The Rewatch Party

Emergency Exit podcast network

The Emergency Exit network is always evolving in its content, so be sure to check back for newly released content.

  1. Jul 19

    The Rewatch Party 255 - Mission Impossible 4

    We break radio silence now as Nick has been deep in Romulan space with shields up and unable to transmit.   Join us this week as Tom Cruise gets thrown into a Russian prison, breaks out before breakfast, sneaks into the Kremlin, climbs the tallest building on Earth with a pair of malfunctioning oven mitts, and somehow that's only about half of Mission: Impossible – Ghost Protocol. This is the movie where the franchise stops apologizing for itself and fully embraces Tom's quest to personally terrify the insurance industry. With Elise out this week, it's just Nick and Anthony behind the microphones. They celebrate Simon Pegg graduating from "guy in the van" to full IMF field agent, wonder why Jeremy Renner spent a decade auditioning to inherit every major franchise, and ponder how much more effectively we couldsolve international incidents if only we could sprint faster. The conversation veers through Bruce Springsteen T-shirt trivia, Dean Martin prison break soundtracks, Russian nuclear paranoia, Pixar easter eggs, the increasingly ridiculous Mission: Impossible spy gadgets, and whether the fake hallway projector might secretly be the dumbest brilliant idea ever put on film. Somewhere in there they also discuss Ghost Protocol, arguably the movie that turned Mission: Impossible into Hollywood's gold standard for practical action spectacle. So grab your self-destructing cassette tape, double-check your climbing gloves, and remember: if your mission goes catastrophically wrong, just run faster.

  2. May 10

    The Rewatch Party 252 - Samurai Cop (1991)

    Nick celebrates a birthday the only reasonable way possible: by forcing everyone to watch Samurai Cop, where every line sounds recently invented and every explosion feels personally insulting to the physics underpinning our reality. Nick, Anthony, and an in person Elise marvel at director Amir Shervan somehow stretching a reported $7,000 budget into helicopters, katana fights, cocaine deals, and the most aggressively fake wig ever committed to film.  This movie was apparently filmed under conditions normally associated with a hostage negotiation. Actors wore their own clothes. Most scenes were done in a single take because film stock cost money. Entire chunks had to be reshot months later after the lead actor changed his hair, resulting in continuity so broken it becomes performance art. The discussion keeps circling back to baffling production decisions, including a helicopter pilot conducting phone-sex dialogue during a drug bust, stunt performers visibly changing ethnicity mid-fireball, and car chases where everyone politely uses turn signals.   There’s also an alarming amount of time spent trying to map Samurai Cop onto the Kevin Bacon cinematic universe while determining whether Z’Dar counts as human or geological formation. It’s a celebration of glorious incompetence, impossible continuity, and the kind of filmmaking where nobody involved seems entirely sure what movie they’re making.  So pull the club out of your ass and Samurai Cop a feel on one of the few movies that genuinely earns the phrase "you just have to see it to believe it".

  3. Apr 12

    The Rewatch Party 250 - A Mighty Wind (2003)

    There’s wind, there’s confusion, there’s whatever the hell "blowing to my mighty wind" was supposed to mean.  Take a tour with us through construction site asbestos anxiety, chicken wing philosophy, and a string of musical puns that should legally qualify as a workplace hazard. By the time anyone remembers we’re here to talk about a movie, we’ve already emotionally prepared ourselves for death via Google notification. Of course we're here to talk about A Mighty Wind, which is to say we immediately derail into Christopher Guest lore, Second City reverence, and the realization that folk music has apparently existed since cavemen discovered obelisks and started strumming. We latch onto Irving Steinbloom’s legacy as an excuse to meet the parade of deeply strange humans in this movie: painfully awkward folk trios, aggressively wholesome cult-adjacent choir people, and Mitch, who has been chemically sanded down into a human screensaver. The music is legitimately good, which feels unfair given how much of this is people making eye contact while saying the worst possible thing. We explore porn backstories, model train lore, folk band beefs, and a superhero whose powers should not be spoken aloud in polite society. The movie itself becomes almost secondary to the experience of sitting in prolonged, deliberate discomfort while incredibly talented people commit to the bit harder than anyone reasonably should. By the end, we are left with a deep appreciation for Catherine O’Hara, a lingering fear of hotel neighbors, and the realization that folk music is just emotional damage set to three chords and eye contact you cannot escape. https://www.imdb.com/title/tt0310281/

  4. Mar 29

    The Rewatch Party 249 - The Punisher (1989)

    We sat down for Anthony’s birthday episode and immediately chose violence. We’re talking about The Punisher (1989), a movie that wastes zero time proving it absolutely does not give a single coherent f**k. A film that opens like a bargain-bin James Bond fever dream, then sprints straight into explosions and foot-stab assassinations.  Our Birthday Boy is riding the host chair; it’s chaos, it’s loud, and honestly, it’s kind of beautiful. It’s also a very full house at Rewatch Party HQ, with Anthony, Nick, Elise, Manny, AND Dan all trying to keep up with a movie that refuses to explain anything besides repeating apparently legally binding exposition about 125 gangland murders on loop. That doesn't stop us from enthusiastically narrating every insane beat.  [X] Sewer monologue about justice, [X] a naked Punisher living like a damp raccoon philosopher, and [X] a drunken Shakespearean informant who should not, under any circumstances, be this plugged into organized crime.  And that's on top of frog-ninja assassins, exploding mansions, and a dock shootout where Punisher zip-lines off a human body. By the time we hit Yakuza takeovers, kidnapped kids, and a casino massacre where literally everyone in the building turns out to be an assassin, we’ve fully embraced the insanity. By the end of our time together today, you'll have a full appreciation of wingnut powered torture racks, the appeal(?) of the sewer nudist lifestyle, and a villain plan that boils down to "consolidate, then obliterate." In the end, is it messy and unhinged?  Yes.  But that was $9 million well spent and we had a damn good time.

  5. Mar 25

    The Rewatch Party 248 - Spinal Tap II: The End Continues (2025)

    Part two of our Rob Reiner tribute cranks things up from "contractually obligated chaos" to "loving homage" as we continue the end with Spinal Tap 2: The End Continues.  We're looking in the mirror of a movie that hinges entirely on how, despite despising each other for years, people CAN be brought back together by Big Bottoms. For the first time in Rewatch Party history, we bring in someone who's actually in the movie: Valerie F-ing Franco. Having survived music school with Nick, she now occupies rock's most dangerous chair as drummer Didi Crockett.  So yes, indulge our delight when she casually drops stories about jamming with Paul McCartney, sharing the screen with Elton John, and having Christopher Guest as her personal hype-man. She also confirms the importance of preparation in the luck equation by booking the gig live in the room with McKean, Guest, and Shearer. From there, we mix reverence and absolute nonsense in the Rewatch Party way.  Val walks us through pitching drum kits themed after every dead Spinal Tap drummer (puke drums, anyone?), the moment John Michael Higgins broke Christopher Guest with a singular question about penis pain, and how Rob Reiner casually requested a blindfold drum solo. And for the economists in the fanbase, of course we unpack the cheese-for-guitars barter economy, and you'll agree Nigel was justified in most of his choices.   We close out with a genuine tribute to Rob and Michelle Reiner, a possible TRWP henge-related scoop, and the reminder that Didi Crockett is the twelfth drummer: one beyond eleven. https://www.imdb.com/title/tt20222166/

4.7
out of 5
16 Ratings

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The Emergency Exit network is always evolving in its content, so be sure to check back for newly released content.