Open-Door Playhouse

Multiple
  • 4.6 (9)
  • Performing Arts
  • Updated Biweekly

Open-Door Playhouse is a monthly podcast harking back to live radio theater broadcasts. Created to introduce New Plays, New Writers, and… a wealth of unknown talent. Giving them the opportunity to have their works created in sound studios as opposed to live stage productions and presented on the Podcast as “Radio Productions.” Play submissions will be solicited online, outreach centers and word of mouth. Broadcasts will be once a month (to start) and grow as demand requires. Long term goal is to reach out to undeserved writing communities: prisons, school and community groups to provide an avenue to have their voices heard, via plays, short stories or poetry, and to establish Podcast as its own 501c3 organization.To submit your play contact:open-doorplayhouse@gmail.com

  1. 1h ago

    THEATER 200 -Acceptance

    Send us Fan Mail While lying in his hospital bed, David reaches out to his estranged daughter Julie and her husband Robert and requests a visit to clear the air and apologize for all the cruel things he said and did in the past. Can she accept him as her father? Mimi Kmet directs a cast that includes Noelle Evangelisti as Julie, David Mingrino as David, and Ernest McDaniel as Robert. Author Martin Fogarty is a playwright and acting coach based in Oregon. He received his Master’s Degree from the University of Washington. Support the show Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category. Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.   There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

    THEATER 200 -Acceptance

  2. Jul 29

    THEATER 199: Charlotte

    Send us Fan Mail Joseph is desperate to find help for his troubled trans daughter, Charlotte. He seeks the counsel of a renowned transgender activist, Jenna. But Jenna is the trans woman he bullied in high school. She has never forgiven him. Bernadette Armstrong directs a cast that includes Noelle Evangelisti as Jenna, Gilbert Glenn Brown as Joseph, Gloria Tsai as Anne, and Camille Ameen as Clara. Sasha Cohen is the playwright. He is a student at Wesleyan University (class of ’29) with a prospective double major in English and sociology. This is his first play. Support the show Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category. Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.   There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

    THEATER 199: Charlotte

  3. Jul 15

    THEATER 198: That Kind of Future

    Send us Fan Mail Julie loves Evan and wants to be his wife and have his children. Evan loves Jilie, but won’t give her that kind of future. There’s a reason for that. Bernadette Armstrong directs a cast that includes Sue Gisser as Julie and Matthew Scott Montgomery as Evan. Author Martin Fogarty is an Asian-American playwright and acting coach based in Oregon. He received his Master’s Degree at the University of Washington. Support the show Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category. Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.   There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

    THEATER 198: That Kind of Future

  4. Jul 1

    THEATER 197: Strange Bedfellows

    Send us Fan Mail One night during the early years of the American Revolution, John Adams and Benjamin Franklin are compelled to share a room at a crowded inn. While the men have different temperaments, they are dedicated to the cause for the revolution.  Bernadette Armstrong directs a cast that includes Daamen Krall as John Adams,  David Trice as Benjamin Franklin, Hessel Evelear as the Innkeeper, and Justice Davis as the Handyman. Terrence Owen Sherry is the playwright. A former Presbyterian pastor, Hospice counselor, and Seminary instructor, he received his doctorate from the Claremont Graduate University. Support the show Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category. Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.   There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

    THEATER 197: Strange Bedfellows

  5. Jun 17

    THEATER 196: I Didn't Know

    Send us Fan Mail Pat, an isolating, military veteran is asked to put his pain aside to be the father his adult son needs when the young man arrives unannounced… but will he be able to? Gary Lamb directs a cast that includes David Purdham as Pat and David Andrew Calvillo as Zayne. Chance Lang is the playwright. New York City born, and Los Angeles raised, Chance is a Writer/Director known for his original works Going Home (2025), Trying (2023), One Take (2021), and Hypocrite (2019), and has collaborated internationally with The Useless Room at Institute Grotowski in Wroclaw and Brzezinka, Poland (2018), and WITKACY/Two Headed Calf at the Divine Comedy Festival in Krakow, Poland, TEATR Studio Warsaw, and REDCAT in Los Angeles. Support the show Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category. Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.   There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

    THEATER 196: I Didn't Know

  6. Jun 3

    THEATER 195: Ask. Tell.

    Send us Fan Mail When an older woman comes to a hospital to collect her injured grandson, she meets a young man who turns out to be the grandson's boyfriend. As they wait for news, the two of them grapple with the generational differences between them. Bernadette Armstrong directs a cast that includes Anne Cooper as Debra and Larry Coleman as Jace. Barbara Lindsay is the playwright. Her plays and monologues have received over 400 national and international productions. Among her previous plays are Holy Hell, FREE, Snow White Who?, Sex in the Middle Ages, Creamy Dreamy Boyfriend, Want, The Walkers, and so many more. She is currently based in Seattle. Support the show Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category. Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.   There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

    THEATER 195: Ask. Tell.

  7. May 20

    THEATER 194: The Mush

    Send us Fan Mail Elena (she/her) meets up with her daughter Rox (they/them) a day late, to help Rox pack up their apartment after graduation from college with her Master’s degree. As they go through the piles of things to pack or discard the conversation between them delves into unresolved mother-child issues. Bernadette Armstrong directs a cast that includes Julia Sanford as Elena and Christine Uhebe as Roxs. Chance Lang is the playwright. New York City born, and Los Angeles raised, Chance is a Writer/Director known for his original works Going Home (2025), Trying (2023), One Take (2021), and Hypocrite (2019), and has collaborated internationally with The Useless Room at Institute Grotowski in Wroclaw and Brzezinka, Poland (2018), and WITKACY/Two Headed Calf at the Divine Comedy Festival in Krakow, Poland, TEATR Studio Warsaw, and REDCAT in Los Angeles.  Support the show Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category. Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.   There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

    THEATER 194: The Mush

  8. May 6

    THEATER 193: Holy Hell

    Send us Fan Mail A man and woman separately relate the story of the tragedy that brought them together and the love that redeemed them both. Gary B. Lamb directs a cast that includes himself as The Man and Elaine Mello as The Woman. Barbara Lindsay is the playwright. Her plays and monologues have received over 400 national and international productions. Among her previous plays are FREE, Snow White Who?, Sex in The Middle Ages, Creamy Dreamy Boyfriend, Want, The Walkers, and so many more. She is currently based in Seattle. Support the show Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category. Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.   There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

    THEATER 193: Holy Hell
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4.6
out of 5
9 Ratings

About

Open-Door Playhouse is a monthly podcast harking back to live radio theater broadcasts. Created to introduce New Plays, New Writers, and… a wealth of unknown talent. Giving them the opportunity to have their works created in sound studios as opposed to live stage productions and presented on the Podcast as “Radio Productions.” Play submissions will be solicited online, outreach centers and word of mouth. Broadcasts will be once a month (to start) and grow as demand requires. Long term goal is to reach out to undeserved writing communities: prisons, school and community groups to provide an avenue to have their voices heard, via plays, short stories or poetry, and to establish Podcast as its own 501c3 organization.To submit your play contact:open-doorplayhouse@gmail.com

Information

  • Creator
    Multiple
  • Years Active
    2020 - 2026
  • Episodes
    207
  • Rating
    Explicit
  • Copyright
    © 2026 Open-Door Playhouse
  • Show Website
    Open-Door Playhouse