Good Film Hunting

Tummy Twins Media

Good Film Hunting (GFH) is a movie channel built around one simple question: is this movie worth watching? Gary and Andy don’t do lectures, scorecards, or film school breakdowns. We watch the movie, talk it out, follow the conversation where it naturally goes, and give you an honest take — the good, the bad, and the “what were they thinking?” From cult classics and retro rewinds to new releases, flops, and forgotten curiosities, GFH is about reactions, perspectives, and the kind of movie talk you’d have with friends after the credits roll. No yelling. No hot-take nonsense. Just real conversation, differing opinions, a few laughs, and a clear answer at the end: should you watch it, or skip it? If you like movies and like talking about movies, you’re in the right place.

  1. 2D AGO

    Episode 166 - Marty Supreme (2025) - Spin or Substance? - Good Film Hunting Review

    This week, Good Film Hunting puts some serious spin on Marty Supreme, Josh Safdie’s high-energy 1950s-set hustler saga starring Timothée Chalamet, Gwyneth Paltrow, and Odessa A’zion. Chalamet plays Marty Mauser, a swaggering young table tennis phenom chasing greatness, money, and legitimacy in a world that barely knows what to do with him. The real question is: does Marty Supreme paddle its way to glory, or is this one just a lot of hype with no return on serve? #GoodFilmHunting #RegularReview #MartySupreme #JoshSafdie #RonaldBronstein #TimotheeChalamet #GwynethPaltrow #OdessaAzion #TylerTheCreator #FranDrescher #A24 #SportsDrama #MovieReview #FilmDiscussion #PingPongMovie Release DetailsTitle: Marty SupremeYear: 2025Director: Josh SafdieWriter(s): Josh Safdie, Ronald BronsteinTop Billed Stars: Timothée Chalamet, Gwyneth Paltrow, Odessa A’zion, Tyler Okonma, Fran DrescherRunning Time: 150 minutesCountry of Origin: United StatesOfficial Release Date(s): Premiered at the New York Film Festival on October 6, 2025; U.S. theatrical release on December 25, 2025 via A24. Other Notable ProjectsJosh Safdie (Director): Best known for Uncut Gems and Good Time, Safdie brings that same manic, immersive energy here, but on a larger and more polished canvas. Marty Supreme looks like an evolution rather than a repeat. Ronald Bronstein (Writer): A longtime Safdie collaborator whose work on films like Uncut Gems and Heaven Knows What helped define that nervy, abrasive style. His involvement is a clue that this movie’s chaos is highly intentional. Timothée Chalamet: By the time of Marty Supreme, he was already carrying prestige and blockbuster weight through films like Dune and Wonka. This role matters because it lets him channel charisma into someone far messier and more self-invented than a standard heroic lead. Gwyneth Paltrow: Her presence gives the film added curiosity value, since she has kept a relatively selective screen profile in recent years. In a Safdie world, that kind of casting instantly reads as deliberate rather than nostalgic. Odessa A’zion: Known to many viewers from genre and youth-skewing work like Hellraiser, her inclusion signals the film is also tapping into newer screen energy, not just legacy-star oddity. Tyler Okonma (Tyler, the Creator): His casting fits the film’s outsider-showman vibe perfectly. Like Chalamet, he adds a sense that the movie wants cultural electricity, not just awards-season respectability. Social LinksYouTube: https://www.youtube.com/@tummytwinsInstagram: https://www.instagram.com/flickflopspod/X: https://twitter.com/flickflopspodTikTok: https://www.tiktok.com/@tummytwinsmediaFacebook: https://www.facebook.com/goodfilmhuntingpod

    13 min
  2. Episode 165 - Shelter (2026) - Rescue or Reckoning? - Good Film Hunting Review

