Don't Be Alone with Jay Kogen

Straw Hut Media

Don’t Be Alone with Jay Kogen is a comedy/advice podcast trying to fight the isolation of modern life. Each episode, Award winning TV writer/comedian/philosopher Jay Kogen has a conversation with a friend about how to solve the problems on Jay’s mind. These friends happen to be famous comics, musicians, actors, artists, writers, and sometimes even his family. It’s an entertaining, fun, and thoughtful show meant to bond us through humor, experience, and empathy.From Straw Hut Media

  1. 15h ago

    Can America Still Be Saved? | PoliticsGirl

    Is America really doomed or is there still a path forward? In this episode of Don't Be Alone, Jay Kogen sits down with Leigh McGowan, better known as Politics Girl, for an honest conversation about the future of America. Together, they explore whether the country has reached a breaking point, why so many people have lost faith in politics, and what it would actually take to rebuild trust in our institutions. From the rise of independent media to the influence of money in politics, government reform, voter engagement, healthcare, and the future of democracy, this conversation goes far beyond partisan talking points. Whether you agree or disagree, it's a thoughtful discussion about where America is headed and whether there's still reason to hope. In this episode: Is America really beyond repair? Why Politics Girl believes hope still matters The biggest mistakes both political parties have made Can democracy survive growing division? The future of media, messaging, and political influence What everyday Americans can do to make a difference If you enjoy thoughtful conversations that challenge ideas rather than shout over them, be sure to subscribe for new episodes every week. Guest: Leigh McGowan (Politics Girl) Follow Politics Girl: YouTube: https://www.youtube.com/politicsgirl Website: https://www.politicsgirl.com/ Socials: https://www.instagram.com/IAmPoliticsGirl/https://www.tiktok.com/@iampoliticsgirl Subscribe to Don't Be Alone with Jay Kogen for more conversations with writers, comedians, actors, creators, and thought leaders exploring life, creativity, politics, and the human experience. Website: https://www.dontbealonewjk.com/ Instagram: https://www.instagram.com/dontbealonewithjaykogen/https://www.instagram.com/jaykogen/ Tiktok: https://www.tiktok.com/@dont.be.alone.wit Substack: https://substack.com/@jaykogen Merch: https://shop.app/ Learn more about your ad choices. Visit megaphone.fm/adchoices

  2. Jul 21

    Writer/Life Coach, Barbara Heller Turns An On Stage Panic Attack Into A Life Quest

    Barbara Heller talks about walking away from the perfect man just before her wedding and breaking down with a mid-life panic attack on stage and committing to being a Jew to find happiness and trying to live as a perfectionist and being an all or nothing person.  She discusses her one woman show and her ability to get people to explore their life stories through drama to understand who they really are.  She makes Jay explore his deepest fears on the show!  Bio:Barbara Heller is an award winning playwright, podcaster, documentarian, songwriter, 30 year curriculum writer and coach. You may have seen her in the past as a host on tv or heard her voice in blockbuster movies, TV shows and commercials, including Snatched, The Heat, The Arrival, Kung Fu Panda 3, Disney Jr.s’ Vampirina.  Pending on her schedule she can be hired to perform her Award winning One Woman Show, Cosmic Conversations which was performed in 6 countries including at the Edinburgh Fringe or to do a Creative Writing Workshop in your community! Subscribe to her award winning podcast See One Beautiful Soul  here. My mission is to inspire people to let go of their past and heal it through the re-telling of our stories through Inner-Child work and Artistic Expression.  When we gather in community, learn about our origin faiths, and encourage each other to get clear about our Spiritual Values, that is when we soar. May we dance, sing, meditate, pray, forgive past trauma, and thus mirror and heal one another, our families, our larger communities and cause beautiful ripple effects to reverberate and heal the whole world. Learn more about your ad choices. Visit megaphone.fm/adchoices

