Micropoetry + Curatorial Monologues

Cap de Meteorit

Micropoetry freshly written and Curatorial Monologues Prepare to hear my Transilvanian accent.

  1. Jul 9

    Emotional shelter

    Big companies, and individuals alike use colonialist manipulation techniques on a daily basis. Let's see 2 of them: Gaslighting While the term originated from a 1938 play about an abusive husband, the concept of cultural or structural gaslighting is highly relevant in colonial and historical contexts. Systemic Denial: Colonizers used denial, historical revisionism, and the active destruction of Indigenous cultures to make marginalized groups question their own lived experiences, knowledge, and memories. Power Dynamics: Just as in a personal relationship, structural gaslighting is used to maintain power and force the victim to rely on the perpetrator's version of reality. Ghosting Originating in the 2000s within digital dating, ghosting is defined as suddenly cutting off communication to avoid emotional discomfort.Lack of Accountability: Sociologically, ghosting reflects an individual's inability or unwillingness to take responsibility for another person's feelings. While not a deliberate "colonial" tool, it is a modern symptom of emotional detachment and avoidance. In the case of companies recruiting, ghosting after interviewing is a totally non-inclusive approach, and I urge the #workersrights delegates at the international level to solve the issue, as it affects entire groups of populations. A ghosting reaction usually hides racism, ageism, ableism. Who gets detached and avoids? Not archaic community logic that's for sure. Are you or your company using colonialist manipulation techniques? If yes, please note that such techniques are against human rights, and an affront to the Strategy for Inclusion.

  2. Jun 5

    Graffiti-Art and Monster Movies

    Movies are based on comics or short stories, even dreams, as in the case of Frankenstein. A film implies having a plot, and the villains' plot is an evolving narrative that usually includes a moral. Some creators approach the monster with empathy, intensifying the tragedy by showing the danger from the victim's perspective. Villainous characters are important to us in childhood, and we can observe that they continue to be so in adulthood. What we imagine in the early stages of our existence and the fantastic stories that moved us remain easy to recreate and provide comfort in later stages of life. In the case of traumatic experiences and when society treats us as an alien, these stories remain important for our identity. Since I've been watching many movies and concerts on my phone over the past few months, helping struggling immigrants reduce trauma, I can't pass up the opportunity to talk about how essential open access to culture is. Why aren't there open-air cinemas in areas with a high concentration of immigrants and refugees? We have parking lots in cities, which only a few need, but a basic social strategy is lacking. Why aren't creative methods facilitated for those who have stories to tell? When society marginalizes someone, a comic, a song, or a film can emerge as a natural creative reaction; it would be good to maintain their creative presence and publish it, presenting it alongside the author, the one who was once seen as a villain.

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Micropoetry freshly written and Curatorial Monologues Prepare to hear my Transilvanian accent.