    APR 17

    Episode 165 - Shelter (2026) - Rescue or Reckoning? - Good Film Hunting Review

    This week, we weather the storm with Shelter, Ric Roman Waugh’s bruised-and-brooding action thriller starring Jason Statham, Bodhi Rae Breathnach, and Bill Nighy. Set on a remote coastal island, the film follows a reclusive man with a violent past who rescues a young girl from a storm and gets dragged back into a deadly world he thought he’d left behind. Shelter wants to be equal parts lonely character piece and Statham survival thriller, but is it our lighthouse in a turbulent storm or a beacon of blasé bravado and bs? #GoodFilmHunting #RegularReview #Shelter #ShelterMovie #JasonStatham #RicRomanWaugh #WardParry #BillNighy #NaomiAckie #DanielMays #BodhiRaeBreathnach #ActionThriller #MovieReview #FilmDiscussion #NewMovies Release Details Title: ShelterYear: 2026Director: Ric Roman WaughWriter(s): Ward ParryTop Billed Stars: Jason Statham, Bodhi Rae Breathnach, Bill Nighy, Naomi Ackie, Daniel MaysRunning Time: 1h 47mCountry of Origin: United Kingdom, United StatesOfficial Release Date(s): January 20, 2026 premiere in London; January 30, 2026 theatrical release; February 24, 2026 streaming release Deep Background One of the more interesting things about Shelter is that it did not arrive in its final form. When the project was first taken to the 2024 Cannes market, Baltasar Kormákur was attached to direct, with Black Bear selling it as an untitled Statham action thriller. By February 2025, Ric Roman Waugh had taken over directing duties, which matters because Waugh tends to push even pulpy material toward a grimmer, grounded, survivalist tone. That helps explain why Shelter often feels less like a slick spy movie and more like a stripped-down man-on-the-run thriller with mud on its boots. Other Notable Projects Ric Roman Waugh (Director): Waugh’s key projects include Felon, Snitch, Shot Caller, Angel Has Fallen, and Greenland. That matters here because Shelter fits neatly into his brand of grim, muscular, no-nonsense filmmaking—less flashy than a John Wick-style director, more interested in hard knocks and damaged men trying to survive. Ward Parry (Writer): Parry is best known for Curtiz, Retribution, and now Shelter. His filmography is still relatively selective, which makes Shelter feel like another step in a career leaning toward tense, high-concept genre pieces rather than prestige drama. Jason Statham: By now, Statham’s filmography is practically its own subgenre, but Shelter lands in an interesting place after titles like The Beekeeper, Wrath of Man, and A Working Man. It is less swagger-heavy than some of those and more mournful, trying to give him a little emotional weathering alongside the expected bone-crunching. Bodhi Rae Breathnach: Breathnach is still early in her screen career, with Hamnet and So Awkward Academy among her notable credits. That makes Shelter a meaningful showcase role, since the movie depends heavily on the chemistry between her and Statham for its emotional backbone. Naomi Ackie: Ackie brings a little extra prestige and range thanks to work in Lady Macbeth, Star Wars: The Rise of Skywalker, Whitney Houston: I Wanna Dance with Somebody, Blink Twice, and Mickey 17. Her presence helps Shelter feel a little more elevated than a pure programmer, even when the script stays familiar. Bill Nighy: Nighy’s career speaks for itself, with standout work in Love Actually, Shaun of the Dead, Pirates of the Caribbean, About Time, and Living. Casting him in Shelter adds a layer of class and gravitas that the movie clearly wants as part of its identity. Daniel Mays: Mays is a terrific “that guy” presence whose résumé includes Rogue One, 1917, and Line of Duty. He is the kind of supporting actor who can make thin material feel more grounded, which is useful in a movie like this. Social Links YouTube: https://www.youtube.com/@tummytwinsInstagram: https://www.instagram.com/flickflopspod/X: https://twitter.com/flickflopspodTikTok: https://www.tiktok.com/@tummytwinsmediaFacebook: https://www.facebook.com/goodfilmhuntingpod

    9 min
  3. Episode 164 - Project Hail Mary (2026) - A New Sci-Fi Classic? - Good Film Hunting Review

    APR 10

    Episode 164 - Project Hail Mary (2026) - A New Sci-Fi Classic? - Good Film Hunting Review

