Chrysalis with John Fiege

John Fiege

I’m a professor, filmmaker, and storyteller interested in the question of how we can transform ourselves—as individuals, as societies, as an entire species—in ways that allow our planet’s ecological systems to thrive. I began this work through the study of environmental history and cultural geography. I then became a filmmaker and photographer focused on stories of transformation in the face of ecological peril. Most recently, I launched the Chrysalis newsletter and podcast to have conversations with a wide variety of environmental thinkers, as well as to share my writing on our relationship with the natural world. My newsletter, podcast, and photographs are available for free to anyone. By becoming a paid subscriber on johnfiege.earth—what we call a Butterfly Subscriber—you can also stream my films and post on the community comments section of the newsletter. Your support provides essential resources for the newsletter and podcast to grow and remain free and ad-free for everyone. Humanity has been a very hungry caterpillar, eating everything in sight. Can we now transform into a beautiful butterfly ready to pollinate the flowers, rather than just eat the leaves? This is the question that animates me—and I believe that digging deeply into the question itself can catalyze transformation.

  1. 1d ago

    33. Jenny Rosenstrach — Miso-Mushroom Tacos with Pickled Vegetables

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/33-jenny-rosenstrach-miso-mushroom-tacos-with-pickled-vegetables Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Jenny Rosenstrach writes about food and how food can bring us together. Several years back, her kids started pushing her to think about the climate impacts of the recipes she was writing about, and she began to shift her cooking and writing toward plant-based meals. But rather than strictly abandon meat, she has experimented with greatly reducing her and her family’s consumption of meat. Listen on Apple Podcasts Jenny documented this shift on her many platforms, including her award-winning website, Dinner: A Love Story, and her Substack newsletter. She has written for The New York Times, Martha Stewart Living, and Bon Appétit and is a New York Times Bestselling author of many books, including Dinner: A Love Story, How to Celebrate Everything, and The Weekday Vegetarians. Listen on Spotify I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on Captivate This episode of Chrysalis is part of the Chrysalis Kitchen series, where we kick off our conversation with the discussion of a recipe. I spoke with Jenny on July 12, 2022. Listen on YouTube Here is Jenny Rosenstrach describing the recipe she brought with her: Miso-Mushroom Tacos with Pickled Vegetables. Notes and Media RecommendationsThe Weekday Vegetarians by Jenny Rosenstrachhttps://www.penguinrandomhouse.com/books/634444/the-weekday-vegetarians-by-jenny-rosenstrach/?fbclid=IwAR3KVV6HRoI8_p7kb9MtJEc6zgbnQxzltvaWQKwHhpUnP20CuHkEpPpDpk0Dinner: A Love Story by Jenny Rosenstrachhttps://www.harpercollins.com/products/dinner-a-love-story-jenny-rosenstrach?variant=32122670645282How to Celebrate Everything by Jenny Rosenstrachhttps://www.penguinrandomhouse.com/books/234273/how-to-celebrate-everything-by-jenny-rosenstrach/Dinner: A Love Story - Websitehttps://www.dinneralovestory.com/Jenny Rosenstrach's Substackhttps://substack.com/@dinneralovestoryJenny Rosenstrach's Linktreehttps://linktr.ee/dinneralovestoryJenny Rosenstrach's Latest Articles in Bon Appétithttps://www.bonappetit.com/contributor/jenny-rosenstrach?srsltid=AfmBOopyaMuJ50Qrncxwm7XJpnJxAm15QMhTXo-QBjfhsxCK4KXq1B6S Credits This episode was researched by Nina Bunn and edited by Sarah Westrich and Marta Kondratiuk. The podcast assistant is Domenica Klamm. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  2. Sep 8

