France in focus

An in-depth look at the political and social events shaping France. Monday at 3:45pm Paris time.

  1. 2d ago

    Marie-Antoinette: How France's most hated queen became its first influencer

    This year, several French landmarks are paying tribute to French queen Marie-Antoinette. Despite her public execution taking place more than 230 years ago, the monarch continues to fascinate both at home and abroad. Our reporters dive into the reasons behind the lasting interest and explore why she could be considered France’s first influencer. In June, the Versailles Palace launched its inaugural Marie-Antoinette at Trianon ball. Partygoers stepped back into the 18th century to retrace the queen’s life, with the help of musicians, dancers and actors. As well as the Petit and Grand Trianons (or royal villas in English), some got rare access to the secluded grotto the late queen had built. “It’s never open to the general public so it’s an extraordinary privilege,” explained one ticket holder. The event sold out in just a few hours, with many of its visitors travelling from abroad. “It’s probably exhibitions about Louis XIV or Marie-Antoinette that are the most successful in Versailles. Marie-Antoinette is one of the most depicted queens ever,” explains Versailles Spectacles director Laurent Brunner.    An icon in popular culture Marie-Antoinette’s influence continues today, inspiring brands, writers, artists and filmmakers. This year marks the 20th anniversary of the cult classic “Marie Antoinette” by Sofia Coppola. The film is being re-released in theatres this autumn in conjunction with an exhibition at Versailles Palace, and the publication of a behind-the-scenes book.  “Sofia called me up and asked me if I would be interested in coming (to Versailles) and taking some snapshots on the set. So I hopped on a plane and I went to France with my one little camera,” explains “Making Marie-Antoinette” author Andrew Durham. The new book, published by MACK shows snapshots of 21st century movie stars, styled in 18th century costumes with a pop culture twist. Durham decided to publish the series after spotting someone at a coffee shop in LA with one of his photos on their T-shirt, yet another demonstration of the ill-fated queen’s lasting legacy.

  2. Sep 9

    How France fell in love with Céline Dion

    Two years after her dazzling performance atop the Eiffel Tower for the 2024 Olympic Games in Paris, Céline Dion is back in the French capital for a series of sold-out concerts – and fans are over the moon. Some 500,000 people are expected to attend the concerts. In the Paris suburb of Nanterre, dozens of fans took part in a karaoke event organised by the city, hoping to win the last remaining tickets. “It takes me right back to my childhood,” said one fan who has been listening to the singer for four decades. For another fan, the Canadian singer is the true Queen of Pop: “I’d rather go and see Céline than Beyoncé or Lady Gaga. I love them too, but Céline is on another level!”  Another of her biggest admirers has made a career out of being Céline. Sébastien Costic has imitated Dion across Europe for the past 30 years. A former primary school teacher, when he performs, he has the full Céline look: custom-made accessories, gowns, wigs and high heels. Since the announcement of Céline’s comeback, bookings for his tribute shows have doubled.  For Costic, Dion holds a very special place in the hearts of French people: “Today, you almost forget that she isn’t French. You feel like she’s one of us (...) because she’s so close to people – in her attitude, her popularity, and through the songs she’s shared with the world. She has also helped people around the world discover the French language.”  After being diagnosed with a rare and debilitating neurological condition, Dion was forced to put her career on hold in early 2020. Then, against all odds, she made a surprise appearance on the Eiffel Tower during the Paris Olympic Games. Her resilience was celebrated around the world. “D’eux”: A turning point  In 1994, Céline Dion teamed up with popular French song-writer Jean-Jacques Goldman for the album D’eux. Their partnership struck the right chord: around 11 million copies were sold, making it the best-selling French-language album of all time. Co-producer Erick Benzi explains in this edition of France in Focus that, “In the United States, a singer’s voice is often used as an instrument. In France, we’re more into storytelling”.  Dion rethought the way she sang. It took her “roughly ten seconds” to understand that in French, she didn’t need to push every single note, Benzi recalls. As a result, Céline recorded three songs in one day, instead of one. Her extraordinary efficiency earned her the nickname OVNI or “Objet Vocal Non Identifié (Unidentified Vocal Object, a play on words of the acronym OVNI which stands for Objet Volant Non Identifié – the equivalent of UFO in English).  A star who keeps it real  Céline Dion’s voice is not the only reason for her vast success. She has won audiences over with her generosity and her genuine connection with fans. “She’s incredibly sincere. She doesn’t act like she’s a star”, says Thérèse Zaydman, adding “Céline Dion is the youngest of 14 children. Her parents didn’t have much money. When she was little, she slept in the drawer of a dresser! So I think she’s stayed true to her roots.”  Céline has never shied away from sharing the challenges she has faced in life: the death of her husband, René Angélil, her personal struggles and, in 2022, her diagnosis with stiff-person syndrome.  Two years later, her surprise appearance on the Eiffel Tower, where she performed “L’Hymne à l’amour”, moved the entire nation. Today, fans are counting down the days until they can finally see their idol on stage: the international superstar who calls France her second "chez moi”.

