Horror Weekly

Brian Schell and Kevin L. Knights

Join Kevin and Brian for a weekly podcast episode. Every Friday, the guys release both a video and audio podcast episode that covers everything new in horror, along with a handful of great (and awful) movie reviews! www.horrorweekly.com

  1. 5D AGO

    Woken, Traumatika, Ghost Killer, Insidious: The Last Key, and Demon Seed

    Fun films this week! We’ll start off with the sorta-sci-fi “Woken” from 2025, then get traumatized by “Traumatika,” also from this year. “Ghost Killer” was released last year in Japan, but it’s also new here recently. “Insidious: The Last Key” from 2018 winds up our coverage of that series (at least until the next one). Lastly, we’ll look back at “Demon Seed” from 1977– does it still hold up? “The Horror Guys Guide to the Horror Films of Christmas” is available now wherever you get your books. Seventy-Five holiday-themed films are included— it’s our biggest book yet! This as well as the latest issue of “Horror Monthly,” issue #49, are on sale now! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2025 Woken * Directed by: Alan Friel * Written by: Alan Friel, Rebecca Pollock * Stars: Erin Kellyman, Maxine Peake, Ivanno Jeremiah * Run Time: 1 Hour, 30 Minutes * Trailer: Spoiler-Free Judgment Zone Anna wakes up pregnant with no memory of where she is or who the people she’s with are. But everything and everyone seems so normal, what could go wrong? Things go slowly until they abruptly don’t, and the tension mounts. It definitely has a science fiction element with low-key simmering horror. We both thought it’s a winner. Spoilery Synopsis Anna runs to the cliff and looks down in a panic. She jumps. Credits roll. Later, she wakes up in a bed with her head bandaged. When she wakes up, there’s a strange woman there who’s taking care of her. “Don’t worry, the baby’s fine,” she says. The woman, Helen, brings in a book with photos of Anna, but Anna doesn’t remember Helen or anything. James comes in and is introduced as Anna’s husband, but she doesn’t remember him. His version of what happened on the top of the cliff differs from what we saw. Helen explains that they’re on an isolated island, and she can help deliver the baby when it comes. Anna meets Peter, Helen’s husband, and he’s a little weird. The group has whole lobsters for dinner, and it’s all pretty revolting to pregnant Anna. She doesn’t know them, so James shows her some videos. Helen and Peter are their neighbors, the only ones on the island. Dr. Henry comes for a visit to examine Anna. He pulls out one of her hairs before examining the baby. It’s due in about two weeks. Anna suggests that a visit to the mainland might help her memory, but James insists they wait until after the baby. Anna sees two people on a swan pedal-boat out on the water. When Helen sees it, she sounds an alarm. When Anna runs to welcome the people, she sees that they’re disfigured and monstrous. Helen shoots both of them, then James burns the bodies and the boats. “You’ve been exposed– We’ve all been exposed” Helen shouts. They all strip and burn their own clothes. James explains that ¾ of the population are dead. You can catch it a whole bunch of ways, and no one knows what started it. They lock her in the bedroom for a quarantine, but they don’t explain much. Some soldiers in hazmat suits come to the house, and James insists that Anna is uninfected. Dr. Henry is with them, and he examines her again. He says that both she and the baby are healthy. He seems excited, but tells her it’s “Nothing for you to worry about.” Clearly, these people still have some secrets. Anna finds the knitting basket, and it’s full of little knitted baby shirts, all identical. Helen and James whisper about Anna when she’s out of the room. She grinds up some pills she was given but didn’t take and puts them into James’s soup, but he’s suspicious and doesn’t eat it. Anna sneaks out in the morning and goes to the part of the island she’s been told not to go to. She passes a “Forbidden” sign and comes to Helen and Peter’s house. Peter complains that Helen’s getting too attached, and this happens to her “every time.” Also, Helen has a small black child that clearly isn’t hers or James’s. And there’s a baby crying– or maybe that’s a goat. Anna sneaks into their house and looks around. She runs into little Joshua, who says she promised to never leave him but did. Helen interrupts and tells her to go back to the cottage. Just as she’s about to get answers, James chloroforms her. Anna wakes up restrained to a table in a lab. James comes in, and he says that’s not his baby inside her, he’s just here to protect her during the pregnancy. He says she doesn’t really want to know what’s going on. Helen and Peter appear to be scientists. “Always a pity to cut you up,” says Peter. Anna gets an arm free and stabs him in the neck with a syringe. Through an accident, Peter shoots himself, and Anna gets off the table. Anna watches videos of her being experimented upon– and dying. She sees computer records of at least 17 past failures where she and the baby died. She opens a machine and sees that they are already working on her replacement. Anna confronts Helen and James, and she wants answers. It’s only a matter of time before humans are wiped out. Anna, and her kind are here to replace us. Helen and Peter are experts in Genetic Cloning and Transmissible Intelligence. Anna is immune to infection, and hopefully her child will be too. Helen says there have been 96 attempts, and the current Anna is only two years old. Joshua was from a previous Anna, and Helen has been keeping him hidden. Anna and Helen lure the doctor and soldiers to the island and then board their boat. They are quickly captured. Anna gives birth to a healthy baby that is quickly rushed away by Dr. Henry. Back at the lab, Henry infects the baby, but it’s immune. He’s also got Joshua as a hostage, but that ends really badly. Henry orders Helen to get the next one ready and to make sure she doesn’t remember anything next time. Helen and Anna shoot the two guards and then infect the rest. Anna comes to Henry on the boat. Helen shoots Henry in the head, and then they burn Joshua’s body. They set sail North on Henry’s boat with the newest Anna on board as well; they heard there are islands up there that aren’t infected. Brian’s Commentary For a very long time, we don’t really know what’s going on, other than some of the people on the island are a little off. About thirty minutes in, we both came up with the same theory about a twist that might be coming. We were essentially right, but there was a lot more to it than that. It’s slow moving and creepy. There’s some action at the end, but it’s mostly a mystery as we try to figure out what’s going on. Kevin’s Commentary Anna wakes up with no memory, but the people she encounters seem so kind and normal. The island is beautiful, and the house is peaceful - through rundown and low tech. I liked the abrupt change of pace and tone. And we see that it’s in the future with medical technology quite a bit ahead of what we’ve got now. I can see where they had the best intentions shielding Anna from reality while her memory was gone. But I was kind of annoyed when the big change in tone happens and they don’t take the time to fully tell Anna what’s going on and continue to keep things from her. And us. Though that did help us come up with a theory of everything. I thought it was pretty cool. 2025 Traumatika * Directed by: Pierre Tsigaridis * Written by: Maxime Rancon, Pierre Tsigaridis * Stars: Rebekah Kennedy, Emily Goss, Ranan Navat * Run Time: 1 Hour, 22 Minutes * Trailer: Spoiler-Free Judgment Zone A demon set free really messes with people over a lot of years. We thought this one was hit and miss. It’s well made, with some good creepy bits and suspense. There are also some places that drag and don’t do much for us. The Horrorguys are split on this one. Kevin gives a moderate thumbs-up, and Brian didn’t care for it much at all. Spoilery Synopsis We are told of the five forms of childhood trauma, and then we go to Egypt in 1910. A man is walking across the desert, and he doesn’t look to be in very good condition. As he collapses, he unwraps a figurine and says a prayer over it before burying the evil thing. He then stabs himself in grief over his son that the demon in the statue took. He dies as the credits roll. We cut to 2003 in Pasadena. Little Mikey calls 911 about his mother, who is scaring him. We soon see that this is no normal domestic abuse situation as she scurries around after him and pees on the floor. Yeah, she’s demon-possessed. We see Mikey on TV as an abducted child, as he and his demonic “mother” watch the news. The sheriff shows up in response to that 911 call and he insists on coming inside; he knows something is wrong. He finds a tub full of blood, and it’s all very weird. Then he moves down to the basement and finds several bodies. The crazy woman charges at him, and he shoots three times. Then it goes badly for the sheriff. One year earlier, an angry man hangs up the phone and unwraps that statue we saw in the pre-credit sequence. John picks up the phone and talks to Steve, who says there’s some way to use the idol to open a mystic portal - you must not take the head off. The instructions say to keep it away from children. Volpaazu preys on children and then spreads like a disease. Steve clearly believes all this, but the idol is worth $5o,ooo, and he needs the money. What does John do? He immediately opens the idol and breathes the smoke contained inside. He then goes out to the living room and tells his daughter Alice to go to bed. Then he rapes his other daughter, Abigail. We see that Abigail’s mouth looks just like the one on the demon we saw earlier. After, he swears her to secrecy. Later that night, John sneaks into Abigail’s bedroom and pukes demon-juice into her mouth, converting her as well. Abigail runs off in the middle of the night. He calls his ex about the missing daughter, and she’s not pleased. We cut to Abi