  3. Jul 14

    Writing Legend Don Reo Makes It Look Easy. Jay Makes It Look Awkward

    Show Notes: On this episode legendary writer and show creator talks about being the first white guy on stage at the Apollo, getting a show about alcoholics cancelled because the network president was an alcoholic, the pleasure of writing a first draft, and driving way too fast, and how music drives his writings and the time he was oddly alone with Bruce Springsteen and told him a dirty joke. Bio: on Reo has always been quick with a quip, from the time he got his first laugh sometime back in junior high school to the jokes he wrote for traveling comedians, through the half century he spent “pushing the limits” of sitcoms to the book he is currently negotiating with Random House—The Tibetan Joke Book of the Dead.  “It’s about Hollywood and death which are probably synonyms,” said Reo, the recipient of WGAW’s Paddy Chayefsky Laurel Award for Television Writing Achievement to be presented at the 2026 Writers Guild Awards. “I think you’re born with a funny gene, or maybe it’s the way you’re raised. Nobody else in my family was particularly funny, but I got a laugh in the seventh grade, and I thought, ‘Maybe I can do this. This is nice because it stops people from hitting you.’ I read that Woody Allen was making $500 a week writing jokes, and I thought, ‘Well, f**k, I can do that!’” And he did, effectively launching a career that has spanned seven decades, earning writing credits on series such as Sanford and Son, Rowan & Martin’s Laugh-In, M*A*S*H, and Rhoda and creating or co-creating Blossom, My Wife and Kids, The John Larroquette Show, and The Ranch. Learn more about your ad choices. Visit megaphone.fm/adchoices

  4. Jul 7

    Leah Rudick Succeeds at Acting, Stand-up, Writing & Jay Doesn't

    Brilliant comic, Leah Rudick, talks about growing up in Ohio, being a drama kid, writing and doing sketch comedy, and eventually moving out to LA and becoming a stand-up. Working with her brother. She talks about how being shy gave her the courage to be in front of people while wearing the mask of performing. She talks about making TikTok Instagram her character playground. Leah talks about how creative ambition pushes her forward, how having a husband in booze helps, how nothing matters, and the glory of Peach Pouch Pie! Bio: Leah Rudick is a Los Angeles-based actor, writer, and comedian. Known for her viral original characters including "Wealthy Woman," "Joannie," and "Love Coach," Rudick has built a devoted fanbase of nearly 2 million followers across socials with her signature "weird girl" comedy. She was most recently named one of Deadline's Comics to Watch in 2026. In addition to acting and developing her own projects, she is currently headlining a national tour. Festival credits include Moontower, Just For Laughs, SF Sketchfest, and Laughing Skull. In 2023, her debut comedy hour, Spiraling, released on Amazon and Apple TV.  TV credits include High Maintenance (HBO), Commuters (IFC), and Crowd Control (Dropout TV). She co-wrote and co-starred in the critically acclaimed web series Made to Order, featured in Marie Claire, IndieWire, and the New York Observer. On the big screen, she co-wrote and co-starred in the indie feature Sweet Parents, which took home top prizes at Brooklyn International Film Festival, Montreal World Film Festival, and The Lower East Side Film Festival. Rudick began her comedy career in New York with her sketch duo Skinny Bitch Jesus Meeting, earning praise in Time Out NY, Washington Post, and Complex Magazine, which named her one of "25 Funny People Who Should Have Their Own TV Show." Learn more about your ad choices. Visit megaphone.fm/adchoices

  5. Jun 30

    Claudia Lonow & Jonathan Schmock Pioneer Making Films While Jay Pioneers Eating Snacks

