Crude Conversations

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”Crude Conversations” features guests who represent a different aspect of Alaska. Follow along as host Cody Liska takes a contemporary look at what it means to be an Alaskan. Support and subscribe at www.patreon.com/crudemagazine and www.buymeacoffee.com/crudemagazine

  1. Chatter Marks EP 118 Art rooted in activism with Nicholas Galanin

    قبل ٤ أيام

    Chatter Marks EP 118 Art rooted in activism with Nicholas Galanin

    Nicholas Galanin is a Tlingit and Unangax̂ artist and activist whose work includes sculpture, installation, music and performance — and it’s always in conversation with history, land and power. He creates art that honors Indigenous traditions and confronts the structures that have sought to erase them; it challenges colonial narratives while inviting reflection on language, identity and the legacy of removal. He says that art can be a driver of change, a way to shift perspectives and push systems toward accountability and transformation. Whether he’s calling out institutional inaction, reclaiming ancestral knowledge or amplifying a suppressed language, his work insists that Indigenous culture is not a relic of the past, it’s a living, evolving force for justice and transformation. Nicholas is also a musician, a collaborator in projects like Ya Tseen and Indian Agent. He talks about music as something fleeting but emotionally precise, capable of transmitting what words often can’t — that it’s a mindful practice rooted in listening, gratitude and presence. He describes the creative process as a kind of alchemy, where different skills and experiences come together in unexpected ways to produce something that transcends the moment. Be it through art or music, his work challenges artificial boundaries — between genres, between people and between past and future. He unravels divisions that are often rooted in systems of control rather than necessity, and makes room for something more fluid and expansive — something grounded in genuine connection, shaped by feeling and driven by the possibility of imagining a different way forward.

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  2. Chatter Marks EP 117 Museums in a Climate of Change Part 2: Futures thinking with Elizabeth Merritt

    ٢ سبتمبر

    Chatter Marks EP 117 Museums in a Climate of Change Part 2: Futures thinking with Elizabeth Merritt

    Elizabeth Merritt is the founding director of the Center for the Future of Museums at the American Alliance of Museums. It’s her job to track cultural, technological, environmental, political and public health trends — and figure out what they might mean for museums and the communities they serve. She thinks about things like: what role could blockchain play in the art world? Could it allow artists to permanently bake royalties into their work, so that they get a share on future resales? Could museums help lead that kind of change? For Elizabeth, this is personal work: growing up, museums were her favorite places to learn and explore. She did well in school, but she learned more wandering the halls of the Cleveland Museum of Natural History on her own. It was a space that nurtured her curiosity. And that curiosity, a belief that museums are places where we can choose to learn, shapes how she sees the future. Elizabeth says that she approaches her work like a classic futurist: she reads widely — from academic research to news articles to social media — absorbing as much as she can across disciplines. She also draws inspiration from science fiction, especially dystopias, usually the ones that highlight problems and pathways forward. But her job isn’t just about anticipatory practices and strategic foresight, it’s about preparing museums for the future. So, she’s careful to distinguish trends from fads — trends have direction and persistence, while fads fade. For example, when it comes to climate change, she sees museums as cultural institutions as well as potential anchors of community resilience, helping people adapt to extreme heat, cold and severe weather. Still, she says the biggest challenge right now is twofold: how museums can remain economically sustainable and intellectually independent — and, more importantly, how they can hold on to public trust. Museums are among the most trusted institutions in American life, and she believes that trust is a powerful tool for reshaping a better world. In this Chatter Marks series, Cody and co-host Dr. Sandro Debono talk to museum directors and knowledge holders about what museums around the world are doing to adapt and react to climate change. Dr. Debono is a museum thinker from the Mediterranean island of Malta. He works with museums to help them strategize around possible futures.

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  3. Chatter Marks EP 116 Museums in a Climate of Change Part 2: The Museum as a Collaborator with Julie Decker

    ١٨ أغسطس

    Chatter Marks EP 116 Museums in a Climate of Change Part 2: The Museum as a Collaborator with Julie Decker

    Julie Decker is the director and CEO of the Anchorage Museum. But before that she practiced as an artist and ran her own art gallery. Since then she’s fostered a belief in the power of museums to spark action — whether that means picking up a paintbrush, reading a new book, or seeing the world differently. Her connection to the Anchorage Museum runs back to childhood, when it was little more than a single room with a borrowed collection. Her dad was a visual artist and an art teacher; he was her earliest and most influential guide into that world. He taught her to be an observer — to notice the small things — and she watched as his own work appeared in solo shows and juried exhibitions at the museum. So, for Julie, the Anchorage Museum isn’t just a workplace; it’s been a constant presence in her life, shaping her sense of art, community and possibility. In the work she does now, Julie envisions the Anchorage Museum as less a keeper of artifacts and more of a living platform for Alaska’s stories. It acts as a collaborator and a partner — a place that listens to communities, amplifies the voices of Alaskans and connects local narratives to global conversations. In her view, Alaska’s relatively small population allows individual creativity and innovation to ripple widely, making it vital to highlight imaginative thinkers, cultural disruptors and non-Western ways of knowing. That means rethinking what it means to collect — not simply holding objects, but being a responsible host and steward of the stories they carry.  In Alaska, where the natural world shapes identity and guides daily life, the museum’s role is to reflect how environmental change, Indigenous lifeways and community resilience intersect. Some projects take the form of exhibitions, others emerge as films, books, podcasts, newspaper series, or collaborations with musicians. Whether the work is local or part of an international conversation, Julie believes it must be rooted in place — fluid, adaptable and focused on a shared future that feels possible and inhabitable. In this Chatter Marks series, Cody and co-host Dr. Sandro Debono talk to museum directors and knowledge holders about what museums around the world are doing to adapt and react to climate change. Dr. Debono is a museum thinker from the Mediterranean island of Malta. He works with museums to help them strategize around possible futures.