    29 min
  2. OCT 26

    Dracula: A Love Tale, Night of the Reaper, The Velocipastor, Godzilla vs. King Ghidorah, and Santo and the Blue Demon vs Dracula and the Wolf Man

    That might be the longest title we’ve ever had. We’ll open on the brand-new “Dracula: A Love Tale,” which redoes Dracula yet again. We’ll then go to “Night of the Reaper,” a twisty slasher film. We’ll finally get around to watching “The Velocipastor” from 2018, and then go back in time to “Godzilla vs. King Ghidorah” from 1991 and “Santo and the Blue Demon vs Dracula and the Wolf Man” from 1973. The latest issue of “Horror Monthly,” issue #49, is on sale now! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2025 Dracula: A Love Tale * Directed by: Luc Besson * Written by: Luc Besson, Bram Stoker * Stars: Caleb Landry Jones, Christoph Waltz, Zoe Bleu * Run Time: 2 Hours, 9 Minutes * Trailer: Spoiler-Free Judgment Zone This is a big budget production with elaborate costuming, amazing sets, and excellent makeup and special effects. It kept reminding us of 1992’s “Bram Stoker’s Dracula” but even more so. If you’re a fan of Dracula and vampire movies, you really should check this one out. It’s great. Spoilery Synopsis It’s 1480 AD, and Vlad and Elisabeta are in love, either that or it’s a teenage slumber party, it looks about the same. Soldiers come to the door and need King Vlad to lead them into battle. He reluctantly gets all armored up and goes with them after getting a blessing from the priest. Vlad makes a deal with the priest to watch over Elisabeta while he’s gone. While he goes off to battle, she’s taken across the country to a safe place, but the party is ambushed. Vlad rushes to the rescue, but she dies in his arms; he is not happy. He goes home and blames the priest. This goes badly for the priest– very badly. Vlad renounces God and bad things happen. Four hundred years later, in Paris, Dr. Dumont welcomes the priest to his church. Dumont has a very strange medical case that he needs help with in his mental asylum. He has a woman, Maria, whom he thinks is possessed. She’s got fangs and glowy eyes. She’s a vampire. She’s the first one taken into captivity, but the priest has seen them before. The doctor finds it all a little hard to believe, but it’s obviously true. The church has been looking for the Master for 400 years. She says the Master is coming to Paris to take a princess soon. We cut to Jonathan Harker, who is visiting Count Dracula’s castle. It’s surprisingly nice inside, and Prince Vlad is looking extremely old– but not monstrous. He has a habit of moving things without using his hands, which Jonathan finds very entertaining thinking it’s magic tricks and not realizing it’s real. The priest goes to see Henry Spencer, Maria’s husband. He goes through the woman’s bedroom looking for clues, like a detective. She has a page torn out of the book that Jonathan is reading back in the castle; it’s a drawing of Princess Elisabeta. Meanwhile, in the castle, Jonathan explores the place and finds Dracula’s tomb. He’s attacked by living gargoyles and hung upside down. Vlad explains himself to Jonathan, and we get a flashback to the rest of his origin story. Vlad’s been waiting for Elisabeta to be reincarnated, and it’s been a hard search. He developed a fragrance into a perfume that made all women love him, as well as some of the men from the look of it. There’s a montage of him combining his mind control with the power of the perfume to make rooms full of people in different eras dance to his tune as he searches for her. That didn’t work out so well for him or the entire court of France. He turned them all into servants and sent them out to look for her. Since then, he’s waited in that castle. Jonathan shows Vlad a picture of his own fiance, Mina, and guess who she looks like? Back in Paris, the priest explains the vampire curse to Dr. Dumont. Dumont’s assistant points out that Mina is in the next room. She’s a friend of Maria, and tells the story of what happened to her. She admits that she’s engaged to Jonathan, but also that she feels like she doesn’t really belong in this time. Meanwhile Dracula gets a bite of food on the road; he drains an entire convent full of nuns. He then travels to Paris, looking much younger now after feasting, and heads straight to the asylum where Maria is held prisoner. He breaks her out and feeds the orderly to her as a reward for her help. The priest and the doctor rush to warn Mina. Along the way, Jonathan makes a difficult escape from the castle. Meanwhile, Maria goes to Mina and says she’s been released from the hospital. They go to a hotel where she meets Dracula. He tags along with them around the carnival like a stalker. It’s all surprisingly romantic, and just maybe it’ll work out for Dracula this time. During their date, she gets repeated flashbacks to her earlier life. When Mina goes home that evening, she finds Jonathan there along with the priest and doctor. The priest explains the facts about Dracula to Mina. Dracula shows up to convince her about his side of the story and about who she really is. She immediately wants him to bite her, and he does. The priest, doctor, and Jonathan go to visit Henry, but Maria has gotten to him first. The group works together to kill Maria, but then they have to go to Transylvania, where the count has taken Mina. They bring the whole army with them, cannons and all. There’s soon an all-out battle between soldiers, gargoyles, and Dracula himself, who’s very efficient at killing soldiers. Soon, it’s just Dracula and the priest, and they talk about motives and philosophy. The priest says Dracula can repent and the curse will end. He needs to let Mina live. There are more troops coming in, and more cannon fire. Mina’s in danger, so Dracula goes to her. He talks about her being free if he dies, as if he knows what’s coming. He goes back out to the priest and surrenders. The priest stakes Dracula, who, after saying how much he loves Mina, turns to dust. Brian’s Commentary What could they have told the Transylvanian army to have them bring cannons to the castle? There’s a lot of borrowing from “Bram Stoker’s Dracula” (1992), and I mean a lot. Even the music seems to steal from that film. I expected to rag on this for being a ripoff, but well, this is actually really good. This one has a lot of intentional humor mixed in, which is probably the best thing about it. I didn’t like the CGI gargoyles at first, but they grew on me. The sets and makeup are impressive. The actors, with the exception of Caleb Landry Jones, are all Europeans, and everyone does the proper accents, unlike the earlier film. This was exceptional, and we’ll certainly be talking about it again in our “Best of the Year” episode in January. Kevin’s Commentary I too recognized some elements from 1992’s “Bram Stoker’s Dracula” but this version dials it up to 11. The sets, costumes, and makeup are all very impressive. They don’t shirk at showing the full extent of Dracula’s fighting abilities and powers. I do wonder how the small band of heroes who go to Romania to strike at Dracula when he and Mina get back to his castle persuaded the military to join them in a multi-troop heavily armed assault. “You see, general, he’s a vampire. No really. He is. And we need your help to take him down.” Overall, I’d rank it as one of my favorite Dracula movies. Awesome. 2025 Night of the Reaper * Directed by: Brandon Christensen * Written by: Brandon Christensen, Ryan Christensen * Stars: Jessica Clement, Ryan Robbins, Summer H. Howell * Run Time: 1 Hour, 33 Minutes * Trailer: Spoiler-Free Judgment Zone It’s set in the 1980s so we can have landline phones instead of cell phones and VHS tapes, both necessary for the plot. And they do a good job of capturing the 80s vibe. It hums along with suspense and some mystery for the first 2/3 or so. It’s well made, but we were both very disappointed with the final act. Spoilery Synopsis A little boy tells the babysitter about the “Skin Eater” that lives in his closet. As the babysitter leaves them alone, we soon see that this couldn’t be more 80s if it tried, and it’s trying hard at least until the parents open the garage door to come home. No, that’s not them, the door just opened on its own. She goes outside to smoke and finds a dead dog in the street. When she goes inside, she finds a note: “Your pretty.” She assumes it’s the kids, but the strangeness continues. When she finds out it’s not the kids, it’s too late for her. The TV comes on, and a man in a cultist’s hood and skull mask is on there. We also see the same man grab her from behind… Credits roll as the grainy VHS-ish footage continues. Deena has come back to town and she talks to Chad and Willis. She’s decided on Criminology for her major. Deena goes to see her hyper friend Haddie, but she hasn’t gone to see her parents yet. Haddie babysits for Sheriff Rodney’s kids, and she’s hoping he’ll marry her eventually. Sheriff Rodney finds a package outside his door that’s got no label on it. Inside, he finds a garage door opener, which upsets him. He and the deputy test the opener on the house where the pre-credit murders happened, and it’s the same one that opened their garage door. Deena goes home to her parents and talks to them, but her father doesn’t respond to her at all. Haddie calls and says she’s sick, so could Deena do her babysitting gig tonight? Sheriff Rodney gets a videotape in a box at the office, and it shows a camper being killed by the same guy who did the babysitter. The sheriff says Connor Davis died in the woods two years ago, but it was assumed to be an accident. He and Deputy Butch find Officer Liz on the road burying a dead dog. The two men drive on to where Connor’s body was found years ago. They find another box there. This box has a videotape showing Emily the babysitter’s death. Also in

