downtime

North by Northwestern

Hosted by Jade Thomas, downtime is a podcast about students’ hobbies and passions, separate from their academic and professional life.

  1. 06/03/2022

    downtime episode 2: a cappella

    Episode Notes [The music in this podcast is titled “Aced It” by Ketsa. It is licensed for use under CC BY-NC-ND 4.0.] Jade Thomas: Welcome to downtime, the podcast where Northwestern students discuss their hobbies, passions, and other cool things they do in their free time. I’m your host, Jade Thomas. Most people know about a cappella because of cultural touchstones like Pitch Perfect and Pentatonix. Northwestern students, however, know about a cappella, because in a way they are a cappella. There are a total of fourteen a cappella groups on campus. You’d think that with so many groups it’d be hard to thrive and survive amid all of the noise.  But it’s not just noise. The sound of Northwestern a cappella is made from carefully-laid rhythms, staggering harmonies and close-knit friendships. In today’s episode you’ll hear from members of two different a capella groups. You’ll hear about the courage it takes to try something new, blends and deceptive chords. You’ll learn that the human voice is an instrument and that coming together can create the world’s greatest orchestra. Thomas: Communications first-year and Soul4Real member, Seun Ayeni says she’s been interested in music ever since she was younger, so much so that it used to make her emotional. Seun Ayeni: So I started singing in church when I was really little, I want to say, five years old. Yeah, for me, it was just something that I was naturally interested in. There's a whole little story about how, when the children's choir used to come up, I would start crying. I'd be like, “Mom, I want to join!” And at the time, my mom was already like, taking my older sisters to church for other stuff. But like, I mean, when I cry, I mean, it struck something in her heart, I guess. And so, she started taking me and that's how I started. Thomas: Weinberg third-year Sarika Rao, says like Seun, she always wanted to pursue singing, but it wasn’t until she got to Northwestern, and encountered Brown Sugar, that her dreams could come to fruition.  Sarika Rao: I grew up playing classical piano since I was like, five or so years old. And I did it up until my senior year of high school. As for singing, I kind of went through phases where I really wanted to be good at singing. I actually auditioned for acapella in high school, didn't get in. And it wasn't anything I was planning on doing but I got here and Wildcat Welcome, actually, my PA was in an a cappella group, which I thought was really cool. And I went to Aca-fest like the performance during Wildcat welcome, like for all the new freshmen. I thought it was so cool. So I ended up auditioning just on a whim because of that, and I ended up making it then and so now it's a part of what I do just randomly. Thomas: Medill first-year and Brown Sugar member Pavan Acharya and Seun say that it’s not just the musicality that drew them to their respective groups, but culture as well.  Pavan Acharya: Also, the culture, it's a South Asian oriented group, which was also very appealing to me as well. Being a part of the group has definitely helped me be more in touch with my South Asian roots as a young, South Asian person at Northwestern. So definitely the community was a very important aspect. And it's been great getting to learn many different arrangements that draw from Western styles and from South Asian styles as well. Ayeni: Oh, I guess for me Soul4Real also connects to a part of my identity as a Black woman. Of course, Soul4Real is welcome to people from all different backgrounds, but from our very first rehearsal, they, they made the note, they made it note that Soul4Real is Northwestern’s premier black, a cappella group and when it comes to the issues going on in the world, that's the experiences we're going to center and so that is something I don't think you'll find in any other group.  Thomas: While members of a cappella groups like Brown Sugar and Soul4Real find harmony in shared experience and background, SESP fourth-year and Soul4Real member Glory Aliu says singers simultaneously have to navigate the diversity of that collective sound.  Glory Aliu: I mean, technically, when you are singing with an accompaniment, you're supposed to be kind of vibing with the other parts of the performance, but I feel like there's definitely like this major focus on just doing your part and just kind of like contributing your part. Whereas when you're in a cappella there's just this, you need to actively, like be blending with the people within your own part, but also understanding balance with the other people that you're singing. It's something you're doing together with other people.  Thomas: Sarika was previously the music director for Brown Sugar. Music directors deal with sorting out arrangements and polishing blend. The twenty-year-old says that part of having a successful performance is meeting one another halfway.  Rao: It's not just like yourself and an instrument that will never go out of tune or not never. But you know what I mean? Like in like a piano, assuming it's correctly tuned is going to be correct. But when you're singing with like, in my case, 18 other singers, all of whom have like a little bit of human error. And like, none of us are perfect. And it's a lot of, just being in sync with one another and understanding, like listening really carefully. Ayeni: In school my teachers used to always be like, your voice is an instrument; teach it, treat it like an instrument and I used to be like, okay, yeah, whatever. But in a cappella your voice is truly your only instrument. So you get to add in elements of like, beatboxing elements of like, making sounds that you would hear in the background of a song that you didn't really think too much of that are again, so prominent in acapella it really brings those to light.  Thomas: It’s interesting how dozens of different voices can come together to create one unifying sound, and through that sound, amplify elements that might remain unheard. Yet, no performance will sound completely whole. But isn’t it during those moments of incongruity, of silence, clash and when the blend just didn’t make it that the music finally fills us completely?  Thomas: Weinberg second-year Rakin Hussain is one of the current music directors for Brown Sugar. During the 2022 winter quarter, Brown Sugar performed a medley, arranged by an alum, from the film Baahubali, which was popularized in Hindi, but originally produced in Telugu. Rakin says after practicing the piece separately, Brown Sugar members came together to rehearse it for the first time. The result? Magic.  Hussain: There were a lot of Sanskrit based elements, which is like the sacred language of Hinduism. And so it was a very, like, cultural song. And it was not at all like the type of music we had been singing in the past, which was more like pop and fun. And because of that, when we finally put it together, I was like, “Yeah, this is exactly why I'm here.” Hussain: The way that this chord works is, it's called deceptive because you think that there's going to be more –  (Winter 2022 Brown Sugar Baahubali Medley ending) Hussain: –  but there isn't. And so it ends on this deceptive chord. And you could hear it like when we were singing that it just kind of resonated throughout like the chapel. And it was so beautiful and it was like the culmination of everything we had been working on, for the whole like quarter, the past two quarters.  Thomas: Though the chords may be deceptive, Rakin says that the love is real.  Hussain: There's so much more to an a cappella group than meets the eye. It’s more than just the music that they make and more than just the performances that they put on because behind that, like there's so many, great opportunities to make lasting friendships and relationships, which I definitely believe that I had made. Thomas: Rakin is right– extracurriculars are good, but they’re even better when you share them with incredible people. Thank you so much to Seun, Sarika, Pavan, Glory, and Rakin for sharing your experiences with a cappella. And of course, thank you all for listening and please let me know how you spend your downtime. For NBN Audio, I’m Jade Thomas. This podcast is powered by Pinecast.

