Fantastical Truth

Lorehaven
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Lorehaven explores fantastical stories for God’s glory: fantasy, sci-fi, and beyond.

  1. 2D AGO

    294. What Were the Top Ten Topics for Christian Fantasy Fans in 2025?

    Last year brought many challenges for Christian fantasy fans. From flops at the theaters now threatened by streaming slop, to creators making more events for Christian storytelling, to the continued growth of biblical fiction as the top genre of Christian-made entertainment—let’s survey the top ten fantasy-related headlines from last year. Episode sponsors Edmund Spenser’s The Faerie Queen The Case of the Heart Stone by Tulli Cole Above the Circle of Earth by E. Stephen Burnett Mission update New at Lorehaven: many features over the holidays! We announced our new book quest in the Lorehaven Guild: Taliesin Onscreen: ‘Stranger Things’ Season Five Gives Weight to Parents’ Fears, A. D. Sheehan Onscreen: ‘David’ Creators Answer all Your Questions About the Animated Hit Movie, Josh Shepherd Engage: Alleged ‘Rock and Roll’ Soundtrack Incites Suspicion of Netflix’s Narnia Movie, newcomer Sierra Simopoulos Sierra Simopoulos also reviewed Sons of Day and Night My own article: Why Christians Need Fantastical Stories Subscribe free to get updates and join the Lorehaven Guild Stop by the homepage for many upgrades, especially the Library. Soon: discover the Guild’s new wing, the Lorehaven Authorship. 10. Superheroes failed to save ailing cinema Marvel movies, despite their strengths, all flopped at the box office. Personally I did like Fantastic Four: First Steps, but didn’t love it. Lorehaven folks were generally positive about some hero movies. ‘Captain America: Brave New World’ Labors to Save a Struggling MCU, Marian A. Jacobs The Antiheroes of Thunderbolts* Preach to Marvel Itself, Daniel Whyte IV ‘Superman’ (2025) Will Make You Believe a Man Can Be Earnest, Josiah DeGraaf However, audiences were tepid; none of these films broke even. The greatest foe of superheroes? Flippancy. Next: lack of family. MCU reached its apex with creators who at least feigned sincerity. DC’s nobledark tone was winning fans, until the studio freaked out. 9. Disney’s ‘Snow White’ remake bombed Sticking with cinemas, this one might be the year’s greatest fail. ‘Snow White’ (2025) Isn’t the Fairest of Adaptations, Parker J. Cole I didn’t see it. Few people did. More people saw YouTube roasts. This whole nonsense was an ugly reflection of three terrible trends ruining films: “woke” checkboxes, cynicism, and corporate gloss. 8. Fans abandoned legacy sci-fi franchises Once a Doctor Who hero, Russell T. Davies has ruined that series. Star Trek is adrift, desperately trying to hail imaginary “new fans.” Of course, Star Wars keeps failing to please its own alienated fans. The greatest culprit here: Godless, sex-obsessed progressivism. One can’t correct from this without visibly rejecting “woke” politics. 7. K-Pop Demon Hunters owned the summer We haven’t had a genuine pop-culture movie phenomenon in ages. Then along comes this little giant animated movie on Netflix. ‘K-Pop Demon Hunters’ Pits Singing Heroines vs. Monster Idols, Marian A. Jacobs Kids sang catchy songs. Adults found deeper themes to explore. YouTube reactions and covers on Instagram/TikTok exploded. For the first time, Netflix had a true four-quadrant hit on its hands. And dear Lord, may they learn only the right lessons from this, and not turn this into another streaming slop like so much other stuff. 6. ‘Woke’ stories stepped back, yet persisted 251. Could a Cultural ‘Vibe Shift’ Advance Christian-Made Fiction? Due to political events we won’t detail, that agenda is on the wane. At least the Sexualityism religion is seen as stale and unstable. Many are still trying to figure out what, if any, ideas will replace it. A. D. Sheehan had to critique Brandon Sanderson, a late arrival to the “woke” content scene: Brandon Sanderson’s New Fantasy ‘Wind and Truth’ Summons a Postmodern Cringestorm. Oddly enough, we keep seeing Christian parents posting about the random books they find, after which they ask “Is it woke?” Pro tip: yeah, it’s probably woke, especially with a cover like that. By now we surely have enough Christian-made novels to help? 5. Corporate slop threatens human stories 274. Why Shouldn’t AI-Generated Content Replace Human Stories? This is partly about AI-generated slop, but not always. Skeptical fans now refer to anything bad with “this looks AI.” Why? Because the problem goes deeper than technology amok. Long before AI, corporate studios began relying on algorithms. I believe that’s when these stories began feeling less, well, human. 272. Can We Save Cinema from Sloppy Stories? Instead of human hunches, stories get greenlit by metallic minds. Reference: the short-lived run of Robert Zemekis mocap movies. At first people express curiosity, but eventually they get bored. Prediction: this too shall pass. We’ll see a lot of forced “firsts,” like “the first fully AI-generated movie.” They may even succeed. But the novelty will quickly wear off as it did before Mars Needs Moms. Still, Christian creators must dig deeper to defend organic human stories with philosophies deeper than “AI destroys the Earth.” 4. Conservative TV is trying more fantasy We greatly anticipate the DailyWire+ show The Pendragon Cycle. Based on Stephen Lawhead’s novels, seven episodes drop Jan. 22. Christian showrunner Jeremy Boreing actually stepped down from being Daily Wire co-CEO, it seems, to ensure finishing this series. Political hot takes scarcely outlast the day. Great stories last long. Alas, there’s the constantly controversial Magician’s Nephew movie Marketing for this is dreadful, with publicly floated nonsense about an actress playing Aslan or the movie featuring “rock and roll.” 257. By Aslan’s Mane, is Netflix Really Casting a Lady as the Lion? Meanwhile, platforms like Angel (run by LDS members, yet with freedom for Christians) released The Wingfeather Saga season 2. We also saw a new angel-heroes show, Gabriel and the Guardians. ‘Gabriel and the Guardians’ Echoes a Golden Era of Saturday Morning Cartoons, Jenneth Leed Alas, any sci-fi-ish efforts seem restricted to dystopian dramas. We need higher budgets and risks to widen those genre limits. 3. Realm Makers unites Christian creators 265. How Can We Shine the Gospel at the Realm Makers Expo? 266. How Do You Assemble a New Expo for Christian Fandoms? | with Scott Minor Last year’s conference in Grand Rapids marked an experiment. Can this organization blend creator training with a public expo? Results were mixed-positive, mainly because of the venue choice. For me, a debut sci-fi novelist, results may have skewed better. Yet our primary audience must be Christian fans and families. A semi-major downtown is difficult for these folks to access. Next year’s new venue in St. Louis looks much more promising! And it sounds like the public Expo will be easier for fans to access. For Christian fantasy to grow, we must unite over common interest. Yet this unity must be based on love for the true Jesus, our Author. 2. Biblical fiction is the top Christian genre There’s no contest. Amish and historical fiction is dethroned. Christian fantasy (mostly romantasy) remains confined to books. Amazon’s ‘House of David’ Anoints an Intriguing Biblical Epic, Michael Allen ‘House of David’ Is Crowned King of Amazon Prime, Jenneth Leed 1. Fantasy for teen/YA women continues to rule the Christian-made fantastical worlds This might well be the repeat headline from previous years. Facts are facts. Teen girls and women outread everyone else. When they like fantasy, they prefer female heroes/relationships. Romantasy is the queen. And her handmaiden is royal drama. 249. What is ‘Romantasy’? | with Parker J. Cole And the new princess on the block? Time-travel romance, for sure. 263. What is Time-Travel Romance? | Every Hour Until Then with Gabrielle Meyer These books get the most attention on Instagram and elsewhere. Is it true that “men don’t read”? Not necessarily. Men do read. But they tend to read nonfiction about culture, theology, history. And for fantastical fiction, these readers have unique expectations. Christians here favor proven legacies, especially Lewis/Tolkien. One can’t complain about the reality. Instead, meet the standard. Frankly, that’s my hope for Above the Circle of Earth and beyond. Of course I support teen/YA female-focused fantasy stories! Yet that’s not my genre; it doesn’t help me, personally, grow in joy. Surely there are more readers who favor other kinds of stories, maybe deeper, maybe in underdog genres like sci-fi and horror. Christians must expect a true joyous sci-fi future under King Jesus. And we uniquely understand supernatural realities/horror today. But making new stories isn’t enough. We must cultivate readers. That’s our mission at Lorehaven with our new mission statement: Escape bad books. Find the best Christian fantasy and sci-fi! Watch this space for more about bad books, reader cultivation, and new resolutions to avoid scroll traps and level up your imagination. Com station Top question for listeners What was your top fantasy story or least-liked story in 2025? Next on Fantastical Truth “In one cataclysmic moment, millions around the world disappear.” Jesus returned thirty years ago. Or rather, He sort of pre-returned, the warm-up act, if you will. Many faithful Christians believe in this kind of “rapture.” And in December 1995, two authors teamed up and used this idea to create the most successful biblical end-times thriller we’ve yet seen. Last summer, we overviewed the series. Yet now we’ll ask how that first Left Behind novel has aged, thirty years after its release.

