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The Tone Mob Podcast

Blake Wyland & Sound Talent Media
  • 4.8 (206)
  • MUSIC INTERVIEWS
  • UPDATED WEEKLY

The year was 2015. Show host Blake Wyland intended to start a podcast where he took a deep dive with his guests from the guitar world to explain their rigs. What happened was that, but also a whole lot more. The show quickly evolved into discussions about people's lives. Guitars, pedals, amps, etc. are the central hub of the show, but it really is more about the PEOPLE behind all of it. Both the musicians who use the gear, and the folks that create these magical tools of expression. You can expect chats about songwriting, favorite bands, family, loss, addiction, conspiracy theories, philosophy, and most of all....... food. This podcast goes all over the place. Come take a ride.

  1. 4D AGO

    Tone Mob 500: Henri Cash on Starcrawler, Vintage Amp Chaos, and Guitar Gear for Weirdos

    Episode 500, baby. And we brought in Henri Cash (Starcrawler, Plague Vendor, Cash & Skye) to celebrate the only way this show knows how: by diving headfirst into glorious guitar chaos. This episode has everything. Vintage amp obsession. Touring war stories. Studio nerdery. Gretsch evangelism. Voltage drama. Tape machine romance. Mild existential crises about digital modelers. It is a full buffet of tone. Henri talks about Starcrawler being the first band to record on Les Paul’s restored recording console in LA, how different venue power can totally change your rig night to night, and why speakers are secretly doing half the job while everyone argues about pedals online. Blake and Henri also get into production philosophy, why perfect takes can sound lifeless, and how mistakes are often the secret sauce that make records feel human. Along the way: Orange OR80 love, Magnatone/Vox combos, 5150 reality checks, old guitar neck magic, gear collecting vs actually playing, and why Gretsch might be the official guitar brand of beautiful weirdos. If you like guitar talk that’s informed, unpretentious, and occasionally unhinged, this one is for you. Hit play for Episode 500 and come celebrate with us. Good luck, good tones, and thanks for being part of this wild ride. Follow all things Henri on his social media HERE https://www.instagram.com/henricash Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 12m

  2. FEB 2

    Steve Rowe Returns: NAMM Chaos, Silent Pedal Rooms, and the Future of Guitar Media

    Steve Rowe from 60 Cycle Hum returns to the show after an eight-year gap, and we immediately time-travel back to the era of wired earbuds, headphone jacks, and recording next to a wall outlet like it’s a survival game. From there, it’s a full spiral through the modern guitar media landscape: audio vs video, why interviews work when “can I talk to you for an hour?” absolutely shouldn’t, and how NAMM feels different depending on whether you’re stuck at a booth or sprinting the floor. We hit the silent pedal room (eerily quiet), Woodwire Volts (chill, boutique, intentional), Effectors Market (dangerous for your wallet), and the existential questions, like: if you pair an internal speaker guitar with a fart pedal… do we delete the universe? Also: favorite Boss pedals, pizza opinions, and why the secret sauce is still just showing up and doing the work. Check out everything 60 Cycle Hum HERE https://60cyclehum.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 24m

  3. JAN 26

    The Dark Summer and the New Era: Jason Mays Returns

    My dude Jason Mays is back, and we get into the real stuff on this one! We talk about wearing 12 different hats (PlayJason, Working Class Music, writing gigs, Orange, a band, and whatever else gets stapled to his name this week), and what happens when “hustle” turns into straight-up burnout. Jason breaks down the behind-the-scenes evolution of Working Class Music, why he started PlayJason as a creative pressure valve, and how keeping things authentic sometimes means stepping back, changing roles, and rebuilding the workflow so it doesn’t eat your brain. If you've ever wondered how some folks juggle it all, this episode is for you. Find Jason on Instagram HERE https://www.instagram.com/jasontmays Check out PlayJason HERE https://www.youtube.com/@JasonTMays/videos Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 33m

  4. JAN 19

    Yvette Young vs. The Shadow People (A Tone Mob Throwback)

    Here’s a vintage reissue that refuses to stay buried. This throwback episode with Yvette Young started life as a Patreon bonus… until enough people yelled “this is too good to keep secret” and it hit the main feed, where it promptly became one of the most-listened-to episodes of the whole show. So if you’re new around here, congrats: you just found a greatest hit. If you’ve heard it before, it’s absolutely worth a re-listen. This one is a ride. We barely talk about guitars, and that’s kind of the point. Instead we get into: sleep paralysis, shadowy hooded figures, red eyes, radio-static brain glitches, and why the stories are weirdly consistent UFOs, alien nightmares, and a “star” that breaks the rules like it’s trying to avoid getting reported DIY tour chaos, sketchy houses, cash hidden in books, and why “band horror” should be its own movie genre discipline, deadlines, and Yvette’s surprisingly genius riff-to-song system labels, contracts, and how to not get your creative soul pawned off in the fine print the gear world’s gender weirdness, and why sound doesn’t have a gender Content note: this episode touches on sleep paralysis, anxiety-ish brain stuff, and some heavier life experiences later on. Also, if you’re hearing this during NAMM week, come say hi at the Stringjoy booth (6300). I’ll be there, in the meeting room, or inhaling food like a man who has made poor scheduling choices. Enjoy. And maybe don’t listen to this one right before bed. Check out all things Yvette on her website HERE https://yvetteyoungmusic.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    2h 14m