  3. Jul 10

    The Bayeux Tapestry's risky journey across the Channel

    Nearly 1,000 years after chronicling the Norman conquest of England, the Bayeux Tapestry is making history once again. The fragile 11th-century embroidery has arrived in London on an unprecedented loan to the British Museum, prompting delight and concern in equal measure. Celebrated as one of Europe's greatest medieval treasures, its journey has reignited debates over heritage, diplomacy and the risks of moving delicate cultural artefacts. Today, many scholars believe its 58 vivid scenes recounting the events leading up to the Battle of Hastings in 1066 were stitched in England. More than nine centuries after William, Duke of Normandy, defeated King Harold, the tapestry has become a symbol of the love-hate relationship between England and France. "The tapestry's always been a political object," according to former British ambassador Lord Peter Ricketts, who helped coordinate the loan. "It's absolutely the founding story of our modern history. It's the date everybody knows from school: 1066." For historians, the embroidery's enduring appeal lies in its remarkable detail. "You don't really get many other historical sources that are that evocative of the everyday person's experience of war," explains academic Millie Horton-Insch. From royal intrigue and military strategy to horses, ships and soldiers, the tapestry offers an extraordinary window onto medieval life. A loan decades in the making Successive British governments have sought to borrow the tapestry over the years, including for Queen Elizabeth II's coronation in 1953, but France has always refused. A breakthrough came in 2018, when President Emmanuel Macron floated the idea during talks with then British Prime Minister Theresa May. Brexit tensions and the Covid-19 pandemic delayed the project, alongside concerns about the feasibility of transporting such a fragile object. Yet when the museum in Bayeux, where the tapestry had been on display since 1983, closed for major renovations, the tapestry had to be placed into storage. Closed since September 2025, the site is undergoing a €40 million transformation, with the new museum and annexe due to open in 2027. During a detailed conservation assessment in 2020, experts concluded that the tapestry should no longer hang vertically but instead be displayed along its full length on a gently sloping support, reducing stress on its ageing fibres. The new annexe has been designed to accommodate the tapestry under those specific conditions. For Bayeux's residents, its temporary absence is bittersweet. "We live with the Bayeux Tapestry," said one local. "The whole town lives with it and we're proud of it." Others see the loan as fitting for an artwork that illustrates the birth of the Anglo-Norman monarchy. "The English used to come and see it here," explained tour guide Christèle Tait. "We're sending it there. We just hope they'll give it back!" Conservation concerns overshadow a highly symbolic journey Amid the cultural and political significance of this priceless artefact, transporting the tapestry has sparked fierce criticism in some quarters. Its most recent scientific assessment identified thousands of stains, holes and tears, prompting recommendations for restoration. Critics argue that moving such a fragile textile is an unnecessary risk, particularly as some technical details of the transport operation were not disclosed in advance by the French Ministry of Culture. Art historian and journalist Didier Rykner launched a petition opposing the loan in 2025. He argues that experts have never fully measured how the tapestry might respond to vibrations during transport. "We've never transported something this fragile," he says. French authorities, meanwhile, insist that every precaution has been taken, pointing to the custom-built, climate-controlled crate used for the journey. Curators at the British Museum also say the bespoke transport technology developed for the move is unprecedented. "There is never any movement that goes without any risk whatsoever," acknowledges lead curator Michael Lewis. "But the procedures put in place have been designed to reduce that risk to as low a level as reasonably possible." At a time when public spending on the arts has been cut in both countries, this high-profile Franco-British operation has prompted debate over the role of governments in cultural heritage. Yet while 1066 is synonymous with conflict for generations of Britons, 2026 may be remembered as the year two countries came together to celebrate a shared history – and the extraordinary work of art born from it.