    32. Jennifer Elise Foerster — “Leaving Tulsa”

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/32-jennifer-elise-foerster-leaving-tulsa Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Poet Jennifer Elise Foerster writes in her poem, “Leaving Tulsa,” about a warning from her grandmother: When they see open land they only know to take it. Jennifer has German and Dutch heritage from her father’s side, and Mvskoke heritage from her mother’s side, which includes the grandmother she mentions in her poem. When they see open land they only know to take it. It’s a chilling line that conjures the long history of European displacement of indigenous peoples and the theft of land that has continued for centuries. Listen on Apple Podcasts In my conversation with Jennifer, she talks about amnesia and the collective act of forgetting our history. Her poetry is an act of remembering. Her memories reveal a dramatic transformation of the cultural relationship to the land that came with this displacement of Mvskoke people. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on Spotify Jennifer Elise Foerster is the author of three books of poetry, The Maybe Bird (2022), Bright Raft in the Afterweather (2018), and Leaving Tulsa (2013). She is the recipient of an NEA Creative Writing Fellowship and a Lannan Foundation Writing Residency Fellowship. She was a Robert Frost Fellow in Poetry at the Breadloaf Writers Conference and a Wallace Stegner Fellow in Poetry at Stanford University. She currently teaches for several writing programs and serves as the literary assistant to Joy Harjo, the 23rd U.S. Poet Laureate. She lives in San Francisco and is a member of the Muscogee (Creek) Nation of Oklahoma. This episode of Chrysalis is part of the Chrysalis Poets series. I spoke with Jennifer on November 15, 2022. Here is Jennifer Elise Foerster reading her poem, “Leaving Tulsa.” Listen on YouTube Notes and Media Recommendations Jennifer Elise Foerster's Website: https://www.jenniferfoerster.com/The Maybe-Bird by Jennifer Elise Foersterhttps://the-song-cave.com/products/the-maybe-bird-by-jennifer-elise-foersterBright Raft in the Afterweather by Jennifer Elise Foersterhttps://uapress.arizona.edu/book/bright-raft-in-the-afterweatherLeaving Tulsa by Jennifer Elise Foersterhttps://uapress.arizona.edu/book/leaving-tulsaJennider Elise Foerster on poets.orghttps://poets.org/poet/jennifer-elise-foersterWhen the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry, edited by Joy Harjo, with LeAnne Howe and Jennifer Elise Foersterhttps://wwnorton.com/books/9780393356809 Credits This episode was researched by Nina Bunn and edited by Sarah Westrich and Kathryn Fair. The podcast assistant is Domenica Klamm. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  3. Sep 1

