Marlon and Jake Read Dead People

Penguin Random House
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Marlon and Jake Read Dead People is a podcast hosted by the Booker Prize-winning and internationally bestselling author Marlon James and his editor, Jake Morrissey, Executive Editor at Riverhead Books. In each episode, Marlon and Jake talk about authors—specifically dead authors. Authors they like. Authors they hate. Great books, terrible books, and books they love that you’d never expect them to. As a writer and an editor, Marlon and Jake have read thousands of books between them, and they’re not shy in expressing their opinions about them. Sometimes they’ll agree, sometimes they won’t, but in every episode, they’ll tell you what they think— uncensored and with no holds barred. (That’s why the authors have to be dead.) So, listen along to hear about the spectacularly good, the hilariously bad, and the brutally honest.

  1. Sep 8

    The Literary Hall of Shame

    In our last episode of the season, Marlon and Jake take on the worst books by the best authors—or at least, authors they usually love. They discuss why a journalist’s instincts can be both a gift and a curse when writing fiction, the importance of a great editor, writers who seem more interested in ideas than people, and novels that try so hard to be current they end up aging badly. Tune in for a conversation about literary misfires and wasted genius. Subscribe to our River-herd digital newsletter and our print newspaper, The Eddy, for sneak peeks of our upcoming books, free giveaways, and exclusive content: https://sites.prh.com/the-eddy-newspaper The Devil and Sonny Liston by Nick Tosches In the Hand of Dante by Nick Tosches  The Year of Magical Thinking by Joan Didion Slouching Towards Bethlehem by Joan Didion The Pickwick Papers by Charles Dickens I Am Charlotte Simmons by Tom Wolfe  Orlando by Virginia Woolf Wolf Hall by Hilary Mantel A Tale of Two Cities by Charles Dickens Barnaby Rudge by Charles Dickens The Golden Notebook by Doris Lessing The Golden Bowl by Henry James My Son’s Story by Nadine Gordimer Quicksand by Nella Larsen The Spy Who Loved Me by Ian Fleming The Day of the Jackal by Frederick Forsyth Hotel by Arthur Hailey Hollywood Wives by Jackie Collins The Carpetbaggers by Harold Robbins Peyton Place by Grace Metalious Whirlwind by James Clavell Gai-Jin by James Clavell The Breast by Philip Roth Portnoy’s Complaint by Philip Roth Humboldt’s Gift by Saul Bellow Mr. Sammler’s Planet by Saul Bellow A Small Town in Germany by John le Carré The Little Drummer Girl by John le Carré A Perfect Spy by John le Carré The Continental Op by Dashiell Hammett The Far Pavilions by M. M. Kaye Go Set a Watchman by Harper Lee Until August by Gabriel García Márquez Heartburn by Nora Ephron Ancient Evenings by Norman Mailer  The Naked and the Dead by Norman Mailer The Executioner’s Song by Norman Mailer India: A Wounded Civilization by V. S. Naipaul The Power Broker by Robert Caro Terrorist by John Updike

  2. Sep 1

    English Teachers, Look Away

    Marlon and Jake discuss the books they’d banish from school reading lists—not ban but give a well-earned time out. They consider why the Bible shouldn’t make the cut, why mythology deserves to expand beyond the Greeks and Romans, and what kinds of books actually resonate with high school readers. Plus: why being a great book doesn’t necessarily make something a great book to teach—and whether length should matter. Subscribe to our River-herd digital newsletter and our print newspaper, The Eddy, for sneak peeks of our upcoming books, free giveaways, and exclusive content: https://sites.prh.com/the-eddy-newspaper Mythology by Edith Hamilton Of Mice and Men by John Steinbeck The Grapes of Wrath by John Steinbeck The Pearl by John Steinbeck “Who Am I This Time?” by Kurt Vonnegut King Solomon’s Mines by H. Rider Haggard Benito Cereno by Herman Melville The Tempest by William Shakespeare The Radiance of the King by Camara Laye The Great Gatsby by F. Scott Fitzgerald “The Library of Babel” by Jorge Luis Borges “The Aleph” by Jorge Luis Borges Wuthering Heights by Emily Brontë The Monk by Matthew Gregory Lewis The Woman in White by Wilkie Collins The Moonstone by Wilkie Collins Wide Sargasso Sea by Jean Rhys Ethan Frome by Edith Wharton The Hitchhiker’s Guide to Galaxy by Douglas Adams The History of Tom Jones, a Foundling by Henry Fielding The House of Mirth by Edith Wharton The Age of Innocence by Edith Wharton The Merry Wives of Windsor by William Shakespeare The Comedy of Errors by William Shakespeare As You Like It by William Shakespeare Twelfth Night by William Shakespeare You Can’t Take It with You by George S. Kaufman and Moss Hart A Raisin in the Sun by Lorraine Hansberry Death of a Salesman by Arthur Miller Animal Farm by George Orwell 1984 by George Orwell The Trial by Franz Kafka Gulliver’s Travels by Jonathan Swift The Swiss Family Robinson by Johann David Wyss Brave New World by Aldous Huxley Look Back in Anger by John Osborne Butley by Simon Gray The Loneliness of a Long-Distance Runner by Alan Sillitoe Lucky Jim by Kingsley Amis The Circle by W. Somerset Maugham