  4. Jul 9

    Nice 2016 terror attack: A decade of grief

    Nice was hit by the deadliest attack in its history on July 14, 2016. In the attack claimed by the Islamic State group, a truck ploughed into the Promenade des Anglais avenue, striking crowds of spectators who had gathered to watch the Bastille Day fireworks. The attacker killed 86 people and injured hundreds more. Ten years later, our teams returned to the scene of the tragedy to meet survivors and hear their stories. For the past 10 years, Anne Murris has lived with the pain of losing her daughter Camille, who was killed at the age of 27 when she was struck by the truck on the Promenade des Anglais. “She was a charming young woman, with a mischievous side. She loved making people laugh and laughed easily,” recalls her mother, tears filling her eyes. On the evening of July 14, 2016, Anne Murris learned of the attack through a notification on her phone while travelling in Scandinavia with her husband, Camille’s father. “It was total panic, because we knew Camille was there.” An endless wait The couple returned to France and spent four agonising days searching for their daughter. Anne Murris describes the wait as “torture”, saying she suffered “repeated episodes of tetany”. When a judicial police officer finally confirmed their daughter’s death, the family was offered the chance to see her body. But all that remained were “just two hands behind a glass pane”. Anne collapsed in grief. “I know there was a great deal of sensitivity shown towards some families, but that wasn’t the case for us. It was extremely traumatic. Staff should have been better trained and supported by a psychologist when delivering such news.” A mother’s fight In 2018, Anne Murris founded the association Mémorial des Anges. Since then, she has devoted herself to supporting other victims’ families and preserving the memory of those who died. She has launched numerous projects to transform her grief into action: a memorial museum in Nice, an exhibition at Villa Masséna marking the 10th anniversary of the attack, a street photography exhibition, talks in schools, and the placement of 86 pebbles – one for each person killed – in the Himalayas. “My daughter’s death cannot make sense. How can anyone make sense of such a barbaric act? The only thing I can do is give meaning to my suffering by working to preserve her memory and promote prevention against radicalisation,” she says. Anne says these actions also give her “the feeling that she is taking care of Camille”. A quiet hero Anne Murris testified during both the initial trial and the appeal proceedings, which resulted in two men linked to the attack receiving 18-year prison sentences for involvement in a terrorist conspiracy. During the hearings, she met another survivor of the attack: Gilles Gamberi. On the evening of July 14, while attending the concert on the Promenade des Anglais, he heard “a tremendous crash and, above all, screams”. He saw the truck continue through the crowd before eventually coming to a stop. At first, he believed it was an accident. “I thought it was a traffic accident, or that the driver had fainted.” When he approached the cab, the attacker pointed a gun at him. Gamberi tried, unsuccessfully, to disarm him. “I heard two gunshots. I realised he was shooting at me.” After jumping away from the truck, he encountered a police officer running towards him. Gamberi was able to provide crucial information about the attacker’s position inside the vehicle. The attacker was then shot dead by police. For years, Gamberi chose not to speak publicly about his actions. He later came forward to correct what he described as inaccurate accounts. “People were saying that I had tried to stop the truck, when in fact it had already come to a stop.” A quarter of those killed were children Soad Darwiche was 15 years old when she came to watch the Bastille Day fireworks with her grandmother, aunt, uncle and younger sister Emma. “I didn’t really understand what was happening. I just followed the movement of the crowd,” she recalls. She took refuge in a hotel by the sea, unaware of what had happened to her family. The following day, she learned that the three adults who had been with her had died. Her 12-year-old sister Emma had been seriously injured. “Today, she suffers from traumatic amnesia,” explains Dina Darwiche, the eldest of the three sisters, who was away on holiday in Brittany with their mother when the attack happened. “Emma doesn’t want to hear anything about it. Even when she has dreams or flashbacks, she wakes up saying: ‘I don’t want to remember.’” Dina rushed to Nice after hearing the news, alongside their devastated mother. Ten years later, the sisters have rebuilt their lives. Dina has become a teacher and volunteer firefighter. Soad works in a restaurant and has bought her own apartment. They have managed to create a new routine, balancing work, friendships and their passions for sport and drawing. But the pain remains. “We think about our grandmother, our aunt and our uncle very often, even if we don’t talk about it much, because it is still very painful,” says Dina. She remembers her grandmother as “strong and independent”, and her aunt and uncle – both maths teachers – as a couple who loved life and enjoyed going out to restaurants and cultural events. Soad adds: “My uncle and aunt were as much in love as they were on their first day.” The Darwiche sisters have been officially recognised as victims of the attack. Like them, nearly 3,000 people affected by the Nice attack have received support from the Guarantee Fund for Victims of Terrorism. Around a quarter of those affected were minors.

  5. Jun 16

    Who is Didier Deschamps, the France coach aiming for a third World Cup title?

