Gardens and Machines: The Whitman Field Recordings

Johannes Binotto
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This is a podcast of the BA seminar "Gardens and Machines. American Nature from Transcendentalism to Industrialization" from fall semester 2021 at the English Department of the University of Zurich. The first season of the podcast is devoted to Walt Whitman, whose poems we stage in a natural auditory environment.

  1. 10/27/2021

    Wonderful how I celebrate you and myself // Dylan Watkins

    Wonderful how I celebrate you and myself How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead! How the earth darts on and on! and how the sun, moon, stars, dart on and on! How the water sports and sings! (surely it is alive!) How the trees rise and stand up, with strong trunks, with branches and leaves!  (Surely there is something more in each of the trees, some living soul.) O amazement of things—even the least particle! O spirituality of things! O strain musical flowing through ages and continents, now reaching me and America! I take your strong chords, intersperse them, and cheerfully pass them forward. I too carol the sun, usher’d or at noon, or as now, setting, I too throb to the brain and beauty of the earth and of all the growths of the earth, I too have felt the resistless call of myself. As I steam’d down the Mississippi, As I wander’d over the prairies, As I have lived, as I have look’d through my windows my eyes, As I went forth in the morning, as I beheld the light breaking in the east, As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea, As I roam’d the streets of inland Chicago, whatever streets I have roam’d, Or cities or silent woods, or even amid the sights of war, Wherever I have been I have charged myself with contentment and triumph. I sing to the last the equalities modern or old, I sing the endless finales of things, I say Nature continues, glory continues, I praise with electric voice, For I do not see one imperfection in the universe, And I do not see one cause or result lamentable at last in the universe. O setting sun! though the time has come, I still warble under you, if none else does, unmitigated adoration.

  2. 10/27/2021

    Miracles // Brian Huber

    Why, who makes much of a miracle? As to me I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love, or sleep in the bed at night with any one I love, Or sit at table at dinner with the rest, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive of a summer forenoon, Or animals feeding in the fields, Or birds, or the wonderfulness of insects in the air, Or the wonderfulness of the sundown, or of stars shining so quiet and bright, Or the exquisite delicate thin curve of the new moon in spring; These with the rest, one and all, are to me miracles, The whole referring, yet each distinct and in its place. To me every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same. To me the sea is a continual miracle, The fishes that swim—the rocks—the motion of the waves—the ships with men in them, What stranger miracles are there?

  3. 10/27/2021

    Vocalism // Emma Peeters

    Vocalism, measure, concentration, determination, and the divine power to speak words; Are you full-lung’d and limber-lipp’d from long trial? from vigorous practice? from physique? Do you move in these broad lands as broad as they? Come duly to the divine power to speak words? For only at last after many years, after chastity, friendship, procreation, prudence, and nakedness, After treading ground and breasting river and lake, After a loosen’d throat, after absorbing eras, temperaments, races, after knowledge, freedom, crimes,  After complete faith, after clarifyings, elevations, and removing obstructions, After these and more, it is just possible there comes to a man, woman, the divine power to speak words;  Then toward that man or that woman swiftly hasten all—none refuse, all attend, Armies, ships, antiquities, libraries, paintings, machines, cities, hate, despair, amity, pain, theft, murder, aspiration, form in close ranks, They debouch as they are wanted to march obediently through the mouth of that man or that woman.

  4. 10/27/2021

    Ever upon this stage // Andrin Peterhans

    Ever upon this stage, Is acted God’s calm annual drama, Gorgeous processions, songs of birds, Sunrise that fullest feeds and freshens most the soul, The heaving sea, the waves upon the shore, the musical, strong waves, The woods, the stalwart trees, the slender, tapering trees, The liliput countless armies of the grass, The heat, the showers, the measureless pasturages, The scenery of the snows, the winds’ free orchestra, The stretching light-hung roof of clouds, the clear cerulean and the silvery fringes, The high-dilating stars, the placid beckoning stars, The moving flocks and herds, the plains and emerald meadows, The shows of all the varied lands and all the growths and products.

  5. 10/27/2021

    Look down fair moon // Jay Dürig

    Look down fair moon and bathe this scene, Pour softly down night’s nimbus floods on faces ghastly, swollen, purple, On the dead on their backs with arms toss’d wide, Pour down your unstinted nimbus sacred moon.

  6. 10/27/2021

    Give me the splendid silent sun // Lena Kissoczy

    Give me the splendid silent sun with all his beams full-dazzling, Give me autumnal fruit ripe and red from the orchard, Give me a field where the unmow’d grass grows, Give me an arbor, give me the trellis’d grape, Give me fresh corn and wheat, give me serene-moving animals teaching content, Give me nights perfectly quiet as on high plateaus west of the Mississippi, and I looking up at the stars, Give me odorous at sunrise a garden of beautiful flowers where I can walk undisturb’d, Give me for marriage a sweet-breath’d woman of whom I should never tire, Give me a perfect child, give me away aside from the noise of the world a rural domestic life, Give me to warble spontaneous songs recluse by myself, for my own ears only, Give me solitude, give me Nature, give me again O Nature your primal sanities! These demanding to have them, (tired with ceaseless excitement, and rack’d by the war-strife,) These to procure incessantly asking, rising in cries from my heart, While yet incessantly asking still I adhere to my city, Day upon day and year upon year O city, walking your streets, Where you hold me enchain’d a certain time refusing to give me up, Yet giving to make me glutted, enrich’d of soul, you give me forever faces; (O I see what I sought to escape, confronting, reversing my cries, see my own soul trampling down what it ask’d for.)

  7. 10/27/2021

    To a President // Anna-Lena Gruber

    All you are doing and saying is to America dangled mirages, You have not learn’d of Nature—of the politics of Nature you have not learn’d the great amplitude, rectitude, impartiality, You have not seen that only such as they are for these States, And that what is less than they must sooner or later lift off from these States.

  8. 10/27/2021

    Me and mine, loose windrows, little corpses // Johannes Binotto

    Me and mine, loose windrows, little corpses, Froth, snowy white, and bubbles, (See, from my dead lips the ooze exuding at last, See, the prismatic colors glistening and rolling,) Tufts of straw, sands, fragments, Buoy’d hither from many moods, one contradicting another, From the storm, the long calm, the darkness, the swell, Musing, pondering, a breath, a briny tear, a dab of liquid or soil, Up just as much out of fathomless workings fermented and thrown, A limp blossom or two, torn, just as much over waves floating, drifted at random, Just as much for us that sobbing dirge of Nature, Just as much whence we come that blare of the cloud-trumpets, We, capricious, brought hither we know not whence, spread out before you, You up there walking or sitting, Whoever you are, we too lie in drifts at your feet.

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This is a podcast of the BA seminar "Gardens and Machines. American Nature from Transcendentalism to Industrialization" from fall semester 2021 at the English Department of the University of Zurich. The first season of the podcast is devoted to Walt Whitman, whose poems we stage in a natural auditory environment.

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