    This week, Project Hail Mary launches Ryan Gosling into the kind of sci-fi where the equations matter, the emotions sneak up on you, and the fate of Earth somehow rides shotgun with one very overwhelmed middle-school science teacher. Directed by Phil Lord and Christopher Miller, the film follows Ryland Grace, a man who wakes up alone on a spacecraft with no memory and slowly realizes he may be humanity’s last chance to stop the sun from dying. Did Project Hail Mary make us want to shout “Amaze,” or were we left feeling less than stellar? #GoodFilmHunting #ProjectHailMary #RyanGosling #PhilLord #ChristopherMiller #DrewGoddard #AndyWeir #SandraHuller #JamesOrtiz #LionelBoyce #SciFiMovie #SpaceMovie #MovieReview #FilmDiscussion #AmazonMGM Release DetailsTitle: Project Hail MaryYear: 2026Director: Phil Lord, Christopher MillerWriter(s): Drew Goddard, based on the novel by Andy WeirTop Billed Stars: Ryan Gosling, Sandra Hüller, James Ortiz, Lionel BoyceRunning Time: 2h 36mCountry of Origin: United StatesOfficial Release Date(s): Wide U.S. theatrical release on March 20, 2026; Prime member early screenings began March 16, 2026. Deep Background & Hidden TriviaThe movie had a strong pedigree before cameras even rolled. Ryan Gosling was attached back in 2020, and Drew Goddard returning to adapt another Andy Weir story immediately invited comparisons to The Martian. Then in 2024, Amazon MGM locked in the March 20, 2026 release, giving the project the feel of a prestige blockbuster rather than a streaming-first sci-fi experiment. One of the best discussion angles is that this was Lord and Miller’s first directed live-action feature since 22 Jump Street. That gap matters, because it helps explain why the movie feels like a tonal balancing act: high-concept science, comedy rhythms, spectacle, and sincere heart all trying to coexist. The early marketing clearly leaned into that blend, and the first trailer reportedly pulled 400 million global views in its first week, which is massive for an original, non-franchise movie. A great behind-the-scenes hook is Rocky. Instead of making the character purely digital, the production used James Ortiz as voice performer and puppeteer, which gave the relationship between Grace and Rocky a more tactile, actor-to-actor energy. Interviews around release stressed that Rocky was designed not as a cute sidekick or “pet,” but as an equal intelligence and emotional counterweight, which is a big part of why that dynamic seems to have landed with audiences. Another juicy bit: Lord and Miller said an early cut reportedly ran around 225 minutes before they trimmed it down to the final 156-minute version. That is exactly the kind of thing worth bringing up on the show, because you can feel the movie’s ambition in the finished cut. It also opens up a good conversation about whether the final film feels rich and expansive or just a little overpacked. Commercially, this thing didn’t just open well, it broke through. It posted Amazon MGM’s biggest opening and then held extremely well in weekend two, pushing past $300 million worldwide and becoming one of the year’s biggest theatrical hits. For a smart original sci-fi film, that’s part of the story, too: audiences actually showed up for an earnest, brainy, emotional space adventure. Other Notable ProjectsPhil Lord & Christopher Miller: Their fingerprints are all over modern studio entertainment, from The Lego Movie to Spider-Man: Into the Spider-Verse and Across the Spider-Verse as producers/writers. That matters here because Project Hail Mary feels like them applying their usual wit and emotional clarity to a larger-scale live-action sci-fi canvas. Drew Goddard: The obvious comparison point is The Martian, since he also adapted Andy Weir’s work there. He also wrote The Cabin in the Woods and directed Bad Times at the El Royale, so he has a track record of juggling clever structure, genre play, and sharp character beats. That makes him a strong fit for a story that needs science exposition without turning into homework. Ryan Gosling: He came in with the prestige of La La Land, Blade Runner 2049, First Man, and the mainstream jolt of Barbie. What makes this film interesting in his career is that it lets him lean into charm, anxiety, comedy, and pathos all at once. Reviews have singled him out as the gravitational center of the movie. Sandra Hüller: Coming off the internationally acclaimed Anatomy of a Fall and The Zone of Interest, Hüller brings immediate seriousness and credibility. Her casting signaled that the movie was aiming for something more grounded and emotionally weighty than just “Ryan Gosling in space.” James Ortiz: Not a conventional top-billed movie star, but a huge talking point here. His work as Rocky is one of those rare performance/puppetry hybrids that gives the film much of its emotional identity. In a weird way, he may be one of the movie’s secret weapons. Social LinksYouTube: https://www.youtube.com/@tummytwinsInstagram: https://www.instagram.com/flickflopspod/X: https://twitter.com/flickflopspodTikTok: https://www.tiktok.com/@tummytwinsmediaFacebook: https://www.facebook.com/goodfilmhuntingpod

    12 min
  4. Episode 163 - Song Sung Blue (2025) - A Rare Diamond? - Good Film Hunting Review