    Didier Deschamps has been coaching the French men's national football team for 14 years, a record period at the helm. He and his players are now aiming for a third World Cup title. The tournament in the US, Canada and Mexico will be his last competition as head of Les Bleus. France in Focus takes a closer look at the man whose name is synonymous with French football success. Read moreMbappé heads up France squad in Deschamps' final World Cup bid Long before he became the face of French football, Didier Deschamps was a teenager running around the fields of Bayonne, in southwestern France. He played every sport he could: rugby, athletics, handball and cross-country running. His career in football came almost by chance. Encouraged by his childhood friend Emmanuel Darnauthandy, Deschamps joined a local club at the age of 11. What began as a hobby quickly turned into something more serious. His first youth coach, Norbert Navarro, immediately noticed a player ahead of the game: physically strong, tactically aware and fiercely competitive. Within two weeks of joining the Aviron Bayonnais FC, he was already playing with the age group above. It was to be the start of an incredible journey. A born captain  Throughout Deschamps' career, the captain's armband became almost a permanent accessory. Whether at Nantes, Marseille, Juventus or with the French national team, teammates naturally looked to him for direction. "He had this ability to read the game, to take charge, but always with the right word for his teammates," says his first coach Navarro. "That is innate, it is not calculated." Those qualities helped transform the midfielder into one of the most decorated figures in European football. Deschamps understood early on that football is not always won by the most spectacular players. Often, it is won by the most organised team. Individual talent helps, but teamwork is a priority. A dream that became reality  As a teenager watching France face Brazil at the 1986 World Cup, Deschamps imagined himself one day winning the top title. Twelve years later, that dream became reality. In 1998, he captained France to its first-ever World Cup title on home soil. The image of Deschamps lifting the trophy after a 3-0 victory over Brazil remains one of the defining moments in the history of French football. Two years later, he won the European Championship. By the time he retired as a player, he had won league titles in France and Italy, as well as the UEFA Champions League. Yet his greatest successes were still to come. Rebuilding Les Bleus  When Deschamps started coaching France in 2012, the national team were still recovering from a disastrous 2010 World Cup in South Africa, where French players went on strike. Deschamps set himself a goal: rebuilding the reputation of Les Bleus. He integrated a new generation of talent, including Antoine Griezmann, Paul Pogba and Kylian Mbappé, while restoring a sense of collective purpose. "The guys were prepared to die on the pitch for their coach. To go far in a major tournament, you need a top-quality squad but also a coach that can get the best out of them," explains Philippe Tournon, author of "La vie en bleu". Critics often accuse Deschamps' teams of being pragmatic rather than spectacular. But from Deschamps' point of view, the only thing that counts is the score. His method paid off in 2018, when France bounced back and won a second World Cup title, this time in Russia. Deschamps' legacy  Deschamps has now been coaching the French national team for a record 14 years. His longevity owes much to an ability to evolve. He has managed several generations of players, adapting his communication and leadership style without compromising his standards. Read more France kick off World Cup campaign, with Senegal looking to repeat 2002 upset "There's a lot of detail in what he does, in what he says, in the preparation for set pieces. There are a lot of individual instructions, it's a very precise system of play," says his longtime assistant coach Guy Stephan. "We're in a period where the players are around 21 years old. It's a generation that doesn't listen as well as before, which means the team talks can't go on too long: 10 minutes max." From the football pitches of Bayonne to the world stage, Deschamps and his team are now aiming for yet another goal over in the US: a third World Cup trophy for his final competition as head of Les Bleus.

  6. Jun 12

    €3,300 for a dress! The Paris Flea Market, where vintage meets luxury

    Just outside the French capital sprawls the world's largest antiques destination: the Paris Saint-Ouen Flea Market. It's a timeless escape, and one of the most visited sites in France. We take you on a tour in this edition of France in Focus. Whitney has flown in from Florida with one thing on her mind: hunting for treasures at the Paris Saint-Ouen Flea Market. Her guide is Riad Kneife, who has been leading wealthy clients through these alleys for 25 years. Together, they dive in and it doesn't take long before Whitney falls for a vintage Chanel dress with a €3,300 price tag. She's not short of temptation. Antique and designer furniture, artworks, jewellery, ornaments, collectible perfumes... With over 1,500 vendors, there's something for every taste and every budget. The market's story began in the late 19th century, when rag-and-bone men pushed out of Paris by new sanitation laws descended on Saint-Ouen. Prefect Eugène Poubelle had just made sealed rubbish bins compulsory in the capital, and with them went the scavengers' livelihood. By the 1920s, what had been an informal gathering had become a permanent, organised institution. Today the site encompasses 12 distinct markets, each with its own personality – from Vernaison, the oldest, with its rambling village charm, to the sleek and upscale Paul Bert Serpette and Biron, to the Dauphine market, a haven for pop culture lovers that's home to vintage video games and the densest cluster of record shops in Europe.