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  4. EP 166 Winning the Arctic Man with Eric Heil

    ٣ أغسطس

    EP 166 Winning the Arctic Man with Eric Heil

    In this one, Cody talks with Eric Heil. He’s an educator and a legendary Arctic Man competitor. Alongside his longtime snowmachine partner, Len Story, Eric won five times. He started competing in Arctic Man in 1990 at the age of 30, and from the beginning, he immersed himself in the event — not just as an athlete, but as part of the crew. He helped with course safety and setting up markers at First Aid, the critical release point where the skier detaches from the snowmachine at the top of the uphill tow. He was the first skier to break the five-minute barrier, clocking in at exactly four minutes — an Arctic Man record at the time. It would take 30 years before anyone broke four minutes, something he attributes to better snow conditions, evolving course design, improved equipment and a rising level of competition.  He was also one of the first racers to bring a technical mindset to the event, experimenting with waxes, analyzing the terrain, monitoring snow temperatures, tracking weather patterns, adjusting his line based on changing snowpack, and timing his transitions to maximize speed and efficiency throughout the course. After nearly three decades of running the course — his last race was in 2018 — Eric says he’s run it more than anyone else.  Eric's path to becoming a high-speed athlete started early. He learned to ski when he was just four years old, and by six he was skijoring. That early exposure to speed and unpredictability planted the seed for a lifelong pursuit of elite competition. In college, he raced for the University of Alaska Anchorage and set his sights on becoming a world champion downhiller. As a world-class athlete, he was comfortable reaching 90 miles per hour on his skis. That kind of speed requires more than just fearlessness — it demands focus, precision and the ability to see what isn’t always visible. Eric says downhill skiers rely heavily on visualization because when you're racing across long stretches of terrain at speeds so fast they blur your vision, you can’t always react in real time — you have to anticipate. That means memorizing every feature of the course ahead of time and trusting your muscle memory to guide you through. He says that even now, he can close his eyes and mentally replay the details of every downhill course he's ever raced.

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  5. Chatter Marks EP 115 Museums in a Climate of Change Part 2: A borderless museum with Annesofie Norn

    ٣٠ يوليو

    Chatter Marks EP 115 Museums in a Climate of Change Part 2: A borderless museum with Annesofie Norn

    Annesofie Norn is the Head of Communications and Lead Curator at the Museum for the United Nations, or UN Live for short. With a background in placemaking and art practice, she specializes in designing experiences that resonate across borders and mediums. Her work often explores how art and storytelling can serve as powerful tools for social transformation on a global scale. Before joining UN Live, she worked on art exhibitions and contemporary theatre productions, which often explored hidden stories by posing unexpected questions and making surprising connections. She brings that same curiosity and creative instinct to her work today, helping reimagine how global stories are told and shared. At UN Live, Annesofie is helping shape what she calls a “borderless museum” — one without a physical building — designed to meet people where they already are. UN Live operates through the power of popular culture, creating immersive experiences that extend beyond traditional museum walls. It aims to tap into the cultural spaces people already love — like music, film, sports and gaming — and use those genres to spark awe, empathy and meaningful action. Rather than asking people to enter a curated space, UN Live enters theirs, collaborating with local communities and cultural traditions to develop initiatives that feel relevant and transformative. Whether it’s amplifying unheard voices or suggesting new ways of being in the world, the work of UN Live is about using the material of society to imagine better futures. In this Chatter Marks series, Cody and co-host Dr. Sandro Debono talk to museum directors and knowledge holders about what museums around the world are doing to adapt and react to climate change. Dr. Debono is a museum thinker from the Mediterranean island of Malta. He works with museums to help them strategize around possible futures.

