Writer Craft Podcast

How Point of View Affects Your Story (Ep203)

How POV Affects Your Story

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Segment 1 (Announcements/Author Updates):

  • (Valerie): launching my four-month book coaching container Aligned Author TODAY. The price is drastically cut this week (it's $667 off the regular price.) Go to valerieihsan.com/alignedauthor for all the details.
  • Write in the Harbor conference is coming up (2 presentations to prep for)
  • feeling some feelings lately about the finality of the move and the recognition of Last Times I Will See/Do ...
  • Also having some "Get over it" feelings about not showing up online. I used to show up more in pictures and words on social media and blogged (wrote a lot of personal essays), and since I've become a published author
  • (Erick):
  • running google ads and qualifying potential clients
  • polishing stories up for omnibus edition
  • Ghost Story Weekend (Newport)
  • What are you reading?
  • Valerie:
  • Just finished: The Witch of Willow Sound
  • Wild Dark Shore (Charlotte McConaghy)
  • Creative Act (Rick Rubin)
  • (Not ready to give up on them, but struggling to finish them:) Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman;
  • Erick:
  • • Summer of Night (Dan Simmons)
  • My Favorite Thing is Monsters (gn)
  • Segment 2 (Resources/Tips/Tidbits):
  • Tidbit #1:
  • Tidbit #2:

Segment 3 (Main Topic):

Notes:

  1. POV = promise: what intimacy, information, and bias will the reader get? • 1st = interiority + voice; close 3rd = balance of interior/exterior; omniscient = scope + theme.
  2. The camera test: what can the narrator see/know/believe in this scene? • Ban anything they couldn't realistically perceive; use misbeliefs to create tension.
  3. Distance is a dial, not a switch: • Zoom in (sensory, thought-beat, micro-movements) for emotion; zoom out (summary, context) for pace/theme.
  4. POV shifts = scene breaks + reason: • Change only to add net new conflict, clue, or consequence. Track continuity of diction and metaphor.
  5. Try this: rewrite a 200-word scene in 1st, close 3rd, and omniscient. • Ask: which version delivers the most tension, clarity, and theme resonance?

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