    What happens when two people with complicated pasts — failed marriages, sobriety journeys, and a chance meeting at a 4th of July party — fall in love but decide not to move in together? Claudia and Jonathan join us for a conversation as layered and surprising as the indie film they made together, D(e)AD — a project born from personal heartbreak, an ex-husband who may or may not have faked cancer, and the haunting feeling that the not-so-great people from our past never fully leave us. They'll take you behind the scenes of making a movie with friends and family, funding it through Kickstarter, and then getting it into theaters one screen at a time — from cities across the US to London to Bosnia — all while navigating the soul-crushing gauntlet of festival rejections, fake IMDB credits, and music licensing processes that take six months just to say no. Along the way, Claudia opens up about using her parents and daughter as the raw material of her art, and why storytelling is how she survives. We also get into Jonathan's origins — from writing a fake Nightline to a history with cartoons and the discipline of keeping art beautifully simple — and the question that ties it all together: would you trade your messy, painful, hilarious past for a different one?  And how, bubble wrap can save your sanity. Bio:   Claudia Lonow started her career as an actress, playing Michele Lee’s chubby, loud-mouthed teenage daughter on “Knots Landing.”  Favorite episodes include: the one where she has kidney failure and is saved by Donna Mills kidney; the one where she runs away with the town murderer, “Chip,” and drives her mother to drugs; and the one where she almost loses her virginity, but instead winds up donning clown make up and singing “Put On A Happy Face” with her mom. Lonow’s next career was waitressing.  She did stand up comedy for a while, working across the country and doing some television.  When she gave her best joke to Sarah Silverman, and Silverman killed with it, a writer was born. Her television-writing career took off when she wrote a semi-autobiographical spec pilot about a former nighttime soap opera television actress who gets sent to rehab, called “Rude Awakening.”  Showtime bought the show, which ran for 55 episodes.  Lonow has been creating and writing television ever since: “Good Girls Don’t” for Oxygen; “Accidentally On Purpose” for CBS and “How To Live With Your Parents (For The Rest Of Your Life)” for ABC.  Lonow moved into directing with the award winning shorts, “Bummed” and “Keep Calm and Tampon.” Lonow just completed directing and acting in her first feature, the very indie film, “D(e)AD” written by and starring her daughter, Isabella Roland, her partner Jonathan Schmock and pretty much everyone else in her family. She is currently developing various other TV and film projects, has gotten back to stand up and is threatening to do a solo show. Jonathan Schmock is an actor, director, comedian, show creator, artist and Emmy nominated writer, (group Emmy but still). As a stand-up he was half of the comedy team The Funny Boys with Jim Vallely. As an actor you’ve seen him in such varied things as Ferris Bueller’s Day Off, Star Trek Enterprise, The Big Bang Theory, Arrested Development, Shameless, The Simpsons, The Mentalist (the guy who did it) and NCIS Los Angeles (the guy who didn’t) among others. As a writer/director he co-created Sabrina, The Teenage Witch and Brotherly Love and worked as an executive producer/writer on Dharma and Greg and Good Girls Don’t, Real Time and many more. Most recently he acted in and produced the indie film D(e)AD, which can be seen and purchased online, (hint.)  His editorial cartoons can be seen at jonathanschmock.com. His paintings have appeared in a group show at the L.A. County Museum of Art, (no shit.) He hopes to continue writing about himself in the third person for many years to come. Learn more about your ad choices. Visit megaphone.fm/adchoices

  6. Jun 23

    Re-Broadcast: Directing Legend James Burrows Explores Why Jay Lacks “That Certain Magic”

