Generations

Peter and Aubrey Jones
  • 5.0 (1)
  • LEISURE
  • UPDATED MONTHLY

A father and daughter discuss life across their generations. Science, medicine, music, and whatever else they choose to discuss are on the table.

  1. FEB 8

    Mistborn, Stormlight, and the High-Risk of Art Adaptations

    This week, we dig into the news that Brandon Sanderson has sold the rights to the entire Cosmere to Apple TV. We talk through our initial reactions—excitement mixed with very real nervousness—about what it means when beloved books make the jump to live-action. Along the way, we explore why Apple TV might actually be the best possible home for something this ambitious, how creative control (and unfinished stories) matter more than ever, and what makes Sanderson’s worlds both uniquely difficult and incredibly promising to adapt. We wrap up with thoughts on casting, representation, unfinished series trauma, and why this could be one of the rare cases where hope feels justified. Show Notes We open with a quick life check-in, including wildly different winter weather and a discussion of apartment life, visitors, and an ever-expanding collection of houseplants.We shift into the main topic: the announcement that Apple TV has acquired the rights to the entire Cosmere.Initial reactions focus on adaptation anxiety—why turning beloved books into movies or shows so often goes wrong, and why live-action adaptations feel especially risky.We talk about how Sanderson’s reported level of creative control is unusual, especially compared to other high-profile adaptations.Peter reflects on growing up with The Lord of the Rings and how that experience shapes his optimism about adaptations done well.We discuss why animation might have been safer—and why live action still has enormous potential if handled carefully.A big point of optimism: Apple TV’s reputation among creators for funding projects well, giving creative freedom, and actually letting stories finish.Comparisons to Netflix and Amazon highlight the frustration of canceled shows and unfinished narratives.We talk about how Apple’s long-term planning (and willingness to greenlight full arcs) could be critical for something as massive as Stormlight and Mistborn.Casting comes up, with strong agreement that unknown actors would be ideal to avoid baggage and preserve immersion.We joke about nightmare casting scenarios and the dangers of star-driven decisions.Representation matters: we discuss how Stormlight’s cultures are intentionally written and why accurate casting is important.We explore the challenge of Cosmere “cross-pollination” and how later books rely heavily on wider lore.Peter raises an interesting upside: some of Sanderson’s weaker prose moments may translate better on screen, where dialogue and visuals carry more weight.We touch on structural questions—movies vs. series, pacing, and how to handle extremely long books.

    35 min

  2. JAN 25

    Gaming Across Generations

    This week, we dive into video games—what we play, what we love, what we bounce off of, and what being a “gamer” even means anymore. We talk through our very different gaming habits, from hundreds of hours in Stardew Valley and Minecraft to deep, story-driven single-player epics like Mass Effect and Assassin’s Creed. Along the way, we explore why some games feel comforting, why others feel like work, how difficulty and time shape our choices, and how gaming has changed with age, technology, and expectations. It’s a laid-back, honest conversation about play, frustration, storytelling, and why it’s okay to like what you like.   Show Notes We open with a quick check-in about extreme winter weather, frozen windows, and how different winters feel depending on where you liveWe introduce the episode’s theme: video games we love, games we don’t, and what we’re currently playingWe question what it even means to be a “gamer” in 2026, especially in a world where mobile games dominate total playtimeWe talk about how gaming habits change with age, time constraints, and life responsibilitiesAubrey walks through her most-played games:Stardew Valley as her all-time favorite, including multiple worlds, co-op play, and reaching “perfection”Minecraft as both a comfort game and a way to stay connected during long-distance relationshipsHow co-op gaming became a form of long-distance date nightWe discuss different types of games and why they appeal differently:Sandbox and simulation gamesRoguelikes and progression-based loopsLoot-driven games like Diablo and BorderlandsStory-first, single-player gamesPeter explains why story and characters are the biggest draw for him, especially in:The Mass Effect trilogy as his all-time favorite gaming experienceAssassin’s Creed Origins and Odyssey, and why Valhalla eventually felt too grindyWe talk about difficulty settings, “story mode,” and why difficulty shouldn’t be a barrier to enjoying gamesWe discuss games we want to like but don’t:Zelda: Breath of the Wild and Tears of the KingdomSuper Mario platformersWhy exploration-heavy games don’t always clickAubrey shares her experience with Cult of the Lamb, including finishing it on normal difficulty and attempting the harder survival modeWe explore It Takes Two as a co-op experience that’s fun but emotionally and mechanically demandingAubrey talks about discovering a newer, more systems-focused space game and why optimization and calm progression really work for herPeter brings up Cyberpunk 2077 as one of the best—but emotionally heavy—games he’s ever playedWe touch on party and group games:Mario KartBoomerang FuSuper Smash Bros (and character loyalty)We talk about competitive vs. solo gaming and why online multiplayer just doesn’t appeal to usPeter reflects on strategy games like Civilization—always buying them, rarely playing themWe close by agreeing that gaming doesn’t need justification: comfort games count, single-player counts, and enjoying one game deeply is enough