  7. May 26

    Teens and screens: The smartphone trap

    Smartphones, video games, online homework: screens are everywhere in teenagers' lives. Faced with the risks of addiction and the effects on mental and physical health, some French parents and teachers are pushing back.  Rayan is 13 years old and, like nine out of 10 children his age, he owns a smartphone. Until a few months ago, he would spend several hours a day playing free online games. "I just wanted to stay home in my bedroom all the time, shutters closed, playing Fortnite, Roblox, Minecraft, Brawlstars..." he recalls.  Within weeks, Rayan was hooked. On days off school, he could spend up to 12 hours a day in front of a screen. His concentration suffered, and so did his grades. "He stopped going out, he was always in his room. You had to nag him, and when you took his phone away, he'd storm off to his room and turn the whole place upside down," his mother recalls. Rayan himself admits he had lost all self-control: "I had this deep anger inside because gaming was supposed to relax me, but in the end it was doing the exact opposite." His parents felt completely out of their depth. "He wasn't my son anymore, it was really hard... We didn't know what to do with him anymore," his mother explains. "We also felt like we were bad parents," his father says. Feeling out of their depth, his parents eventually decided to ask for help.  'The only comparison that holds up is alcohol or hard drugs'  At the Georges Daumézon Hospital near Orléans, psychologist Sabine Duflo sees screen-addicted teenagers once a week. Ninety percent of her patients are boys around the age of fourteen, who play free online multi-player video games. All these games share one thing in common: random rewards. "It's that randomness that creates the addiction," explains Duflo. "The only fair comparison is alcohol or hard drugs," adds the psychologist, who is also the founder of the Collective on Screen Overexposure (COSE). In her view, there is only one solution for overcoming this addiction: withdrawal. "If your child was 13, had a drinking problem, and I prescribed a detox, you'd think that was perfectly reasonable, right? It's the same thing with video games." The first few days of withdrawal were hard for Rayan, but within a few weeks, he started noticing a difference. "I actually think more about my friends now, about going out with them," he says. His mother says he's become much more of a chatterbox.  Today in France, most children get their first smartphone at the age of nine, and according to the national health authority, spend more than four hours a day on screens outside of school time. Many health professionals are raising the alarm about the risks to children's and teenagers' mental and physical health: deteriorating sleep quality, exposure to violent or pornographic content, stress, anxiety, depression and declining attention spans.  Faced with the dangers of smartphones, parents join forces  In response to these risks, some French parents are banding together. Anne-Laure Bailly coordinates the "Growing Up Better Without a Smartphone" initiative in the Paris region, encouraging families to hold off on giving their child a smartphone for as long as possible and not before the age of 15. "If your child's friends don't have a smartphone, it will be much easier to resist," she says.  Gaëlle de Waru signed up for the initiative to protect her children. "The last thing I want is a child who's hooked on screens," she says. Her daughter Clémentine is nearly 14 and only has a flip phone, just like two of her closest friends. Clémentine says she notices the difference: "We actually spend real time together; we talk so much more."  Contradictory messages  Despite parents' best efforts, it's almost impossible to keep their children off screens because teachers routinely assign homework that requires going online. "I resist, and then the school turns around and asks for the opposite," says de Waru. We asked the French ministry of education what solutions were being considered to avoid forcing parents to equip their children with smartphones. We received no response.  But some schools are taking matters into their own hands. At Collège Alphonse Daudet in Paris, principal Sébastien Blondot has banned students from using the school management platform Pronote and has asked teachers to stop assigning homework that requires a screen. "The idea is very simple: explaining to students and parents that a child does not need a smartphone to do their schoolwork," he says. That said, technology has not been banned altogether. "We're not banning digital tools, we're managing them," says teacher Yohan Abou. "It also helps put parents back at the centre of their child's education," adds Meriem Guendafa, chair of the school's local parent council.  These initiatives, driven by a handful of teachers and parents, are still few and far between. But they reflect a shared determination: to let teenagers experience their school years without falling into an all-digital world.

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An in-depth look at the political and social events shaping France. Monday at 3:45pm Paris time.

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