HEAVY Music Interviews

HEAVY Magazine

All the latest music interviews from the team at HEAVY Magazine. HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music. We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on www.speaker.com/user/heavy Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

  1. 1d ago

    The Shadows Of Death With ROHAN STEVENSON From SUNK LOTO

    If you like your heavy music served with a side of absolute, unadulterated chaos, then grab a cold beer and brace yourself. Gold Coast alternative metal titans Sunk Loto are officially heading back out on the road this August for their highly anticipated Dead Shadows Tour. Trust me when I say this is shaping up to be one of the absolute heaviest and most intense runs of the year. For those who need a quick history lesson, Sunk Loto dominated the Australian heavy music landscape in the late '90s and early 2000s, standing shoulder-to-shoulder with international giants like Korn and Deftones. Their seminal 2003 masterpiece, Between Birth and Death, became a gold-standard textbook for Aussie metalcore. Then, they abruptly vanished into the ether for fifteen years. When they burst back onto the live circuit in 2022, they didn't just play shows; they absolutely decimated venues across the country to a multi-generational, bloodthirsty crowd. Last year, they threw even more fuel on the fire by welcoming guitar wizard Rohan Stevenson (from I Built The Sky) into the fold, instantly locking in an explosive new creative energy. Now, the boys are back to unleash their brand new single, Dead Shadows, tracked alongside the legendary producer Forrester Savell. To celebrate, they are completely ditching the sterile festival barriers and massive production rigs. Instead, they are opting for the sweaty, high-octane violence of intimate, grassroots rooms. This brief, relentless East Coast trek will see the band tear through the Coolongatta Hotel on August 7 before two shows at Brisbane’s Crowbar on August 8 and 11, Sydney’s Crowbar on August 13, and finish by ripping the roof off Melbourne’s legendary Corner Hotel on August 14. Tickets are already flying out the door, and if you know anything about a Sunk Loto mosh pit, you know the band actively instigates absolute madness from the barrier to the back wall. Fans can expect a massive, curated setlist packed with deep cuts that haven't seen the light of day in decades, mixed with the crushing weight of their new material. HEAVY sat down with Stevenson to chew the fat over the creation of Dead Shadows, navigating their brutal new lineup dynamics, and exactly what kind of beautiful insanity they plan to bring to Australian stages next month. Tickets https://teamwrktouring.com/ Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    The Shadows Of Death With ROHAN STEVENSON From SUNK LOTO
  2. 2d ago

    PARADISE LOST: GREG MACKINTOSH Finds Ascension In The Ashes

    Interview by Ali Williams PARADISE LOST have spent close to four decades making misery sound magnificent. While countless bands have shuffled through genres, line-ups and ill-advised creative awakenings, the UK veterans have built an entire legacy from heaviness, melancholy and the endless human capacity to stare into the void and find a decent guitar melody lurking inside it.  After almost a decade-long absence, Paradise Lost are finally returning to Australia. Guitarist and songwriter Gregor Mackintosh joined HEAVY’s Ali Williams to discuss the band’s long-awaited visit, their latest album Ascension, the record he threw away before writing it properly, and why owning an album once required commitment, patience and occasionally forcing yourself to enjoy something because the record shop refused to take it back.  The Australian dates arrive at the end of a substantial journey through Japan and China, opening their Downunder at Brisbane’s The Triffid on October 18 before heading to Sydney’s Factory Theatre on October 19 and Melbourne’s Max Watt’s on October 20. Understandably, Mackintosh is eager to return, although asking him for the exact itinerary produced the kind of uncertainty normally reserved for musicians who have sensibly chosen not to examine how many airports stand between Yorkshire and Brisbane.  “I don’t know how my itinerary works,” he admitted.  Probably best. Nothing good comes from learning too early how long you will be sitting upright while crossing continents.  Check out the full interview for more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    PARADISE LOST: GREG MACKINTOSH Finds Ascension In The Ashes
  3. 2d ago