    8 min
  2. 11/21/2021

    downtime episode 1: skateboarding

    Episode Notes [The music in this podcast is titled “Aced It” by Ketsa. It is licensed for use under CC BY-NC-ND 4.0.] THOMAS: Welcome to Downtime, the podcast where Northwestern students discuss their hobbies, passions, and other cool things they do in their free time. I’m your host, Jade Thomas. I know finding free time during college is hard, and even harder when we’re taking classes on the quarter schedule. But despite that, people still manage to make time for activities that enrich them, even activities that might not be academic or professional in nature. Hopefully, in listening to this podcast, you’ll feel empowered to make time for your own happiness and peace of mind. In today’s episode, you’ll hear from all sorts of skateboarders - including two friends who met randomly on the street, a reformed snowboarder, a man who went flying on Sheridan, and more. You’ll learn about different types of boards, the transitory nature of memory, and why you should try out some wheels for yourself.  THOMAS: Weinberg second-year Naomi Gizaw says she started skating from a really young age, but didn’t pick it back up until last year.  GIZAW: So I actually started originally in middle school. Like we’re talking fifth grade, Disney XD – the primetime. It was really hard to get into it, especially because I didn’t really have any older siblings and my parents did not know how to skateboard or whatever. So, it was just taking me to the park and trying to figure it out for myself. It kind of plateaued after a while so I didn’t really get into it as much. I think like this past summer, and including spring quarter of freshman year  – so last year –  I really got into it. I kind of started with longboarding first. So I had a skateboard in middle school and I got into longboarding through my roommate, actually. So we would longboard all around campus. So this past summer when I went back home, I got a couple of my friends from high school and we just went all around the Detroit area, hitting up different spots and skating, and longboarding,you name it. It just felt a lot more comfortable. I felt like when I was going to skate parks when I was younger it was very male-dominated and I was also young at the time, too. It was very intimidating. I feel like when I approached it now I already had that community.  THOMAS: Like Naomi, McCormick first-year Otis McCallum says he started skating when he was younger, but only started to take it more seriously when he was in high school.  MCCALLUM: My first, I guess, brush with skateboarding was through my godparents. They were both really into that graffiti scene in the city. They both skated, and they're both  really good at it too. I got my first skateboard when I was a really young kid but I never kind of touched it. So, I didn’t actually come back to it until like, freshman year of high school, where I kind of met a group of people who were super into it and they ended up becoming my best friends in high school. And we just ended up skating all over the city. Going from place to place and just exploring new areas was like a huge part of my high school and just like, social experience growing up in New York City.  THOMAS: Everyone’s path to skateboarding is a bit different, but sometimes it might not start with skateboarding at all.  MA: So, I started it because I like snowboarding a lot. I started snowboarding at 11. I’m really into snowboarding, it’s like an addiction, but obviously you can’t do that unless it’s winter. So I‘ve found an alternative which is skateboarding. It’s actually pretty similar. Not that similar – snowboarding is more fun.  THOMAS: Vanessa Ma is currently a first-year student at Weinberg. Despite her bias towards snowboarding, she says she still enjoys being on dry ground.  MA: Sometimes, I just feel like doing it. Like it really makes me happier. It’s really helpful for relieving my stress. THOMAS: On the surface, skateboarding seems like a disjointed community with people starting the sport for all sorts of different reasons. But at its core, some say that it’s the friendship and family that is forged through late-night skate sessions, random meet-ups and spontaneous practices that brings everyone together.  MCCALLUM: I think I skate better by myself, but I always have the most fun when it’s with other people. It’s such a community sport, too. You can walk down the street and see someone with a skateboard – that’s actually how we met. I literally – we both have decks from this brand called like “F*****g Awesome”. I literally was like, “Oh shit, he has the same brand” and I ran up to him and just started talking and that’s how we became friends and shit. THOMAS: The person that Otis is referring to is Mahan Malhotra, a first-year in the School of Communications. Malhotra is from Hong Kong, a place where he says that despite the sport not being all that popular, at least for now, he was still able to build up that close circle of fellow skaters.  