    1h 25m

  2. 12/23/2025

    293. How is ‘Adventures in Odyssey’ Making an Animated Film?

    Earlier this month, and just in time for Christmas, Focus on the Family made a fun announcement: an upcoming theatrical adaptation of Adventures in Odyssey. Dubbed Journey Into The Impossible, this 3D animated film will explore the town of Odyssey before the establishment of Whit’s End. What kinds of adventures will a young John Avery Whittaker enjoy? (This special episode was recorded live.) Episode sponsors Edmund Spenser’s The Faerie Queen A Faie Tale by Vince Mancuso MYTH: Reign of the Immortals by J. F. Nickens Mission update ‘Stranger Things’ Season Five Gives Weight to Parents’ Fears, A. D. Sheehan Subscribe free to get updates and join the Lorehaven Guild Quotes and notes ‘Adventures in Odyssey’ Goes to the Movies? , Lorehaven, Dec. 4 ‘Adventures in Odyssey’ Goes to the Movies? Adventures in Odyssey is releasing a new animated feature film. The working title is Journey into the Impossible. It’s scheduled for a theatrical release in fall 2026. Unlike previous video releases, this film is canon to the audio drama timeline. It serves as a prequel set years before the main series. The film will focus on a younger John Avery Whittaker (Whit), his wife Jenny, and their son Jason. The movie will feature 3D animation stylized with a “2D storybook appearance.” Creators say this will blend modern production quality with a nostalgic visual aesthetic. The project is led by long-time Adventures in Odyssey showrunner Dave Arnold. It also features work by former Disney animator John Pomeroy, ensuring faithfulness to the show’s legacy. A major goal of the film is to introduce the franchise to a new generation of families who may not be familiar with the 1,000+ episode audio drama. We discuss Whit’s enduring appeal as a “positive patriarch.” He is a wise, capable, and gentle male role model, contrasting with many father figures in modern media. The creators are prioritizing a theatrical release to encourage families, churches, and homeschool groups to watch it together as a community event, rather than just streaming it individually. Next on Fantastical Truth “In one cataclysmic moment, millions around the world disappear.” Jesus returned thirty years ago. Or rather, He sort of pre-returned, the warm-up act, if you will. Many faithful Christians believe in this kind of “rapture.” And in December 1995, two authors teamed up and used this idea to create the most successful biblical end-times thriller we’ve yet seen. Last summer, we looked back on the Left Behind series legacy. Yet now we’ll ask how that first Left Behind novel has aged, thirty years after its release.