    Total Annihilation With GRAVEMIND

    Brisbane’s Mansfield Tavern is locking its doors and bracing for total structural failure. The third annual Necrosonic Festival is descending on Saturday, August 22, 2026, delivering 12-plus hours of unrelenting extremity across three stages. While international powerhouses Rivers of Nihil and homegrown technical death metal legends Psycroptic are set to co-headline, the middle tier of this massive bill holds some of the most devastating weapons in the Australian heavy music arsenal. If you want a band that will completely tear the skin from your face with clinical, heavy precision, look no further than Melbourne deathcore juggernauts Gravemind. These guys have spent years mastering a sound that functions like a well-oiled killing machine. They don't just write breakdowns; they engineer sonic earthquakes that blend punishing, technical riffs with vast, cinematic atmosphere.  Following the massive success of their critically acclaimed sophomore album Introsphere, released via Greyscale Records, Gravemind have proven they are not content with sitting safely inside the boundaries of traditional deathcore. They weaponise melody, injecting dark progressive layers and experimental dynamics that keep listeners totally off-balance before delivering a swift, blunt-force trauma to the jaw. HEAVY sat down with vocalist Bailey to find out more about what to expect at Necrosonic. Tickets to Necrosonic and more information https://necrosonicfestival.com/ Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    Total Annihilation With GRAVEMIND
  4. 2d ago

    Waging War Down Under With CODY And BRITON From WAGE WAR

    If you call yourself a fan of heavy music and your pulse isn't already racing, you need to check your vitals right now. The absolute masters of Floridian metalcore, Wage War, are officially gearing up to bring their massive, unrelenting It Calls Me By Name world tour down under. This isn't just another casual standard run across the ocean, folks; this is a full-blown, sonic assault that is set to completely decimate every single venue it touches. The demand out there is already completely mental. We have already seen the Melbourne show get a massive venue upgrade to The Forum because Aussie heavy music fans simply cannot get enough of what these guys bring to the table. Brisbane and Sydney are staring down the barrel of selling out entirely. If you are sitting on the fence waiting to grab your tickets, you are going to miss out on one of the most essential heavy packages of the entire year. What makes Wage War such a beautiful, brutal force of nature is their incredible ability to balance sheer, unadulterated chaos with absolute melodic perfection. They throw down some of the most bone-shattering, snarling breakdowns you will ever hear in your life, but they seamlessly back it up with these infectious, soaring hooks that just get completely buried in your head. Tracks from their brand-new EP It Calls Me By Name, alongside their massive back catalogue, are built specifically to ignite the mosh pit. And let’s talk about the supports, because this line-up is completely stacked from top to bottom. Sharing the stage on this absolute monster of a tour are Nashville hardcore legends Orthodox, who bring a filthy, aggressive edge, and Melbourne's very own rising heavy juggernauts Heavensgate. HEAVY caught up with vocalist Briton Bond and guitars/clean vocals Cody Quistad to chat more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    Waging War Down Under With CODY And BRITON From WAGE WAR
  5. Jul 17

    Returning To Take Care Of Unfinished Business With MARC ZELLWEGER From PALEFACE SWISS

    Interview by Kris Peters If you like your heavy music served with a side of absolute, unadulterated chaos, then grab a cold beer and brace yourself, because Swiss deathcore juggernauts Paleface Swiss are heading back Down Under. After completely decimating venues across the country on their sold-out 2025 run, the Zurich four-piece have just announced a massive seven-date Australian headline tour for January and February 2027. Trust me when I say this is shaping up to be one of the absolute heaviest and most anticipated tours of the year. Ever since they detonated onto the global metal scene, Paleface Swiss have earned a formidable reputation for unleashing some of the most volatile and relentlessly aggressive live shows on the planet. Led by the maniacal vocal delivery of frontman Marc "Zelli" Zellweger, the band has been steadily conquering the heavy music world, a fact proven by their latest record, Cursed, smashing its way into the top ten of the Spotify Global Charts. Now, armed with a brand new EP, The Wilted, and a hunger to tear our rooms apart, they are ready to level up the aggression for Aussie crowds. But they aren’t coming alone. To ensure maximum sonic devastation, they are bringing Canadian metalcore powerhouses Counterparts - fronted by the unfiltered Brendan Murphy - and Colorado’s crushing hardcore-groove outfit Fox Lake along for the ride. The tour kicks off at the Astor Theatre in Perth on Wednesday, 27 January, before hitting Adelaide’s ferocious Froth & Fury Festival, Melbourne's iconic Forum, Canberra, Sydney, Brisbane, and wrapping up in Townsville. It is a massive, comprehensive lap of honour that proves just how much these Swiss heavyweights love the insane energy of the Australian metal community. I had the absolute pleasure of pulling up a virtual barstool with the main man himself, Marc "Zelli" Zellweger, to find out exactly what the band has in store for us. We chatted all about the chaotic memories from their last Australian visit, the intense sonic evolution behind their latest brutal material, and what it feels like to lead one of the fastest-growing forces in modern extreme music. Zelli is always one of the most passionate, down-to-earth guys to speak to in the business, and his excitement for this upcoming run is completely infectious. So, turn the volume up to eleven, check out our full chat below, and make sure you secure your tickets before they inevitably vanish! Tickets www.thephoenix.au Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    Returning To Take Care Of Unfinished Business With MARC ZELLWEGER From PALEFACE SWISS
  6. Jul 16