    In memory of the great James Borrows we rebroadcasting this episode of "Dont Be Alone with Jay Kogen". We talk with James Burrows about his reign as Hollywood's greatest sitcom director, being the son of Abe Burrows, the genetics of comedy, his book "Directed by James Burrows", "Cheers", "Will & Grace", "The Mary Tyler Moore Show", "Taxi", "Friends", the scripts that make him want to direct, the ones that don't, his amazing memory, his humble beginnings, the decade it took him to learn how to direct, working with geniuses like James L. Brooks, Chuck Lorre, and Kohan & Mutchnick, and Andy Kaufman. And Jimmy explains how his two best friends are Al Michaels and Bruce Springsteen. BIO: James Burrows was one of television's most respected and honored creative talents. Over his distinguished career, Burrows was the recipient of eleven Emmys, five Directors Guild of America Awards, the 1996 American Comedy Awards' Creative Achievement Award, the Television Critics Association's Career Achievement Award, and in 2006 he was inducted into the Academy of Television Arts and Sciences' Hall of Fame and was honored by the US Comedy Arts Festival with their Career Tribute Award. He was the recipient of 22 nominations for the Directors Guild of America Award, thus bestowing him the honor of being the most nominated director in the history of television at the Guild. He was honored by the DGA with the Inaugural 2014 Lifetime Achievement Award in Television. In November of 2015 he directed his 1,000th episode, which was recognized by a TV Special on NBC in January of 2016. Burrows' success as the director of television pilots was legendary. He directed the first two episodes of the "Frasier" reboot's second season, and wrapped the pilot "Mid-Century Modern" for Fox, which went to series. In January of 2020, he received his fifth DGA Award for directing the Emmy Award-winning show "Live in Front of a Studio Audience #1: Norman Lear's All in the Family and The Jeffersons." He was also asked back to direct "Live in Front of a Studio Audience #3: Diff'rent Strokes and The Facts of Life" in December of 2021. In June of 2022, he published his autobiography, "Directed by James Burrows," which received considerable attention and praise from the industry. Burrows was probably best known as co-creator, executive producer and director of the critically acclaimed series "Cheers." The hit show, which aired for 11 seasons, is tied for the most nominated Comedy series in the Television Academy's history and is in third place for most Emmys received by a Comedy Series. Burrows also received numerous awards for his work on "Will & Grace," "Frasier," "Friends," "Wings," "Night Court," "Taxi," and "Dear John." For the first time in 25 years, he returned to the stage in the spring of 1998 to direct the highly acclaimed "The Man Who Came to Dinner" at the Steppenwolf Theatre in Chicago, starring John Mahoney. Burrows learned his trade from the very best, the legendary writer/director Abe Burrows, whose noted career included such classics as "Guys and Dolls," "How to Succeed in Business Without Really Trying," and "Cactus Flower." Born in Los Angeles and raised in New York, Burrows graduated from Oberlin College and continued his education at Yale, where he earned a Master of Fine Arts degree. Burrows relocated to Hollywood to work as a dialogue coach for "O.K. Crackerby!," a short-lived television series starring Burl Ives. When the show ended, he returned to New York and initially worked as a stage manager before directing several off-Broadway shows, such as "The Castro Complex," and stock productions of "The Odd Couple" and "Never Too Late." In 1974, Burrows moved back to the West Coast when he was invited to visit MTM Productions in Los Angeles and offered a job directing an episode of "The Mary Tyler Moore Show." Mr. Burrows and his wife, Debbie, resided in Los Angeles and between them they had four daughters. He passed away on June 19, 2026. He left an indelible mark on American television. He will be remembered and missed. Learn more about your ad choices. Visit megaphone.fm/adchoices

  7. Jun 16

    Harper Steele Found Her Authentic Self While Jay Is A Total Fake

    Harper Steele talks about transitioning and the differences in how she experiences the world as a woman and how the world experiences her.  The differences in parenting, writing, and comedy. Trying to fight off who she really was for years. Her fears of being judged.  How finding her true self saved her life. How road trips are different. How being macho was an odd priority before. How that reflected her comedy. How a teacher started her writing. How the movie “Will & Harper” has affected other transpeople and how she has been mostly accepted by the world and completely accepted by her friends. Her love of thrift stores and vinyl records.  And our mutual love of The Eurovision Song Contest.  Bio: Harper Steele is a comedy writer who launched her career in 1995 at the renowned show "Saturday Night Live." For over thirteen years, she served the show in various capacities, eventually ascending to the position of head writer for four years. This period of her career was marked with a notable achievement, with Steele earning a Primetime Emmy Award in 2002. Following this, her creativity found a new platform at Funny or Die, where she assumed the role of creative director. Steele's writing prowess was not limited to television, as she contributed to the scripts of several films, including "Casa de mi padre," "The Ladies Man," and "Eurovision Song Contest: The Story of Fire Saga." Alongside her writing career, she also served as an executive producer of HBO's "Funny or Die Presents." Her multifaceted career in comedy writing and production was depicted in the 2024 Netflix documentary "Will & Harper," which also explored Steele's gender transition and its impact on her friendship with longtime friend and collaborator Will Ferrell. The documentary "Will & Harper" received critical acclaim, premiering at the 40th Sundance Film Festival in January 2024 and earning a nomination for a People's Choice Award at the Toronto International Film Festival. Steele's comedic and political viewpoints, often referred to as "purple-haired woke," advocate for humor as a catalyst for positive change. Such viewpoints have earned her accolades within her industry circles, with Jimmy Fallon describing Steele as "one of the funniest people I think I've ever met in my lifetime."  Learn more about your ad choices. Visit megaphone.fm/adchoices

