DOLLY BACK

Erich Mayerhofer and Krishiv Parmar

٥٫٠ (١)
تلفزيون وأفلام

A weekly discussion podcast for people who love movies! Whether a casual movie-goer or a self-proclaimed cinephile, DOLLY BACK is for everyone! From the Wachowskis to Kurosawa and so many places in-between, join co-hosts Erich and Krishiv as they build their own canon and talk about each amazing entry along the way!

١٤‏/٠١‏/٢٠٢٤

Best of 2023 - DOLLY BACK'S END OF YEAR!

Another year, another list! Dolly Back looks back on one of the most remarkable years in recent film exhibition. In a year marked by rare crossover appeal, audience rejection of tentpole films, important conversations regarding labour, and film projection on a glorious scale, your hosts dive into the films that powered their imaginations! Please enjoy another massive (and please make use of our timestamps) and easy listen, and make sure to listen to the very end for a special announcement! 3:30 - 11:23 Honourable Mentions 11:24 - 20:18 10th 20:19 - 29:26 9th 29:26 - 41:05 8th 41:05 - 50:44 7th 50:45 - 60:00 6th 60:00 - 67:45 5th 67:45 - 76:55 4th 76:55 - 87:04 3rd 87:04 - 96:10 2nd 96:10 - 106:08 1st THANK YOU TO EVERYONE WHO HAS TUNED IN AND HELPED US OVER THE PAST TWO YEARS - WE CAN'T WAIT TO START A NEW CHAPTER WITH YOU! LINK TO GOING HOME GOFUNDME + INSTAGRAM (@goinghome.film)

١ س ٥٢ د
١١‏/١٢‏/٢٠٢٣

Sounds of Silence - M (1931)

Was the introduction of sound to cinema a crime? If so, Fritz Lang commits in the first-degree in his seminal thriller/drama M! Crossing paths with the radio medium and the crumbling Weimar Republic, M's soundscape is rich with texture and subtle connotation, though what strikes your hosts the most is Lang's deployment of silence. Join them as they hunt for an answer in the midst of German political cacophony as they discuss this classic's immaculate cinematography, genealogical relation to other films, and dissect Arnheim's thoughts on a pure cinema! Michael P. Ryan's Article - Fritz Lang's Radio Aesthetic: M. Eine Stadt sucht einen Mörder

٥٠ من الدقائق
٢٠‏/١١‏/٢٠٢٣

Age Without Chivalry - UNDER THE SILVER LAKE (2018)

It's been a long, winding journey for Dolly Back to arrive at David Robert Mitchell's Los Angeles, putting their cinematic sleuthing skills to the ultimate test. In a film rife with prospective black boxes, hidden bunkers, secret treasures, your hosts contemplate the nature of structuring mystery in film narrative, making sense of Sam's journey into the Angeleno underworld as so many have before him. Drop by your hosts' case board as they dissect the libidinal core of the Neo-noir, our fascination with intrigue, and the vibrant cinematography of this modern cult classic! Ethan Warren's Piece - Only I Know the Secrets: Breaking Down Under the Silver Lake

٥٧ من الدقائق
١٠‏/١١‏/٢٠٢٣

The New Standard - BLACK CHRISTMAS (1974)

At the tail-end of October and beginning of November, Dolly Back could not find a better opportunity to spotlight this middle child of wintery weather. Bob Clark's 1974 slasher is near and dear to the hearts of Torontonian horror lovers, and a striking standard for all of its ilk yet to arrive. Offering a strikingly progressive perspective compared to the misogyny of its successors, your hosts dive into cult fascination with Black Christmas, such as its deployment of the Final Girl, odd setting, and bone-chilling camerawork in a dissection of one of the most important slashers ever made! Sartaj Singh's Piece on Horror Obsessive - Final Girls: Jess Bradford From Black Christmas (1974)

٥٤ من الدقائق
٣٠‏/١٠‏/٢٠٢٣

Right of the Hungry - THE HOST (2006)