    Balance In Artistic Evolution With CHRIS MOTIONLESS From MOTIONLESS IN WHITE

    Interview by Kris Peters When American metal titans Motionless In White announce a new record, the heavy music community stands up and takes notice.  Celebrating two decades of sonic devastation, Chris Motionless and his gothic-metalcore troupe are poised to unleash their highly anticipated seventh studio album, Decades, on July 17. It is a monstrous, career-defining release that effortlessly honours their dark history while forcefully kicking down the doors to the future.  From the industrial venom of the lead singles to the monumental collaborations featuring massive names like Slipknot's Corey Taylor plus Skylar Grey, Decades is a masterclass in survival, raw passion, and artistic evolution. HEAVY sat down with frontman Chris Motionless to find out more. "It's an exciting time," he enthused when asked how he is feeling about the new album. "We have been working for what feels like literally forever on the record, (laughs) so it's still very weird for me to think that we even have singles out… It's just a very different shift in life, but it's really cool because finally the music gets to see the light of day." We ask Chris to tell us more about Decades musically. "This one was definitely - as every band's gonna tell you (smiles) - trying to go above everything we've ever done," he replied. "Catchier. Heavier, blah blah blah, but it's true. We definitely wanted to make sure that everything that we do, that I think the fans love the most, was considered heavily on this one. We really wanted to try and make sure that their feedback was listened to and that we were integrating what fans love the most and then what we love most about the band, and I think that's maybe the reason why things feel pretty positive so far." We bring up the heavier aspect alluded to on Decades, asking what he means specifically by heavier. "I would say it's a mixture of everything," he measured. "I think the music may not be so much heavier all around, but there's definitely much more energy. There's so much more fast-paced, or more… just much more energy in every way. There's only one sad, emotional song, per se. Usually, we have three or four, but this one's only got the main one, and the rest is constant rolling energy that I think really helps the album feel different from any other Motionless record. The lyrical content, yeah. Some of it's heavy, some of it's fun. It's a good mixture of everything. I wouldn't say that there's too much, like, you're gonna hear and go (exhales deeply) I need a break from that. It's more meant to be an exciting and uplifting experience." In the full interview, Chris dives deeper into the musicality of Decades, including the well-documented writer's block he had early in the process, what snapped that and how it impacted the rest of the album. He talked us through the opening track, Decades, and why it was chosen to introduce the album, as well as the momentum shift between songs on the album and how Motionless In White allow for a smooth transition. We talked about the different genres expressed in Motionless In White's music, and how they find the balance in the creative process, the first time he heard one of their songs on the radio and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    Balance In Artistic Evolution With CHRIS MOTIONLESS From MOTIONLESS IN WHITE
  7. Jul 16