    1h 7m

  3. 12/16/2025

    292. How Can Christians Confront Fiction Legalists?

    “We do not celebrate Christmas that way.” “We do not read those kinds of books.” “We ‘do not handle, do not taste, do not touch.’” We know our world is full of rebellion against God’s law. But many people overreact to moral license with a strict imposing of out-of-context or made-up laws. Faithful saints call this legalism, and Christian fantasy fans know plenty about this. When that influencer or relative rebukes your fantastical interest, how you can respond with grace and truth? Episode sponsors Edmund Spenser’s The Faerie Queen A Faie Tale by Vince Mancuso MYTH: Reign of the Immortals by J. F. Nickens Mission update New at Lorehaven: reviews of Ruthless and Shadowcast Subscribe free to get updates and join the Lorehaven Guild Quotes and notes What Is Fiction Legalism?, E. Stephen Burnett Even If We Like Fantasy and Sci-Fi, We Can Still Practice Accidental Legalism, Marian A. Jacobs 50. Do Christians Really Need Fiction? | Fiction’s Chief End, part 1, Fantastical Truth podcast 1. Legalism denies the word of God itself. We’ve heard and experienced many stories of judgy legalists. Some are worse than others. Some comments are snide asides. I heard one author’s work dismissed as “not in the real world.” And yes, I’ve had people challenge Lewis, Tolkien, other stories. Others rail more on social media against metal music or pageants. But don’t confuse these false teachers with people they deceive. Your family members may be confused and repeating memes. In either case, work to overcome defensiveness or bad feelings. Your firm foundation: legalism is anti-gospel; the Bible rejects it. So study the word of God. Don’t let legalists ruin that for you! Get into the gospel with the epistles, Romans, and other epistles. Focus on texts like Romans 14, 1 Cor. 8-10, and all of Galatians. 2. Legalism denies the good of God’s gifts. Moving to legalistic teachers, they often escape to fantasy worlds. They like alternative realities where people don’t like/need stories. You can (kindly) hit ’em with that little rejoinder, see how it works. In either case, be sure you study up on God’s creative purpose. Start in Genesis and take this text seriously: it’s history in poetry! Pay special heed to the “cultural mandate” in Gen. 1:27-28. Any ignorance of this call also overthrow God’s call to family. So no one gets to do preaching or “ministry” minimization here! From this text, learned theologians discern that God is and loves three virtues in no particular order: beauty, goodness, and truth. God also loves to give good gifts to evil men and His children. We get this truth directly from texts like Matt. 7:11 and James 1:17. Sin ruin gifts? Not for studying, praying believers (1 Tim. 4:1-5). 3. And legalism denies God’s real world. It is not Christianity, but gnosticism, to despise God’s creation. Get your eschatology right, after all the charts and controversies. It’s simply flawed to suggest we’re bound for a bodiless world. Scripture constantly hints, then promises, a renewed planet Earth. Heaven will come down here, rather than replacing all of our world. Let’s get the end of Revelation right about New Heavens and New Earth, Christ’s eternal and holy kingdom that restores paradise! For Stephen, this doctrine was key to debunking fiction legalism. It helps me avoid the responses of depression or deconstruction. On good days I feel sympathy and love for sincere fiction legalists. With this solid foundation we can “swashbuckle” them with smiles. We can affirm the need for truth and holiness, but show how it is in fact made-up laws, not God’s actual word, that forbid good gifts. And we can show how these stories help us grow to be like Jesus. Com station Top question for listeners When did you confront a fiction legalist? How did you respond? tallgrant liked ep. 290 on YouTube: Happy to see this covered, and even happier to get the other half in the Abolition of Man at least touched on! The position Lewis takes about a very small ruling class who make decisions about all of morality for everyone who comes after very much aligns with the ultimate revealed mission of the N.I.C.E. Not to mention the issues being raised about where a potential soul can come from. I find his look at the outworking and consequences of post-modern thought and reasoning really intriguing, considering that this was all put to paper before the conclusion of the second world war and the mass dissemination of those ideas outside the academic world.