MALHOTRA: In Hong Kong, skating is not too big – it’s getting big now – but back when I was growing up it was really small, there was like, one skate store in town. And I remember like me and all my friends when we first started out, we saved up money the whole summer and decided to get our own boards and build them together, which was super fun. Those guys are my best friends for life. THOMAS: The bond that Mahan is referring to is very strong, but it’s really flexible, too. Not only can you meet new friends in your area, you can even develop close connections with people who don’t even speak your language.  MALHOTRA: People are so nice. You know, in Hong Kong, there's not a single, nasty skater. I only spoke a little bit of Cantonese, so I couldn't communicate with most of the local guys back there. But like we got on through skateboarding, you know? THOMAS: Well, maybe I exaggerated. It seems like skating is really an entire language of its own. Skaters communicate with one another, of course, but they communicate with their boards too. These crazy loud pieces of wood with four wheels sort of melt into their character, and ultimately paint a picture of who they used to be and who they want to be.  MCCALLUM: In my dorm, I have a wall of kind of like, I just kind of hung up old boards as decorations, but each of them is not like I have a long history with – it's more of like snapshots from like a certain month or two period in my life that I look back fondly on, just because they are made to kind of get destroyed.  MALHOTRA: I mean, yeah, like skateboards are made to break. I've snapped like, at least like 20 decks by now. It just happens. But the thing is I could look back at any of those old, scratched up, you know, snapped boards, and I could tell you exactly where I was in my life during that period. Because, you just remember it so, you know, fondly – especially like learning a new trick. Like it's all like, ingrained in your head because it's such a feeling. It's such a feeling landing, especially even if you've been trying it for like, ages. That's the best feeling in the world. THOMAS: The distance that Otis and Mahan have with their boards does seem to translate into a greater sense of intimacy than someone would expect to have with a material object. I mean, isn’t it awesome that you can look at a beat up piece of wood and see who you were in middle school? High school? To be instantly reminded of all of the times you were elated or insecure? I just feel as if you have to have so much trust in yourself, but also in the board – in this vessel – to be able to merge your heart with it. So, I guess, maybe it’s not where you take your board, but where it takes you.  GIZAW: I feel like I place more value on where I’ve been with the longboard, or like where I plan on going.  THOMAS: The type of trust I was talking about earlier obviously isn’t cultivated in a day, or a week, or even a month. Learning how to use your board and maneuver your way through the world with it is definitely a learning curve. Weinberg third-year Tomer Cherki says he’s had his fair share of bumps in the road. And road in this context, is exclusively referring to Sheridan, by the way. CHERKI: So I bumped into, like, an uneven tile. And I went flying off the board and then the board went flying into the streets, right? Like, with cars. This is actually a testament to how strong the boards are. A car ran over the board. But it still didn't break. Right. It's flexible enough that like even with the full weight of a small car it survived. Thankfully, I did not fly into the street. I was on the sidewalk. But uh, yeah, that was a more extreme one.  CHERKI: But obviously, you know, with more practice, I just became more comfortable and confident. It's not that I don't still fall – of course I do. But I have more of a...sort of like with driving, right? You have more of an understanding of the car, how you can move it. And so you can start making maneuvers with more confidence, right? Like the difference between someone who's 16 and just got their license making a left turn and someone who's been driving for 10 years making a left turn, right? They both could be making good left turns, but one just does it with a lot more confidence and ease and it's almost automatic. THOMAS: The wild thing about skating is that every single person I talked to said that confidence – that trust in yourself – really is dependent on whether or not you have that support from other skaters. Naomi says she’s trying to create that kind of environment for skaters at Northwestern, free from exclusivity and judgment.  GIZAW: So the club that I was trying to start, like a skate club here, which is inclusive of not just skateboards, but longboards, pennyboards, nickelboards – you name it. I think what I was trying to do is replicate what I was abl