  5. JAN 12

    Turning Down Waylon Jennings: Alison Prestwood’s Nashville Origin Story

    Nashville bassist Alison Prestwood joins Blake for a deep-dive hang that zig-zags through the kind of career that only makes sense in hindsight: a near-miss with Waylon Jennings, a pivotal run with Rodney Crowell, getting the call to jump in with Patti Loveless on a few days’ notice, and why saying “no” at the wrong time can still be the right move. They talk shop on what it really takes to break in today (attitude, reputation, the bus factor, and yes… learn the number system), plus why studio work still has that magic when a whole band builds something together in real time. Also: a midlife detour into law school and practicing as an attorney before returning to music full-time, and a proper gear spiral, including her 1973 P-bass, vintage favorites, and why touring with Peter Frampton can actually be safer for great instruments than leaving them at home. Check out her podcast Hey, Good For You! (podcasts.apple.com) Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 6m

  6. JAN 5

    Matt Pike, Brent Hinds, Jimmy Bower: Inside the Woodrite Guitars Machine w/ Steve Reis

    Steve Reis from Does It Doom returns after four years and it’s one of those “wait… you did what?!” catch-up episodes. In the time since his last visit, Steve didn’t just add a couple new pedals to the shelf. He helped turn Woodwright Guitars into a full-on operation with a growing lineup, more dealers, and signature models tied to the heavy universe with names like Matt Pike, Brent Hinds, and Jimmy Bower. We get into the real stuff behind the curtain: how a doom-obsessed niche turns into a career, what it takes to go from “I make content” to “we make instruments,” and how Steve thinks about building a brand without sanding off the personality that made people care in the first place. Then we hit the creator brain spiral: why long-form YouTube can feel like building a ship in a bottle every week, how short-form became the steady river, and what happens when you finally admit you’d rather make the thing than perform the thing. And yes, there’s plenty of gear goblin behavior: stage-played guitars with battle scars, modded vintage vs. museum pieces, and the kind of tone chasing that makes perfect sense if you’ve ever stared at a melted pickguard like it’s a clue. Check out Does It Doom on the interwebz HERE https://doesitdoom.com/ and the guitars HERE https://www.woodriteguitars.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 6m

  7. 12/30/2025

    Pearl Jam vs Ticketmaster: The 90s Battle That Still Matters

    This is the last episode of 2026!!! And just for that, I wanted to give you a special look at one of the other podcasts I do, Tape Spaghetti! What happens when one of the biggest bands in the world takes on its industry’s Death Star? In 1994, Pearl Jam was willing to find out. On this week’s Tape Spaghetti, Scott & Blake revisit the grunge-era showdown that pitted a group of scrappy rock idealists against Ticketmaster, the ultimate corporate monolith. Having locked down every major venue in America, Ticketmaster strangled fans with specious “service charges” and squeezed bands with exclusivity contracts. At the height of their popularity, Pearl Jam demanded fairer prices and more transparency. They even attempted to bypass Ticketmaster altogether by playing public spaces – but ultimately they had to put up with shady politics, convoluted permitting, and the reality that they were losing millions in revenue. How did Ticketmaster go from a scrappy Arizona startup to a money-printing monopoly? In a world where we *still* pay $45 in convenience fees, this one hits home. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 9m

  8. 12/23/2025

    “Turn the Lights Off”: Allegheny High on Charles Wesley Godwin & Cold Cheese Pizza

    I caught up with a good chunk of The Allegheny High boys in central Oregon while they were out doing what they do best: making Charles Wesley Godwin sound like a freight train and giving folks goosebumps. We posted up near Bend for a hang that starts off with “are we about to get murdered?” energy… and quickly turns into a full-on origin story: the Beaver County scene that shaped them, jam nights that built their chops, and the larger-than-life local legends who taught them the most important rule of all: never take a gig off, even if a guitar ends up in a popcorn machine. From there, we get nerdy in the best way: production philosophy (and why recording is basically 95% failure and 5% magic), the real behind-the-scenes of tracking big guitars, and that moment when a song hits so hard you have to sit in the dark and just… listen. Also: stoner-rock riffs hiding inside “country,” touring gear that makes your heart do the pitter-patter thing, Boss pedal picks, and a Pittsburgh-area pizza style that sounds fake until you try it. Keep up with the goings on here: https://www.charleswgodwin.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 9m
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Trailer

4.8
out of 5
206 Ratings

About

The year was 2015. Show host Blake Wyland intended to start a podcast where he took a deep dive with his guests from the guitar world to explain their rigs. What happened was that, but also a whole lot more. The show quickly evolved into discussions about people's lives. Guitars, pedals, amps, etc. are the central hub of the show, but it really is more about the PEOPLE behind all of it. Both the musicians who use the gear, and the folks that create these magical tools of expression. You can expect chats about songwriting, favorite bands, family, loss, addiction, conspiracy theories, philosophy, and most of all....... food. This podcast goes all over the place. Come take a ride.

Information

  • Creator
    Blake Wyland & Sound Talent Media
  • Years Active
    2015 - 2026
  • Episodes
    550
  • Rating
    Clean
  • Copyright
    © Blake Wyland & Sound Talent Media
  • Show Website
    The Tone Mob Podcast
  • Provider
    Tone Mob LLC

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