    1h 1m

  4. 12/09/2025

    291. Twenty Years Ago, How Did the First Narnia Theatrical Film Get Made? | with Mark Joseph

    Well, we recently talked about the first Chronicle of Narnia … the book! Yet many fans found or rediscovered this series thanks to the Disney-distributed, Walden Media–made film from director Andrew Adamson. Want to feel old? That was two decades ago! So now we shall look back at Narnia’s journey to the box office with The Lion, the Witch and the Wardrobe, which released twenty years ago on Dec. 9, 2005. Episode sponsors Edmund Spenser’s The Faerie Queen A Faie Tale by Vince Mancuso MYTH: Reign of the Immortals by J. F. Nickens Mission update New at Lorehaven: Netflix’s New ‘Frankenstein’ Reveals Why a Time-Shifted ‘Magician’s Nephew’ Film May Work , Daniel Whyte IV Subscribe free to get updates and join the Lorehaven Guild Coming in January: our book quest through Stephen Lawhead’s fantasy novel Taliesin Backstory: Mark Joseph Mark Joseph is a music and film producer, author, columnist and founder of MJM Entertainment Group, a multi-faceted entertainment company with interests in film, publishing, music, TV production and film consulting. Joseph got his start in television as an anchor for NHK and CNN’s The Entertainment Report in the 1990’s and his company MJM produced documentaries and supervised the international release of over a hundred albums by various pop and rock artists. In addition to producing his own films, he oversees a marketing team that has marketed 75 films since 2001. From 2000-2005 he worked in development and marketing for Walden Media and Crusader Entertainment and oversaw a grassroots marketing team. He has served as a producer on 15 films, including Max Rose starring Jerry Lewis, The Vessel starring Martin Sheen, America, Japan: Searching For The Dream, Frank vs. God and others. Joseph is the author of four books including The Lion, The Professor & The Movies: Narnia’s Journey To The Big Screen and has been a regular contributor to publications like Forbes, The Hollywood Reporter, Variety, USA Today, The Huffington Post and FoxNews.com. He is currently a senior columnist for Newsweek and hosts the podcast The Mark Joseph Show. Most recently, he produced the film Reagan, starring Dennis Quaid and published the book Making REAGAN: A Memoir from the Producer of the REAGAN Movie. He also produced the film’s two soundtracks including songs from Bob Dylan, Clint Black, Gene Simmons of KISS, Tanya Tucker and others. Mark and his wife Kara have six children and reside in Southern California. YAF.org: Mark Joseph Facebook: MJM Entertainment Group Instagram: @markjoseph00 The Lion, The Professor & The Movies: Narnia’s Journey To The Big Screen Making REAGAN: A Memoir from the Producer of the REAGAN Movie 1. Narnia’s journey from book to screen … The Lion, the Witch and the Wardrobe got one TV animation (1979) Then the story (plus two more) came to live-action BBC TV (1988) Yet it was the Walden Media–made film that went bigger (2005) That film released just twenty years ago in the U.S., Dec. 9, 2005 Mark Joseph’s role from those early days as Narnia pre-producer 2. … Through the winter of production … Stephen first learned this was official in a NY Times ad Dec. 2003. Early rumors included Disney aid (true), Kidman’s Witch (untrue). Director: Andrew Adamson. Early casting. Scriptwriters and team. In the afterglow of LOTR, Narnia also filmed much in New Zealand. WETA Workshop did armor work. Other studios did visual effects. The Lion, the Witch and the Wardrobe film released Dec. 9, 2005. 3. … And into the spring of fan acclaim Teasers and trailers pleased fans, with only a few early hiccups. Against a $180 million budget, earned $745 million worldwide. Led to two sequels that earned less. Ended. Restart didn’t work. Now we have Greta Gerwig starting with The Magician’s Nephew. Any informal shared advice, constructive criticism, final memories. Com station Top question for listeners How did you first see The Lion, the Witch and the Wardrobe (2005)? Terri Hamilton recalls her Narnia origin tale (ep. 289): I found the Narnia series in my school library when I was in 4th grade, and yes, they were in the proper order. It was a watershed moment for me. I bought myself a boxed set a few years later. Boy, did I look for portals! When I get into a discussion about the book order, I point out The Magician’s Nephew is a prequel, explaining the back story of the first book. Next on Fantastical Truth “We do not celebrate Christmas that way.” “We do not read those kinds of books.” “We ‘do not handle, do not taste, do not touch.’” We know our world is full of rebellion against God’s law. But many people overreact to moral license with a strict imposing of out-of-context or made-up laws. Faithful saints call this legalism, and Christian fantasy fans know plenty about this. When that social-media pastor rebukes your favorite sci-fi, or that relative raises a judgy eyebrow at holiday dinners, how you can respond with grace, truth, and love for legalists?