    31. Joan Naviyuk Kane — “Exceeding Beringia”

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/31-joan-naviyuk-kane-exceeding-beringia Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. The poet Joan Naviyuk Kane ends her poem, “Exceeding Beringia,” with a call “to make our land our home anew.” I love this unusual phrasing, “our land our home,” connecting the two as one. Listen on Apple Podcasts Joan is writing about a specific area of land. She is Iñupiaq, and her ancestral land includes Beringia, which is a region between Russia and Alaska. Her poem, “Exceeding Beringia,” explores the area’s troubled colonial history and it’s ecological devastation, but it also feels like the beginning of a new era of reclaiming the culture, the land, and the relationships that have been under attack for so long. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on Spotify Joan Naviyuk Kane’s many books of poetry, including The Cormorant Hunter’s Wife, Hyperboreal, and Milk Black Carbon. She is the recipient of many prestigious awards and fellowships, including a Guggenheim Fellowship, Radcliffe Fellowship, Whiting Award, Paul Engle Prize, and Shelley Memorial Award. I spoke with Joan on July 14, 2022, when she was living in Cambridge, Massachusetts, and teaching at Harvard. She now lives in Portland, Oregon, where she is Chair and Associate Professor of Creative Writing at Reed College. This episode of Chrysalis is part of the Chrysalis Poets series. Here is Joan Naviyuk Kane reading her poem, “Exceeding Beringia.” Exceeding BeringiaJoan Naviyuk Kane “I remember the birds ever so many of them when I hunted with the weapons of a child. The water was covered in their numbers, red as the flowers of summer on the mountain. The red phalarope were our prey of choice, there were so many. Today, these birds return yearly, but now only a few return home in spring to show us they remain a part of the land, as we are.” —Herbert Aġiyġaq Anungazuk Nimiqtuumaruq aktunaamik: bound with rope. This land with its laws that serve as wire and root to draw us together. Sinew, snare, the unseen growth of the green tree many rivers south whose stump now shoals into use. Through layer upon layer of land submerged, of ice, of ash, through lakes that cannot be the eyes of the earth. The phreatomagmatic blue sprawl of the Devil Mountain Maar, the Kuzitrun drained by inland veins scrawling tributaries with name upon vanishing name. The giant granite tors at Serpentine: Iyat, the cooking pot sentineled by unscoured stone as it towers endlessly into the flickering sky. Auksruaq, like the blood that seeps across such hot and dim and strenuous times where one still cannot be serene: red phalarope, might we follow, leaving the meadow wet with tears? From nest to fledge and then to move again right out to sea, circling tight vortices to upwell food. Let us lose our grief in great rafts as we translate the renamed straits. Our limbs, like yours, are burnt and broken. Let us at last make noise of this truth as we return together to wear another furrow, to make portage, to make our land our home anew. Listen on YouTube Notes and Media Recommendations Joan Naviyuk Kane Websitehttps://www.thejoankane.comThe Cormorant Hunter’s Wife By Joan Kane https://upcolorado.com/university-of-alaska-press/the-cormorant-hunter-s-wifeHyperboreal By Joan Naviyuk Kanehttps://upittpress.org/books/9780822962625/Milk Black Carbon By Joan Naviyuk Kanehttps://upittpress.org/books/9780822964513/Dark Traffic By Joan Naviyuk Kanehttps://upittpress.org/books/9780822966623/with snow pouring southward past