    34 min
  3. OCT 19

    Forgive Us All, Witchboard 1986 and 2025, Insidious Chapter 3, and Godzilla vs. Biollante

    We’ve got another weird mix of old and new this time around. We’ll begin with the new “Forgive Us All,” then discuss “Insidious Chapter 3,” “Godzilla vs. Biollante” and then both the original “Witchboard” (1986) and the brand-new remake from 2025. The latest issue of “Horror Monthly,” issue #49, is on sale now! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2025 Forgive Us All * Directed by: Jordana Stott * Written by: Jordana Stott, Lance Giles, Alex Makauskas * Stars: Lily Sullivan, Callan Mulvey, Richard Roxburgh * Run Time: 1 Hour, 33 Minutes * Trailer: Spoiler-Free Judgment Zone In a beautiful location in New Zealand, we see a slice of a zombie apocalypse. And we quickly see that living jerks are just as dangerous as the infected in the aftermath. A woman in mourning finds a wounded traveler being pursued, and we gradually piece together what life and politics are like now. Rather than a non-stop action take, this is more of a story that takes its time, focusing on the people trying to survive. We give it a moderate thumbs up. Spoilery Synopsis A woman cries and screams next to a fresh grave. As she carries her pistol back to the house, we see that a struggle took place that resulted in a shooting. She then looks in on her sleeping child, who is also covered in blood and barely breathing. Although it looks like she’s dying, Maddie sits up and looks possessed. Maddie leaps, and we hear a gunshot. Credits roll. Two years later, Rory still wakes up with nightmares over that whole situation. She listens to a radio report that sounds bleak. She passes Otto on the way out, and it’s clear that they live way out in the wilderness. We cut to a rider leaving Camp 13, zooming right past the sign that says, “GMA Quarantine Processing.” Two other horseback riders are right behind him, in pursuit. The man’s partner gets caught instead. They torture him for the first rider’s location, but he dies rather than give it up. Back with Rory, who still grieves about Maddie, she’s considering killing herself, but doesn’t. She finds the horse, who leads her to the unconscious rider. He looks like he’s dying, but she takes his bag, slings him over the saddle, and sets off leading the horse. Meanwhile, Otto finds a bunch of bones that belonged to their neighbor, Henry. The body appears to be mostly eaten. He sees three men, GMA agents, on horseback and hides, but there’s also something screaming in the woods nearby. Rory takes the wounded man home and looks him over before locking him inside the barn. She opens his package and finds medicine inside that says “Take within 72 hours of infection.” When Otto returns, she shows him the still-unconscious stranger. Otto’s not happy. Also there’s a storm coming, “They’ll be out in force tonight.” At dinner, they argue about life in general. That night, she reminisces about Maddie and her drawing of a dragonfly. Her father was off helping the sick people, but Rory doesn’t know much about the virus. Suddenly, Connor, the father, opens the door, and he’s clearly not right. He jumps at them and– Rory wakes up. She goes out to the barn to check on her prisoner, and he’s up and around now. They hear a “Howler” outside and have a quick scuffle. He’s Noah, and she patches up his wounds. Noah broke into the GMA base and stole the antidote for his own sick son. It’s still dark, so if he leaves now, the Howlers will get him. Still, his time to use the antidote on his son is running out. Not far away, the three trackers, Logan, Scout, and Brooks, find Rory’s house and wait to see what happens. Rory and Otto argue about what to do about the sick boy whose time is running out. As they bicker, the GMA agents ride up. Rory and Noah take the horse as Otto stays behind to stall the agents. There’s a gunfight, and Brooks dies, as does Otto. Logan is injured, but he’ll live. Scout tells Logan she’s not going with him; she doesn’t want to be a part of this anymore, so Logan goes on alone after Noah and Rory. Rory continues on alone as Noah and Logan brawl without their horses or guns. After much back and forth, Noah shoots Logan, which attracts a group of Howlers which finishes him off as well. Rory continues through the dark forest, now at night, and all the Howlers are out at night. She hides and runs from a group of the nasty infected people. In one of the scuffles, she gets bitten. After that, the infected begin to ignore her; she’s one of them now. In the morning, Rory finally comes to Noah’s house. Did she get there in time to save Noah’s son before the infection is too far gone? She leaves the cure with the old woman who’s watching Noah’s son and walks on back to the river. Rory visualizes Maddie as she puts her pistol to her head and pulls the trigger before the disease gets her. Brian’s Commentary It’s a just-barely sci-fi post-zombie-apocalyptic story set in the always-beautiful New Zealand wilderness. Everything is filmed with either a brown or green filter, so everything has a very “Western” feel to it. The acting is fine, the situation is interesting enough, but the plot is very generic. It’s more of a good-guys-and-bad-guys movie than really leaning into the zombies, which are just sort of there in the background a few times until the ending. It looks great, has good acting, but it was awfully slow moving. Kevin’s Commentary Wow, the scenery is nice in this one. Lily Sullivan, as Rory, kept reminding me of a young Geena Davis - which is a fine thing. She’s very good in the role, as is the rest of the cast. I liked the direction this one took, with the zombie story a real threat, but not the entire focus. There are plenty of terrifying moments while kind of being on the slow side following the trials of the living. It’s not a happy movie, but it’s quite good. 2015 Insidious: Chapter 3 * Directed by: Leigh Whannell * Written by: Leigh Whannell * Stars: Dermot Mulroney, Stefanie Scott, Angus Sampson * Run Time: 1 Hour, 37 Minutes * Trailer: \ Spoiler-Free Judgment Zone It’s a prequel to the haunting of the Lambert family, showing how Elise got into the business along with Specs and Tucker. So pretend that they all look younger than they did in the previous movies that take place after this. But age discrepancies aside, it’s well made and works perfectly with the other films. If you’re an Insidious fan, you’ll probably like this one. Spoilery Synopsis This takes place a few years before the previous films. Quinn goes to see Elise; she’s looking for a psychic. She wants to talk to her dead mother and has been trying to contact her on her own. After a bit of discussion, Elise is willing to help. She contacts the spirit world and senses something bad. She warns Quinn not to call on her mother. “If you call out to one of the dead, all of them can hear you.” Quinn goes home, but she keeps talking to her dead mother. Her father works a lot and her brother Alex is weird. She goes to an audition that afternoon, and doesn’t go well. She whines to her friend Maggie. She sees another strange dead-looking person and then gets hit by a car. Quinn dies on the operating table, but then they bring her back. While dead, she sees something scary. Three weeks later, Quinn talks to an old woman who speaks of the man who lives in the vents. “He up there right now, standing in your room.” Quinn’s in two leg casts and a wheelchair, at least for a while. Across town, Elise goes to bed. She dreams about Quinn. She considers opening up her padlocked reading room but doesn’t. Quinn sees someone on her ceiling, and her father Sean investigates the weirdness. Quinn tells him about seeing Elise a month or so ago, and he warns her not to do that. Elise calls Quinn’s mother on her own one night. She knows someone is bothering Quinn, and it’s not her mother. She sees it, and it’s definitely not a nice ghost. Meanwhile, Quinn has a run-in with the same entity, and she soon realizes it’s not her mother. Around the same time, the old woman next door dies. Quinn has a nightmare about the various creatures and dead people. Sean finds her in the empty apartment upstairs. Sean goes to see Elise, and they talk about dead spouses. She talks about going to “The Dark Place” looking for her dead husband, but some evil woman followed her back to the real world. She hasn’t been able to do a reading since then. Still, she tries, and quickly goes into a trance. She sees all sorts of weird things and is attacked by the woman in black, her nemesis. Sean calls in Specs and Tucker, a couple of ghost-chasers from YouTube. Elise talks to Carl, an old friend, about her spirit problem. Quinn beats up Sean, Specs, and Tucker, and then breaks the casts off her legs. Elise shows up to get rid of the parasite inside Quinn. The group does a seance so that she can go to a different plane, “The Further,” and help Quinn. Elise confronts the ghosts, and this time, she beats up the woman in black and defeats her. She runs into her dead husband, and he tempts her to join him in the world of the dead. She recognizes that he would never suggest she kill herself and that he’s actually the bad ghost in disguise. As she steals Quinn away from “The Man Who Can’t Breathe,” there’s an earthquake in the real world. Elise calls on Lily, Quinn’s dead mother, to help. Quinn returns to the real world, and gets to talk to her mother through Elise. Later, Elise talks to Specs and Tucker about them never having really seen a ghost before. Maybe they could all go into business together? They’d have to wear shirts and ties. Brian’s Commentary This is a prequel to the first two films, and the character of Elise is the main thing that ties the films together. It’s got foggy corridors, lanterns, and weird creatures, so it fits in with th

