situation / story

chris moore

[mostly feminist] author interviews; email: thesituationandthestory [at] gmail [dot] com for booking or to send a letter. situationstory.substack.com

  1. 02/08/2022

    A FACE FOR PICASSO w/Ariel Henley

    I am ugly. There's a mathematical equation to prove it. At only eight months old, identical twin sisters Ariel and Zan were diagnosed with Crouzon syndrome -- a rare condition where the bones in the head fuse prematurely. They were the first twins known to survive it. Growing up, Ariel and her sister endured numerous appearance-altering procedures. Surgeons would break the bones in their heads and faces to make room for their growing organs. While the physical aspect of their condition was painful, it was nothing compared to the emotional toll of navigating life with a facial disfigurement. Ariel explores beauty and identity in her young-adult memoir about resilience, sisterhood, and the strength it takes to put your life, and yourself, back together time and time again. About Ariel: Ariel Henley is a writer from Northern California with a B.A. in English and Political Science from the University of Vermont. She is passionate about writing as a form of activism, and hopes to use her story to promote mainstream inclusion for individuals with physical differences. Her work has appeared in The New York Times, The Atlantic, The Washington Post, and Narratively. A Face for Picasso is her debut novel. Follow Ariel: Instagram Twitter *** $upport the $how (Patreon) $upport the $how (Anchor) @SituationStory Instagram Facebook --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/situationandstory/support This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit situationstory.substack.com

    57 min
  2. 01/18/2022

    BAD TOURIST w/Suzanne Roberts

    Suzanne Roberts is a travel writer, memoirist, and poet. Her books include the 2012 National Outdoor Book Award-winning Almost Somewhere: Twenty-Eight Days on the John Muir Trail (Bison Books, 2012), the award-winning memoir in travel essays Bad Tourist: Misadventures in Love and Travel (University of Nebraska Press, 2020), a collection of lyrical essays, Animal Bodies: On Death, Desire, and Other Difficulties (forthcoming from the University of Nebraska Press, 2022), and four collections of poetry. Her work has been listed as "Notable" in Best American Essays and published in The New York Times, Creative Nonfiction, Brevity, The Rumpus, CNN, Longreads, ZYZZYVA, ISLE, 1966, River Teeth,  Terrain, National Geographic Traveler, The Normal School, and Litro, as well as anthologized in The Kiss: Intimacies from Writers, The Pacific Crest Trailside Reader, Tahoe Blues, Southern Sin: True Stories of the Sultry South and Women Behaving Badly, Poems Dead and Undead, and in two editions of Best Women's Travel Writing. Follow Suzanne: Instagram Facebook Twitter *** $upport the $how (Patreon) $upport the $how (Anchor) @SituationStory Instagram Facebook --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/situationandstory/support This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit situationstory.substack.com

    59 min
  3. 12/27/2021

    BLACKTOP WASTELAND w/S.A. Cosby

    When I started reading BLACKTOP WASTELAND in August, on recommendation from a friend, I don't think I realized quite how much S.A. Cosby would reveal about the contradictions and complexities of rural life in the South (U.S), especially for a Black man. In his review of the novel for NPR, Gabino Iglesias wrote, "The most surprising thing about S.A. Cosby's Blacktop Wasteland, which is marketed as a crime novel, is that crime is the least important element in the book." It wasn't the prescribed genre that drew me to his work, it was the fact that I knew he was going to give a voice to a Southern Black experience that I have been hungry for ever since he-who-shall-not-be-named took the highest office in the nation. Nonetheless, it is a remarkable work in the genre and is a well-earned contribution to the American canon of Southern literature. Listen in as S.A. and I discuss race relations in the U.S., Southern cooking, what it's like to become the peer of our heroes, and how to tell a damn good story.  Find and follow S.A. Cosby: Twitter Facebook Instagram Purchase BLACKTOP WASTELAND by S.A. Cosby: Macmillan Publishers Bookshop Barnes and Noble Amazon, if you must (but please leave a review!) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/situationandstory/support This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit situationstory.substack.com

    55 min
  4. DON'T GO CRAZY WITHOUT ME w/Deborah A. Lott

    11/09/2021

    DON'T GO CRAZY WITHOUT ME w/Deborah A. Lott

    About the Book: Deborah A. Lott grew up in a Los Angeles suburb in the 1950s, under the sway of her outrageously eccentric father. A lay rabbi who enjoyed dressing up like Little Lord Fauntleroy, he taught her how to have fun. But he also taught her to fear germs, other children, and contamination from the world at large. Deborah was so deeply bonded to her father and his peculiar worldview that when he plunged from neurotic to full-blown psychotic, she nearly followed him. Sanity is not always a choice, but for sixteen-year-old Deborah, lines had to be drawn between reality and her own “overactive imagination.” She saved herself through an unconventional reading of Moby Dick, a deeply awkward sexual awakening, and entry into the world of political activism as a volunteer in Robert F. Kennedy’s Presidential campaign. After attending Kennedy’s last stop at the Ambassador Hotel the night of his assassination, Deborah would come to a new reckoning with loss. Ultimately, she would find her own path, and her own way of turning grief into love. About Deborah: Deborah A. Lott is a writer, editor, and college instructor. Her creative nonfiction has been published widely. Her work has been thrice named as Notable Essays of the Year in Best American Essays, and thrice nominated for a Pushcart Prize. Her book, Don’t Go Crazy Without Me has been acclaimed by writers Mark Doty, Abigail Thomas, Paul Lisicky, Karen E. Bender, Hope Edelman, among others. She is also the author of the book In Session: the Bond between Women and Their Therapists, which was widely praised for its unprecedented look at boundary and transference dilemmas in psychotherapy. Lott surveyed and interviewed several hundred women in gathering the research for that work. The book continues to be used to train psychotherapists nationwide and appears on multiple consumer websites as one of the top books ever written about the psychotherapy relationship. Lott serves as a faculty member at Antioch University, Los Angeles, where she teaches creative writing and literature courses, and serves as Editor to Two Hawks Quarterly. Among other courses, she has developed The Trauma Memoir, Lolita and Her Literary Sisters, and Representations of Childhood in Literature. As an independent editor, Lott has worked with a number of published authors developing articles, web content, books, academic monographs, and other material Follow Deborah: Twitter: @deborahlott8 Facebook Website Follow TSatS: Twitter: @SituationStory IG: @situationandstory Facebook --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/situationandstory/support This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit situationstory.substack.com

    57 min

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[mostly feminist] author interviews; email: thesituationandthestory [at] gmail [dot] com for booking or to send a letter. situationstory.substack.com