the window By Joan Naviyuk Kanehttps://upittpress.org/books/9780822967668/Sublingual By Joan Naviyuk Kanehttps://finishinglinepress.com/product/sublingual-by-joan-naviyuk-kane/ A Few Lines in the Manifest By Joan Naviyuk Kanehttps://books.google.com/books/about/A_Few_Lines_in_the_Manifest.html?id=vmLquQEACAAJAnother Bright Departure By Joan Naviyuk Kanehttps://www.thejoankane.com/Ex Machina By Joan Naviyuk Kanehttps://asterismbooks.com/product/ex-machinaThe 2017 Griffin Poetry Prize Anthology: A Selection of the Shortlist By Sue Goyette, Joan Naviyuk Kane, George Szirteshttps://www.strandbooks.com/the-2017-griffin-poetry-prize-anthology-a-selection-of-the-shortlist-9781487002329.htmlCircumpolar Connections: Creative Indigenous Geographies of the Arctic By Liisa-Rávná Finbog, Joan Naviyuk Kane, Johannes Riquethttps://www.weslpress.org/9780819501899/circumpolar-connections/ Credits This episode was researched by Elena Cebulash and edited by Alice McClain, Sarah Westrich, and Kathryn Fair. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  4. Jul 7

    30. Carey Thornton — Tilth Alliance

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/30-carey-thornton Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. See my series of photographs from Rainier Beach Urban Farm & Wetlands. Tilth is a word that’s not used much anymore. It comes from the Old English word “tilþ,” which is spelled in a funny Old English way and meant “labor” or “work,” especially the “labour or work in the cultivation of the soil,” as the Oxford English Dictionary describes it. Examples from the dictionary include, from the year 1580, “Tilth well done, in season due;” or, from the year 1660, “After four years tilth, lay down your land.” Listen on Apple Podcasts Today, the word has come to mean the physical condition of the soil and its suitability for planting. Back in the Middle Ages, tilth also had a figurative meaning: “The cultivation of knowledge, morality, religion, the mind, etc.” In other words, we can cultivate ourselves in a way that good things can grow, similar to how we cultivate the soil to grow great food. Tilth Alliance in Seattle, Washington, embraces all of these meanings of their namesake. It’s an organization that grew out of a regional network of organic farmers and gardeners in the Pacific Northwest in the 1970s. Today, they define themselves as a community of “farmers, gardeners and eaters” united in the desire “to build a sustainable, healthy and equitable food future.” Listen on Spotify Carey Thornton has been gardening and teaching classes with Tilth Alliance for many years, and she joins me to talk about the work she and others are doing at Tilth Alliance. We spoke on July 15, 2022. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Listen on YouTube On a trip to Seattle, I was able to visit Tilth Alliance’s Rainier Beach Urban Farm & Wetlands, which is an amazing oasis and community space in the middle of Seattle. You can see my photographs from Rainier Beach at https://www.johnfiege.earth/rainier-beach-urban-farm-wetlands/. Here is Carey Thornton. Listen on Captivate Notes and Media Recommendations Tilth Alliancehttps://tilthalliance.orgRainier Beach Urban Farm & Wetlandshttps://tilthalliance.org/our-work/urban-farms-gardens/rainier-beach-urban-farm-wetlands/What Does “Tilth” Mean, Anyway?https://tilthalliance.org/blog/what-does-tilth-mean-anyway/ Credits This episode was researched by Lydia Montgomery and edited by Sofia Chang, with additional editing by Morgan Honaker. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  5. Jun 16