  3. Aug 25

    In Defense of Gratuitous Violence

    Marlon and Jake take on violence in fiction: what makes it effective, what makes it gratuitous, and whether “gratuitous violence” is even a useful distinction. Tune in as they discuss the difference between violence on the page and on screen and why extended cruelty can be harder to stomach than violence itself. Subscribe to our River-herd digital newsletter and our print newspaper, The Eddy, for sneak peeks of our upcoming books, free giveaways, and exclusive content: https://sites.prh.com/the-eddy-newspaper. Lord of the Flies by William Golding All Quiet on the Western Front by Erich Maria Remarque Cities of the Red Night by William S. Burroughs Naked Lunch by William S. Burroughs Blood Meridian by Cormac McCarthy The Godfather by Mario Puzo The Bluest Eye by Toni Morrison A Clockwork Orange by Anthony Burgess 2666 by Roberto Bolaño Wolf Hall by Hilary Mantel Titus Andronicus by William Shakespeare The Count of Monte Cristo by Alexandre Dumas Hamlet by William Shakespeare King Lear by William Shakespeare Of Mice and Men by John Steinbeck A Distant Mirror by Barbara W. Tuchman Frankenstein by Mary Shelley

  4. Aug 18

    The Most Important Character Isn’t a Character

    Marlon and Jake explore the power of setting in novels—and why the best stories feel like they couldn’t have happened anywhere else. They discuss settings that become characters in their own right, fictional worlds they’d love (or absolutely hate) to inhabit, and books that made unexpected places fascinating. Plus: why a modern-day Captain Nemo might just be a tech bro. Subscribe to our River-herd digital newsletter and our print newspaper, The Eddy, for sneak peeks of our upcoming books, free giveaways, and exclusive content: https://sites.prh.com/the-eddy-newspaper. Amerika by Franz Kafka Treasure Island by Robert Louis Stevenson Mutiny on the Bounty by Charles Nordhoff and James Norman Hall Moby-Dick by Herman Melville Master and Commander by Patrick O’Brian Robinson Crusoe by Daniel Defoe The Long Ships by Frans G. Bengtsson The Haunting of Hill House by Shirley Jackson We Have Always Lived in the Castle by Shirley Jackson Masters of Atlantis by Charles Portis Wise Blood by Flannery O’Connor The Last of the Mohicans by James Fenimore Cooper Steppenwolf by Hermann Hesse Gormenghast trilogy by Mervyn Peake Dubliners by James Joyce The Ballad of the Sad Café by Carson McCullers Jane Eyre by Charlotte Brontë Tinker, Tailor, Soldier, Spy by John le Carré Journey to the Center of the Earth by Jules Verne Twenty Thousand Leagues Under the Sea by Jules Verne The Bridge of San Luis Rey by Thornton Wilder One Hundred Years of Solitude by Gabriel García Márquez The Catcher in the Rye by J. D. Salinger From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E. L. Konigsburg The Merry Adventures of Robin Hood by Howard Pyle The Swiss Family Robinson by Johann David Wyss My Life in the Bush of Ghosts by Amos Tutuola The Lord of the Rings by J. R. R. Tolkien Ragtime by E. L. Doctorow A Room with a View by E. M. Forster Macbeth by William Shakespeare Dune by Frank Herbert The Last Man by Mary Shelley Little House in the Big Woods by Laura Ingalls Wilder