    48 min

  3. JAN 11

    Hype, Hesitation, and Hope: Our 2026 Preview

    This week, we take a lighter turn and talk about what we’re genuinely looking forward to in 2026. From major movies and long-awaited books to video games, music releases, space missions, and even what not to get excited about, we reflect on anticipation itself—how hype changes with age, how expectations can be complicated, and how sometimes the biggest thing we’re excited for is simply a slower, steadier year. It’s a wide-ranging, honest conversation about culture, creativity, and where we’re putting our energy as we look ahead. Show Notes We open with some life updates, including travel fatigue, family weddings, and easing back into work after the holidaysWe intentionally choose a lighter topic after last week’s more reflective episode: things we’re excited about in 2026Movies we’re looking forward toStrong excitement for Project Hail Mary, especially given how meaningful the book wasCuriosity and respect for Christopher Nolan’s The Odyssey, even with mixed feelings about his past filmsAnticipation (and dread) around Sunrise on the Reaping and the emotional weight of the Hunger Games universeCautious optimism about The Devil Wears Prada 2—beloved cast, but big questions about timing and necessityA deep dive into Dune Messiah vs. Avengers: Doomsday, including Marvel fatigue and uncertainty around Doctor DoomThoughts on Spider-Man: Brand New Day and why it inspires more confidence than the next Avengers filmClear disinterest in The Mandalorian and Grogu, despite its significance for Star Wars theatrical releasesBooks and readingHuge enthusiasm for the next Dungeon Crawler Carl book and praise for its narration and humorDiscussion of finally getting into the series and why it works as a palate cleanserHope for Twelve Months, the long-awaited next entry in The Dresden FilesHonest conversation about the series’ flaws, growth over time, and why it’s still worth readingTV shows (mostly hypotheticals)Acknowledging how many shows we intend to watch but haven’t yetMentions of Silo, Rings of Power, House of the Dragon, and Marvel TV fatigueWhy some shows feel easier to watch with others rather than aloneVideo gamesExcitement for the Cult of the Lamb expansion and how it surprised usCuriosity around GTA VI, despite never finishing previous entriesInterest in Marvel’s Wolverine and a potential Fable rebootMusicAnticipation for several metal releases, mixed with realism about aging bandsReflections on how live music has changed—and why smaller shows feel more meaningful nowSticker shock and frustration with modern concert ticket pricesA shift toward supporting artists directly through digital purchasesSpace and scienceExcitement about the Artemis II mission looping around the far side of the moonAnticipation for a total lunar eclipse visible across North AmericaGentle skepticism about “quantum breakthroughs” announced by tech companiesWe close by acknowledging that after several intense life years, a quieter, slower 2026 might be the thing we’re most excited about