    29. Henri Cole — “Haiku”

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/29-henri-cole-haiku Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Henri Cole wrote his poem, "Haiku," after visiting a jellyfish exhibit at an aquarium. In the poem, he places himself on the beach, in red pajamas, observing and contemplating what he calls the “unnatural cycles” that have emerged in our world. He jumps between the global and the self, switching between third person and first person, connecting our individual lives to the uncanny and unsettling natural world that we find ourselves in, in a way that poetry seems best positioned to explore. Listen on Apple Podcasts I’m John Fiege, and this episode of Chrysalis is part of the Chrysalis Poets series. Henri was born in Japan to a French mother and an American father. He is the author of a memoir and twelve books of poetry. His awards are numerous and include the Jackson Prize, the Kingsley Tufts Award, the Rome Prize, the Berlin Prize, a Guggenheim Fellowship, the Lenore Marshall Award, a fellowship from the Radcliffe Institute for Advanced Study at Harvard, and the Award of Merit Medal in Poetry from the American Academy of Arts and Letters. He has taught at many colleges and universities, including Smith, Reed, Brandeis, Columbia, Harvard, and Yale. He currently teaches at Claremont McKenna College. Listen on Spotify I spoke to Henri on June 29, 2022, and we had a horrible international internet connection with a delay. We’ve edited the conversation so it sounds more natural, but please forgive any remaining moments of awkward pauses and jumps. Here is Henri Cole reading his poem, “Haiku.” “Haiku” by Henri Cole After the sewage flowed into the sea and took the oxygen away, the fishes fled, but the jellies didn’t mind. They stayed and ate up the food the fishes left behind. I sat on the beach in my red pajamas and listened to the sparkling foam, like feelings being fustigated. Nearby, a crayfish tugged on a string. In the distance, a man waved. Unnatural cycles seemed to be establishing themselves, without regard to our lives. Deep inside, I could feel a needle skip: Autumn dark. Murmur of the saw. Poor humans. Henri ColeHenri Cole. Photo by Claudia Gianvenuti for the Civitella Ranieri Foundation, 2009. Courtesy of Henri Cole. Henri Cole is an American poet who has authored numerous collections and garnered a plethora of vestiges of acclaim for his far-reaching and deeply moving works. Such recognition includes the American Academy of Arts and Letter’s Rome Prize, the Berlin Prize, and, most recently, membership in the American Academy of Arts and Letters. Listen on YouTube Born in Fukuoka, Japan, Cole grew up in Virginia, eventually pursuing a Bachelor of Arts degree at the College of William and Mary. Through further educational pursuits, Cole also achieved a Master of Arts at the University of Wisconsin at Milwaukee, as well as a Master of Fine Arts at Columbia University. Cole is the author of numerous collections of poetry spanning five decades, including 2003’s Middle Earth, which won the Kingsley Tufts Poetry Award and was a finalist for the Pulitzer Prize. He released Gravity and Center, a collection of sonnets across 29 years, this past May. In addition to these collections, he wrote a memoir in 2018 called Orphic Paris. Cole has also collaborated with visual artists Jenny Holzer and Kiki Smith, with an example of such work being the 2004 installation Purple Cross, which presents lines pulled from “Blur” (a poem from Middle Earth) using LEDs. Listen on Captivate In addition to his aforementioned awards, Cole has also received fellowships from the Guggenheim Foundation, National Endowment for the Arts, Ingram Merrill Foundation, and Carmargo Foundation. He has previously served as executive director of the Academy of American Poets for six years and editor for poetry of the New Republic for four years. Having taught at Ohio State, Harvard, and Yale, he now works at Claremont McKenna College as a Professor of Literature. Notes and Media RecommendationsHenri Cole's Website:http://henricole.com/ Poet Henri Cole reads, March 2022https://www.youtube.com/watch?v=X4DgPs1YIQ8The Other Love: Poems by Henri Colehttps://us.macmillan.com/books/9780374619039/theotherlove/Blizzard: Poems by Henri Cole https://us.macmillan.com/books/9780374603212/blizzard/Middle Earth: Poems by Henri Cole https://us.macmillan.com/books/9780374529284/middleearth/Gravity and Center: Selected Sonnets, 1994-2002 by Henri Cole https://us.macmillan.com/books/9780374612832/gravityandcenter/ CreditsThis episode was researched by Brodie Mutschler and edited by Sarah Westrich, with additional editing by Morgan Honaker. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker. ----------- Subscribe at https://www.johnfiege.earth/