  5. Aug 11

    This Got More Personal Than We Expected

    Marlon and Jake explore the books that have helped define who they are, choosing four that capture different parts of their personalities and lives. They unpack how reading can shape our understanding of identity, community, and growing up—and change the way we see ourselves and each other. Tune in as they reflect on books they encountered at exactly the right (or wrong) time and the stories that made the world around them feel a little bigger. Subscribe to our River-herd digital newsletter and our print newspaper, The Eddy, for sneak peeks of our upcoming books, free giveaways, and exclusive content: https://sites.prh.com/the-eddy-newspaper. Amadeus by Peter Shaffer Sleuth by Anthony Shaffer The Lion in Winter by James Goldman The Catcher in the Rye by J. D. Salinger Franny and Zooey by J. D. Salinger Mrs. Dalloway by Virginia Woolf The Red and the Black by Stendhal The Sorrows of Young Werther by Johann Wolfgang von Goethe Don Quixote by Miguel de Cervantes Giovanni’s Room by James Baldwin The Aspern Papers by Henry James Persuasion by Jane Austen A Room of One’s Own by Virginia Woolf Nicholas and Alexandra by Robert K. Massie Pale Horse, Pale Rider by Katherine Anne Porter Ship of Fools by Katherine Anne Porter For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf by Ntozake Shange Sula by Toni Morrison The Women of Brewster Place by Gloria Naylor X-Men by Stan Lee and Jack Kirby The Adventures of Tom Sawyer by Mark Twain All Quiet on the Western Front by Erich Maria Remarque A Single Man by Christopher Isherwood Under the Volcano by Malcolm Lowry The Poisoned Chocolates Case by Anthony Berkeley

  6. Aug 4

    Why Does Great Literature Have Such Bad Sex?

    Marlon and Jake dive into one of literature's trickiest subjects: sex. Why do some writers capture intimacy with honesty while others veer into the unintentionally hilarious? Along the way, they discuss why writing about sex is really writing about people, the differences between American and French attitudes toward sexuality in fiction, ghost stories as a vehicle for taboo desires, and the delicate balance between telling the truth and keeping readers engaged. Tune in for a conversation about why the best writing on sex is rarely just about sex. Subscribe to our River-herd digital newsletter and our print newspaper, The Eddy, for sneak peeks of our upcoming books, free giveaways, and exclusive content: https://sites.prh.com/the-eddy-newspaper. Portnoy’s Complaint by Philip Roth  “The Diamond Mine” by Nadine Gordimer The Late Bourgeois World by Nadine Gordimer Death of Venice by Thomas Mann The Picture of Dorian Gray by Oscar Wilde Kiss of the Spider Woman by Manuel Puig Miracle of the Rose by Jean Genet Maurice by E. M. Forster The Age of Innocence by Edith Wharton Ernesto by Umberto Saba Tropic of Cancer by Henry Miller London Fields by Martin Amis The Best of Everything by Rona Jaffe Sex and the Single Girl by Helen Gurley Brown G. by John Berger  Flashman series Lucky Jim by Kingsley Amis The Old Devils by Kingsley Amis The Pickwick Papers by Charles Dickens The Bloody Chamber by Angela Carter Blood Meridian by Cormac McCarthy Wolf Hall by Hilary Mantel The Godfather by Mario Puzo Jaws by Peter Benchley

  7. Jul 28

    Writers We'll Never Read Again (Sorry, Faulkner)