    29 min
  4. OCT 12

    Good Boy, The Toxic Avenger, Strange Harvest, Borley Rectory: The Awakening, and Lost Contact: UFOs After Wartime

    All five of our films this week are new releases: We’ll open on a nice dog story; really, he’s a “Good Boy.” A not-so-good-boy is the star of “The Toxic Avenger.” We’ll go back in time and watch the prequel, “Borley Rectory: The Awakening.” Then we’ll watch a couple of documentaries, one real, “Lost Contact: UFOs After Wartime” and one not-so-real “Strange Harvest.” Spoiler: We liked them all! * The latest issue of “Horror Monthly,” issue #49, is on sale now! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2025 Good Boy * Directed by: Ben Leonberg * Written by: Alex Cannon, Ben Leonberg * Stars: Indy, Shane Jensen, Arielle Friedman * Run Time: 1 Hour, 12 Minutes * Trailer: Spoiler-Free Judgment Zone The main character of the movie is a dog, with everything slanted toward his point of view, which is interesting. His master, Todd, is afflicted with both a terminal illness and dark forces that are working against him. Both things that seem to have been impacting his family for quite a while. But he’s got Indy by his side. It’s unique, which helps it out a lot, but it’s actually pretty slow moving on a low simmer. We both thought it was pretty good. Spoilery Synopsis Indy the dog protects the house at night; he hears strange sounds that concern him. The phone keeps ringing, and it turns out that Todd is having some kind of seizure. His sister, Vera, comes in and calls 911. Credits roll. We watch old footage of Indy being a puppy and growing up with Todd and his family. Todd’s got a lot of health problems, and Indy is a big help. Todd and Vera argue about him going to stay at Grandpa’s house; neither Vera nor Indy think that’s a good idea. The house is very remote in the country. When they arrive, Indy really doesn’t want to get out of the car. The place is a mess, but Todd says it beats the hospital. Todd calls Vera, and they talk. Grandpa used to have a bunch of dogs, but they kept all running away. As he watches old home videos of grandpa, Vera points out that no one has lived in that house for more than a few weeks; she says it’s haunted. Meanwhile, Indy checks out shadows that he doesn’t like. Indy explores the old house, but he doesn’t find anything. The next morning, Todd and Indy go for a walk in the woods. They stop at the family cemetery, and Todd points out that most of them died pretty young. They run into a neighbor, and he mentions traps and snares all over the woods. The neighbor mentions how strange the area is, too. Todd, on the other hand, thinks it’s nice and peaceful. Vera, still on the phone, mentions that dogs can detect all sorts of things that people can’t, so he should be keeping an eye on Indy for signs of trouble. The next day, Todd goes off and leaves Indy at home, and Indy is not pleased. Indy spots another dog in the house and follows it, but all he finds is the dog’s bandana– and a vision of something nasty that “got” the other dog. Todd comes home, unwell; he’s been at the hospital again. Indy has nightmares that night. He wakes up and patrols the house, hearing and seeing things that shouldn’t be there. He watches as Todd goes to the kitchen and bangs his head on a door repeatedly– sleepwalking? There appears to be some kind of black ghost or monster that’s creeping around the place. Todd gets sicker, and the doctor says he doesn’t qualify for her clinical trials. The neighbor, Richard, warns him again about his fox traps. As Todd obliviously works on his Feng Shui, Indy watches all sorts of horrors going on in the next room and especially in the basement. One night, Todd collapses and a door shuts Indy in the next room. Indy notices the window is open and jumps down to get outside. Indy runs through the woods toward Richard’s house to get help but gets caught in a snare instead. The next thing we know, Todd is chaining up Indy outside in the rain. The monster terrorizes Indy, who can’t escape because of the chains. Indy does eventually break loose, and then he finds the skeletal remains of Bandit, Grandpa’s last dog. Inside the house, Todd gets a scare of his own until Indy comes in and comforts him. The monster then grabs Todd and drags him to the basement, but Indy knows another way in. “You’re a good dog, but you can’t save me,” Todd says as he turns into a skeleton. In the morning, we see that Todd has died in his bed. Vera comes to the house and finds Bandit’s bones in the cellar while letting Indy outside. Indy goes off to live with Vera. He was a good boy! Brian’s Commentary All Grandpa’s dogs ran off… we see why. It’s told from Indy’s point of view, which is interesting and unique. Dogs do sense things that humans can’t, and this film makes heavy use of that fact. Indy the dog gets top billing here, primarily because we don’t see any shots of the character’s faces through the majority of the film. It’s actually very slow moving and quiet. I suspect some will say it’s boring, but it had my attention throughout. If you’re a dog lover, you’ll like this one. Kevin’s Commentary Indy the dog, playing himself, does an impressive job and belongs to the director - possibly he was raised with this role in mind. He does indeed seem to be a Good Boy. It was cleverly filmed to accentuate Indy’s point of view, with the human character’s faces shown very little throughout the movie. It’s well made, and the novelty of it saves it. It’s actually kind of slow. There is creepiness that builds some, and Indy having fearful dreams, but not a lot happens for much of the film. I’d mark it as a win that isn’t quite great, but I liked it quite a bit. 2025 The Toxic Avenger * Directed by: Macon Blair * Written by: Macon Blair, Lloyd Kaufman, Joe Ritter * Stars: Peter Dinklage, Jacob Tremblay, Taylour Paige * Run Time: 1 Hour, 42 Minutes * Trailer: Spoiler-Free Judgment Zone This remake does a good job of paying tribute to the original while being different enough to still entertain. It is still stupid fun and over the top, but with a different vibe. It’s saturated and colorful, almost cartoonish, with less of a thrown together feeling that the original had. When the gore kicks in, it’s the goriest gore. The humor is hit and miss but mostly hit. We both enjoyed it, but it doesn’t quite live up to the original. Spoilery Synopsis Winston narrates his story, which begins on the other side of town. Mel Ferd, the reporter, gets footage from the BTH Headquarters. He’s got evidence that they’ve been dumping toxic waste illegally. Just then, a group of goons break in and kill him. He dies hard. His junior reporter, J.J., gets away. Credits roll. In St. Roma’s Village (or Tromaville), we meet Winston, who lives with his son Wade and can’t cook breakfast. We see there are some really weird people in the town. There are some bad guys who are forcing shopkeeper Daisy to sell her place. Winston goes to work at BTH as a janitor, and it doesn’t look like OSHA would approve of the place at all. He gets a call from his doctor, who says he has an inoperable case of @#$$#@, He’s got six months to a year to live. Winston then calls his insurance company who explains things like insurance companies always do. Yeah, he’s screwed. Meanwhile, at the Garbinger Mansion, BTH Owner Bob may have passed his prime, but he’s getting an infusion of gorilla blood. His brother Fritz comes in, and he’s tremendously weird. Fritz’s friends, The Killer Nutz, were the ones who botched the reporter’s murder. Fritz sends the Nutz after J.J. to finish the job. They are not subtle. Meanwhile, at New Chemical High School (New Chem High), Wade auditions for a talent show. It goes badly. Winston tries to cheer him up, but he’s just not good at that. Bob Garbinger is attending a big fancypants banquet. His business is losing a ton of money, but he’s trying to bluff his way through that. He meets with the town’s big mob boss who wants payment on what he’s owed. Winston interrupts to ask Bob for money for his treatments. Bob promises to sort it all out, but he has no intention of doing anything. Winston goes to BTH, and when he opens the gate, J.J. sneaks inside. Winston dips his mop in the toxic goo and threatens the security guard with it to rob the company’s treasury. The Nutz show up and shoot him dead. They drop his corpse into a big vat of nastiness and throw in the mop for good measure. Down in the vat, Winston is transformed rather dramatically. Winston goes home to Wade, who takes one look at the little monster in the window and freaks out. The real estate swindler is there and shoots Winston. Winston gets angry and rips the man’s arm off. Almost instantly the town forms a mob, complete with torches, to chase the monster away. He passes out. In the morning, Winston wakes up in a hobo’s camp. The man there, Gunther, is pretty crazy. Gunther gives him some wise superhero advice and sets him upon a mission, giving him his mop which he found. Meanwhile, the Miss Meat restaurant, The Nasty Lads, another gang, have taken over the place. They’re angry that the place has changed its name and mascot, and they’re heavily armed. Suddenly, a little green man with a toxic mop breaks in the back door. His mop does some really bad things to the Nasty Lads and saves the hostages. Now a hero, the press starts calling Winston the “Toxic Avenger.” Wade sees all this on the TV and knows who he really is. J.J. comes to the door and explains the whole thing to him. The Nutz show up, and they both run away. But one of the Nutz tags Wade with a tracking device. The mob boss and his son, who lost his arm last night, also see the news and orders his men to kill Toxie. Bob, Fritz, and Kissy also know who he is, and they aren’t happy. His geeks and nerds explain how the mutations happened. Can they reproduce the