  6. Jun 9

    28. Beth Osnes — Shine: A Climate Musical

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/28-beth-osnes-shine-a-climate-musical Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Young people are a crucial part of transforming the climate crisis into a more promising future, but their voices are seldom included in discussions of how to reshape our societies in response to the threats of climate change. Beth Osnes wants to change this and get young people more involved in these crucial climate conversations. She is a theater artist who works with young people in fun and creative ways to make theater that engages the climate crisis. Her performances allow young people—with their imaginations, their movements, and their bodies—to enact both the tragedies and utopic possibilities of the ecological crisis moment we all inhabit. Listen on Apple Podcasts Beth is a professor of theatre and environmental studies at the University of Colorado Boulder, where she co-directs an initiative for creative climate communication, called Inside the Greenhouse. She co-developed an online collection of climate-related resources, tools, and activities for students, called Enacting Climate. Her work has won support from the National Science Foundation. Listen on Spotify We discuss her climate musical, called Shine, which is available for free through open source materials to any educators or others who want to put on performances in their own schools or communities. I recorded this conversation on November 1, 2022. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Here is Beth Osnes. Beth OsnesBeth Osnes is a theatre and performance studies artist/scholar who is active in applied performance and creative climate communication. Her current primary interest resides in the use of performance as a tool for supporting youth in empowering their civic voices. Applied performance refers to performance used explicitly for positive social change, which is characterized by process-oriented work on an issue identified by the community. It often takes place in a non-traditional performance space (live or digital) by participants who may not identify as performers, and the work together need not result in a performance: the critical reflection and resulting social action that emerge from the process are paramount. Beth’s approach is highly interdisciplinary, borrowing theoretical foundations and histories of practice from women and gender studies, feminist ecology, voice pathology, education, environmental studies, sustainable development, and applied theatre. Beth seeks to support youth voices to author and actualize an equitable, survivable, and thrive-able future for all life and the ecosystems upon which all life relies. As a Professor of Theatre and Environmental Studies at the University of Colorado, Beth is the Faculty Associate Director for Student Engagement for the SPIKE Center for Sustainability Education and co-director of Inside the Greenhouse, an initiative for creative communication on climate, Beth toured an original musical Shine to Rockefeller Foundation 100 Resilient Cities locations to facilitate youth voices in resilience planning and published the book Performance for Resilience: Engaging Youth on Energy and Climate through Music, Movement, and Theatre. Open Source Materials for Shine are available through the Climate Literacy & Energy Awareness Network. She is As co-founder of SPEAK, Beth recently co-published a curriculum for vocal empowerment for young women’s civic voices that is evidence-based with Dr. Chelsea Hackett and the MAIA Impact School in Guatemala. Beth’s book Theatre for Women’s Participation in Sustainable Development includes her work specific to gender equity in Panama, Guatemala, India, Nicaragua, and the Navajo Nation. Her life as the youngest of a family of ten and her mother’s activist work is featured in the award-winning documentary “Mother: Caring for 7 Billion.” Her book, The Shadow Puppet Theatre of Malaysia-A Study of the Wayang Kulit with Performance Scripts and Puppet Designs (2011), is an in-depth study of Malaysian shadow puppet theatre based on research and performance training as a Fulbright Scholar in Malaysia. Listen on YouTube As co-founder of the former Mothers Acting Up (2002-2011), Beth toured a program in partnership with Philanthropiece Foundation entitled “the MOTHER tour” to locations around the world to create a global community of mothers moving from concern to action on behalf of their most passionate concerns. The tour included an original one-woman performance, (M)other, and a workshop entitled Empowering Mother Voices. In conjunction with this program, Beth developed a methodology specific to gender equity in clean energy development using theatre as a tool to include the voices of the women living in poverty in the planning and implementation of development projects in Panama, Guatemala, India, Nicaragua, Namibia, and the Navajo Nation. She presented this work at the World Renewable Energy Congress in Abu Dhabi in 2010, the World Renewable Energy Forum in Denver in 2012, and the United Nations Earth Summit in Rio in 2012. Listen on Captivate Beth lives in Boulder, Colorado, with her life partner and husband, JP, with whom she has raised three children, Peter, Melisande, and Lerato. Each of them has contributed significantly to what she has been able to create. Recommended Readings & MediaShine – Climate Literacy & Energy Awareness Networkhttps://cleanet.org/resources/56028.htmlPerformance for Resilience: Engaging Youth on Energy and Climate through Music, Movement and Theatre, by Beth Osnes https://link.springer.com/book/10.1007/978-3-319-67289-2Theatre for Women's Participation in Sustainable Development, by Beth Osneshttps://www.routledge.com/Theatre-for-Womens-Participation-in-Sustainable-Development/Osnes/p/book/9781138189669?srsltid=AfmBOooWGexxmVM2XZcDdpOdyyz1VNSkqHuJgmYjoI8fSqe-LgnVy-FxThe Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs, by Beth Osneshttps://mcfarlandbooks.com/product/the-shadow-puppet-theatre-of-malaysia/Mother: Caring for 7 Billion (2011)https://www.filmsforaction.org/watch/mother-caring-for-7-billion-2011/The Motherhood Movementhttps://mommuseum.org/motherhood-movement-film/(M)othera href="https://www.youtube.com/watch?v=6gYIX6fIW1E" rel="noopener noreferrer"...