    1h 17m

  5. 12/02/2025

    290. Why Did C. S. Lewis Create a Pre-Political Supernatural Thriller?

    Long ago, before the great lion Aslan bounded onto bookshelves, C. S. Lewis wrote a science fiction novel set on mythological Mars. From there, the sequel carried Dr. Elwin Ransom by angels to the sister planet Venus. And from there … the Ransom/Cosmic/Space Trilogy descended to the dull world of corrupt college boards, inner-ring politics, and a secret technocracy bent on world domination with the aid of mad science and demons and everything. Eighty years after That Hideous Strength, we explore why C. S. Lewis created this earthbound and weird and wonderful pre-political supernatural thriller. Episode sponsors Sons of Day and Night by Mariposa Aristeo A Faie Tale by Vince Mancuso Above the Circle of Earth by E. Stephen Burnett Mission update New at Lorehaven: Josiah DeGraaf’s Sun Eater series article Subscribe free to get updates and join the Lorehaven Guild That hideously obscure front cover image. 1. The temptations to wield inner rings The Ransom Trilogy really includes all three fantastical genres. It starts with sci-fi, continues to fantasy, ends in supernatural. Stephen would have appreciated knowing this before this book! Because that fact, plus the cover, will affect your expectations. More than the other two, Hideous Strength feels a weird hybrid. For instance, it begins on Earth and feels “grown-up,” even dull. Who is Mark Studdock and Jane? Why do we care about them? And where is Dr. Ransom and the creatures of books 1 and 2? But here Lewis is addressing some deep and personal enemies. One of them is the “inner ring” villain he writes about elsewhere. Call this “the room where it happens,” that seat of power. Right now some conspiracists claim to “expose” secret inner rings. Yet more often they’re trying to make new “rings” themselves. This “normal,” subtle threat marks the first real evil of the story. Mark, a social-climbing sociologist, craves to reach this influence. Then he gets there … and discovers it’s run by the greater threat. 2. A not-so-N.I.C.E. secular technocracy Enter the National Institute for Co-ordinated Experiments. It’s a social movement, an actual autocratic state bent on power. They’re all about science, social engineering, efficiency, machines. These theorists take the worst of evil ideologies and mix them up. And for Lewis, this represents the worst corruptions of academia. They destroy natural land like Saruman. Hijack history like IngSoc. And they take over newspapers in plain sight like any petty tyrant. Some have different aims/ideas, such as a truly scary revelation about what exactly has gone wrong with the sterility of the Moon. Others are so poisoned by elitism that they “naturally” fall into evil. That’s why we call this a pre-political story. Yes, it’s about politics and has overlapping theme, but is about the ideas beneath this. N.I.C.E.’s goal: the subjugation of the human race to macrobes. From here, Lewis finally explains the recurring visions of Jane Studdock (revealing the conspiracy) and a holy resistance order. And, lest there be any doubt, we soon learn the worst threat of all. 3. Devils vs. power to demolish strongholds At last, Dr. Ransom enters the story, leading a small diverse group. He’s recruited Christian fellow academics, sure, but also one rather sympathetic skeptic, leading women, and working-class folks. Their enemy is not just flesh and blood, but dark spiritual powers. That’s why we call Hideous Strength a true supernatural thriller. Astute readers will discern demonic activity behind the veil. That’s no surprise for the author of The Screwtape Letters. Yet the activity is more subtle, in allusion, not overt like Peretti. Ultimately we discern the demons/humans spread their evil ideas in an area Lewis knew very well: the corruption of language. Words, meanings, symbols, translations are vital to this story. And perhaps it’s no surprise that the ultimate battle is won not by weapons or even direct intrusions of magic, but by word powers. Clearly the author had in mind a certain Genesis 11 narrative! By the end, one hero utters this divine judgment: “Qui Verbum Dei contempserunt, eis auferetur etiam verbum hominis.” (Kee vehr-boom Deh-ee kon-temp-seh-roont, eh-ees ow-feh-reh-toor eh-tee-ahm vehr-boom ho-mee-nees) Translated: “They that have despised the word of God, from them shall the word of man also be taken away.” These villains “have pulled down Deep Heaven onto their heads.” Holy agents unite from the planets and the past to empower good. Lewis also brings in, quite overtly, his love for medieval cosmology and the planetary influences that are crucial to this universe. And now (with a reread) Stephen has experienced this story with delight like he had hoped, particularly with Lewis’s latter head-hopping and fun-poking at the expense of N.I.C.E.’s evildoers. That Hideous Strength ends with startling eucatastrophe and celebration of biblical and based virtues, from cosmic to familial. It’s no wonder the story has gained new fans in these similar days. Com station Top question for listeners Do you prefer demonic evil in fiction to be overt or subtle? Next on Fantastical Truth Well, we just talked about the first Chronicle of Narnia … the book! Yet many fans found or rediscovered this series thanks to the Disney-distributed, Walden Media–made film from director Andrew Adamson. Want to feel old? That was two decades ago! So now we shall look back at Narnia’s journey to the box office with The Lion, the Witch and the Wardrobe, which released twenty years ago on Dec. 9, 2005.