    Marlon and Jake tackle the writers they have no interest in revisiting, asking when it's worth giving a beloved (or notorious) author another chance and when it's perfectly fine to walk away for good. Tune in as they debate literary canon, books that simply aren't for them, the difference between a difficult author and a difficult book, and why sometimes the most honest review is, "Nobody needs to go back to that" Subscribe to our River-herd digital newsletter and our print newspaper, The Eddy, for sneak peeks of our upcoming books, free giveaways, and exclusive content: https://sites.prh.com/the-eddy-newspaper. The Executioner series by Don Pendleton Hotel by Arthur Hailey Airport by Arthur Hailey Wheels by Arthur Hailey The Moneychangers by Arthur Hailey Advise and Consent by Allen Drury Shōgun by James Clavell Tai-Pan by James Clavell King Rat by James Clavell Whirlwind by James Clavell Fear and Loathing in Las Vegas by Hunter S. Thompson The Rum Diary by Hunter S. Thompson Light in August by William Faulkner Absalom, Absalom! by William Faulkner The Sound and the Fury by William Faulkner As I Lay Dying by William Faulkner Pylon by William Faulkner In Cold Blood by Truman Capote Music for Chameleons by Truman Capote Answered Prayers by Truman Capote “Where Is the Voice Coming from?” by Eudora Welty The Ballad of the Sad Café by Carson McCullers The Heart Is a Lonely Hunter by Carson McCullers Tess of the d’Urbervilles by Thomas Hardy Jude the Obscure by Thomas Hardy The Return of a Native by Thomas Hardy The Golden Notebook by Doris Lessing The Summer Before the Dark by Doris Lessing Children of Violence series by Doris Lessing Pentimento by Lillian Hellman Scoundrel Time by Lillian Hellman An Unfinished Woman by Lillian Hellman The Blithedale Romance by Nathaniel Hawthorne The Scarlet Letter by Nathaniel Hawthorne Appointment in Samarra by John O’Hara Butterfield 8 by John O’Hara A Rage to Live by John O’Hara Sophie’s Choice by William Styron Grendel by John Gardner October Light by John Gardner The Art of Fiction by John Gardner On Moral Fiction by John Gardner The Water Babies by Charles Kingsley The Secret Garden by Frances Hodgson Burnett Giant by Edna Ferber Soul on Ice by Eldridge Cleaver A Distant Mirror by Barbara W. Tuchman Once Is Not Enough by Jacqueline Susann Burr by Gore Vidal The Godfather by Mario Puzo In the Hand of Dante by Nick Tosches Delina Delaney by Amanda McKittrick Ros Charlie and the Chocolate Factory by Roald Dahl Stuart Little by E. B. White The Railway Children by Edith Nesbit Flowers in the Attic by V.C. Andrews Jaws by Peter Benchley

  8. Jul 21

    Is Jane Eyre Okay?

    Marlon and Jake explore why we're so eager to revisit the worlds of our favorite stories, asking whether great characters are better left where their authors left them—or if there's value in imagining what came before or after. Tune in as they unpack the appeal of sequels, the pitfalls of origin stories, and why some fictional worlds are more powerful when they remain a mystery. Subscribe to our River-herd newsletter for sneak peeks of our upcoming books, free giveaways, and exclusive content. https://sites.prh.com/riverhead-reader-newsletter A High Wind in Jamaica by Richard Hughes Lord of the Flies by William Golding Wuthering Heights by Emily Brontë The Life and Loves of a She-Devil by Fay Weldon Auntie Mame by Patrick Dennis Flashman series by George MacDonald Fraser Mansfield Park by Jane Austen To Kill a Mockingbird by Harper Lee The History of Tom Jones, a Foundling by Henry Fielding The Merry Wives of Windsor by William Shakespeare Jane Eyre by Charlotte Brontë Lost Horizon by James Hilton Pride and Prejudice by Jane Austen Rebecca by Daphne du Maurier The Talented Mr. Ripley by Patricia Highsmith Little Women by Louisa May Alcott Little Men by Louisa May Alcott David Copperfield by Charles Dickens The Maltese Falcon by Dashiell Hammett Catch-22 by Joseph Heller Wide Sargasso Sea by Jean Rhys A Streetcar Named Desire by Tennessee Williams Oliver Twist by Charles Dickens Bleak House by Charles Dickens Kidnapped by Robert Louis Stevenson Treasure Island by Robert Louis Stevenson Big Blonde by Dorothy Parker The Tempest by William Shakespeare

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Marlon and Jake Read Dead People is a podcast hosted by the Booker Prize-winning and internationally bestselling author Marlon James and his editor, Jake Morrissey, Executive Editor at Riverhead Books. In each episode, Marlon and Jake talk about authors—specifically dead authors. Authors they like. Authors they hate. Great books, terrible books, and books they love that you’d never expect them to. As a writer and an editor, Marlon and Jake have read thousands of books between them, and they’re not shy in expressing their opinions about them. Sometimes they’ll agree, sometimes they won’t, but in every episode, they’ll tell you what they think— uncensored and with no holds barred. (That’s why the authors have to be dead.) So, listen along to hear about the spectacularly good, the hilariously bad, and the brutally honest.

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