    APR 3

    Episode 163 - Song Sung Blue (2025) - A Rare Diamond? - Good Film Hunting Review

    This week on Good Film Hunting, we’re breaking out an acoustic guitar for a little Song Sung Blue (2025).This heartfelt musical drama from Craig Brewer stars Hugh Jackman and Kate Hudson as Mike and Claire Sardina, a Midwest couple who chase their dreams by forming a Neil Diamond tribute band called Lightning and Thunder. Did this movie make us forever blue (in jeans) or do we think you and Cracklin' Rosie should get on board? #GoodFilmHunting #MovieReview #SongSungBlue #CraigBrewer #HughJackman #KateHudson #NeilDiamond #MusicalDrama #BiographicalFilm #FilmDiscussion #DramaMovie #mustwatchfilm 📅 Release DetailsTitle: Song Sung BlueYear: 2025Director: Craig BrewerWriter: Craig BrewerTop Billed Stars: Hugh Jackman, Kate Hudson, Michael Imperioli, Jim Belushi, Ella AndersonRunning Time: ~132 minutesCountry: United StatesOfficial Release Dates: Premiere at AFI Film Festival (Oct 26, 2025); U.S. theatrical release on December 25, 2025 🧠 Deep Background & Hidden TriviaThe feature film Song Sung Blue is adapted from a 2008 documentary of the same name by Greg Kohs that followed the real-life Neil Diamond tribute band Lightning & Thunder. Brewer encountered the doc at a festival and was inspired to dramatize the story.Craig Brewer, known for blending music and character (“Hustle & Flow,” “Dolemite Is My Name”), wrote, directed, and co-produced this film, placing emotional honesty above slick biopic tropes.Both Jackman and Hudson perform musical numbers in the film, mixing recorded and live vocals to capture the raw energy of stage tribute acts.Kate Hudson’s portrayal earned her a Golden Globe nomination for Best Lead Actress in a Musical/Comedy, marking a significant career moment cementing her musical credibility.The movie pays homage to a niche but dedicated corner of American music culture — grassroots tribute bands — turning what could’ve been a quirky footnote into an emotionally resonant main story. 🎥 Other Notable ProjectsCraig Brewer – Made his mark with Hustle & Flow (2005), which blends gritty character drama with blues and hip-hop music, a precursor to this more melodic but emotionally driven story.Hugh Jackman – From blockbuster ebullience in The Greatest Showman (2017) to nuanced musicals like Les Misérables (2012), Jackman brings vocal experience and stage presence to the film’s musical core.Kate Hudson – Beyond breakout roles like Almost Famous (2000), Hudson has leaned into musical performance recently, including her debut album Glorious (2024), which informed her grounded vocal work here. 🔗 Social LinksYouTube: https://www.youtube.com/@tummytwinsInstagram: https://www.instagram.com/flickflopspod/X: https://twitter.com/flickflopspodTikTok: https://www.tiktok.com/@tummytwinsmediaFacebook: https://www.facebook.com/goodfilmhuntingpod

    14 min
  5. Episode 162 - They Live (1988) - Prophecy or Paranoia? - Good Film Hunting Cult Classic Review

    MAR 27

    Episode 162 - They Live (1988) - Prophecy or Paranoia? - Good Film Hunting Cult Classic Review

    This week we slip on a pair of very suspicious sunglasses and see the world as it really is with They Live, the gloriously subversive sci-fi satire directed by John Carpenter and starring Roddy Piper, Keith David, and Meg “My ice blue eyes are staring into your soul” Foster. The story follows a drifter who discovers a pair of sunglasses that reveal a hidden truth: the world is secretly controlled by alien elites manipulating humanity through subliminal messages. We came here to review movies and chew bubblegum… #GoodFilmHunting #CultClassics #TheyLive #JohnCarpenter #RoddyPiper #KeithDavid #MegFoster #AlanHowarth #RayNelson #80sMovies #SciFiFilm #CultFilm #MovieReview #FilmDiscussion #ClassicSciFi Release Details:Title: They LiveYear: 1988Director: John CarpenterWriter: John Carpenter (credited as Frank Armitage) – based on the short story Eight O’Clock in the Morning by Ray NelsonTop Billed Stars: Roddy Piper, Keith David, Meg FosterRunning Time: 94 minutesCountry of Origin: United StatesOfficial Release Date: November 4, 1988 (United States) Other Notable Projects:John Carpenter (Director) Halloween – The horror classic that cemented Carpenter as a master of suspense.The Thing – Now regarded as one of the greatest sci-fi horror films ever made, though initially divisive.Escape from New York – Introduced anti-hero Snake Plissken and helped define Carpenter’s gritty genre style. Roddy Piper (Lead Actor) WrestleMania III – One of his most famous wrestling appearances before the film.Hell Comes to Frogtown – A bizarre cult sci-fi comedy released the same year. Keith David (Actor) The Thing – Another Carpenter collaboration where David delivered a standout performance.Platoon – Oliver Stone’s Vietnam War classic. Meg Foster (Actor) The Osterman Weekend – Directed by Sam Peckinpah.Cagney & Lacey – A well-known television role during the 1980s. Plot SummaryA drifter named Nada arrives in Los Angeles looking for work and stumbles upon a hidden resistance movement. When he discovers a mysterious pair of sunglasses, he realizes the world is not what it seems: the ruling class is actually a race of extraterrestrial beings who control humanity through subliminal messages embedded in media and advertising. Armed with this knowledge—and a shotgun—Nada sets out to expose the truth and disrupt the alien agenda before humanity becomes permanently enslaved. Social LinksYouTube: https://www.youtube.com/@tummytwinsInstagram: https://www.instagram.com/flickflopspod/X: https://twitter.com/flickflopspodTikTok: https://www.tiktok.com/@tummytwinsmediaFacebook: https://www.facebook.com/goodfilmhuntingpod