  7. Jun 3

    27. Alina Simone — Siberia's Black Snow and the Environmental Threat of Authoritarianism

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/27-alina-simone-siberias-black-snow-and-the-environmental-threat-of-authoritarianism Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. Imagine going up against a coal company to protect the health of your children and your community. Here in the United States, it's a daunting challenge; but in Putin's Russia, it's far worse. Listen on Apple Podcasts Alina Simone is a documentary filmmaker whose recent film, Black Snow, tells the story of a brave woman in Russia, named Natalia Zubkova, who went up against a Putin-backed coal company in her small town in Siberia. Natalia’s experience resonates with many environmental justice stories here in the U.S. I’ve recently released several podcasts related to Love Canal, the seminal environmental disaster that played out in the 1970s here in Western New York; and, in many ways, Natalia reminds me of Lois Gibbs, Luella Kenny, and other Love Canal activists. One of the key differences, however, is the dramatically different political situation in 1970s America compared to today’s Russia. Listen on Spotify Listen on YouTube Over the last decade, we in the U.S. have experienced an unprecedented assault on truth. We are told regularly by politicians not to believe what we can see with our own eyes and what we experience in our own lives—not to mention the all-out assault on more abstract truths, like the realities of climate change. Putin’s Russia shows us the end game of a world where truth is what the most powerful players say it is and what it looks like in an authoritarian regime when you step out of line to point out the most obvious truths. As many prominent political figures in the United States push our country towards authoritarianism, like we’re living in a George Orwell novel, Natalia’s story becomes a cautionary tale about how much worse the threats to our health and our environment can become when our democracy is weakened. I saw Black Snow last fall during Climate Week in New York City, at the Climate Film Festival, where my film Raising Aniya was also screening. Alina sat down with me after her screening to discuss the long arc of her documentary film journey and how she pulled off production of this incredible film. Alina is also my first podcast guest to knit through the entire conversation. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. Here is Alina Simone. Notes and Media Recommendations: Black Snow https://www.pbs.org/pov/films/blacksnow/The Redford Center Emmy Nominations and Festival Nominationshttps://www.redfordcenter.org/news/emmy-nominations-cannes-and-two-weeks-left-to-apply-for-a-redford-center-grant/From Siberia, a Voice for Environmental Justice by Laura Fergusonhttps://now.tufts.edu/2025/02/10/siberia-voice-environmental-justiceThe Redford Center, Black Snow: After the Filmhttps://www.youtube.com/watch?v=2MeoLPkdXc4Toxic black snow covers Siberian coalmining region by Marc Bennettshttps://www.theguardian.com/environment/2019/feb/15/toxic-black-snow-covers-siberian-coalmining-regionBlack snow falls from the sky in Siberia, and it's toxic by Brandon Specktorhttps://www.cbsnews.com/news/black-snow-falls-from-the-sky-in-siberia-and-its-toxic/POV Behind the Lens: Black Snowhttps://www.pbs.org/video/behind-the-lens-black-snow-7v8upz/ POV Black Snow DELVE DEEPER READING LISThttps://cdn.prod.websitefiles.com/6733b7b0e0f4d5f62ca058ad/68d40230b7f50ace44ffa067_Black%20Snow%20Delve%20Deeper.pdf Credits This episode was edited by Maya Shook, with additional editing by Isabella Fleming. Music is by Daniel Rodríguez Vivas. Mixing is by Morgan Honaker.