Dolly Back is sick with excitement at presenting its latest episode on Bong Joon-Ho's The Host (2006). Perhaps the most eminently celebrated South Korean director of his generation, Bong is at his pulpiest and most elemental in this monster movie, directly challenging American intervention in Korean affairs with a riff on the real-life dumping of formaldehyde into the Han River. Monsters wear many faces - illness, misinformation, and sometimes an unholy kaiju engaging in Korean tradition in its own right. Join your hosts as they discuss Bong's refined storytelling techniques, the film's mythological potency, Korean civic rituals, and everything in between! Shahim Sheikh's High on Films Essay - Neocolonial Anxieties in Bong Joon-ho’s ‘The Host’ (2006)

٥٥ من الدقائق
١٦‏/١٠‏/٢٠٢٣

Last Stitch Effort - EVIL DEAD 1 & 2

GROOVY! Dolly Back couldn't be happier to tackle Sam Raimi's love letter to the horror genre, the Evil Dead franchise! The rare film trilogy that can elicit both intense laughter and abject terror within the same scene, is equal parts George Romero and Jacques Lacan, has curiously insisted upon the structure of its first film for its "re-quel". In celebration of one of genre filmmaking's finest balancing acts, join your hosts on a trip to Raimi's cabin in the woods in discussion of linearity, suture, and the glory of practical effects! Professor Jeffrey Weinstock's Paper - Postmodernism with Sam Raimi (or, How I Learned to Stop Worrying About Theory and Love Evil Dead).

١ س ٥ د
٠٦‏/١٠‏/٢٠٢٣

Star-Spangled Sunsets - BADLANDS (1973)

The beginning of Terence Malick's feature filmmaking career begins with neither a bang nor a whimper - but the ambivalent hum of 60s American suburbia. As real-world crime and Hollywood myths of the era coalesce, the filmmaker embarks upon an odyssey through a country in desperate search of new icons, spanning the bygone Western past of the nation with the schoolyard romances of the day. Martin Sheen and Sissy Spacek dazzle in one of the quietest and lovelorn romances in Hollywood history, indelibly expressive on top of Malick's foreboding landscapes by his long lenses and abstract approach to storytelling. Join your hosts on their date with destiny as they discuss this neo-noir's delightful structure, ecological commentary, and metafictional leanings! Gabriella Blasi's Article - The Orchid in the Land of Garbage: An Ecocritique of Terrence Malick's Film Badlands (1973)

٥٧ من الدقائق
١٦‏/٠٩‏/٢٠٢٣

Between The Future And A Hard Place - SORCEROR (1977)

William Friedkin lays it all on the line in this 1977 thriller, shaking his fist at the sky and the precarious times of an increasingly globalized and tragically nuclear world. Assembling a ragtag group of all nationalities on every level of production, the odyssey of four damned workers journeying to a pillar of flame with even more nitroglycerin stands as one of the tensest narratives put to film, plagued by issues as soon as the crew set foot in the jungle. Join your hosts as they discuss its charged structure, authorial importance, the moral questions of filming in such locales, and its lush cinematography, in tribute to one of the medium's absolute masters. Travis Woods' Bright Wall/Dark Room Article - No Way To Managua: Bridging the Forces of Fate and Identity in William Friedkin’s Sorcerer

٥٧ من الدقائق

مشاهدة الكل (٧٣)

A weekly discussion podcast for people who love movies! Whether a casual movie-goer or a self-proclaimed cinephile, DOLLY BACK is for everyone! From the Wachowskis to Kurosawa and so many places in-between, join co-hosts Erich and Krishiv as they build their own canon and talk about each amazing entry along the way!

صناع العمل

Erich Mayerhofer and Krishiv Parmar
سنوات النشاط

٢٠٢٢ - ٢٠٢٤
الحلقات

٧٣
التقييم

فاضح
حقوق النشر

© Erich Mayerhofer and Krishiv Parmar
موقع البرنامج على الويب

DOLLY BACK