    13 min
  3. 11/08/2020

    Tenny's Tunes #16: What Music Captures "Summer?"

    Episode Notes ["Summertime," by Louis Armstrong and Ella Fitzgerald] Hi y'all, it's Tenny. Welcome to another episode of Tenny's Tunes. I know it's way past summer at this point for most people living in the Northern Hemisphere, but whenever I come across good music, I share it with you. When you think of summer, do you picture a desert with the midday sun hovering above it, an air-conditioned living room with board games and TV or the beach filled with people? Bottom line is, we all have our own versions of summer. It's an amorphous concept. There is this popular mobile game called "Arknights," and it's more renowned for its soundtrack than the actual gameplay, which is basically tower defense similar to “Plants vs. Zombies”. For every major seasonal event like summer fest, Halloween and New Year, the game developer puts out music specific to that event through the hands of "Monster Siren," an in-game music producer. Two summers ago, Monster Siren published a summer theme song called "Ready?" The fictional in-game artist who performed the song is called "DDD" and is modeled after Marshmello. The piece overall brings up imagery of a sunny day at the beach, people sunbathing, splashing water at each other, making some barbecue, whatever they are allowed to do near the beach. The misty piano sounds create a sense of "coolness" amidst the summer heat. It's probably easier hearing it for yourself. But due to copyright issues, I won't be playing the original version, just a piano interpretation I recorded a while back. Hope you find it pleasing to the ear. This is NBN Audio. Peace. ["Ready?" DDD, piano version by Tenny Tsang] This podcast is powered by Pinecast.