    33 min
  5. OCT 5

    Scurry, Brute 1976, Lavalantula, Diary and Survival of the Dead

    Two new releases this week, along with some fun catch-up films. We’ll start off with the brand-new underground tunnel-chase, “Scurry” and then go out to the retro-desert in “Brute 1976.” We’ll take a walk on the silly side with “Lavalantula” from 2015, and then finish off the George Romero zombie series with the final two of his films: “Diary of the Dead” 2007 and “Survival of the Dead” (2010). A bunch of winners this week! * The latest issue of “Horror Monthly,” issue #48, is on sale now! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2025 Scurry * Directed by: Luke Sparke * Written by: Tom Evans * Stars: Jamie Costa, Emalia, Peter O’Hanlon * Run Time: 1 Hour, 30 Minutes * Trailer: Spoiler-Free Judgment Zone A claustrophobic view of a big disaster event has us following a couple of survivors as they work their way out of an underground obstacle course of collapsed buildings and streets. And is there more going on than just a local earthquake or something? Just how bad could it be? We travel along with them to find out. There are some hints given in the opening seconds. Spoilery Synopsis We see some kind of apocalyptic disaster happening from out a skyrise window. There are alarms sounding. People are running and screaming. Then we hear growling noises from down the hall and one running woman dies in a wet splatter against the wall. Maybe we aren’t at the top of the food chain any more. We fly over the city, and there is a big blackened pit that is surrounded by burnt out emergency vehicles, and it pans down to a dead man laying there and no, he’s not dead. He wakes up. He’s trapped under a chunk of rubble. He pulls out his cell but can’t get through to anyone. He finally thinks to use his phone as a flashlight and looks around. He finally gets through to his wife’s voicemail and explains what happened from his point of view. He levers himself free.. Mark hears a chopper flying over, which is hopeful, but then it crashes right next to the hole he’s in. The hole collapses behind him, trapping him in an underground tunnel. He pulls out a piece of glass that impaled him, but he’s not bleeding too badly. It takes a while for Mark to get his bearings, and he hears rocks falling all over the place. He finds a woman’s purse and digs through it for anything to use. He finds a video camera with an infra-red feature, which is useful. He gets a jump scare when the woman who owns the purse shows up. She’s Sarah. There’s a rock slide or something, and she soon vanishes. No, she’s hiding, “Shhhh. They’ll hear us.” He sets her dislocated bone, but she says everyone up above is dead, no one is coming for them. She’s very paranoid that he’s going to leave her alone. They talk about their kids, but she seems to know a lot more about what’s going on than he does. She’s not really Sarah; that was a stolen purse. Then she pulls a gun on him. And things get complicated. As they argue over who gets to hold the lighter, something growls nearby. “They’ve found us.” Mark uses the infra-red camera but doesn’t see what it is. They run for a while but eventually, Mark gets a glimpse of the creature behind them with the camera. She notices that she’s lost her pills and wants to go back, but he says that’s stupid; this leads to her pulling the gun again. He has to go back for her pills and notices that the creature seems to be stuck in place, so he’s OK for now. Mark wants to know what she knows about the creatures. They killed her sister, dragging her right out of the car. He explains that he was just crossing the street and fell into what he thought was an earthquake sinkhole. “Nothing can survive up there,” she says. He doubts that everyone is dead. They continue to crawl through the tunnel until they see a light; it’s not an exit, it’s just a flashlight someone dropped. They find the flashlight’s owner, dead, and go through his stuff. Turns out, he’s not dead, but when he starts to scream, one of the creatures eats him. Now Mark believes in monsters. They argue over her hard-as-nail attitude since she still doesn’t trust him. As they argue, one of the spiderlike monsters spears Mark and pulls him away. Is this creature an alien, or was it always down here? We don’t know, but the woman’s story makes it sound like they came from space. She continues on, crawling through the tunnel until she catches up to Mark who is lying there; somehow, he killed it with his knife– he’s got to be some kind of marine or special forces. Mark then explains his sad life story. He drunkenly started a house fire that nearly killed his son. He left the family after that, and now he feels he still can’t protect them. She gives him advice, and now they’re friends. After an incredibly long time, they come to a room where they can stand up, and it’s full of bodies. They can hear shooting and bad things happening through the sewer grate above. There are soldiers up there, and they hear the two down below and offer to help. “Don’t worry, everything’s going to be OK,” they say. And then we hear them all die up there; our guys get absolutely drenched in blood. Mark and the woman are forced to keep on crawling through the tunnels since one of the monsters is trying to get to them through the sewer grate. She finally tells him that her name is Kate. Just to make things worse, they both have to swim through a flooded, dark, murky tunnel. They finally find a way outside and see the light. Happy Ending (with forty minutes left). As they crawl to the opening, a creature pops up between them and the light at the end of the tunnel. It takes a look at them and then goes back the way it came, where we hear more screaming. Mark and Kate climb over the open hole, slowly, and try not to wake up the creatures down there. By the time Mark makes it over, Kate has died from her internal injuries. As he climbs over her corpse, we see just how many of the creatures are scurrying around in the tunnels below. Rather than continue to the exit, he goes through her pockets and sets her body on fire… in front of him, blocking the exit. No– he just imagined doing that. Then he lays there within sight of the exit and plays with his phone for a while. I guess her body must be blocking the tunnel, but it doesn’t look like it. Suddenly, Mark’s phone pings; he’s got a message from his wife. “These things are coming from beneath the ground and sunlight makes them grow bigger and bigger. Please come home,” she says. His desire to live re-ignited, Mark goes back to the vertical shaft the alien was in and uses the phone to attract a monster. It crawls up and takes Kate’s body, unplugging the shaft (he could have pushed her body into the shaft much more easily). Mark then crawls up the shaft toward the light. A monster attacks, but Mark sets it on fire with the lighter and alcohol they found; it backs off quickly. As Mark emerges into the daylight, he sees that the monsters have grown to skyscraper size outside, and there are many, many, eggs. Brian’s Commentary This is one very dark movie. Make sure you watch this one at night, in a dark room, or you’re likely to miss something. That said, being so dark, they didn’t have to show as much of the creatures. I think they were going for the same kind of scares as “The Descent” (2005), but the characters and tunnels here aren’t as interesting. We get to know more about them as they go along, but the whole film is basically just two characters in a narrow tunnel, so it takes a lot to make that interesting. It was a good concept, but I felt it was too slow-moving. I was yelling at the screen after Mark just lay there talking to Kate’s corpse for like twenty minutes in front of the exit. The creatures do look really good once we get to see them and the ending was bleak enough to satisfy me. Overall, I thought it was entertaining, but there are some issues with the characters making dumb decisions. Kevin’s Spoiling Commentary I had excellent dim viewing conditions, but like Brian said, it is best in a dark room. Dim room at least. I can still see. Those two must have had really fit legs by the time they were done, as much squatting and crouching they had to do working their way very realistically to an escape. What a situation. Like just surviving an impact like that and having to work very hard to try to dig yourself out isn’t hard enough. Imagine being pursued by meat-eating creatures too. I like how little we see of the creatures for so long. The characters don’t see them either for a long while, only hearing the sounds. It really helps tighten the sense of being there in the same boat with them. And then we all see them. Why did it have to be spiders? I don’t ever want to be in a situation where someone asks, “Is your flashlight waterproof?” That water scene was chilling. The acting is amazing. It’s immersive. I thought it was excellent. Full disclosure, my computer locked up, I was doing remote work, and I didn’t see the last 20 minutes. Right around when Kate died. I won’t mind rewatching the first part to get there. 2025 Brute 1976 * Directed by: Marcel Walz * Written by: Joe Knetter * Stars: Adriane McLean, Sarah French, Gigi Gustin * Run Time: 1 Hour, 45 Minutes * Trailer: Spoiler-Free Judgment Zone It’s another killer family and a group of victims who are in the wrong place at the wrong time. They captured the retro look and feel of this one very well, the acting is good with well-defined characters, and the special effects were very realistic. It wasn’t anything particularly original, but it’s well put together and entertaining. Spoilery Synopsis August 19, 1976, in the desert, we zoom into two girls broken down on the highway. The road is completely deserted, so hitching probably isn’t going to happen