    45 min

  4. 12/28/2025

    New Year, No Resolutions

    In this episode, we push back hard against New Year’s resolutions and unpack why they so often leave us feeling guilty, frustrated, and stuck. Instead, we talk through the idea of yearly themes—a gentler, more flexible way to guide growth without the pressure of pass/fail goals. We reflect on our past themes, share what worked (and what didn’t), and introduce our themes for 2026: a year of peace and the year of gentle refinement. Along the way, we dig into anxiety, sleep, routines, and why progress is never linear—and that’s actually the point. Show Notes We open by talking about being together in person over the holidays, unseasonably warm winter weather, and how strange it feels to see green grass in December.We reflect on how climate shifts, lack of snowpack, and wildfire smoke have become an unsettling “new normal.”As the year wraps up, we explain why we are firmly opposed to traditional New Year’s resolutions.They tend to be overly ambitious.They focus on failure and guilt rather than growth.They encourage all-or-nothing thinking.We talk about how resolutions often repeat year after year, reinforcing a cycle of disappointment instead of progress.We introduce the idea of yearly themes, inspired by the Cortex podcast’s approach.Themes guide decisions instead of dictating outcomes.You can’t “fail” a theme.Themes allow for flexibility, reassessment, and course-altering without shame.We discuss how progress actually works:Growth isn’t linear.Life looks more like a sine wave than a straight upward line.The goal is to slowly shift the baseline over time.Aubrey reflects on last year’s theme—essentially survival—and why graduating, moving, and starting a new life counts as success.Peter shares past themes:The Year of Growth (too broad)The Year of Conscious Action (more effective and grounded)Aubrey introduces her 2026 theme: A Year of PeaceFocused on managing anxiety rather than “fixing” it.Centered on inner calm, not external control.Anchored in sleep, movement, mindfulness, and basic needs.We talk about anxiety as something often self-generated through imagined scenarios—and how peace is about changing our response.Peter introduces his 2026 theme: The Year of Gentle RefinementA rejection of “optimization” as a harsh, weaponized concept.Focused on small, monthly refinements rather than big overhauls.Closely aligned with learning, workflows, and creative projects.We discuss embracing failure as information, not judgment.Sleep becomes a major focus:Refining nighttime routines.Consistent wake times.Circadian rhythm basics.Aubrey shares practical strategies for anxiety management:Walking meditations.Getting sunlight early in the day.Her “first aid kit for anxiety” (drink water, eat, go to the bathroom).We close by emphasizing that themes only need to work for you—there’s no universal right answer.

    40 min

  5. 12/14/2025

    Our Year in Books: Favorites, Letdowns, and Rereads

    In this episode, we wrap up the year by looking back at everything we read in 2025 — the books we loved, the ones that surprised us, and the ones that completely missed the mark. We dig deep into our shared love (and growing concerns) around Brandon Sanderson’s Cosmere, celebrate standout reads like Project Hail Mary and Murderbot, and unpack why some wildly popular fantasy series just didn’t work for us. Along the way, we talk rereads, audiobooks, nonfiction that actually changed how we think, and the frustration of realizing — a little too late — that a book you just finished maybe… wasn’t very good after all.   Episode Notes We kick things off with winter check-ins, comparing Wisconsin’s full-on frozen wonderland to Peter’s suspiciously warm, snow-light winter.End-of-year busyness hits hard, especially when holidays collide with work schedules and stolen OR days.Our main topic: books we read in 2025, including highlights, rereads, surprises, and disappointments.Aubrey walks through reading all of Brandon Sanderson’s Secret Projects, with Tress of the Emerald Sea standing out as a near-perfect recommendation for new readers.We both revisit Mistborn — rereading the original trilogy reveals new layers, but also highlights lingering concerns about prose and late-series direction.The Sunlit Man sparks mixed feelings, especially around Sigzil’s characterization and its disconnect from Wind and Truth.Peter rereads the entire Mistborn saga through The Lost Metal, praising Wax and Wayne but expressing disappointment with the finale, escalating Cosmere gods, and Kelsier’s trajectory.Both of us admit growing unease after The Lost Metal and Wind and Truth, worrying about where the Cosmere is headed.Aubrey shares thoughts on Isles of the Emberdark, Sixth of the Dusk, Yumi and the Nightmare Painter, and White Sand — including a strong dislike for Graphic Audio adaptations.Peter gushes about The Murderbot Diaries, praising their exploration of personhood, AI, free will, and identity — and recommends the Apple TV+ adaptation.We discuss The Three-Body Problem, including its hard sci-fi roots and the famous astrophysics concept behind the title.One of Peter’s standout reads: Murder Your Employer, a darkly funny, sharp, and satisfying novel that became his favorite fiction read of the year.Aubrey highlights Project Hail Mary as a clear top-tier read, praising both the story and the audiobook experience.We talk Hunger Games prequels, with Sunrise on the Reaping delivering emotional devastation and deeper insight into Haymitch.Aubrey runs through major fantasy misses, including Fourth Wing, From Blood and Ash, and An Ember in the Ashes, calling out weak prose, flat characters, and formula fatigue.Nonfiction roundup from Peter includes Atomic Habits, Save the Cat Writes a Novel, and Tiny Experiments, which had a genuinely life-changing impact.Aubrey shares a strong nonfiction miss with The Anatomy of Anxiety, ultimately abandoning it over pseudoscience and diet fear-mongering.The episode closes with Peter starting Gödel, Escher, Bach, setting up a serious, slow-burn intellectual challenge for the year ahead.