  6. 11/18/2025

    289. Seventy-Five Years Ago, How Did C. S. Lewis’s Fairy-Stories Change Fantasy Forever?

    “Suddenly Aslan came bounding into it.” That is how C. S. Lewis described the plot twist in his creative process for The Lion, the Witch and the Wardrobe. “I don’t know where the Lion came from or why He came. But once He was there, He pulled the whole story together.” And in turn, this story has pulled together the imaginations of millions across the world. Now, 75 years after the first Chronicles of Narnia book was published, let’s explore how this changed fantasy forever. Episode sponsors Sons of Day and Night by Mariposa Aristeo A Faie Tale by Vince Mancuso Above the Circle of Earth by E. Stephen Burnett Mission update New at Lorehaven: our retro review of Kathy Tyers’ Firebird The Sun Eater Series is the Modern Sci-Fi Epic Christians Have Been Awaiting, article by Josiah DeGraaf Subscribe free to get updates and join the Lorehaven Guild Quotes and notes: exploring Narnia The Lion, the Witch and the Wardrobe review at Lorehaven The Chronicles of Narnia series review at Lorehaven, March 2020 Fantastical Truth episode 24. How Do We Defeat the Top Seven Myths about The Chronicles of Narnia? Part 1 Episode 26. How Do We Defeat the Top Seven Myths about The Chronicles of Narnia? Part 2 Episode 35. Did C. S. Lewis Say It’s ‘Pure Moonshine’ to Create Stories that Teach Christian Truth? Episode 261. Why Do We Love The Magician’s Nephew? Quotes and notes: the creation of Narnia Some people seem to think that I began by asking myself how I could say something about Christianity to children; then fixed on the fairy tale as an instrument; then collected information about child-psychology and decided what age-group I’d write for; drew up a list of basic Christian truths and hammered out ‘allegories’ to embody them. This is all pure moonshine. I couldn’t write in that way at all. Everything began with images; a faun carrying an umbrella, a queen on a sledge, a magnificent lion. At first there wasn’t even anything Christian about them; that element pushed itself in of its own accord. —C. S. Lewis, “Sometimes Fairy Stories May Say Best What’s To Be Said,” (1956) All my seven Narnian books, and my three science-fiction books, began with seeing pictures in my head. At first they were not a story, just pictures. The Lion all began with a picture of a Faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself: ‘Let’s try to make a story about it.’ At first I had very little idea how the story would go. But then suddenly Aslan came bounding into it. I think I had been having a good many dreams of lions about that time. Apart from that, I don’t know where the Lion came from or why He came. But once He was there He pulled the whole story together, and soon He pulled the six other Narnian stories in after Him. So you see that, in a sense, I know very little about how this story was born. That is, I don’t know where the pictures came from. And I don’t believe anyone knows exactly how he ‘makes things up’. Making up is a very mysterious thing. When you ‘have an idea’ could you tell anyone exactly how you thought of it? —C. S. Lewis, “It All Began with a Picture,” 1960 [Narnia’]s beauties often get blunted or made lukewarm by the persistent myth spread by well-meaning readers, including many Christians, that the Narnia books are merely “allegorical.” (For example, one author even wrote that Professor Kirke’s mansion “is symbolic of the church” while the wardrobe “symbolizes the Bible.”) But the “allegory” label ignores the stories’ true purpose according to Lewis, who insisted on calling his world a supposal. In one letter, Lewis wrote that his Narnia stories answered the question, “What might Christ become like if there really were a world like Narnia and He chose to be incarnate and die and rise again in that world as He actually has done in ours?” Lewis then concluded, “This is not allegory at all.” Case closed. And Aslan be praised that it is closed, because if we turn these stories into mere allegory, we might end up using Narnia like a mere code or container pointing to “higher” ideals. —The Chronicles of Narnia series review, Lorehaven, March 2020 Early 2000s edition, with cover based on the classic Pauline Baynes illustration. 1. The Lion … Lewis took great care to model Aslan’s behavior on our true Lion. When the kids hear of him, they have deep heartfelt responses. (That’s why this is book 1, because Aslan must be a surprise to us.) We love this hero because he’s “not a tame Lion, but he is good.” And in this story, Aslan directly repeats the death and resurrection. Lewis in another famous essay disclaims a popular Christian idea. It goes like, “To make fantasy ‘Christian,’ it must be allegory.” But the series isn’t allegory, and Lewis found deep meaning later. Nor is Aslan a simple allegory for Jesus; in this world, Aslan is In modern terms, imagine if Jesus were active in a “multiverse.” Yes, it’s still imaginary. This idea wouldn’t work in serious theology. That’s the beauty of fantasy; this needs no “allegory” for support. 2. … The Witch … Somehow the White Witch has become nearly as famous as Aslan. There’s of course the Snow Queen inspiration that ties her to myth. Yet oddly, Lewis also references the myth of “Adam’s first wife.” Beaver states this as fact, but we later learn her true origin. Here, however, it’s enough to see her as the iconic evil ice queen. Jadis is an overt inversion of the “nurturing” mother-figure. In modern terms she may seem shallow—no motive, no backstory. But as Lewis has said, the fairy tale’s beauty is partly in its brevity. The White Witch is a Satanic-level foe who corrupts the seasons. Lewis, at heart a medievalist, likely built Jovian motifs in the story. That is, a kingly and joyous victory over forces of cold and death. Remember, unlike the film, it is Aslan who wins, not the Pevensies. (Yet major shoutouts go to Tilda Swinton for defining this villain!) 3. … and the Wardrobe When Stephen was a kid, he read the Narnia series all wrong. Those first four books’ “portal” moments felt most fascinating. g., the wardrobe, the train station, the painting, the moor door. There is a genuine thrill to the idea of stepping into other worlds. Yet to this day, perhaps the Wardrobe is the best way into Narnia. Children then as now can hide in real closets and deeply imagine. If we grew up with Narnia, who hasn’t thought it could be true? This seems a great gift of God, to micro-“believe” these fantasies. Perhaps even Father Christmas, on some days, feels possibly real. And then, when the fantasy ends, you must re-face the real world. Lewis abruptly and almost tragically ends this story in England. Later books expand the world and the deeper meanings of Narnia. Com station Top question for listeners How did you first read The Lion, the Witch and the Wardrobe? Next on Fantastical Truth Long ago, before the great lion Aslan bounded onto bookshelves, C. S. Lewis wrote a science fiction novel set on mythological Mars. From there his hero Dr. Elwin Ransom was carried by angels to the sister planet Venus. And from there … the Ransom/Cosmic/Space Trilogy descended to the dull world of college board meetings, inner-ring politics, and a secret technocratic society bent on world domination with the aid of mad science and demons and everything. Eighty years after That Hideous Strength was published, we explore why C. S. Lewis created this earthbound and weird and wonderful pre-political supernatural thriller.

