First Online With Fran Frances McGarry

I believe that [National Women's History month] is about women and social change. Leaders of change reside with women.Ellen W. Kaplan is Professor Emerita of acting and directing at Smith, a Fulbright Scholar in Costa Rica, Fulbright Senior Specialist in Pakistan, Romania and Hong Kong, an actress, director and playwright. Ellen works extensively with underserved and at-risk communities, including Arts in Special Education in Pennsylvania; Young Playwrights Festival; pre-GED literacy training; with women in prison, and death row inmates.Theatre Responds to Social Trauma: Chasing the Demons. ed. Kaplan, Ellen W. (Routledge, 2024)

I would like to believe I attract heart-centered individuals to work with. I create a sense of safety in the rooms, empowerment and we are in service of the text. I pick plays that are going to take us on a journey that we all want to go on; that we're all going to leave a little bit better; that we're going to share with our audience, and we're all going to leave the experience a little bit better than when we came. That's my hope. ~ Janet MitchkoJanet Mitchko is the Artistic Director at The Public Theatre, an Equity theatre located in Lewiston, Maine. She considers herself lucky to have spent most of her life earning a living in the theatre. Executive/Co-Artistic Director Christopher Schario will be retiring at the end of this season and her title has been changed from Co-Artistic Director to sole Artistic Director of The Public Theatre. An Executive Director has been hired as we pursue a new leadership model.

Losing or winning an argument is not just a zero-sum game. Working together, collaborating is something that you have to learn. The most important part is not you getting all you want all the time, but learning how to feel satisfaction, even if your collaborator talks you into something else. How to find satisfaction within that and helping them to do the same thing. This seems esoteric, but you know something, it's not. And I think that is something we've lost...and something that the world of The Arts could teach our public discourse.  Robert Viagas is an author and historian specializing in theatre. He was an editor at Playbill for 24 years, during which time he created Playbill.com, the theatre news service that’s now the standard source in our industry.

"Art is ageless. There is no number on Art. As long as your heart is in it, you can do it. And that's a fantastic thing because very often we do put age limits on things, and we put age limits on PEOPLE, and I don't think that's necessarily so. I think these people are teaching us that it's absolutely possible."ADRIENNE D. WILLIAMS is New York based actor, director, educator, and storyteller. She is an Artistic Associate at the Martha’s Vineyard Playhouse, and a member of The Honor Roll, The Bechdel Group and the Rattlestick Theatre Community. And holds an MFA in Acting from Binghamton University. 

"Artivism is a combination of Art and Activism. I wrote about Bayard Rustin who served as the right hand of Dr. Martin Luther King, Jr. for many years. He was a gay Quaker from Pennsylvania and a black man who was instrumental in organizing the March On Washington. Many had issues with Bayard working with Dr. King due to his sexuality. However, it was Bayard's influence that brought celebrities, politicians, and the like to support The March on Washington. Bayard was an amazing singer who combined his art and activism to change the world. Hence, the title The Artivist for my One-Man show."Carla Debbie Alleyne is a playwright, screenwriter, and director who received her B.F.A. and M.F.A. in Film and Television and Dramatic Writing from New York University. Carla's play Hey, Little Walter was produced Off-Broadway at Playwright's Horizon as part of the Young Playwrights Festival when she was 16 years old. 

"It's so important to have that outlook of everyone is human, everyone is worthy, but I also think it's important, for me, and for everyone to protect ourselves. [As a sensitive child growing up] to protect myself, I dove into movies, I dove into playwriting when I couldn't get that connection from anywhere else. The Arts is what saved me." Stephanie Okun is a playwright/screenwriter/director. She is a recent graduate of Wesleyan University, student at NYU’s Educational Theatre MA program, and proud former intern/current member of New York Women in Film & Television (NYWIFT). At a young age, she discovered her love for playwriting and pursued it at Stephen Sondheim’s Young Playwrights Inc., an organization that changed her life. For her, theater is home and she’s always thrilled to be there.