    1h 9m

  6. 11/30/2025

    Honeymoons, Thanksgiving, and everything in between

    This week we settle in for a post-Thanksgiving catch-up, sharing how wildly different our holidays looked — from Peter’s early family feast and multiple pie rounds to Aubrey’s first snowy Wisconsin Thanksgiving with a marathon dog show in the background. We recap Aubrey and Hayden’s dream honeymoon in Punta Cana (complete with a personal butler, swim-up suite, and unexpectedly eye-opening moments outside the resort), reflect on the realities of tourism, talk about the new food-pantry project Aubrey is helping with, and rant lovingly about overconsumption and skipped-over Thanksgiving vibes. It’s a cozy, thoughtful, everything-we’ve-been-up-to episode. Thanksgiving RecapWe compare how our Thanksgivings looked this year: Peter had family in town, ate early because Alex worked, and enjoyed the luxury of being done with dinner by 1:30pm — which meant pie three separate times throughout the day.Aubrey and Hayden had their first Wisconsin Thanksgiving together: quiet, cozy, just the two of them… and a national dog show that somehow ran for nine hours.Hayden cooked the full spread — turkey, stuffing, rolls, mashed potatoes — while Aubrey happily avoided the kitchen.The Costco pumpkin pie reigned supreme.Wisconsin immediately greeted them with bitter cold and a looming winter storm warning.Honeymoon in Punta Cana Aubrey and Hayden finally took their honeymoon: a full week in the Dominican Republic at an adults-only all-inclusive.Thanks to deep research and a weird price quirk, they booked a VIP swim-up suite that was:Perfect weather the whole trip: 85° highs, 78° lows, light rain only at night.The butler sent daily WhatsApp newsletters with weather, restaurant schedules, and events.Resort activitiesParasailingMuddy ATV/buggy tourSwimming in a water caveTasting Dominican hot chocolate, coffee, and teaExploring local beachesAubrey would like to return and never come home again.The Realities of Tourism They learned resort employees often earn around $450/month, even in high-demand roles.Staff often work 12 days on, 2 days off, with housing just across the street.Resort guests are encouraged to leave TripAdvisor reviews for staff because bonuses and days off depend on it.Aubrey and Hayden tipped generously and left detailed positive reviews.We talk about how tourism helps but also doesn’t necessarily feed the real local economy.What’s New at Home Aubrey is settling back into Wisconsin winter and starting her new job.Peter’s work has been the usual year-end chaos: med students, residents, OR days, and holiday-season busyness.He looks forward to January even though January hasn’t really slowed down in recent years.Aubrey’s New Unpaid Job Aubrey is now the social media manager for her best friend’s mobile food pantry in Salt Lake.The pantry serves communities that can’t easily get to traditional food banks.Winter increases needs dramatically.Aubrey’s been making Canva graphics, Reels/TikToks, and growing the project’s presence.Shameless plug: Instagram → freefoodtruck.slcRethinking Consumption & the Holidays Aubrey has been reflecting on:VolunteeringSpending money intentionallyAvoiding overconsumption culture — especially around the holidaysDonating or supporting causes rather than buying random giftsShe shares love for:The Hank & John Green–run Good StoreAwesome Socks Club subscriptions that funnel profits into maternal health in Sierra LeoneCoffee/tea subscriptions funding TB researchPeter’s Mini-Rant on Thanksgiving We revisit the idea (from Middle of Culture) that Thanksgiving has meaning but gets ignored since it can’t be easily commercialized.Halloween and Christmas dominate because they’re more profitable.Black Friday is a shadow of itself — 30% off is now considered a “deal.”Wrapping Up We’re both getting back into routines after travel.Aubrey is preparing for a long winter of hibernation.Peter encourages light exposure (even artificial) to survive seasonal darkness.