    29 min
  6. SEP 28

    Weapons, In Vitro, The Drowned, Coyotes, and The Return of Godzilla

    Four new releases this week, it must be getting closer to Halloween! We’ll start off with the much-discussed “Weapons” and then watch some even-newer releases: “Coyotes,” “The Drowned,” and “In Vitro,” which were all fun. Lastly, we’ll continue our ongoing kaiju coverage with 1984’s “The Return of Godzilla.” A bunch of winners this week! * The latest issue of “Horror Monthly,” issue #48, is on sale now! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2025 Weapons * Directed by: Zach Cregger * Written by: Zach Cregger * Stars: Julia Garner, Josh Brolin, Alden Ehrenreich * Run Time: 2 Hours, 8 Minutes * Trailer: Spoiler-Free Judgment Zone We start right out setting the mystery of how a classroom full of kids all ran out of their houses at 2:17 in the morning one night and disappeared. Except for one kid. Then the movie is spent going over the aftermath from different points of view of the people involved, and we get to solve the mystery together. It’s long but we were never bored. Okay, Kevin was a little impatient for the first half hour or so. But overall we liked it a lot and would recommend it. And we also recommend you go into it as blind as you can. Spoilery Synopsis We’re told that this is a true story, but there was a coverup to hide the truth. We open on a third-grade and a new teacher, Justine. Not one of her kids has come to school, but all the other classes are perfectly normal. Wait, a boy named Alex did show up. Every other kid woke up the previous night at 2:17 a.m., walked outside, and vanished at a run into the night. They never came back. We watch a flashback as the kids go running outside late at night. Credits roll. Justine The police interrogate little Alex and Justine, who know nothing. Eventually, they had to reopen the school after a month. First, they have a big meeting to deal with grief counseling over the seventeen missing children. They want to hear from Justine, who seems to be at the center of all this. What did she do? The crowd gets nasty, and the meeting is soon over. They blame her. On the way home, Justine starts getting death threats on her phone. She finds her car painted with “Witch” on the side in the morning. The school principal, Mr. Marcus, tells her that she can’t work there anymore. She wants to talk to Alex, but she’s not allowed. Justine meets policeman Paul at a bar later, and she tells him her problems. He says that she’s always been a little paranoid, and now she’s drinking too much. He is reluctant to drink, but we flash forward to the next morning with him waking up hung over in Justine’s bed. She drives him to his car, still at the bar. Justine goes to see Alex, which she has been forbidden to do. There are newspapers over all the windows at his house. She peeks in and sees something weird. She’s later attacked by Donna, Paul’s wife, who is justifiably angry. At home that night, she starts seeing things. She “stakes out” Alex’s house, gets drunk, and passes out. Someone sneaks into the car and snips off some of her hair. Archer We cut to Archer, who watches doorbell security video of his son running off into the darkness that night last month. He goes to work, and he’s been messing up lately. He’s been pestering the chief of police to the point of being annoying. He still thinks Justine is behind all this, but the chief doesn’t believe she’s involved. We see that he’s got red paint in the back of his truck, the same color as “WITCH” painted on the side of Justine’s car. Archer has a dream where he sees Matthew, his son, running off to a house with a giant gun flying overhead. He goes inside and talks to his sleeping son. The light comes on, and the dream gets weird. In the morning, Archer takes the information from his dream and checks out a nearby radio tower. He gets with some other parents and looks at their video footage. He confronts Justine, but in the middle of their conversation, she’s attacked by Mr. Marcus, the principal, who has gone utterly berserk. Paul We cut back a few days, as Paul sees someone suspicious running down the street, this results in a chase. He catches James, whom he knocks out. He realizes the camera is on and lets the guy go so there’s no report. The chief is somewhat supportive, so long as James stays quiet. This is when he gets a text from Justine and meets her at the bar. He falls right off the wagon. He goes home hung over and runs into Donna, who later attacks Justine in a jealous rage. He later sees James again and chases him. James James is an addict who can’t get his pipe to light because he’s run dry. He breaks into a car and steals an iPad. The pawnbroker doesn’t want it. He’s trying to break into a store when Paul spots and beats him the first time. James walks through the rain to Alex’s house and gets in through an upstairs window. He goes all through the house, looking for things to steal until he finds Alex’s parents, who seem to be frozen or paralyzed. He looks in the basement and sees all the missing children standing around down there. He gets creeped out and runs away when both parents suddenly get up. There is a big reward for the missing kids, that he plans to cash in on. He walks to the police station to tell them when he’s chased by Paul a second time. He runs into the woods, where he sees a crazy looking clown. He ends up stabbing Paul in the face with needles. He ends up taking Paul to the suspect house. Paul goes into the house, without calling it in or for any kind of backup, and leaves James in the back of the squad car. He never comes back out until late at night when he drags James inside. Marcus Marcus is sick of Justine, but he has to deal with her anyway. He gets a visit from Gladys, a very strange-looking woman. Maybe that wasn’t a clown that James saw in the woods. She says she’s Alex’s aunt, and she’s really weird. He wants to talk to Alex’s parents, not his aunt, so Marcus offers to visit them at home. He wants to avoid involving CPS, and that seems to concern Gladys. Saturday, Marcus gets a knock on the door, and it’s crazy Gladys, wanting a drink of water - she’s so thirsty. She missed her bus, and pleads for help. He tries to say no, but his husband Terry invites her in. She comes inside for a bowl of water. She cuts herself and then takes some of Terry’s hair. She rings a bell, and suddenly, Marcus freezes and drops the phone he was about to call 911 with. She wraps Terry’s hair around a stick, covers it in blood, and snaps it. Marcus goes berserk and kills Terry. Once that’s over, she does the same thing with Justine’s bit of hair, and he runs off to attack her at the gas station. As all the stories converge, Archer pulls Marcus off of Justine, This leads to a car chase, and Marcus gets hit by a car, badly. After things settle down a bit, Justine and Archer talk about it. Marcus was doing the “Naruto Run,” exactly the same way all the children ran. He was weaponized, like a heat-seeking missile going for a target. Archer shows her the map he’s made, and she points to Alex’s house. Alex Alex is at school, and he’s not happy, being bullied by bigger kids. His father says Aunt Gladys is coming for a visit; she’s sick and doesn’t have anywhere else to go. Late that night, the strange woman with the orange wig comes to stay with them. Alex isn’t happy about the sick old woman, but nobody asked him. One day Alex doesn’t get picked up from school, and when he does get home, he finds his parents are frozen at the dinner table. Aunt Glady, however, is looking much more lively. The next morning, the parents haven’t moved. The old lady swears him to secrecy. She makes his parents stab themselves in the face with forks repeatedly until he agrees. She said she can make them do anything, and demands that he tell no one about her. For several days, Alex feeds his parents soup from a can and quietly goes to school without saying anything. One night, Alex sees that Gladys is very sick and has been for a very long time. Alex’s parents aren’t helping as much as she expected. She tells him to bring her an object from each of his classmates, and she might get better and leave. During the next school day, he pilfers something from each of them. That night, Gladys does a mega-spell on all the children, who come running to her, all at once at 2:17 am. The next morning, only Alex shows up to school. Gladys is now looking very lively and colorful. She sends all the children away temporarily and cleans up the house for when the police come to inspect the place. A month later in the story, Archer and Justine come to the house and see Paul’s police car parked in front. They don’t know what to do, but he steps out and waves them inside. They do go in. Justine steps over a line of salt on the floor, and both Paul and James spring to life and attack them. These guys do not give up easily. Upstairs, the same thing happens with Alex and his parents. Archer finds the missing children in the basement, but he finds Gladys there as well. Gladys uses him to grab Justine. Upstairs, Alex uses one of Gladys’s hairs and repeats the spell himself, making her a target. All the children break out of the house and chase her. After an extended and hysterical chase, the children tear her apart. Back at the house, Archer releases Justine and goes looking for Matthew again; he soon finds him. Justine goes upstairs for Alex and finds him with his parents, who will never recover. Some of the children are just starting to talk this year… Brian’s Commentary The story being broken up into different viewpoints makes the story more interesting as it unfolds. I was expecting aliens or something, not a witch. That said, it was interesting, never slows down, and had a big enough budget that it showed. The gore effects were ni