  8. Jun 9

    Screenwriting Legends Scott Alexander & Larry Karaszewski Love Movies but Don’t Love Jay

    Screenwriting Legends SCOTT ALEXANDER and LARRY KARASZEWSKI discuss their origin stories of being film nerds, drive-in movies, how looking on the back of Variety was glorious when they were kids, how Shakey's Pizza's silent movies influenced them, meeting the first hour at school and deciding to go to the Nuart Theater in Los Angeles, why they program screenings including The Wrong Guy, what makes a good story from real life, why offbeat losers make better subjects than heroes, how directors like Tim Burton are loyal to the script and love stories of art and outsiders, why awards are fun but stupid, their process of deciding on ideas in a shockingly random way, sinking time into ideas that go nowhere, the amazing Marx Brothers movie that can't seem to get made, how they can't shake a movie once they love it, how producers are just as stupid as they are, whether everyone has a movie in their lives and why someone doesn't make a bio movie about them, and how pickleball can save your life! Bio:SCOTT ALEXANDER and LARRY KARASZEWSKI met when they were freshman roommates at USC’s School of Cinema. On a whim, they wrote a screenplay during their senior year, which sold a week after graduation. They are best known for writing very unusual biopics with larger-than-life characters. They wrote the highly-acclaimed ED WOOD, for which they were nominated for Best Screenplay by the Writers Guild. They followed this with THE PEOPLE VS. LARRY FLYNT, for which they won the Golden Globe for Best Screenplay, as well as a special Writers Guild award for civil rights and liberties. They scripted the extremely postmodern MAN ON THE MOON, the life story of Andy Kaufman. They wrote BIG EYES, the strange-but-true story of Margaret and Walter Keane, for which they received an Indie Spirit Best Screenplay nomination. For their first television project, they created the hit miniseries AMERICAN CRIME STORY: THE PEOPLE V. O.J. SIMPSON, for which they won the Emmy, Golden Globe, PGA and WGA Award for Best Limited Series. Their most recent film, DOLEMITE IS MY NAME, is the celebrated tale of Rudy Ray Moore. Other than biopics, Alexander and Karaszewski are quite eclectic. They wrote the hit Stephen King adaptation 1408. They produced the Bob Crane biopic AUTO FOCUS, and they wrote and directed the comedy SCREWED. They have also written numerous family films, including PROBLEM CHILD, PROBLEM CHILD 2, AGENT CODY BANKS, and GOOSEBUMPS. Learn more about your ad choices. Visit megaphone.fm/adchoices

5
out of 5
53 Ratings

About

Don’t Be Alone with Jay Kogen is a comedy/advice podcast trying to fight the isolation of modern life. Each episode, Award winning TV writer/comedian/philosopher Jay Kogen has a conversation with a friend about how to solve the problems on Jay’s mind. These friends happen to be famous comics, musicians, actors, artists, writers, and sometimes even his family. It’s an entertaining, fun, and thoughtful show meant to bond us through humor, experience, and empathy.From Straw Hut Media

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