    6 min
  4. 10/08/2020

    Tenny’s Tunes #15: Can Piano Sound Like Guitars

    Episode Notes [“clavar la espada” by Shiro Sagisu] Hi guys, it’s Tenny. Welcome to episode 15 of Tenny’s Tunes. Hope everyone’s doing okay as we head into the final three months of 2020. I hope the worst times have passed, but yet I wonder if what is to come will be any better. I guess that sums up life in general. I have a question for you. Do you think pianos can sound like other instruments? We often hear people commenting on how flutes can sound like birds chirping, or clarinets at high pitches can resemble kettles with boiling water. But those are comparisons between a strictly defined musical instrument and a non-conventional instrument - because one can certainly make music out of anything in this day and age. With regards to piano, I often find it easy to emulate the sound of a choir from fugues by Bach with the distinct SATB voice lines. Step on the sustain pedal, and you have a Bach piece that sounds like it should be played in the church. More recently, I’ve started to take an interest in guitar, not in the sense that I have one and I am learning how to play it, but that I see similarities between the techniques used in guitar and piano performances. Specifically, the Spanish guitar, which is known for some of the most advanced techniques. As an example, the Spanish guitar often features picado, which is an alternate picking between the index and middle fingers as you hold your thumb onto the E string. This results in a fast-paced rhythmic repetition that goes either up or down the scale and, quite frankly, serves as the soul of a flamenco performance. Of course, there are also claps and singing that accompany a flamenco dancer, but if you only want to go with the essentials, a guitar is what matters the most from my experience. But don’t quote me on that. In this sense, piano and guitar are quite similar. Your fingers can move pretty fast up and down the keyboard, or repeat in a cycle of three notes to mimic that picado sound. There are limitations to how much a piano can try to reproduce a guitar piece, of course. For instance, traditional pianos can’t really do vibratos like guitars or violins, but I believe electric pianos can through certain functions. With that in mind, I bring to you today an attempt at interpreting a guitar/violin piece with piano. The piece is called “La Distancia Para Un Duelo” and has a Spanish feel to it. Hope you like it. You can also look up the original version on YouTube as well. I am Tenny, and this is NBN Audio. Peace. [“La distancia para un duelo” by Shiro Sagisu, performed by Tenny Tsang] This podcast is powered by Pinecast.

    7 min
  5. Tenny’s Tunes #13: Clair de Lune

    05/01/2020

    Tenny’s Tunes #13: Clair de Lune

    Episode Notes Hi guys, welcome to Episode 13 of Tenny’s Tunes. I am your host Tenny. Hope everyone is safe and healthy. Inspiration: Back in high school, I volunteered at a local senior center and played piano music for the residents there. I would take requests to play certain pieces, but there’s one that I just did not take the time to learn. That’s right, it’s Clair de Lune by Claude Debussy, not the Beethoven Moonlight Sonata that some people might confuse it with. Even my good friends in college tell me, “You know Tenny, you really should know how to play this one.” Well, quarantine time means piano time for me! Creation: It took a lot of tries to nail this one. I played at a slower tempo than usual. It’s actually harder to play classical pieces on my MIDI keyboard than on a regular piano. Message: Haha, I was a bit lazy for the past few ones. We are all different people, but I will tell you what I got from the piece. How do you feel when you look at the moon at night? Do you prefer a crescent, a gibbous, a new moon or a full moon? Maybe a combination? I have no preference. To me, the moon is as fickle and elusive as it can be, but it still abides by the pattern of the moon phases every month. Humans are too. We all have a bottom line that we will never cross over, or else we cease to be humans. Alright, enjoy! This is NBN Audio. [“Clair de Lune” performed by Tenny Tsang] Music performed by Tenny Tsang. This podcast is powered by Pinecast.

    8 min

About

Hosted by Jade Thomas, downtime is a podcast about students’ hobbies and passions, separate from their academic and professional life.