Is it Recess Yet? Confessions of a Former Child Prodigy

Tricia Park

Is it Recess Yet? Confessions of a Former Child Prodigy is about concert violinist Tricia Park's years as a child prodigy and her quest to evolve beyond that identity. Get an insider’s look into the classical music world and listen to conversations with innovative artists who are forging new - and playful - paths into creativity.

  1. 2021. 09. 15.

    The One Question I Never Thought I’d Have to Answer (and Why it Frustrates the Heck Outta Me)

    “So….do you still play the violin?” Recently, people have been asking me this a lot, and I’ll be honest with you, it kind of pisses me off. My reaction to that question is visceral: defensive, angry, defiant. And a little scared. Because, dammit, I didn’t give up my childhood and every fun thing to be a violinist and have it called into question now.    I’m also aware that my outsized reaction to this question also reveals my own insecurities. Because if someone is asking me if I’m still a violinist, it’s a pretty innocent question, right? I mean, I should be able to say, yes, without needing to prove it. Lately, I’ve been wondering, why do I feel the need to prove it? And why, just because I’m doing something else in addition to playing the violin, are people so confused? It seems like it’s difficult to process that I do multiple things. For example, I play the violin (yes, I still do) and yes, I also write. It’s made me wonder why this seems so difficult to understand? Do you ever feel like if you aren't doing music with 100% focus, then you aren't a serious musician? Maybe it's not something your friends or colleagues say explicitly, but somehow, you feel it or sense it? I think it's because classical music - like ballet or ice skating or gymnastics, perhaps -- demands monastic devotion.  Listen to this episode for why I think something about classical music training might keep us stuck in one identity and makes us afraid to try new things.

    18분
  2. 2021. 02. 28.

    I won a Fulbright Award! On creative writing and how it could make you a happier musician.

    Subscribe to the podcast here! Since I received my Fulbright in the creative writing category, I thought it might be helpful for me to share some ideas about how creative writing has helped me and my violin playing: How Creative Writing Could Make You a Happier Musician In classical music, we accept nothing less than perfection. We mustn’t miss a shift or play out of tune. This perfectionism made me relentless and hard-working and followed me from The Juilliard School to the M.F.A. classroom. But it also made me deeply afraid to take risks, to grow. I suspect I’m not alone in struggling with toxic perfectionism. If you struggle, too, consider putting your violin away. Not forever, just for a pause. There’s an idea that I like called “wabi-sabi,” the embracing of flaws in pottery where, instead of throwing away broken pieces, they’re mended with gold lacquer so that the restored object is gilded, made more beautiful. In Korea, we have the idea of “mak” or suddenness. A welcoming of imperfection that’s present in architecture and aesthetics. An affection for the unrehearsed, the unprepared. The surprise of unplanned delight. Like meditation, writing has provided surprising lessons that have helped me with my violin playing: 1)  Create distance from the inner critic. Our inner critic is a bully who doesn’t want us to change. Through writing, I’ve learned to grow fond(er) of the “sh**ty first drafts,” a term coined by writer Anne Lamott. Crappy early work is necessary. A willingness to tolerate it without self-loathing makes it possible for me to accept “sh**ty practice days” on my violin, too. 2)  Curiosity NOT judgement. This is a mantra from the writer and teacher, Megan Stielstra. When I’m too tight in my writing (or violin playing), it’s because I’m trying too hard to be good. Judgement is heavy, mocking the toilet paper stuck to our shoe. Curiosity is lighter, gazing at our mismatched socks wondering, “hmm, how did that happen? Do I want to fix it? Maybe I like it this way?” Curiosity helps us grow in spite of our flaws. Judgement keeps us stuck in our flaws. 3)  Clarify your thoughts. Everyone’s a writer. If you think, you’re a writer. If you talk, you’re a writer. The legendary pianist and pedagogue Leon Fleisher said that if we can’t articulate what we’re trying to do with words, then our intentions aren’t clear enough in our minds. Writing helps us understand ourselves. The clarity of mind that comes from writing makes you a better problem-solver and musician, not to mention better human, citizen, and advocate. 4)  The importance of “play” and making something of your own. Writing teaches us to follow our creative impulses. Making my own stuff is like being a kid, playing for play’s sake. I’ll write something that I might throw away or put in a drawer. But it's ​mine,​ something I made for myself. What do ​I​ want? What do ​I​ think? Instead of: Am I doing it ​right?​ What will ​other​ people think? Writing cultivates a creative mindset instead of a corrective mindset A term I use with my writing students and violin students is “creative courage” or the willingness to: ...be brave and take risks ...make mistakes and fail often ...look foolish ...be awesome Writing has made me more creatively courageous and a happier violinist. I think you might enjoy writing, too!

    6분
  3. 2020. 11. 01.

    Rev. D. Maurice Charles. "To resist absurdity is to live." On why "you don't have to feel what someone else feels to do the right thing" and creating a society that makes space for all of us.

    Rev. D. Maurice Charles Subscribe to the podcast here!  2:33 - Dean Charles talks about his growing up in the church and how his family migrated from the Jim Crow South. How his family's stories of slavery and survival and faith make up the story of his heritage. 5:12 - When and how Dean Charles was called to the ministry. His background in microbiology, psychology, and sociology. How he became a university chaplain. "Human beings are stranger than microbes." 7:31 - What is a university chaplain? "Helping communities process trauma." 11:05 - What it means to be the first African American chaplain at the University of Chicago. "Chicago is a challenging place to be a black male." 18:18 - How Dean Charles's childhood experiences of the turbulent 1960's led to his scholarly work in religion and violence. "What is the religious response to violence? Can we reform policing?" 26:00 - Protest songs and why music is important during social movements: "One cannot live on rage alone....Defiant joy keeps things moving forward." 27:49 - [Music] presents an image to us of the kind of community that we're striving for. It also names community pain." 28:07 - "We need poets and musicians to help us name our reality." How the arts help us process trauma. 28:54 - "We need artists and musicians now more than ever because there is a certain level of pain and rupture that defies prose." 29:44 - On Rabbi Abraham Joshua Heschel's essay, "The Vocation of the Cantor": "Music has a shattering quality; it allows the soul to have an encounter with reality that is beyond what we have simply by mere cognition." 31:32 - "You can be aware of the barriers to access and to advancement while at the same time being told by the people on the other side of those barriers that they don't exist. It is absolutely crazy-making." 31:47 - Death as the universal experience that allows entry into "intimate settings you wouldn't normally be welcomed into" and how death breaks down barriers. 34:07 - "A bad day if you're poor is much worse than a bad day if you're wealthy." 38:09 - "Oppression Olympics" and how "we act in this country like empathy is the only impetus toward moral action...you don't have to feel what some else feels to do the right thing." 43:25 - "We act in this country like empathy is the only impetus toward moral action. You don't have to feel what someone else feels to do the right thing." 44:43 - "Treat others not only how we want to be treated but treat others the way they want to be treated." 45:19 - "Create a society that makes space for all of us." 48:18 - "When things don't make sense, we still resist because to resist absurdity is to live." What Dean Charles does to counterbalance his own despair in these difficult times. 59: 35 - Dean Charles's advice to his younger self: "Take your experience of the world seriously. It's valuable. It's a gift to you and to those around you."

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Is it Recess Yet? Confessions of a Former Child Prodigy is about concert violinist Tricia Park's years as a child prodigy and her quest to evolve beyond that identity. Get an insider’s look into the classical music world and listen to conversations with innovative artists who are forging new - and playful - paths into creativity.