    58 min

  7. 11/11/2025

    288. Did Christians Expect Cultural Engagement to Be Easy?

    We still believe in cultural engagement. That’s the Christian mission to share our faith in the real world, seeking to win souls to Jesus. These souls naturally seek biblical influences in stories, songs, and beyond. So why do some believers claim that they want “cultural engagement” but then, when angry or manipulative anti-Christian critics engage us right back, throw up their hands and call for pietistic separation? Episode sponsors Maxine Justice: Galactic Attorney by Daniel Schwabauer A Faie Tale by Vince Mancuso The Pop Culture Parent Mission update New at Lorehaven: new book quest for A Study of Shattered Spells Also new: reviews for Lord of Winter and Picked Up Pieces Subscribe free to get updates and join the Lorehaven Guild 1. How ‘cultural engagement’ started Christians inherited a legacy of sheltering, e.g. “fundamentalism.” That term also gets associated with “separation from the world.” From there other Christians moved to broader “evangelicalism.” That newer term is more about living in (but not of) the world. Yet this “evangelicalism” had a particular missionary emphasis. We wanted to adapt what’s good about the world for ourselves. And we sought to make comfortable places for unbelievers. This also get associated with “Christian versions” of stories/songs. Now new generations want to reject the first, modify the second. First, they rightly see sin and harm in cultural fundamentalism. Second, they see greatness in many secular stories and songs. Third, they want to make great stories/songs that aren’t terrible. Results? Much content about genuinely bad church dysfunctions. Many reviews and articles praising secular stories and songs. And now, finally, Christian-made stories/songs that are great! 2. How ‘cultural engagement’ is going Now that we’ve identified the graces, let’s talk about the idols. (In this we follow two of the five engagement steps in TPCP.) You see, some “engagement” folks forget that third creative stage. Many got stuck in ranting (supposed) cultural fundamentalism. Yes, our old pal Church Back Home Syndrome reappears here. Others got stuck finding greatness in secular stories/songs. They forgot the part about finding idols in those “cultural artifacts.” They grew so positive that they failed to perceive the real world. For instance, some ignore real hatreds of Christians in the world. We’ve heard from big-name creators who encountered this. They were as “winsome” as could be, but got soft-persecuted. “Engagers” especially neglect finding ways to create new stuff. Perhaps they miss the purpose of “glorifying/enjoying God.” Without spilling tea, Stephen has seen this among some writers. They wanted to “engage” “for nonbelievers” their favorite stuff. So you got articles about Scorsese movies and art-house films. English majors had a particular like for engaging non-pop culture. But regarding actual pop culture, memes, politics, etc.? Ugh, no. A few “engagers” ended up bitter, confused, even deconstructed. Their view of culture is bad; their view of social issues is worse. It’s like they expected “engagement” would not involve conflict. But the very concept includes challenges—of worldview idols! Any creative work will involve creative differences, e.g. conflict. This may explain why some are reverting to cultural insularity. We see the return of pietistic slogans about culture, esp. politics. They speak much of their own discomfort, fear, “piety,” holiness. And they call for separation from implied-bad “worlds” like politics. More often than not, they create nothing new, only more critiques. This is “fundamentalism” all over again—anti-cultural engagement. 3. How we do actual ‘cultural engagement’ Go back to the Bible’s best examples of this method by apostles. Find these in the book of Acts, especially Acts chapter 17. In this keystone text, Paul engages the culture of Athens. So Paul, standing in the midst of the Areopagus, said: “Men of Athens, I perceive that in every way you are very religious. For as I passed along and observed the objects of your worship, I found also an altar with this inscription: ‘To the unknown god.’ What therefore you worship as unknown, this I proclaim to you. The God who made the world and everything in it, being Lord of heaven and earth, does not live in temples made by man, nor is he served by human hands, as though he needed anything, since he himself gives to all mankind life and breath and everything. And he made from one man every nation of mankind to live on all the face of the earth, having determined allotted periods and the boundaries of their dwelling place, that they should seek God, and perhaps feel their way toward him and find him. Yet he is actually not far from each one of us, for “‘In him we live and move and have our being’; as even some of your own poets have said, “‘For we are indeed his offspring.’ Being then God’s offspring, we ought not to think that the divine being is like gold or silver or stone, an image formed by the art and imagination of man. The times of ignorance God overlooked, but now he commands all people everywhere to repent, because he has fixed a day on which he will judge the world in righteousness by a man whom he has appointed; and of this he has given assurance to all by raising him from the dead.” Acts 17:22–31 Paul isn’t bothered by those bad Christians somewhere else. He also doesn’t cite his “provoked” sense about idols (verse 16). He’s deeply human but also disciplined and rational to engage. Here in the public square, his ideas and challenges are welcome. He praises the Athenians, with a hint of backhanded compliment. Is there humor in his description of the “unknown god” altar? Paul “appropriates” the phrase plus the words of Greek poets. And he re-contextualizes them while assuming God’s word is true. His goal is the specific conversion of heathen nonbelievers. Paul does a lot of setup before later discussions continue. This is an overt pre-evangelistic (Other chats vary.) However, Paul isn’t in this cultural engagement “mode” all the time. Other times it’s better to defend one’s own rights or get tough! If even a top Gentile missionary does this, how much more do we? Perhaps the apostle (also tentmaker and citizen) knew wisdom. We’re not always pro missionaries or pastors. We have vocations. Application: we don’t need less cultural engagement, but more. We still believe in cultural engagement. These other guys do not! Some of them, perhaps, wanted “engagement” as more of a cope. Like their forebears, they find comfort in hating/loving “the world.” That’s simply not a sustainable motive, nor is it a biblical motive. It’ll send you right back to false pietism/bad “fundamentalism.” And it’ll send us back to assume “everything is about evangelism.” Remember again our chief end: not to defeat sin, and also not to impress the neighbors, but to glorify God and enjoy Him forever. That’s why it’s so important to make new stories for that reason. Thus our purpose here: we occasionally do a cultural engagement. But more often we seek the stories under the secular stories. And more often still, we share fantastical Christian-made stories. Com station Talena Winters, author of The Rise of Grigori series, wrote this in response to Episode 284. How Would Any Real Aliens Actually Invade Earth?: Just a note about your recent episode about aliens, and the theory one of you proposed about “supernatural tech”. I actually agree with this…Besides what you mentioned about Elijah being caught up in a “chariot of fire,” there are some excellent and interesting passages in the non-canonical Book of Enoch that talk about a Watcher (one of the angels, not necessarily a fallen one, usually described as Uriel) who takes Enoch on a “tour of heaven” in a craft that sounds a lot like a flying ship or craft he describes as a cloud or as being made of spirit…I have a whole lot more I could say about this, with my beliefs being informed, in part, by the work of Michael Heiser. The point is, do I think these demons (and fallen Watchers, though most of them are trapped in the Abyss until judgement) have physical technology, and can they appear in physical form as aliens? Absolutely. Do I think they may be “leaking” technology to humans for our detriment? It absolutely fits their M.O. Top question for listeners How do you culturally engage secular stories and songs? Next on Fantastical Truth “Suddenly Aslan came bounding into it.” That is how C. S. Lewis described the plot twist in his creative process for The Lion, the Witch and the Wardrobe. “I don’t know where the Lion came from or why He came. But once He was there, He pulled the whole story together.” And in turn, this story has pulled together the imaginations of millions across the world. Now, 75 years after the first Chronicles of Narnia book was published, let’s explore how this changed fantasy forever.

