vote for as chaplain at the new hospital? Tyke or Farebrother? The stakes are higher than they might first appear. Fred and the Garths: a charming failson coasting on a rich uncle's dangled inheritance. We debate whether every heir ought to be lightly humiliated before they're allowed to inherit. Plus, from the listener mailbag: have the boys ever read a book by a black person? Full transcript for this episode (and every episode) is available at doyouevenlit.com, where you can filter and search by key ideas, authors, etc. CHAPTERS: (00:00:00) the guardian's #1 novel, aka English Anna Karenina (00:10:40) Dorothea as wish-fulfilment fantasy for sperges (00:20:08) Elliot's language: the civilised art of the subtextual dagger (00:29:50) worst honeymoon ever (00:34:06) Casaubon is a little too much like us (00:41:48) Lydgate the ambitious outsider (00:58:39) TYKE VS FAREBROTHER!!!! hold onto your seats (00:58:39) Fred the affable failson (01:16:29) Listener mail: on the merits of assigning authors by race WRITE US: We love listener feedback. Send us a note at douevenlit@gmail.com to correct our hot takes, add your own, or ask a question. NEXT ON THE READING LIST: - The rest of Middlemarch ???

  6. May 14

    Walking away from 'The Ones Who Walk Away From Omelas'

    Ursula K. Le Guin's 1973 story The Ones Who Walk Away from Omelas has been discussed to death, but the boys have finally cracked the ONE TRUE reading. huddle in Rich remembered this being a glorified trolley problem that would allow us to settle the question of 'who is the most utilitarian-brained of us all' but it's not! It's about politics, and capitalism, and bold utopian leaps! On the real-world parallels: does western prosperity actually depend on the suffering of the global south? Is there a difference between culpability and moral luck? Is there such thing as ethical consumption under capitalism? Fighting the hypothetical: Benny has largely solved moral philosophy and finds the story less compelling the second time around. Also, Omelas is not very revealing as a thought experiment. We talk about how thought experiments fail, and compare with Nozick's experience machine. On those who walk away: morally serious dissenters, or virtue-signalling posers? Is Le Guin really so against incrementalism that she has set up the experiment so it's impossible? We manage to find an optimistic reading lurking in there too. Plus: Why can't kids these days read good? We debate whether it's a moral panic, if the use of LLMs helps or hinders, and how f*****g stupid you'd have to be to try and start a literature podcast in a post-literate society. Full transcript available at doyouevenlit.com — you can sort all episodes by ideas, authors, and more. CHAPTERS: (00:00:00) this is a running podcast now (00:05:50) Impressions vs the first time we read the story (00:09:30) synopsis: a utopian city with a dirty little secret (00:17:50) FIGHTING THE HYPOTHETICAL (00:25:00) The case against thought experiments: If magic was real, would you grant that magic was real? (00:28:00) Is walking away a moral act or empty posturing (00:30:42) Le Guin's true motive: socio-political critique or glorified trolley problem (00:35:00) is Omelas actually an anarchist utopia? (00:43:01) is there such thing as ethical consumption under capitalism (00:52:28) moral luck vs. culpability (EA is good akshully) (01:02:00) The stickiness of the Omelas story (01:05:00) Eric T's listener mail: can kids still read good? (01:18:00) on the stupidity of starting a lit podcast in a post-literate age   WRITE US: We love listener feedback. Send us a note at douevenlit@gmail.com to correct our hot takes, add your own, or ask a question.   NEXT ON THE READING LIST: Cathedral — Raymond Carver Middlemarch — George Eliot

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stemcel tragics use THE POWER OF FRIENDSHIP to read litfic and classics

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