    Teaching Old Bulls New Tricks With LINK MEANIE

    The Meanies are absolute legends of Australian punk rock, and they are tearing through 2026 like a runaway train. Formed in Melbourne back in 1988, these sonic maniacs have spent nearly four decades delivering chaotic, high-energy pop-punk packed with hooks and bruises. Fronted by the indestructible Link Meanie, they are a band that leaves everything on the stage - literally - known for chaotic live sets that frequently end with broken gear or broken bones. After surviving decades of rock 'n' roll storms, they are still one of the most vital, loud, and uncompromising underground bands in the country. If you think these veteran punks are slowing down, you are dead wrong. The rest of 2026 is completely packed with heavy riffs, interstate chaos, and killer new wax. The band is currently crisscrossing the country on a huge national run. They are teaming up with their longtime brothers-in-arms, Spiderbait, acting as the main support on the massive Ivy & The Big Apples anniversary tour. This means they are bringing their blistering noise to huge venues like Adelaide's Hindley Street Music Hall on 25 July and Canberra's legendary venue The Baso on 30 July. Right after the arena-sized rock shows, The Meanies are jumping straight back into the sweaty club trenches. They have joined forces with Queensland punk unit Dad Fight for a brutal split 7-inch vinyl release featuring fresh tracks from both bands. Dubbed "the old bull and the young calf, together at last," they are launching the wax with a lethal East Coast tour.  HEAVY caught up with Link Meanie to find out more, asking how the body is holding up these days. "Oh, pretty shit," he laughed. "Yeah, I was just rueing selling the comfy chair that I had here, and now I'm just sitting on a drum stool. My back's f*****g killing me! I've done so much damage over the years that I knew it would come back and bite me at some stage." We follow up by asking Link if he finds the need to do more stretches and warm-ups now before hitting the stage. "The only time I was ever fit in my life was probably the turn of the millennium when I was doing Kung Fu, and I was actually quite fit then," he smiled. "God, I'm a couch potato now (laughs)." In the full interview, we chat more about life on the road and the perils of ageing. We discussed still touring with Spiderbait and Link's memories of the very first time they played together, as well as a list of upcoming shows this year. The run of shows with Dad Fight was discussed, including the nurturing role The Meanies play when hitting the road with the next generation of bands. We talked about the 7" split single release between The Meanies and Dad Fight and where to get it, as well as the possibility of a new album in the near future and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    Teaching Old Bulls New Tricks With LINK MEANIE
  8. Jul 14

    Manifesting Your Desires With PLINI

    Sydney six-string maestro Plini has just unleashed his monumental third studio album, An Unnameable Desire, and it is a certified masterpiece. For a musician who already operates in the absolute stratosphere of technical guitar playing, this new record pushes his sonic boundaries into completely uncharted territory. It is heavier, prettier, more complex, and utterly brilliant. If you thought his previous masterpieces like Handmade Cities or Impulse Voices were the pinnacle of modern guitar music, prepare to have your mind completely blown. An Unnameable Desire is a cinematic rollercoaster that perfectly balances jaw-dropping polyrhythms with celestial jazz-fusion soundscapes. Plini has reunited with his powerhouse rhythm section—bassist Simon Grove and drummer Chris Allison—to create something truly magical. The album also features mind-melting guest spots from Polish guitar icon Jakub Zytecki and experimental harpist Emily Hopkins. It is an ambitious, beautiful sonic journey that demands your full attention from the very first note. But the masterclass doesn’t stop in the studio. Plini is about to take this new material on the road for the massive An Unnameable Desire Australia and New Zealand Tour this August. This isn’t just your standard run-of-the-mill club shows. Plini is promising his biggest, most immersive live production to date, complete with an incredible international and local lineup. Joining him on this epic trek are UK math-rock heavyweights Delta Sleep, Melbourne progressive newcomers Nightdive, and the phenomenal solo project Cenobia. It is a dream bill for anyone who loves their riffs complex and their melodies massive. The tour kicks off on August 6 at Brisbane's Princess Theatre, before tearing through Sydney's Liberty Hall, Melbourne's Northcote Theatre, Adelaide's Lion Arts Factory, and Magnet House in Perth. Today, we are diving deep into the creative madness behind the new record, the pressure of evolving his sound, and what fans can expect from this monster live show. Grab a cold one, settle in, and check out our full chat with the man himself, Plini! "I will be playing a lot of the new album and a lot of the older stuff that people seem to love," he revealed. "It's going to be really fun. We just did it in Europe for about four or five weeks, and the new stuff was especially fun to play." We ask Plini how different it is playing to audiences overseas compared to those in Australia. "It depends on the place," he measured. "I think in general, everywhere they get into it as much, but their way of showing it can be different. The music I make… some of it is energetic, but it's not always so there will be a lot of people just standing and watching, and they could be having an amazing time, but it's not necessarily the same feedback as seeing a circle pit (laughs) or people moshing." In the full interview, Plini talks more about the tour and what we can expect, overseas crowds and how they relate to his music, connecting with fans on different levels, his new album and what to expect, plus more. Tickets https://www.plini.co/anztour Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

    Manifesting Your Desires With PLINI

About

All the latest music interviews from the team at HEAVY Magazine. HEAVY interviews the worlds leading rock, punk, metal and beyond musicians in the heavy universe of music. We will upload the latest interviews regularly so before to follow our social accounts and our podcast account on www.speaker.com/user/heavy Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.