Emancipated

Tom & Ethel Bradley Center

Voices and images from the archives of the CSUN Tom & Ethel Bradley Center. We have over one million images produced by photographers that document the social, cultural, and political lives of the diverse communities of Los Angeles and Southern California. The archives contain one of the largest collections of African American photographers west of the Mississippi. We also have collections on the Farm Worker Movement, Central America, Mexico, the U.S.–Mexico border, and Africa.

  1. 06/03/2022

    19. The criminalization of journalism in El Salvador, Ángela Aurora interviews Julia Gavarrete. EPISODE IN SPANISH.

    In this episode, Ángela Aurora, a Salvadoran journalism professor and visiting scholar at the Tom & Ethel Bradley Center, interviews Julia Gavarrete, a Salvadoran journalist working for the digital newspaper El Faro. They discuss, in Spanish, the growing criminalization of journalism in El Salvador, the use by the administration of the current Salvadoran President Nayib Bukele of spyware to monitor journalists' phones and computers, and more broadly about the present state of emergency that, in the name of the war on gangs, has justified the repeal of basic rights. Since April the state of emergency has allowed authorities to intercept communications, suspend constitutional rights, including freedom of assembly and due process, and has granted broad powers to arrest hundreds of people without evidence. In the last eight weeks, authorities claim to have made over 31,000 arrests. Aurora and Gavarrete explain how this lack of accountability and unchecked executive power is having particularly grim consequences for those living in the most impoverished communities. This episode was produced by Marta Valier. You can take a look at the Tom & Ethel Bradley Center’s photos on El Salvador by Richard Cross here and you can watch two video clips of the Center’s oral history interview with Óscar Martínez, one of the founders of El Faro on our YouTube channel. One clip is about his experience covering politics for La Prensa Gráfica and why he abandoned the newspaper, and in the second clip, he explains how the Zetas operate in Mexico.

    32 min
  2. 14. Tijuana, ¿estación de tránsito?

    11/19/2021

    14. Tijuana, ¿estación de tránsito?

    En este episodio, Marta Valier habla con Aída Silva Hernández, una académica de Tijuana que ha estudiado y trabajado con migrantes durante los últimos veinte años. Ella habla de cómo la ciudad fronteriza mexicana al sur de San Diego ha cambiado en el último siglo, de una ciudad donde los migrantes iban y venían cuando entraban y salían de los EE. UU. para encontrar trabajo, a una ciudad en la que se quedaban atrapados durante años, esperando. mientras trataba de solicitar asilo en los EE. UU. La espera, diseñada específicamente por las políticas de inmigración de EE. UU. para disuadir a los migrantes de ingresar legalmente al país, explica, es demasiado agotadora tanto para los migrantes como para la sociedad civil local que se compromete apoyarlos. In this episode, Marta Valier speaks to Aída Silva Hernández, a scholar from Tijuana that studied and worked with migrants for the last twenty years. She talks about how the Mexican border town south of San Diego has changed in the last century, from a city where migrants would come and go as they entered and exited the U.S. to find work, to a city where they get stuck for years, waiting while trying to apply for asylum in the U.S. The wait, specifically designed by the U.S. immigration policies to deter migrants from entering legally into the country is, she explains, way too grueling for both the migrants and the local civil society that is committed to supporting them. En español.   Visit the Bradley Center website. Also, visit our digital collections and our border studies collection. Episode hosted and produced by Marta Valier.

    23 min

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About

Voices and images from the archives of the CSUN Tom & Ethel Bradley Center. We have over one million images produced by photographers that document the social, cultural, and political lives of the diverse communities of Los Angeles and Southern California. The archives contain one of the largest collections of African American photographers west of the Mississippi. We also have collections on the Farm Worker Movement, Central America, Mexico, the U.S.–Mexico border, and Africa.