  8. May 20

    26. Christi Cooper — The Biggest Crime Against Humanity Ever

    Subscribe to Chrysalis at https://www.johnfiege.earth/ Show notes: https://www.johnfiege.earth/26-christi-cooper-the-biggest-crime-against-humanity-ever Listen to Chrysalis on Apple Podcasts, Spotify, YouTube, and Captivate. The oil industry is scared. The impacts of climate change are upon us, and oil companies knew decades ago that burning fossil fuels would warm the planet. Listen on Apple Podcasts A paper published in the journal Nature in March of 2026 by several Stanford University researchers quantifies the economic impacts of fossil fuel emissions, concluding, for example, that emissions in the U.S. since 1990 have caused over $10 trillion in economic damages worldwide—what they call a conservative estimate. And that’s just the tip of the iceberg. Even if emissions were to go to zero today, the future economic damages from past emissions would be, as the researchers write, “at least an order of magnitude larger than historical damages from the same emissions.” Listen on YouTube What this all means for oil companies is massive liability. Their actions caused measurable economic harm to people, they knew that their activities would cause climate change, and they’ve spent decades dumping money into efforts to prevent emissions reductions. They’re scared, and they should be. On April 23, 2026, Emily Atkin, writing in the Heated newsletter, and Dharna Noor, writing in the Guardian, both reported on a bill introduced by Republican Senator Ted Cruz of Texas and Republican Representative Harriet Hageman of Wyoming, dubbed the Stop Climate Shakedowns Act of 2026. Listen on Captivate Its purpose, it states, is “To prohibit liability against those engaged in the mining, extraction, production, refinement, transportation, distribution, marketing, manufacture, or sale of energy for damages or injunctive or other relief from the use of their products, and for other purposes.” In other words, if this bill passes, it would strip Americans of their right to sue oil companies for many of the damages they’ve caused. A similar piece of legislation passed in 2005, called the Protection of Lawful Commerce in Arms Act, which largely shields gun manufacturers and dealers from legal liability. Currently, there are lawsuits in courts all over the country attempting to hold oil companies and governments accountable for climate impacts. If the Stop Climate Shakedowns Act of 2026 passes, then those pending lawsuits will be dismissed, as well. One of the first significant lawsuits of this kind is Juliana v. United States. My guest, Christi Cooper, made a documentary called Youth v. Gov, about this historic case, filmed as it was moving through the courts. Christi has an interesting story. She studied science and earned a PhD in neuroscience, going as far as to become a professor in Sweden before leaving everything behind to go study environmental filmmaking. She became an award-winning documentary filmmaker, including an Emmy award for cinematography. Youth v. Gov was released worldwide in 2022, when it premiered on Netflix. Listen on Spotify In this conversation, we dive into the Juliana case and the legal arguments against governments that fail to protect their citizens from the harms of climate change. Lawsuits against governments differ from those against oil companies, but they make similar legal arguments. In both cases, the defendants knew about the harms of climate change but failed to take meaningful action to prevent those harms. The lead attorney in the Juliana case, Julia Olson, calls the climate crisis, “the biggest crime against humanity ever.” Julia responded to this crime by helping these young people sue the government. Christi responded by making a film about what happened. I’m John Fiege, and this is Chrysalis. You can subscribe at johnfiege.earth, where you will also find show notes and all episodes of the podcast, plus my writing, photographs, and films. I met Christi at an environmental filmmaking retreat at Sundance in 2018, when she was still in production on Youth v. Gov. We recorded this conversation on July 15, 2021. Here is Christi Cooper. Quotation Read by Christi Cooper“The rights of every man are diminished when the rights of one man are threatened” ―John F. Kennedy Update on Juliana v. United StatesThis conversation was recorded in the summer of 2021, and the plaintiffs in Juliana v. United States had to wait years for a decision. On Dec. 29, 2023, Judge Aiken of the federal district court for the District of Oregon allowed the case to proceed to trial; but just a few months later, on May 1, 2024, the Ninth Circuit Court of Appeals directed Judge Aiken’s lower court to dismiss Juliana v. United States for lack of standing, with no option to amend. The plaintiffs filed a petition for a rehearing from the Ninth Circuit Court, which they denied on July 12, 2024. The plaintiffs then filed a petition with the U.S. Supreme Court to revive the case, which they denied on March 24, 2025. Many of the same plaintiffs then filed a petition against the U.S. government with the Inter-American Commission on Human Rights. Notes and Media RecommendationsYouth v Gov Directed by Christi Cooper https://www.youthvgovfilm.com/Stories of Trust: Calling for Climate Recovery Directed by Christi Cooperhttps://www.ourchildrenstrust.org/short-filmsJuliana v. United Stateshttps://www.ourchildrenstrust.org/juliana-v-usLearning from the '60s By Audre Lordehttps://blackpast.org/african-american-history/1982-audre-lorde-learning-60s/Juliana v. United States https://static1.squarespace.com/static/571d109b04426270152febe0/t/57a35ac5ebbd1ac03847eece/1470323398409/YouthAmendedComplaintAgainstUS.pdfThe Twenty-One: The True Story of the Youth Who Sued the U.S. Government over Climate Change By Elizabeth Rusch https://www.harpercollins.com/products/the-twenty-one-elizabeth-rusch?variant=40980358365218 CreditsThis episode was researched and edited by Gabriela Cordoba Vivas, with additional editing by Isabella Fleming, Amy Cavanaugh, and Marta Kondratiuk. Music is by Daniel Rodriguez Vivas. Mixing is by Morgan Honaker.

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About

I’m a professor, filmmaker, and storyteller interested in the question of how we can transform ourselves—as individuals, as societies, as an entire species—in ways that allow our planet’s ecological systems to thrive. I began this work through the study of environmental history and cultural geography. I then became a filmmaker and photographer focused on stories of transformation in the face of ecological peril. Most recently, I launched the Chrysalis newsletter and podcast to have conversations with a wide variety of environmental thinkers, as well as to share my writing on our relationship with the natural world. My newsletter, podcast, and photographs are available for free to anyone. By becoming a paid subscriber on johnfiege.earth—what we call a Butterfly Subscriber—you can also stream my films and post on the community comments section of the newsletter. Your support provides essential resources for the newsletter and podcast to grow and remain free and ad-free for everyone. Humanity has been a very hungry caterpillar, eating everything in sight. Can we now transform into a beautiful butterfly ready to pollinate the flowers, rather than just eat the leaves? This is the question that animates me—and I believe that digging deeply into the question itself can catalyze transformation.