Going Public: Reimagining the PhD The Simpson Center for the Humanities

This bonus episode features a sound art piece by Mary Edwards for the 2023 ASAP/14 conference in Seattle and Bothell, Washington.

About the sound piece: The Call in the Limitless Space comprises a collection of short, recorded reflections from people in the Wa Na Wari community who reflect on themes of spatial reclamation, Black Joy and belonging, specifically to their ancestral lineage or connection to Seattle's Historic Central District. 

Composer and sound artist Mary Edwards designed a soundscape with the incorporated recordings to be digitally ported into a vintage telephone booth which serves as a permanent, interactive installation for Wa Na Wari. The stand-alone soundscape is contributed for listening components of the ASAP/14: Arts of Fugitivity Conference.

As part of her process, Edwards facilitated a Soundwalk in the Historic Central District where participants engaged in what was, at once, an ecological practice, a method of inquiry, a call to action, and a guided meditation on reclaiming natural and architectural spaces through resonant humming and a call-and-response of place-naming as an invocation, helping to give a voice and harmonic convergence to something that is already there, yet calls for “unearthing.” She successively conducted a workshop where participants’ sense of recollection and restoration were synthesized into The Call in the Limitless Space II, a text score drawn from this deep, active listening.

About the artist:

Mary Edwards is a composer and sound artist whose interdisciplinary practice encompasses installation, cinematic audio and environmental design. She is interested in the invisible architecture and the emotive, historic and spatial properties of sound. In 2021, The Grimshaw-Gudewicz Art Gallery produced her first career survey concurring with Something to (Be)Hold, her first large-scale public sound installation. As the 2022 Artist-in-Residence for the ACA Soundscape Field Station, she was living and working in Canaveral National Seashore, audio recording, and researching for her book and interactive project, Conservation/Conversation as part of Atlantic Center for the Arts. Her other residencies include Headlands Center for the Arts, The Beach Institute Savannah, The William T. Davis Nature Conservancy, Wa Na Wari, Epsilon Spires and The Arctic Circle Residency. In 2023, her sound installation Everywhere We Are is the Farthest Place, premiered at The Spitsbergen Artists Center in Svalbard. Her most recent works include Fathom a site-intended sound installation for the Atlantic Center for the Arts, launched during the 2023 World Forum for Acoustic Ecology (WFAE) Conference, Listening Pasts/Listening Futures, and Tamalpais Higher, a geophonic reimagining of a seismic event based on a blind thrust fault running through Mount Tamalpais north of the San Francisco Bay. 

Her extended discography includes Endeavour: A Space Trilogy for the NASA Expedition of Dr. Mae C. Jemison, and Everyday Until Tomorrow, a conceptual soundtrack for TWA Terminal 5 at JFK airport. 

Her writing has been published by Oxford American, Invert/Extant (U.K.), The Mentor that Matters series, The Santa Barbara Literary Journal and the anthology, Joy Has a Sound: Black Sonic Visions. 



Episode Transcript and Score:

https://simpsoncenter.org/podcasts/bonus-episode-call-limitless-space-ii-mary-edwards-asap14

Mary Edwards’ website

http://maryedwardsmusic.com/

Wa Na Wari homepage

https://www.wanawari.org/

ASAP14 Conference linktree

https://linktr.ee/asap14

 

Wendy Brown’s 2008 Katz Distinguished lecture addresses the curious phenomenon that finds nation-states building physical walls at their borders. In an ostensibly connected global world, such walls raise a series of questions. What is the relationship between these walls and the erosion of national sovereignty by transnational forces? Do the walls assert sovereignty or confess its failures? What is the relationship of economy and security at the site of walls? And what transformation in democracy do the new walls herald?

Wendy Brown is a distinguished American political theorist and Professor Emerita of Political Science at the University of California, Berkeley. Her most recent book, Nihilistic Times: Thinking with Max Weber, was published in April 2023. Other prominent books include In the Ruins of Neoliberalism: The Rise of Anti-Democratic Politics in the West published in 2019, Regulating Aversion: Tolerance in the Age of Identity and Empire (2010), and States of Power and Freedom in Late Modernity (1995). Her work has been translated into more than twenty languages.

The 2023-2024 season of Going Public features select Katz Distinguished Lectures from our archive. Learn more about the lecture series and peruse the archive:

https://simpsoncenter.org/katz-lectures.

In this episode of Going Public, Professor Stephen Groening (Cinema & Media Studies, University of Washington, Seattle) examines the utility of theoretically grounding publicly-engaged work, the necessary transformation of doctoral training environments, and the importance of informal spaces of exchange both in the cultivation of new publics and the training of publicly engaged scholars.

Episode Transcript, Sample Syllabi, and the Going Public Archive:


https://simpsoncenter.org/podcasts/ep-11-stephen-groening-now-ive-had-three-sips-beer

View Groening's Seminar and Syllabus for "Public Spheres, Public Media":


https://simpsoncenter.org/reimagining-phd-seminar/public-spheres-public-media

In this episode of Going Public, Professor Sara Goering (Philosophy, University of Washington, Seattle) talks about the public nature of philosophical questions, the value of collaboration, and pedagogical approaches to public-facing projects in graduate education.

Episode Transcript, Sample Syllabi, and the Going Public Archive:


https://simpsoncenter.org/podcasts/ep-10-sara-georing-good-public-philosophy

View Goering's Seminar and Syllabus for "Ethics Matters":


https://simpsoncenter.org/reimagining-phd-seminar/ethics-matters

In this episode of Going Public, Professor Amanda Doxtater (Scandinavian Studies, University of Washington, Seattle) talks about the rewards of collaborating with museums and other public institutions, the necessity of pedagogical flexibility, and, of course, the question of developing and sustaining relationships of respect between the university and community partners.

Episode Transcript, Sample Syllabi, and the Going Public Archive: 


https://simpsoncenter.org/podcasts/sustaining-relationships

Amanda Doxtater's Seminar in Public Scholarship, Institutions in Scandinavian Studies: Cinema, Museum, and the Square:


https://simpsoncenter.org/reimagining-phd-seminar/institutions-scandinavian-studies-cinema-museum-and-square

In this episode of Going Public, Professor Regina Lee (Gender, Women & Sexuality Studies, University of Washington, Seattle) discusses the pedagogical implications of the risks of online content creation, the visualization of public scholarship as labor, and the intersections of antiracist feminist pedagogy and public pedagogy.

Episode Transcript, Sample Syllabi, and the Going Public Archive:


https://simpsoncenter.org/podcasts/ep-8-regina-lee-body-exists-online

View Lee's Seminar and Syllabus for "Feminist New Media Studies":


https://simpsoncenter.org/reimagining-phd-seminar/ecocriticism-seminar-public-humanities