    36 min
  7. SEP 22

    The Man in the White Van, The Jester 2, Monster Island, Land of the Dead, and the Ghastly Love of Johnny X

    Three new movies this week, but a pair of classics to go along with it: “The Jester 2,” “The Man in the White Van,” and “Monster Island” are all out fresh this month, but “The Ghastly Love of Johnny X” (2012) and “Land of the Dead” (2005) are from a decade or two ago. * The latest issue of “Horror Monthly,” issue #48, is on sale now! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2025 The Jester 2 * Directed by: Colin KrawChuk * Written by: Colin KrawChuk * Stars: Michael Sheffield, Kaitlyn Trentham, * Run Time: 1 Hour, 27 Minutes * Trailer: Spoiler-Free Judgment Zone The Jester is back, killing people like a magician and entertainer again, with a bit of a different look. There’s much more explanation in this sequel than the first movie, and we both thought that was a step in the right direction. We liked this one better than the first Jester. Spoilery Synopsis It’s a big Halloween party, and the guys mock each other for being afraid to talk to Ava. He goes over to her, but she’s more interested in Connor. That goes badly for Eric but suddenly, The Jester appears by crawling out of a box. He then peels his mask off like he’s molting, and we see that he’s got hair now and his face itself looks like the mask. The Jester makes Eric be the pinata, and that’s a mess. Credits roll. Max and Zoe talk about going out trick or treating, but mom says Max is getting a little too old for this stuff. Meanwhile, the Jester asks a guy on the street to pick a card, and then handcuffs him before ripping out his innards with a card trick. Max goes to a restaurant alone, and the jerky waiter recognizes her from school. The girls at the next table mock her, but then the Jester sits down across from Max, and at least he’s nice to her. He tries to do a trick with his cards, but she shows him card tricks aren’t going to fool her. When the guy she likes punctures her bicycle tire, she stops and cries. A trio of troublemakers are out pranking, and they run up against the Jester, who does his thing for them– except his magic no longer works. Instead, he just kills them the old-fashioned way- he attacks them with a knife. He’s lost his mojo and soon figures out that Max has it. Max goes to the magic shop and tells her friend there about her social problems. He’s really nice and cheers her up. When she leaves, the Jester is waiting for her. As she watches, he walks over to the mean group from earlier and “pantses” the guy, much to his embarrassment. Jester invites Max to go trick or treating with him. At the first house, Max does a magic trick for the woman inside, but then the Jester does a trick and kills the woman; his magic is back on again. Max runs away, terrified. They come across the remains of the party from the opening sequence, and Max shows him the Ouija board, which he can use to “talk” to her. He’s not going to kill her, he needs her. “You are just like me.” He says he’s a misunderstood entertainer until he met the Great Deceiver, who made him a deal. “I must trick four souls each Hallow’s Eve before a candle burns out.” Since she tricked him, that opens up a whole new rulebook; she has to do the tricks now. Max picks out one guy in the park; it’s the guy who was mean to her earlier. He’s pretty easy to hate, so she shows him a trick. He apologizes during the trick, but it’s too late by then, and the Jester takes over. Some police come over to question Max and the Jester, but suddenly, Max can’t speak either. Turns out, Max has called 911 on her phone. The police try to arrest the Jester, but that doesn’t go well for them. Max runs away and encounters a man on the street who offers to drive her to the police station. They hear about the previous deaths on the radio, but the guy in the car is very weird, weird in a pedophile kind of way. The Jester reappears and solves Max’s problem. Max has an asthma attack, so the Jester takes her to the fire station for help. The Jester then plays hide and seek with the firemen in the fire station. Max refuses to help him any further and goes home. Max’s mother is there waiting for her, and she’s surprisingly mean. She finds the Jester in her sister Zoe’s room; he’s already killed the mother, and now he wants Zoe too. He still needs her to do one more trick for a victim. Max chooses Darren, the waiter from earlier. When he gets off work, Max and the Jester are outside waiting for him. She pulls out her deck of cards and has second thoughts halfway through it. Turns out, she’s sleight-of-handed the Jester himself and performs a trick on him. Suddenly, his candle goes out and he bursts into flames. The magic shop owner shows up to help Max and Zoe. The police have the whole area covered. He finds that Max has taken the Jester’s hat, and she keeps babbling about “four tricks– four souls. Every year.” Sounds like it’s time for a yearly franchise! Brian’s Commentary The character of the Jester looked better in the previous film, with the full-head mask. This time around, he’s just got his face covered, and it’s not as effective. In the first film, he had more of a “street performer” look, but here, it seems he’s trying to look more scary. One complaint about the previous film was that nothing was explained, and we get everything explained in this one. It’s got a much stronger story, and the pacing is much better as well. I liked this one quite a bit more than the original. Kevin’s Commentary This one had all the magical murdering goodness of the first movie with a better script and story. Though I do agree that I preferred the Jester’s look in the first film, overall this was a better movie. If you liked the first time around, you should definitely see this one. 2025 The Man in the White Van * Directed by: Warren Skeels * Written by: Sharon Y. Cobb, Warren Skeels * Stars: Madison Wolfe, Brec Bassinger, Ali Larter, Sean Astin * Run Time: 1 Hour, 45 Minutes * Trailer: Spoiler-Free Judgment Zone It’s well-made and based on a real crime situation, which makes it creepy on a fundamental level. But it is rather long and drawn out. It hops around in the early 70s, doing a great job of capturing the look and feel of the decade. The van driver chooses to fixate on one character, rather than just the random attacks, so there’s drama and supporting cast for us to care about. Spoilery Synopsis A woman gets into a car and drives away. It’s 1970, and we see a white van following her car. She pulls over, crying about something, and doesn’t see the man from the van until it’s too late. Credits roll. In 1975, Annie falls off her horse. She goes home, and her mother, Helen, freaks out and tells her to shave her legs. At dinner, her father, Richard, talks business. Margaret and Annie are very competitive sisters. It’s a very strict household. Back in 1971, we watch a woman go out for the evening. She’s immediately kidnapped by the man in the white van, who we never see. In 75 again, we watch as the family goes to church. As the preacher talks, we see that the man in the white van is still active out there and he follows the family car back to their home. In 1972, a woman comes out of a disco and first with a man who drives a white van, and he gives her a ride against her will before killing her with an ax. Annie likes the new boy at school, Mark Newsome. We see that Annie’s horse is upset by something outside, and when Annie goes out, she sees the van there. When she tells her mother and Margaret, they don’t believe her wild stories. She finally gets to talk to Mark, and they hit it off. On the way home, Annie and Patty see the van, but it’s only a telephone installer. Little brother Daniel keeps playing with his father’s rifle, which annoys everyone. Annie ends up showing him how to use it. 1973, and a woman at a motel leaves the pool and gets grabbed on the way to her room. Annie keeps seeing the strange man outside the house. One night, near Halloween, her parents go out for dinner and Annie sneaks away for her boyfriend, leaving Annie and Daniel alone. The van man comes around and terrifies them until they get the gun and shoot at the van. When Helen and Richard come home, the story comes out, and Margaret blames Annie for making it all up. Punishments are disbursed all around. In 1974, a girl takes her dog out for a walk and things go badly for her. This time, the killer shows the kidnapped girl to an older man who calls him son. Annie sees the guy outside again and gets Richard to go outside with his real gun. He shoots a possum in the trash can. Annie gets even more paranoid after that, actually going so far as to lock the front door! The three kids go to a drive-in, and once again, Margaret sneaks off to be with her boyfriend. Annie runs into Mark there, and he’s come with the school slut, Joanna, who is having a Halloween party in a few days. It’s Halloween, and Annie and Patty go to Joanna’s party. Margaret is actually nice and helps Annie get ready. Mark, it turns out, is more interested in Annie than Joanna, but they can’t stay very long. On the way home, on horseback, the two girls spot the van again, and this time it chases them. Annie falls off her horse and runs. It’s tense, but she eventually loses him. When she gets home to put her horse away, the man is there waiting for her. The man knocks her out and ties her up, but the horse, on the other hand, kicks the man and knocks him out. It’s a contest of who will recover first, but Annie eventually winds up in the back of that van. She opens the door and jumps out (nobody tried that before?). Annie runs home, and this time, Margaret sees the bad guy too. They do the cat-and-mouse things in and around the house. They hit the man with his own van just as the policeman arrives. One month later, both Annie and Margaret have

