The Lens-Sensor Recipes Podcast

SilverLight Photo Co.
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  • Visual Arts
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For years, I had searched for the perfect lens-sensor combination; a lens and camera duo that would produce a beautiful image with few adjustments and little post-processing. It would look REAL straight out of camera (SOOC) and be everything I needed and wanted in a camera system. However, as I tested each pair, they all told a different story, and would deliver light to the sensor differently. So, I began tweaking settings, jotting down notes (on index cards) for each lens-sensor combination I tried. I soon realized I needed a database to access all my settings & LUTs, and created my website.

  1. 1d ago

    The Light-Lens-Look Formula (Plus T-Lighting)

    Do you think it's possible to boil down all photography and filmmaking into 3 things? We're trying.

    30 min

  2. 2d ago

    Are iPhones Good for Video (Is Focal Length a Factor)?

    We're talking about why the iPhone SENSOR SIZE is not the biggest problem in production, but it's definitely part of the problem...it's lens focal length.

    30 min

  3. May 28

    Location Scouting and Sensor Size Considerations

    We're talking about location scouting methods, and why it's best to use the lens-sensor combination the camera crew will be using, and I've been working on a section of my website to help with that. It's at www.shoot43.com or www.silverlightphotoco.com/bts

    29 min

  4. May 18

    The Adobe Davinci Resolve Battle

    I did not expect to come to the conclusion I came to about Adobe, and I didn't expect to take the news about Davinci Resolve adding still photo editing features this way...

    33 min

  5. May 7

    One Full-Frame or Multiple M43 Cameras?

    Overview I'm not against trying a full-frame camera again (in the future, when they come down in price) but we're going to talk about why I sold a full-frame camera and bought two M43 (Micro Four Thirds) cameras. Timestamps Selling a Full Frame for Two Micro 4/3 Cameras (00:00:00) The speaker sold a Nikon Z5 and bought a Panasonic G95 and G9, introducing the multi-camera vs single camera concept. Micro 4/3 for Outdoor and Well-Lit Conditions (00:01:28) Discusses the suitability of Micro 4/3 sensors for outdoor content with natural light, keeping ISO low for indoor use. The Benefits of a Multi-Camera Setup (00:02:41) Introduces the production benefits of using multiple cameras, mentioning a method of mounting three cameras on a single camera cage. The Cost of Multiple Cameras (00:03:51) Addresses the financial barrier of owning multiple cameras and shares a personal history of choosing two cameras over one. Early Experiences with Micro 4/3 (00:05:07) Recalls selling a Canon 60D to buy two Panasonic G5 cameras after discovering their superior video quality for the price. The Problem with Single-Camera Shoots (00:06:17) Explains the challenges of shooting dynamic events like sunsets with one camera, highlighting missed opportunities and inconsistent lighting between shots. Synchronizing Multiple Cameras (00:09:30) Describes the efficiency of a multi-camera cage on one tripod and using audio to easily synchronize footage in post-production. The Temptation of Full Frame (00:10:29) Shares a recent experience of selling a GH5 to save for a Sony A7 III, a decision he now regrets. When Full Frame is Necessary (00:11:33) Acknowledges that certain work, like professional architectural photography, benefits from a full frame sensor for wide-angle shots and client expectations. Comparing Full Frame Camera Costs (00:13:51) Details the prices of the Sony A7 III and Nikon Z5, criticizing the Z5 version one for its poor video quality. Affordable Micro 4/3 Camera Options (00:16:05) Highlights the value of cameras like the Panasonic GH5, G9, and G85, which are available for under $600. Panasonic G95 vs. G85 (00:17:12) Explains that the G95 has a different sensor and image processing than the G85, requiring different settings and techniques. The Reason for Buying a GX9 (00:19:16) The speaker bought a GX9 to test if its image matches the G95, which would simplify creating consistent settings. Luminance Levels and Camera Settings (00:20:26) Discusses the importance of luminance level settings (e.g., 0-255 vs 16-255) and how they differ between Panasonic camera models. The Fluctuating Price of the Panasonic GX9 (00:22:46) Notes the GX9's price has dropped from a high of $800-$900, making it a more reasonable purchase now. The Importance of Open Gate for Hybrid Shooters (00:25:02) Advocates for Panasonic's open gate feature (4:3 video), which is crucial for pulling high-quality vertical stills from horizontal video. Final Recommendation: Add a Second Camera (00:27:22) Suggests that even if you buy a full frame camera, it's worth saving money to add an affordable second camera.

    29 min

  6. Apr 27

    Are LUMIX Cameras That Good?

    I don't know what else to say, but I keep going back to LUMIX. In this podcast, we are talking mostly about how good in-camera SETTINGS are in LUMIX cameras (even cameras that were released before realtime LUTs) but we also talk a lot about using the LUMIX Lab app...and we may be talking about this subject more.

    33 min

  7. Apr 27

    Anti-Moisture Packs for Cameras

    I was going to talk about more than Anti-Moisture packs (I may do more about other stuff in my kit later) but if you live in a region where moisture is a problem, we go over some recommendations. AMAZON LINKS*: 1. 50 Gram WiseDry packs, https://amzn.to/3Oqtycz 2. (Small) USB-C Rechargeable Desiccant Dehumidifier, https://amzn.to/4vTNjK6 3. (Large) Rechargeable Dessicant Dehumidifier, https://amzn.to/4ucxPzn 4. (30L) Ruggard Electronic Dry Cabinet, https://amzn.to/3OIdZNs 5. (50L) Ruggard Electronic Dry Cabinet, https://amzn.to/4czxBfP *SilverLight Photo Company is a participant in the Amazon Services LLC Associates Program, an affilate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com

    29 min

  8. Apr 21

    Why Not Shoot RAW?

    The first, and most obvious reason is the money issue (and we're not just talking about the CAMERA cost) and then there's the faster memory cards, computer (yes, you can do proxies) and more...but what we're really talking about here is keeping things low-stress, simple, and WYSIWYG...

    30 min
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About

For years, I had searched for the perfect lens-sensor combination; a lens and camera duo that would produce a beautiful image with few adjustments and little post-processing. It would look REAL straight out of camera (SOOC) and be everything I needed and wanted in a camera system. However, as I tested each pair, they all told a different story, and would deliver light to the sensor differently. So, I began tweaking settings, jotting down notes (on index cards) for each lens-sensor combination I tried. I soon realized I needed a database to access all my settings & LUTs, and created my website.

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