    20 min
  6. Episode 161 - The Running Man (2025) - Reboot We Needed? - Good Film Hunting Review

    MAR 20

    Episode 161 - The Running Man (2025) - Reboot We Needed? - Good Film Hunting Review

    This week we sprint into Edgar Wright’s 2025 reimagining of The Running Man, starring Glen Powell as Ben Richards, opposite a wild ensemble including Josh Brolin and Colman Domingo — all set in a dystopian reality where survival is televised and martyrdom is entertainment. What starts as a desperate bid to save a family becomes a gladiator-like sprint through corporate spectacle and media obsession. But does this new version earn its place in the King film pantheon, or does it stumble across the finish line? #GoodFilmHunting #MovieReview #TheRunningMan #EdgarWright #GlenPowell #JoshBrolin #ColmanDomingo #ScienceFictionFilm #ActionMovie #Dystopia #2025Movies #paramountpictures 📅 Release Details Title: The Running Man (2025) Year: 2025 Director: Edgar Wright Writers: Edgar Wright, Michael Bacall (adapted from the novel by Stephen King) Top-Billed Stars: Glen Powell, Josh Brolin, Colman Domingo, Lee Pace, Michael Cera, William H. Macy, Emilia Jones Running Time: ~133 min Country: United States / United Kingdom US Theatrical Release: November 14, 2025 Streaming / Digital: VOD mid-December 2025; Paramount+ January 2026 🧠 Deep Background & Hidden Trivia Reimagining, not repetition: This is the second screen adaptation of Stephen King’s 1982 novel — following the iconic 1987 Schwarzenegger version — but Wright’s take leans more into contemporary media satire than pure ’80s action caricature. Casting contrasts: The film assembles a broad cast from action, comedy, and drama, from Michael Cera’s unlikely presence to Colman Domingo’s hosting spectacle, reflecting Wright’s tonal ambition to blend genre tones. Cultural update: A character inspired by online conspiracy culture was added to root the narrative in today’s media-obsessed climate. Box office challenges: Despite a healthy budget (~$110M), it underperformed theatrically, reflecting mixed audience and critical reactions in a crowded release season. Schwarzenegger approval: The original star publicly praised this remake, offering a bridge between generations of viewers. 🎥 Other Notable Projects Edgar Wright Known for kinetic style and sharp editing (Baby Driver, Scott Pilgrim vs. the World), Wright pivots here to a big-budget dystopian narrative — a departure from his smaller ensemble comedies. Glen Powell Powell’s rising star status — from supporting roles to charismatic leads (Top Gun: Maverick) — anchors this film’s emotional drive amidst spectacle. Josh Brolin Brolin brings veteran gravitas, balancing physical menace with satirical bite as the ruthless show producer. 🔗 Social Links YouTube: https://www.youtube.com/@tummytwins Instagram: https://www.instagram.com/flickflopspod/ X: https://twitter.com/flickflopspod TikTok: https://www.tiktok.com/@tummytwinsmedia Facebook: https://www.facebook.com/goodfilmhuntingpod

    21 min
  7. Episode 160 - Over The Edge (1979) - A Movie Parents Hated! - Good Film Hunting Cult Classic Review

    MAR 13

    Episode 160 - Over The Edge (1979) - A Movie Parents Hated! - Good Film Hunting Cult Classic Review