    1h 16m

  8. 11/04/2025

    287. How Do Great Stories Help Us Defeat Monsters? | with Geoffrey Reiter

    To fight real monsters, we don’t need toxic empathy or the notion that exorcisms can resolve all demonic problems. Instead we start with the gospel of Jesus Christ that alone brings holiness. Yet how do we also train our imaginations with better stories to help us battle the beasts? Geoffrey Reiter returns to the studio to explore how great literature reflects God’s grace that helps us defeat the darkness. Episode sponsors Maxine Justice: Galactic Attorney by Daniel Schwabauer A Faie Tale by Vince Mancuso Above the Circle of Earth by E. Stephen Burnett Mission update New at Lorehaven: reviews for Lord of Winter and Picked Up Pieces Subscribe free to get updates and join the Lorehaven Guild Backstory: Geoffrey Reiter Geoffrey Reiter is Associate Chair of Arts and Sciences and Coordinator of Humanities at Lancaster Bible College. He is also an Associate Editor at the website Christ and Pop Culture, where he frequently writes about weird horror and dark fantasy. As a scholar of weird fiction, Reiter has published academic articles on such authors as H. P. Lovecraft, Arthur Machen, Bram Stoker, and Clark Ashton Smith. His poetry and fiction have previously appeared in Spectral Realms, Star*Line, Psenumbra, ParABnormal, The Mythic Circle, 34 Orchard, and Black Wings VII. His book The Lime Kiln and Other Enchanted Spaces was published by Hippocampus Press earlier this year. Geoffrey Reiter at Christ and Pop Culture The Lime Kiln and Other Enchanted Spaces from Amazon The Lime Kiln and Other Enchanted Spaces from Hippocampus Press 1. Behold the monsters we may see in reality. Last week critics were discussing when to “deplatform” monsters. Today’s popular memes and franchise stories portray evil demons. Others talk about human “monsters” who abuse and manipulate. Some victims or bad counselors advise empathizing with real evil. Others leap straight for exorcisms or aggressive countermeasures. But secular folks may have limited success with combating evil. As one Spider-Man 3 poster said, “The greatest battle lies within.” First we must address the problem of our own monstrous hearts. Our solution is true repentance and faith in the Lord Jesus Christ. Only then can we truly begin fighting back against other monsters. Listen to this episode from our first year. 2. How to fight back: the weapons of saints “Do not be overcome by evil, but overcome evil with good.” —Romans 12:21 Our battle often depends on our unique callings and vocations. For instance, some battle evils mainly in their families or churches. Others may be called to move outward to engage the wider world. If we fight back with sinful tools, we risk reversion to monsters. This legacy haunts many Christians, but we needn’t be slaves to it. Nor need we focus solely on the problems amongst ourselves. Behind the gospel, we have many great tools to identify monsters. An underrated tool: great stories that also happens to expose evil and illustrate biblical ways to defeat these monsters in reality. Lately there’s grown a divide between folks who want to “win culture wars” and those who fancy literature. Why not both? A wise “culture warrior” needs reason and imagination. And a wise “literature scholar” must consider real-world applications. These are among the “weapons” with “divine power to demolish strongholds” (2 Cor. 10:4) built by enemies who are not human. 3. Defeating the monsters of The Lime Kiln Geoffrey has previously joined us to explore Stoker’s Dracula. This brilliant book explores a monster of many potential elements: the suave seducer, the toxic male predator, the foreign conqueror. Geoffrey’s new book The Lime Kiln and Other Enchanted Spaces collects “weird stories” and poems that feature various spooks such as ghosts, a killer robot, a vampire, and unpleasant beasties. These aren’t just pulp favorites, but enduring imaginations. Each monster reveals a particular kind of real-world analogue. We find evil lurking in surprising places, challenging assumptions. And we also find surprising heroes who survive or defeat evil. Com station Top question for listeners Which real monsters have you met, survived, or even defeated? Next on Fantastical Truth We still believe in cultural engagement. That’s the Christian mission to share our faith in the real world, seeking to win souls to Jesus. These souls naturally seek biblical influences in stories, songs, and beyond. So let’s explore a growing challenge: why some believers claim that they want “cultural engagement” but then, when angry or manipulative anti-Christian critics engage us right back, effectively surrender and call for pietistic separation.

    1 hr
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About

Lorehaven explores fantastical stories for God’s glory: fantasy, sci-fi, and beyond.

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  • Creator
    Lorehaven
  • Years Active
    2020 - 2026
  • Episodes
    297
  • Copyright
    Copyright © Lorehaven, 2023. All rights reserved.
  • Show Website
    Fantastical Truth

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