    27 min
  8. SEP 14

    Somnium, Dirty Boy, Site, Curse of Chucky, and The Jester

    Three new movies this week, but a pair of classics to go along with it: “Somnium,” “Dirty Boy,” and “Site” from this year. “The Jester” from 2023 is up next, followed by “Curse of Chucky” to complete that series, we already watched all the others. . * The latest issue of “Horror Monthly,” issue #48, is on sale now! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2024 Somnium * Directed by: Racheal Cain * Written by: Racheal Cain * Stars: Chloe Levine, Jonathan Schaech, Will Peltz * Run Time: 1 Hour, 32 Minutes * Trailer: Spoiler-Free Judgment Zone A struggling actress takes a night job watching over a bunch of people who have signed up for Somnium, a facility where they are put to sleep for weeks and kept in a continuous dream state while being hypnotized into an improved mental state. Is it just stress and lack of sleep that’s causing Gemma to struggle with life or is something more ominous at work? We wondered and so will you. This was very good, entertaining and pulling us along while leaving a lot open to interpretation. Spoilery Synopsis Gemma has moved to a new city; she wants to be an actress. She goes to the talent agencies and auditions. She eventually goes to a place called “Somnium” who is hiring. Gemma doesn’t have much experience in anything useful, but Dr. Shaffer explains that it’s not a hard job, but it’s been hard to find anyone who stays very long. She’s essentially a “sleep sitter,” watching over sleeping patients in the facility. We flash back to Gemma and Hunter talking about what they want to do with their lives. She wants to be an actress, he wants to be a touring musician. He knows he’s not really going to do that and sketches her a picture of the house he’d like to build someday. On her first night at Somnium, Gemma learns about the “Science of Winning” and sees the sleep pods with people inside. The machine plays pictures and sounds into these peoples’ dreams. It’s a way to “program” new personal truths into people. It’s a quiet job, making sure nothing happens all night. Gemma’s not comfortable inside her own apartment, hearing and seeing things that aren’t there. She clearly misses her life back in Georgia. She runs into Brooks, a creepy guy who probably wants something bad for her. Noah, at work, shows her how he programs people for their careers. He takes a photo of Gemma and puts it in some guy’s dream, teasing her that if he left it in the guy’s dream he would wake up infatuated with her without knowing why. At an audition, Gemma does great, but the casting people aren’t excited. That night at Somnium, she sees some kind of monster in one of the patient rooms, but, of course, there’s nothing really there. At home, she hears that back home, Hunter has found a new girlfriend. Depressed, she calls Brooks, who offers to show her around town. He is strange, but he’s clearly rich and connected and seems interested in helping her. Time passes, and Gemma does more auditions. At night, she learns more about Somnium and reads all the brochures. She learns from Noah and Olivia about “Cloud 9” an emergency procedure where mental patients get programmed to straighten out their lives in just a few short hours. “No one comes back the same.” Olivia thinks the process is terrible, but Noah says it’s better than the alternative. Gemma runs into Noah working late one night; he’s doing something sketchy. Brooks invites her to a party Friday night, but she can’t get off work. As she starts to mess with the security footage logs to cover her sneaking out, she sees what Noah’s been up to late at night. She then sneaks off to party with Brooks and his friends. She meets Dakota, another actress, and she’s not having any luck getting parts. Max, a huge star, talks to Gemma about Somnium; she’s a former customer, and it made her successful. Gemma finds that she’s being evicted. She also gets caught sneaking out of Somnium. At night, sometimes she sees monsters in her apartment. Brooks comes by, and he’s worried about her. He implies that he’s disappointed with her and tries giving her advice. We get more flashbacks to her time with Hunter as she gets more and more depressed. She finds a shadowy man in her apartment who injects her with something. We get glimpses of Noah at Somnium, working on Gemma. “You figured it out a lot faster than the last dream sitter.” He’s put her in the Cloud 9 program, and she’s being re-programmed. She sees herself inside the Somnium facility, chased by a monster. Suddenly, she’s a guest on “The Latest Show,” being interviewed as a big star. Even in her dream, the interview goes badly. She talks to dream-Hunter, and he’s mean. Eventually, she confronts the monster again, face to face, and it vanishes. Gemma wakes up in Somnium and gets off the table. Dr. Shaffer, Olivia, and Noah are out there. Gemma tells them to look at Noah’s hard drive for evidence. She then goes home, pays her bills, and cleans up her apartment. She hears on the news that Noah has been arrested for multiple occasions of kidnapping and assault. She gets a call from a director, and she’s been cast in the first film she auditioned for. Everything is fine now. Isn’t it? Brian’s Commentary There’s a lot of weirdness going on, and we never really know what’s real and what isn’t for the first hour. We get the feeling that Gemma might be crazy, might be in a simulation, or might be a patient of Somnium– we don’t know, but something is very off about her. The last segment, inside the dream, isn’t as exciting as it should have been and actually drags a little. The ending is good, though, as we still don’t know exactly what happened. Is what we saw real? Is anything real? I liked it quite a bit, although I’m sure I didn’t understand the ending entirely. Kevin’s Commentary Early on, I was wondering if Gemma was already a Somnium client right from the beginning, there were some hints of strangeness. When we do see her put into the dream state, that seemed more predictable because we knew none of that was really real. It does leave things unanswered about what really happened and when, but I thought it was well made and entertaining. I liked it quite a bit. 2025 Dirty Boy * Directed by: Doug Rao * Written by: Doug Rao * Stars: Stan Steinbichler, Susie Porter, Graham McTavish * Run Time: 1 Hour, 38 Minutes * Trailer: Spoiler-Free Judgment Zone Isaac has mental problems and is part of a small cult in a beautiful, isolated area. There’s just enough story to keep pulling us along as we try to figure out what’s really going on with these folks. It’s a simple life that makes us wonder if we might be in the past, but we also see some strange technologies that might mean it’s the future. It’s slow moving but fascinating, and we thought it was great. Spoilery Synopsis A very religious man wakes up with a nightmare; he’s got crosses hanging all over his walls. He’s not sure if he took his pills today. He’s Isaac, and he hears voices in his head. A woman in a mask knocks on the door; she says he’s been in that room for a week, and it’s his third lock-up this year. She wants him to break out and escape. Everyone in the house wears weird animal masks. Yes, it’s some kind of cult, and Isaac watches a human sacrifice in one of the rooms. Suddenly, the alarm goes off and he runs back to his room. He then argues with Frankie, one of the voices inside him. Credits roll. In the daytime, there’s a procession out of the big house as the women all sing. Old man Walter watches as Verity welcomes Isaac back into the fold. She talks about how the people outside are all filthy with liberalism and Satanism. He tells her that he’s clean now. There’s a tense dinner afterward, and it’s clear that everyone knows about Isaac’s issues. When Hope stands up for Isaac, Walter makes her drink most of a bottle of apple cider vinegar. Isaac goes back to his room and mashes up all his pills. He hides the powder and then pretends to have overdosed. Isaac talks to Dr. Cronin about the Foundation, but she explains how great the Wentworths are. There’s history between Isaac, Frankie, and his old girlfriend, Sarah, who isn’t around anymore. Cronin’s not a particularly nice doctor, and it’s clear that she works for “The Flock.” Isaac escapes from her and runs off. Isaac comes to a house in the woods and goes inside. A woman shows up and acts as if she’s been expecting him. She takes him to another woman, whose hands are tied. She tells him to “Breed me.” Meanwhile, a boat arrives outside with Wentworth and others. They get there in time to see Isaac running back into the woods; Wentworth lets him go. One of the other young men ends up doing the breeding. Frankie/Isaac starts following young girls around the trails. He’s been in trouble for this before. He’s interrupted by two men of the cult wearing antlers. They take him back to the Wentworths, where Verity gives him a harsh baptism. He’s clean again now. The four girls at the Foundation talk to Isaac about his pills and lifestyle. Grace is put in charge of Isaac’s medications. Hope is on his side, but she’s in the minority. She also helps him out with his sexual needs. Are they really family? Isaac wants to know. As soon as she leaves, he pukes up the pills. Hope slides a key under Isaac’s door and he escapes again. Everyone is gone out, so Isaac searches the house. He records everything he sees with his handheld device. He finds birth records, but he has no father or mother listed. As he works with Walter’s devices, Walter gets a notification about it. We learn what happened to Sarah: she killed herself due to Isaac’s lies about her. Walter punishes Hope for helping Isaac. In the morning, Isaac seems like he’s all on-board

    30 min

Ratings & Reviews

5
out of 5
3 Ratings

About

Join Kevin and Brian for a weekly podcast episode. Every Friday, the guys release both a video and audio podcast episode that covers everything new in horror, along with a handful of great (and awful) movie reviews! www.horrorweekly.com