    32 min

  7. 11/02/2025

    Wind and Truth: Too Much World, Too Little Wonder

    This week, we dive deep into Wind and Truth, the fifth entry in Brandon Sanderson’s Stormlight Archive. What starts as admiration for Sanderson’s worldbuilding turns into a sharp critique of bloated storytelling, lazy editing, and inconsistent prose. We talk about what worked—Kaladin’s healing arc, Adolin’s relationships, and some truly epic battles—but spend most of the episode unpacking what didn’t: Shallan’s unbearable arc, the meandering Ghostbloods subplot, and a Dalinar who’s overstayed his welcome. The discussion moves from disappointment to analysis, tackling themes of mental health, narrative bloat, and the line between ambition and indulgence. We end by recommending The Gone Away World as a palate cleanser for readers craving tighter, more inventive writing. 📝 Episode Notes Both hosts share travel updates and kick things off sick but chatty.Wind and Truth clocks in at 1,360 pages or 63+ hours on audio—“a beast of a book.”Aubrey finished months ago; Peter only recently wrapped it up after rereading all Mistborn and the Secret Projects.Overall impressions: Aubrey: emotional, conflicted, “stabbed in the heart” but also confused.Peter: relieved it’s over—“glad I won’t have to spend any more time with some of these characters.”Favorites: Kaladin’s recovery and arc completion.Adolin and Yanagawn’s evolving friendship.The battles in Adolin’s storyline.Kaladin’s ending feels earned and hopeful.Critiques: Sanderson’s prose feels “lazy” and “11th-grade honors English.”Too much worldbuilding—“circled back around and crawled up its own ass.”Shallan and the Ghostbloods storyline: “No one likes Shallan.”Dalinar: “A whiny ass little bitch.”Yasna’s “debate” with Odium felt implausible and shallow.Side plots (Lift, Navani, singers) felt unnecessary or underdeveloped.Positive Spoilers: Kaladin’s ending as a Herald and Szeth’s tragic depth were highlights.Discussion of how Sanderson’s earlier writing (Mistborn, Final Empire) felt sharper and better edited.Peter recommends The Gone Away World by Nick Harkaway as a contrast—beautiful prose, mind-bending structure, and unforgettable turns.Aubrey resolves to slow down her reading pace to savor strong writing better.We close with laughs, no facts this week, and announce a four-week break for travel before the next episode.

    1h 2m

  8. 10/19/2025

    Marvel's Redemption Arc (Thunderbolts*)

    After years of Marvel fatigue, we dive deep into Thunderbolts*—the first MCU film since Endgame to genuinely move us. From Florence Pugh’s standout performance as Yelena to the surprisingly heartfelt “group hug” finale, we unpack why this movie finally brought back the magic that’s been missing. Along the way, we reflect on our shared Marvel journey, rank the post-Endgame films (spoiler: most didn’t make the cut), and rediscover what made these stories so meaningful in the first place. Opening Catch-up Aubrey starts a new job as an after-school group leader for kids — “the fun person, not the teacher.”Peter updates on Gareth’s swim success (first places all around) and a hilarious 2 a.m. fridge alarm incident.Both discuss recovering from September burnout and their ongoing learning projects — Peter’s Save the Cat course and Aubrey’s self-taught math/physics review plan using ChatGPT as a tutor.Main Topic — Marvel Since Endgame The two go phase by phase, movie by movie, revisiting the highs (Shang-Chi, No Way Home) and many lows (Eternals, Love and Thunder, Secret Invasion).Aubrey admits she used to defend Marvel “like an apologist,” but finally concedes the spark was gone.Peter jokes that Secret Invasion made him “angrier than anything he’s ever wasted time on.”Thunderbolts*: The Return of the MCU? Directed by Jake Schreier, starring Florence Pugh, David Harbour, Sebastian Stan, Wyatt Russell, and others.Plot breakdown: Yelena leads a ragtag group of “broken people” — Bucky, Red Guardian, John Walker, Ghost — under the manipulative Valentina.The villain “Bob” becomes The Sentry and then The Void, forcing the team to confront their trauma inside a literal nightmare realm.The climax: they defeat the Void not by fighting, but by hugging Bob — a surprisingly emotional resolution.Post-credit: Valentina tries to rebrand them as “the new Avengers,” and the Fantastic Four ship appears.Highlights & Themes Florence Pugh dominates — “It’s really Yelena and the Thunderbolts.”Standout emotional moment: Yelena’s tearful “Daddy, I’m so lonely” scene with Red Guardian.Symbolism: the opening fight mirrors the “shadow” motif that returns when the Void consumes people.The film’s power lies in broken people learning to support each other without pretending friendship fixes everything.Classic Marvel humor returns — from Bucky-as-congressman gags to Red Guardian’s sticker-covered tracksuit.

    1h 2m
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About

A father and daughter discuss life across their generations. Science, medicine, music, and whatever else they choose to discuss are on the table.

Information

  • Creator
    Peter and Aubrey Jones
  • Years Active
    2021 - 2026
  • Episodes
    63
  • Rating
    Explicit
  • Copyright
    © 2026 Peter and Aubrey Jones
  • Show Website
    Generations