    This week on Good Film Hunting - Cult Classics, we’re going over the edge—literally—into the raw, restless suburban nightmare of the 1979 film of the same name. Directed by Jonathan Kaplan, it stars a breakout Matt Dillon, alongside Michael Eric Kramer and Pamela Ludwig. Set in a sterile planned community where adults talk at kids instead of to them, the film follows a group of bored, ignored teens whose rebellion escalates from pranks to full-blown uprising. Are we still members of those youthful rebels who took on a real estate development empire or is this cult classic too outdated for us to drink the kool-aid? #GoodFilmHunting #CultClassics #OverTheEdge #JonathanKaplan #MattDillon #TeenRebellion #70sCinema #ComingOfAgeFilm #CounterCulture #FilmDiscussion #MovieReview #ClassicMovies #IndieFilm #SuburbanNightmare #YouthCinema Release Details Title: Over the Edge Year: 1979 Director: Jonathan Kaplan Writer(s): Tim Hunter, Charlie Haas Top Billed Stars: Matt Dillon, Michael Eric Kramer, Pamela Ludwig Running Time: 95 minutes Country of Origin: United States Official Release Date: May 18, 1979 Other Notable Projects Jonathan Kaplan (Director):The Accused (1988), White Line Fever (1975) Matt Dillon: Rumble Fish (1983), Drugstore Cowboy (1989) Tim Hunter (Writer): Became a major TV director (Breaking Bad, Twin Peaks) Plot Summary In the cookie-cutter suburb of New Granada, teens drift through empty days while parents and officials dismiss their frustrations as noise. What begins as small acts of rebellion escalates when the kids realize the system designed to protect them has no intention of listening. As authority tightens its grip, the teens push back—hard—forcing the community to confront the consequences of neglect. Social Links YouTube: https://www.youtube.com/@tummytwins Instagram: https://www.instagram.com/flickflopspod/ X: https://twitter.com/flickflopspod TikTok: https://www.tiktok.com/@tummytwinsmedia Facebook: https://www.facebook.com/groups/flickflopspodcast

    20 min
  8. Episode 159 - The Rip (2026) - Stylish but Empty? - Good Film Hunting Review

    MAR 6

    Episode 159 - The Rip (2026) - Stylish but Empty? - Good Film Hunting Review

    This week on Good Film Hunting, we’re tearing into The Rip—the crime thriller directed by Joe Carnahan, and starring Ben Affleck, Matt Damon, and Steven Yeun. When a group of Miami cops stumble onto a massive, illicit cash haul, loyalty gets tested and the line between law and crime starts to tear fast. Did Affleck and Damon rip a good one? #GoodFilmHunting #RegularReview #TheRip #JoeCarnahan #BenAffleck #MattDamon #StevenYeun #CrimeThriller #NetflixFilm #MovieReview #FilmDiscussion #NewMovies #CrimeFilm #ThrillerMovies #gfh 🎬 Release Details Title: The Rip Year: 2026 Director: Joe Carnahan Writer(s): Joe Carnahan (story & screenplay) Top Billed Stars: Ben Affleck, Matt Damon, Steven Yeun Running Time: 113 minutes Country of Origin: United States Official Release Date: January 16, 2026 — streaming globally on Netflix 🎞️ Other Notable Projects Joe Carnahan (Director): Narc, Smokin’ Aces Ben Affleck: The Town, Gone Girl Matt Damon: The Departed, Stillwater Steven Yeun: Burning, Beef 📖 Plot Summary When Miami cops unexpectedly seize a massive stash of illegal cash, what should be a career-defining bust quickly turns volatile. As outside forces close in and internal trust fractures, each decision pushes the team further into dangerous territory—where survival, loyalty, and greed become impossible to separate. 🔗 Social Links YouTube: https://www.youtube.com/@tummytwins Instagram: https://www.instagram.com/flickflopspod/ X: https://twitter.com/flickflopspod TikTok: https://www.tiktok.com/@tummytwinsmedia Facebook: https://www.facebook.com/groups/flickflopspodcast

    13 min

About

Good Film Hunting (GFH) is a movie channel built around one simple question: is this movie worth watching? Gary and Andy don’t do lectures, scorecards, or film school breakdowns. We watch the movie, talk it out, follow the conversation where it naturally goes, and give you an honest take — the good, the bad, and the “what were they thinking?” From cult classics and retro rewinds to new releases, flops, and forgotten curiosities, GFH is about reactions, perspectives, and the kind of movie talk you’d have with friends after the credits roll. No yelling. No hot-take nonsense. Just real conversation, differing opinions, a few laughs, and a clear answer at the end: should you watch it, or skip it? If you like movies and like talking about movies, you’re in the right place.