    ١ من الساعات

  6. ١٥ يوليو

    Chatter Marks EP 114 Museums in a Climate of Change Part 2: I am because we are with Mike Radke

    Mike Radke is the co-founder and executive director of The Ubuntu Lab, a global education nonprofit that teaches people how to navigate cultural differences with curiosity, humility and empathy. Mike approaches the world with a learner’s mindset, believing he almost always has more to learn than to contribute. For him, that belief isn’t abstract, it’s personal, shaped by years of travel, work in public health and education, and a formative interaction nearly two decades ago with Archbishop Desmond Tutu in South Africa. The two met after a sermon in Cape Town, where Tutu spent hours speaking with Mike about his research on post-apartheid reconciliation. That conversation planted a seed: that forgiveness and collective healing aren’t just moral ideals, they’re practical tools for building communities that can hold disagreement, endure pain and still move forward together.  The Ubuntu Lab began as an academic project, Mike’s dissertation on nonviolence. It’s since grown into a living, breathing network of workshops, learning spaces and small-scale initiatives in over 40 countries. Its mission is to foster empathy and understanding — especially among young people — by encouraging honest, sometimes uncomfortable conversations about identity, belonging and conflict. At its core is the African philosophy of ubuntu: “I am because we are.” Mike and his collaborators co-create experiences that are less about delivering answers and more about sparking dialogue — sessions built around provocation, open-ended questions and the idea that everyone in the room has something to contribute. Rather than build a single institution, they embed within communities, remaining flexible, responsive and grounded in relationships. In this Chatter Marks series, Cody and co-host Dr. Sandro Debono talk to museum directors and knowledge holders about what museums around the world are doing to adapt and react to climate change. Dr. Debono is a museum thinker from the Mediterranean island of Malta. He works with museums to help them strategize around possible futures.

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  7. ١٢ يوليو

    EP 165 The NN Cannery History Project with Katie Ringsmuth

    In this one, I talk to Katie Ringsmuth. She’s the Alaska State Historian, the Deputy State Historic Preservation Officer and the creator of the NN Cannery History Project, a seven-year effort to preserve and interpret the stories of the people who powered one of Alaska’s most historic salmon canneries. For Katie, this story is personal. She grew up around the NN Cannery in South Naknek, where her dad worked for decades, eventually becoming the last superintendent of the Alaska Packers’ Association. He started in 1964 as a young college graduate in Kodiak, doing whatever odd jobs needed doing — from sorting crab to running the entire operation at the NN Cannery. Under his leadership, the cannery shifted away from the rigid, old-school model of command-and-control superintendents — “Tony Soprano–style,” as Katie puts it — and toward something more humane. He created housing for families, hired women and built a workplace that people returned to year after year. The NN Cannery History Project is more than just about the processing plant, it’s about preserving its historical importance and honoring its workers. The cannery itself was a cultural crossroads with a workforce that included Alaska Native peoples, Scandinavians, Italians, Japanese, Chinese, and Filipino laborers. Canned food revolutionized how people ate. It made it possible to preserve and transport perishable foods across vast distances, reshaping global diets and economies — and the NN Cannery was a key player in that transformation. Originally built as a saltery in 1897, the NN Cannery went on to produce more canned salmon than any other cannery in the state. Katie’s work on the NN Cannery History Project ultimately led to the site being listed on the National Register of Historic Places, a recognition that underscores its national significance. Throughout the project, Katie explores how Alaska fits into the global history of canned food and how preservation — both of fish and of stories — can change the way we understand place, labor and legacy.

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  8. ٣٠ يونيو

    Chatter Marks EP 113 Museums in a Climate of Change Part 2: Imagining the future, together with Dr. Stefan Brandt

    Dr. Stefan Brandt is the Director of Futurium in Berlin, a hybrid museum experience and public platform dedicated to exploring the future. With a background in literature, philosophy, cultural studies — and a lifelong interest in music — Dr. Brandt has worked at the intersection of culture, science and civic life. Before leading Futurium, he held senior roles at major cultural institutions across Germany, where he championed interdisciplinary thinking and public engagement. He says it’s always been his intention to make a change, to improve the institutions he leads and, more broadly, to contribute to a better society. At Futurium, that mission continues: creating a space where people are invited to learn about the future and how they can help shape it. Futurium isn’t a traditional museum, it doesn’t have a permanent collection or fixed exhibitions. Instead, it operates as a dynamic, evolving space designed to spark curiosity and conversation about the future. Dr. Brandt describes this absence of static artifacts as both a freedom and a challenge: it allows Futurium to be more agile and responsive, but it also requires continual reinvention. At its core is a question posed to every visitor: “How do I want to live?” To help people grapple with that question, Futurium presents ideas and scenarios grounded in science, media trends and public discourse. Each major theme — like the future of housing, health, nutrition, or democracy — is developed over time through in-depth research and collaboration with experts. Rather than offering definitive answers, Futurium encourages people to imagine and help shape a sustainable, participatory future. In this Chatter Marks series, Cody and co-host Dr. Sandro Debono talk to museum directors and knowledge holders about what museums around the world are doing to adapt and react to climate change. Dr. Debono is a museum thinker from the Mediterranean island of Malta. He works with museums to help them strategize around possible futures.

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”Crude Conversations” features guests who represent a different aspect of Alaska. Follow along as host Cody Liska takes a contemporary look at what it means to be an Alaskan. Support and subscribe at www.patreon.com/crudemagazine and www.buymeacoffee.com/crudemagazine

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